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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 120 255 it is the complementary color RGB 200 135 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 120 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 120 255 shade: RGB 60 120 250, RGB 77 138 255, RGB 94 156 255, RGB 111 174 255 and RGB 128 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 120 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 120 255 shade: RGB 55 120 255, RGB 38 102 236, RGB 21 84 217, RGB 4 66 198 and RGB 0 48 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 120 255 shade: RGB 56 120 255, RGB 56 67 255, RGB 98 56 255, RGB 152 56 255 and RGB 206 56 255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 120 255 shade: RGB 56 120 255, RGB 56 67 255 and RGB 56 56 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 120 255 shade matches the following richer shades: RGB 56 120 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 120 255 shade: RGB 56 120 255, RGB 72 126 238, RGB 88 132 222, RGB 104 137 206 and RGB 120 143 190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 120 255 shade: RGB 56 228 255, RGB 56 175 255, RGB 56 122 255, RGB 56 69 255 and RGB 95 56 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 120 255 shade: RGB 0 74 228, RGB 14 92 255, RGB 56 120 255, RGB 97 148 255 and RGB 138 176 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 120 255 shade: RGB 55 120 255, RGB 228 56 255 and RGB 201 255 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 120 255 shade: RGB 55 120 255, RGB 255 56 122 and RGB 122 255 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 120 255 shade: RGB 55 120 255, RGB 228 56 255, RGB 255 188 56 and RGB 82 255 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 120 255 shade: RGB 55 120 255, RGB 255 56 221, RGB 255 188 56 and RGB 56 255 89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 53 / 0 / 0

HEX #3778FF

RGB 55 120 255

HSL 220.5, 1%, 0.61%

LAB 53.45, 26.62, -72.93

 

Complementary color

CMYK 0 / 33 / 100 / 22

HEX #C88700

RGB 200 135 0

HSL 40.5, 1%, 0.39%

LAB 61.31, 16.33, 66.8

 

CMYK 76 / 52 / 0 / 2

HEX #3C78FA

RGB 60 120 250

HSL 221.05, 0.95%, 0.61%

LAB 53.27, 25.3, -70.46

 

CMYK 70 / 46 / 0 / 0

HEX #4D8AFF

RGB 77 138 255

HSL 219.44, 1%, 0.65%

LAB 58.95, 18.12, -64.02

 

CMYK 63 / 39 / 0 / 0

HEX #5E9CFF

RGB 94 156 255

HSL 216.89, 1%, 0.68%

LAB 64.46, 10.02, -55.17

 

CMYK 56 / 32 / 0 / 0

HEX #6FAEFF

RGB 111 174 255

HSL 213.75, 1%, 0.72%

LAB 70.09, 2.83, -46.24

 

CMYK 50 / 25 / 0 / 0

HEX #80C0FF

RGB 128 192 255

HSL 209.76, 1%, 0.75%

LAB 75.77, -3.55, -37.32

 

CMYK 78 / 53 / 0 / 0

HEX #3778FF

RGB 55 120 255

HSL 220.5, 1%, 0.61%

LAB 53.45, 26.62, -72.93

 

CMYK 84 / 57 / 0 / 7

HEX #2666EC

RGB 38 102 236

HSL 220.61, 0.84%, 0.54%

LAB 46.94, 29.5, -72.97

 

CMYK 90 / 61 / 0 / 15

HEX #1554D9

RGB 21 84 217

HSL 220.71, 0.82%, 0.47%

LAB 40.43, 32.88, -72.85

 

CMYK 98 / 67 / 0 / 22

HEX #0442C6

RGB 4 66 198

HSL 220.82, 0.96%, 0.4%

LAB 33.98, 36.72, -72.45

 

CMYK 100 / 73 / 0 / 30

HEX #0030B3

RGB 0 48 179

HSL 223.91, 1%, 0.35%

LAB 27.76, 40.9, -71.51

 

CMYK 78 / 53 / 0 / 0

HEX #3878FF

RGB 56 120 255

HSL 220.7, 1%, 0.61%

LAB 53.49, 26.71, -72.88

 

CMYK 78 / 74 / 0 / 0

HEX #3843FF

RGB 56 67 255

HSL 236.68, 1%, 0.61%

LAB 41.34, 58.4, -92.79

 

CMYK 62 / 78 / 0 / 0

HEX #6238FF

RGB 98 56 255

HSL 252.66, 1%, 0.61%

LAB 42.22, 67.25, -91.23

 

CMYK 40 / 78 / 0 / 0

HEX #9838FF

RGB 152 56 255

HSL 268.94, 1%, 0.61%

LAB 47.91, 73.85, -81.67

 

CMYK 19 / 78 / 0 / 0

HEX #CE38FF

RGB 206 56 255

HSL 285.23, 1%, 0.61%

LAB 55.25, 82.36, -69.41

 

CMYK 78 / 53 / 0 / 0

HEX #3878FF

RGB 56 120 255

HSL 220.7, 1%, 0.61%

LAB 53.49, 26.71, -72.88

 

CMYK 78 / 74 / 0 / 0

HEX #3843FF

RGB 56 67 255

HSL 236.68, 1%, 0.61%

LAB 41.34, 58.4, -92.79

 

CMYK 78 / 78 / 0 / 0

HEX #3838FF

RGB 56 56 255

HSL 240, 1%, 0.61%

LAB 39.39, 63.96, -96.01

 

CMYK 78 / 53 / 0 / 0

HEX #3878FF

RGB 56 120 255

HSL 220.7, 1%, 0.61%

LAB 53.49, 26.71, -72.88

 

