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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 94 111 it is the complementary color RGB 200 161 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 94 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 94 111 shade: RGB 60 94 106, RGB 77 112 125, RGB 94 130 144, RGB 111 148 163 and RGB 128 166 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 94 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 94 111 shade: RGB 55 94 111, RGB 38 76 92, RGB 21 58 73, RGB 4 40 54 and RGB 0 22 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 94 111 shade: RGB 55 95 112, RGB 55 79 112, RGB 55 64 112, RGB 61 55 112 and RGB 77 55 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 94 111 shade: RGB 55 95 112, RGB 55 79 112, RGB 55 64 112 and RGB 55 55 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 94 111 shade matches the following richer shades: RGB 55 95 112, RGB 41 100 126, RGB 28 106 139, RGB 14 111 153 and RGB 1 116 167

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 94 111 shade: RGB 55 95 112, RGB 69 90 99, RGB 82 84 85, RGB 96 79 71 and RGB 110 73 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 94 111 shade: RGB 55 112 99, RGB 55 110 112, RGB 55 95 112, RGB 55 80 112 and RGB 55 65 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 94 111 shade: RGB 28 48 57, RGB 41 72 85, RGB 55 95 112, RGB 69 118 140 and RGB 82 142 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 94 111 shade: RGB 55 94 111, RGB 84 55 112 and RGB 112 107 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 94 111 shade: RGB 55 94 111, RGB 112 55 95 and RGB 95 112 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 94 111 shade: RGB 55 94 111, RGB 84 55 112, RGB 112 72 55 and RGB 84 112 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 94 111 shade: RGB 55 94 111, RGB 101 55 112, RGB 112 72 55 and RGB 66 112 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 15 / 0 / 56

HEX #375E6F

RGB 55 94 111

HSL 198.21, 0.34%, 0.33%

LAB 37.78, -8.68, -13.94

 

Complementary color

CMYK 0 / 20 / 28 / 22

HEX #C8A190

RGB 200 161 144

HSL 18.21, 0.34%, 0.67%

LAB 69.31, 11.89, 14.3

 

CMYK 43 / 11 / 0 / 58

HEX #3C5E6A

RGB 60 94 106

HSL 195.65, 0.28%, 0.33%

LAB 37.85, -8.82, -10.72

 

CMYK 38 / 10 / 0 / 51

HEX #4D707D

RGB 77 112 125

HSL 196.25, 0.24%, 0.4%

LAB 45.15, -8.91, -11.16

 

CMYK 35 / 10 / 0 / 44

HEX #5E8290

RGB 94 130 144

HSL 196.8, 0.21%, 0.47%

LAB 52.24, -8.97, -11.59

 

CMYK 32 / 9 / 0 / 36

HEX #6F94A3

RGB 111 148 163

HSL 197.31, 0.22%, 0.54%

LAB 59.16, -9.02, -12.02

 

CMYK 30 / 9 / 0 / 29

HEX #80A6B6

RGB 128 166 182

HSL 197.78, 0.27%, 0.61%

LAB 65.93, -9.06, -12.44

 

CMYK 50 / 15 / 0 / 56

HEX #375E6F

RGB 55 94 111

HSL 198.21, 0.34%, 0.33%

LAB 37.78, -8.68, -13.94

 

CMYK 59 / 17 / 0 / 64

HEX #264C5C

RGB 38 76 92

HSL 197.78, 0.42%, 0.25%

LAB 30.29, -8.31, -13.54

 

CMYK 71 / 21 / 0 / 71

HEX #153A49

RGB 21 58 73

HSL 197.31, 0.55%, 0.18%

LAB 22.54, -7.66, -13.11

 

CMYK 93 / 26 / 0 / 79

HEX #042836

RGB 4 40 54

HSL 196.8, 0.86%, 0.11%

LAB 14.46, -6.57, -12.63

 

CMYK 100 / 37 / 0 / 86

HEX #001623

RGB 0 22 35

HSL 202.29, 1%, 0.07%

LAB 6.28, -2.89, -11.51

 

CMYK 51 / 15 / 0 / 56

HEX #375F70

RGB 55 95 112

HSL 197.89, 0.34%, 0.33%

LAB 38.14, -8.96, -14.01

 