CMYK 78 / 53 / 0 / 0

HEX #3878FF

RGB 56 120 255

HSL 220.7, 1%, 0.61%

LAB 53.49, 26.71, -72.88

 

CMYK 70 / 47 / 0 / 7

HEX #487EEE

RGB 72 126 238

HSL 220.48, 0.83%, 0.61%

LAB 54.52, 18.77, -61.75

 

CMYK 60 / 41 / 0 / 13

HEX #5884DE

RGB 88 132 222

HSL 220.3, 0.67%, 0.61%

LAB 55.94, 12.24, -50.51

 

CMYK 50 / 33 / 0 / 19

HEX #6889CE

RGB 104 137 206

HSL 220.59, 0.51%, 0.61%

LAB 57.36, 7.52, -39.22

 

CMYK 37 / 25 / 0 / 25

HEX #788FBE

RGB 120 143 190

HSL 220.29, 0.35%, 0.61%

LAB 59.3, 3.55, -27.08

 

CMYK 78 / 11 / 0 / 0

HEX #38E4FF

RGB 56 228 255

HSL 188.14, 1%, 0.61%

LAB 83.73, -33.3, -25.25

 

CMYK 78 / 31 / 0 / 0

HEX #38AFFF

RGB 56 175 255

HSL 204.12, 1%, 0.61%

LAB 68.55, -6.01, -48.79

 

CMYK 78 / 52 / 0 / 0

HEX #387AFF

RGB 56 122 255

HSL 220.1, 1%, 0.61%

LAB 54.01, 25.47, -72.04

 

CMYK 78 / 73 / 0 / 0

HEX #3845FF

RGB 56 69 255

HSL 236.08, 1%, 0.61%

LAB 41.72, 57.33, -92.16

 

CMYK 63 / 78 / 0 / 0

HEX #5F38FF

RGB 95 56 255

HSL 251.76, 1%, 0.61%

LAB 41.97, 66.96, -91.66

 

CMYK 100 / 68 / 0 / 11

HEX #004AE4

RGB 0 74 228

HSL 220.53, 1%, 0.45%

LAB 38.72, 42.78, -81.93

 

CMYK 95 / 64 / 0 / 0

HEX #0E5CFF

RGB 14 92 255

HSL 220.58, 1%, 0.53%

LAB 45.59, 41.79, -85.81

 

CMYK 78 / 53 / 0 / 0

HEX #3878FF

RGB 56 120 255

HSL 220.7, 1%, 0.61%

LAB 53.49, 26.71, -72.88

 

CMYK 62 / 42 / 0 / 0

HEX #6194FF

RGB 97 148 255

HSL 220.63, 1%, 0.69%

LAB 62.46, 15.25, -58.36

 

CMYK 46 / 31 / 0 / 0

HEX #8AB0FF

RGB 138 176 255

HSL 220.51, 1%, 0.77%

LAB 72.01, 7.6, -43.13

 

CMYK 78 / 53 / 0 / 0

HEX #3778FF

RGB 55 120 255

HSL 220.5, 1%, 0.61%

LAB 53.45, 26.62, -72.93

 

CMYK 11 / 78 / 0 / 0

HEX #E438FF

RGB 228 56 255

HSL 291.86, 1%, 0.61%

LAB 58.55, 86.19, -63.92

 

CMYK 21 / 0 / 78 / 0

HEX #C9FF38

RGB 201 255 56

HSL 76.28, 1%, 0.61%

LAB 93.55, -41.94, 81.59

 

CMYK 78 / 53 / 0 / 0

HEX #3778FF

RGB 55 120 255

HSL 220.5, 1%, 0.61%

LAB 53.45, 26.62, -72.93

 

CMYK 0 / 78 / 52 / 0

HEX #FF387A

RGB 255 56 122

HSL 340.1, 1%, 0.61%

LAB 57.55, 76, 11.45

 

CMYK 52 / 0 / 78 / 0

HEX #7AFF38

RGB 122 255 56

HSL 100.1, 1%, 0.61%

LAB 89.83, -67.93, 76.81

 

CMYK 78 / 53 / 0 / 0

HEX #3778FF

RGB 55 120 255

HSL 220.5, 1%, 0.61%

LAB 53.45, 26.62, -72.93

 

CMYK 11 / 78 / 0 / 0

HEX #E438FF

RGB 228 56 255

HSL 291.86, 1%, 0.61%

LAB 58.55, 86.19, -63.92

 

CMYK 0 / 26 / 78 / 0

HEX #FFBC38

RGB 255 188 56

HSL 39.8, 1%, 0.61%

LAB 80.47, 12.96, 71.28

 

CMYK 68 / 0 / 78 / 0

HEX #52FF38

RGB 82 255 56

HSL 112.16, 1%, 0.61%

LAB 88.73, -76.89, 75.38

 

CMYK 78 / 53 / 0 / 0

HEX #3778FF

RGB 55 120 255

HSL 220.5, 1%, 0.61%

LAB 53.45, 26.62, -72.93

 

CMYK 0 / 78 / 13 / 0

HEX #FF38DD

RGB 255 56 221

HSL 310.25, 1%, 0.61%

LAB 61.05, 86.3, -40.69

 

CMYK 0 / 26 / 78 / 0

HEX #FFBC38

RGB 255 188 56

HSL 39.8, 1%, 0.61%

LAB 80.47, 12.96, 71.28

 

CMYK 78 / 0 / 65 / 0

HEX #38FF59

RGB 56 255 89

HSL 129.95, 1%, 0.61%

LAB 88.49, -78.21, 63.7

 

Description

Color code: RGB 55 120 255 | qconv.com Color code: RGB 55 120 255 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 120 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 120 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 53 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 53% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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