CMYK 51 / 29 / 0 / 56

HEX #374F70

RGB 55 79 112

HSL 214.74, 0.34%, 0.33%

LAB 33.08, 0.95, -21.81

 

CMYK 51 / 43 / 0 / 56

HEX #374070

RGB 55 64 112

HSL 230.53, 0.34%, 0.33%

LAB 28.51, 10.86, -28.99

 

CMYK 46 / 51 / 0 / 56

HEX #3D3770

RGB 61 55 112

HSL 246.32, 0.34%, 0.33%

LAB 26.43, 18.54, -32.26

 

CMYK 31 / 51 / 0 / 56

HEX #4D3770

RGB 77 55 112

HSL 263.16, 0.34%, 0.33%

LAB 28.06, 23.12, -29.57

 

CMYK 51 / 15 / 0 / 56

HEX #375F70

RGB 55 95 112

HSL 197.89, 0.34%, 0.33%

LAB 38.14, -8.96, -14.01

 

CMYK 51 / 29 / 0 / 56

HEX #374F70

RGB 55 79 112

HSL 214.74, 0.34%, 0.33%

LAB 33.08, 0.95, -21.81

 

CMYK 51 / 43 / 0 / 56

HEX #374070

RGB 55 64 112

HSL 230.53, 0.34%, 0.33%

LAB 28.51, 10.86, -28.99

 

CMYK 51 / 51 / 0 / 56

HEX #373770

RGB 55 55 112

HSL 240, 0.34%, 0.33%

LAB 25.91, 16.97, -33.14

 

CMYK 51 / 15 / 0 / 56

HEX #375F70

RGB 55 95 112

HSL 197.89, 0.34%, 0.33%

LAB 38.14, -8.96, -14.01

 

CMYK 67 / 21 / 0 / 51

HEX #29647E

RGB 41 100 126

HSL 198.35, 0.51%, 0.33%

LAB 39.74, -10.35, -20.17

 

CMYK 80 / 24 / 0 / 45

HEX #1C6A8B

RGB 28 106 139

HSL 197.84, 0.66%, 0.33%

LAB 41.87, -11.13, -24.74

 

CMYK 91 / 27 / 0 / 40

HEX #0E6F99

RGB 14 111 153

HSL 198.13, 0.83%, 0.33%

LAB 43.89, -10.02, -29.96

 

CMYK 99 / 31 / 0 / 35

HEX #0174A7

RGB 1 116 167

HSL 198.43, 0.99%, 0.33%

LAB 46.03, -8.2, -34.87

 

CMYK 51 / 15 / 0 / 56

HEX #375F70

RGB 55 95 112

HSL 197.89, 0.34%, 0.33%

LAB 38.14, -8.96, -14.01

 

CMYK 30 / 9 / 0 / 61

HEX #455A63

RGB 69 90 99

HSL 198, 0.18%, 0.33%

LAB 36.89, -5.59, -7.78

 

CMYK 4 / 1 / 0 / 67

HEX #525455

RGB 82 84 85

HSL 200, 0.02%, 0.33%

LAB 35.58, -0.58, -0.87

 

CMYK 0 / 18 / 26 / 62

HEX #604F47

RGB 96 79 71

HSL 19.2, 0.15%, 0.33%

LAB 35.07, 5.7, 7.38

 

CMYK 0 / 34 / 47 / 57

HEX #6E493A

RGB 110 73 58

HSL 17.31, 0.31%, 0.33%

LAB 34.77, 13.81, 15.37

 

CMYK 51 / 0 / 12 / 56

HEX #377063

RGB 55 112 99

HSL 166.32, 0.34%, 0.33%

LAB 43.21, -22.2, 1.47

 

CMYK 51 / 2 / 0 / 56

HEX #376E70

RGB 55 110 112

HSL 182.11, 0.34%, 0.33%

LAB 42.96, -17.52, -6.73

 

CMYK 51 / 15 / 0 / 56

HEX #375F70

RGB 55 95 112

HSL 197.89, 0.34%, 0.33%

LAB 38.14, -8.96, -14.01

 

CMYK 51 / 29 / 0 / 56

HEX #375070

RGB 55 80 112

HSL 213.68, 0.34%, 0.33%

LAB 33.39, 0.31, -21.32

 

CMYK 51 / 42 / 0 / 56

HEX #374170

RGB 55 65 112

HSL 229.47, 0.34%, 0.33%

LAB 28.81, 10.19, -28.52

 

CMYK 51 / 16 / 0 / 78

HEX #1C3039

RGB 28 48 57

HSL 198.62, 0.34%, 0.17%

LAB 18.61, -5.1, -8.24

 

CMYK 52 / 15 / 0 / 67

HEX #294855

RGB 41 72 85

HSL 197.73, 0.35%, 0.25%

LAB 28.8, -7.39, -11.3

 

CMYK 51 / 15 / 0 / 56

HEX #375F70

RGB 55 95 112

HSL 197.89, 0.34%, 0.33%

LAB 38.14, -8.96, -14.01

 

CMYK 51 / 16 / 0 / 45

HEX #45768C

RGB 69 118 140

HSL 198.59, 0.34%, 0.41%

LAB 47.13, -10.15, -17.12

 

CMYK 51 / 15 / 0 / 34

HEX #528EA8

RGB 82 142 168

HSL 198.14, 0.34%, 0.49%

LAB 56.05, -12.1, -19.73

 

CMYK 50 / 15 / 0 / 56

HEX #375E6F

RGB 55 94 111

HSL 198.21, 0.34%, 0.33%

LAB 37.78, -8.68, -13.94

 

CMYK 25 / 51 / 0 / 56

HEX #543770

RGB 84 55 112

HSL 270.53, 0.34%, 0.33%

LAB 28.87, 25.24, -28.24

 

CMYK 0 / 4 / 51 / 56

HEX #706B37

RGB 112 107 55

HSL 54.74, 0.34%, 0.33%

LAB 44.57, -5.93, 29.63

 

CMYK 50 / 15 / 0 / 56

HEX #375E6F

RGB 55 94 111

HSL 198.21, 0.34%, 0.33%

LAB 37.78, -8.68, -13.94

 

CMYK 0 / 51 / 15 / 56

HEX #70375F

RGB 112 55 95

HSL 317.89, 0.34%, 0.33%

LAB 31.81, 30.84, -12.5

 

CMYK 15 / 0 / 51 / 56

HEX #5F7037

RGB 95 112 55

HSL 77.89, 0.34%, 0.33%

LAB 44.66, -16.3, 29.4

 

CMYK 50 / 15 / 0 / 56

HEX #375E6F

RGB 55 94 111

HSL 198.21, 0.34%, 0.33%

LAB 37.78, -8.68, -13.94

 

CMYK 25 / 51 / 0 / 56

HEX #543770

RGB 84 55 112

HSL 270.53, 0.34%, 0.33%

LAB 28.87, 25.24, -28.24

 

CMYK 0 / 36 / 51 / 56

HEX #704837

RGB 112 72 55

HSL 17.89, 0.34%, 0.33%

LAB 34.71, 14.98, 17.19

 

CMYK 25 / 0 / 51 / 56

HEX #547037

RGB 84 112 55

HSL 89.47, 0.34%, 0.33%

LAB 43.87, -20.93, 28.26

 

CMYK 50 / 15 / 0 / 56

HEX #375E6F

RGB 55 94 111

HSL 198.21, 0.34%, 0.33%

LAB 37.78, -8.68, -13.94

 

CMYK 10 / 51 / 0 / 56

HEX #653770

RGB 101 55 112

HSL 288.42, 0.34%, 0.33%

LAB 31.04, 30.55, -24.67

 

CMYK 0 / 36 / 51 / 56

HEX #704837

RGB 112 72 55

HSL 17.89, 0.34%, 0.33%

LAB 34.71, 14.98, 17.19

 

CMYK 41 / 0 / 51 / 56

HEX #427037

RGB 66 112 55

HSL 108.42, 0.34%, 0.33%

LAB 42.8, -27.84, 26.7

 

Description

Color code: RGB 55 94 111 | qconv.com Color code: RGB 55 94 111 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 94 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 94 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 15 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 15% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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