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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 7 114 it is the complementary color RGB 200 248 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 7 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 7 114 shade: RGB 60 7 109, RGB 77 25 128, RGB 94 43 147, RGB 111 61 166 and RGB 128 79 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 7 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 7 114 shade: RGB 55 7 114, RGB 38 0 95, RGB 21 0 76, RGB 4 0 57 and RGB 0 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 7 114 shade: RGB 55 7 115, RGB 84 7 115, RGB 113 7 115, RGB 115 7 87 and RGB 115 7 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 7 114 shade: RGB 55 7 115, RGB 26 7 115 and RGB 7 7 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 7 114 shade matches the following richer shades: RGB 55 7 115

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 7 114 shade: RGB 55 7 115, RGB 56 17 105, RGB 57 27 95, RGB 58 37 85 and RGB 59 46 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 7 114 shade: RGB 7 18 115, RGB 25 7 115, RGB 54 7 115, RGB 82 7 115 and RGB 111 7 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 7 114 shade: RGB 18 2 37, RGB 36 4 76, RGB 55 7 115, RGB 74 9 153 and RGB 93 12 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 7 114 shade: RGB 55 7 114, RGB 115 7 46 and RGB 7 115 10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 7 114 shade: RGB 55 7 114, RGB 115 54 7 and RGB 7 115 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 7 114 shade: RGB 55 7 114, RGB 115 7 46, RGB 68 115 7 and RGB 7 115 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 7 114 shade: RGB 55 7 114, RGB 115 7 14, RGB 68 115 7 and RGB 7 115 107

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 94 / 0 / 55

HEX #370772

RGB 55 7 114

HSL 266.92, 0.88%, 0.24%

LAB 16.4, 43.72, -49.88

 

Complementary color

CMYK 19 / 0 / 43 / 3

HEX #C8F88D

RGB 200 248 141

HSL 86.92, 0.88%, 0.76%

LAB 92.28, -32.65, 46.35

 

CMYK 45 / 94 / 0 / 57

HEX #3C076D

RGB 60 7 109

HSL 271.18, 0.88%, 0.23%

LAB 16.59, 43.06, -46.3

 

CMYK 40 / 80 / 0 / 50

HEX #4D1980

RGB 77 25 128

HSL 270.29, 0.67%, 0.3%

LAB 23.11, 44.02, -47.72

 

CMYK 36 / 71 / 0 / 42

HEX #5E2B93

RGB 94 43 147

HSL 269.42, 0.55%, 0.37%

LAB 29.95, 43.73, -48.32

 

CMYK 33 / 63 / 0 / 35

HEX #6F3DA6

RGB 111 61 166

HSL 268.57, 0.46%, 0.45%

LAB 36.87, 42.94, -48.54

 

CMYK 31 / 57 / 0 / 27

HEX #804FB9

RGB 128 79 185

HSL 267.74, 0.43%, 0.52%

LAB 43.78, 41.98, -48.58

 

CMYK 52 / 94 / 0 / 55

HEX #370772

RGB 55 7 114

HSL 266.92, 0.88%, 0.24%

LAB 16.4, 43.72, -49.88

 

CMYK 60 / 100 / 0 / 63

HEX #26005F

RGB 38 0 95

HSL 264, 1%, 0.19%

LAB 10.84, 39.93, -46.64

 

CMYK 72 / 100 / 0 / 70

HEX #15004C

RGB 21 0 76

HSL 256.58, 1%, 0.15%

LAB 6.15, 33.02, -41.48

 

CMYK 93 / 100 / 0 / 78

HEX #040039

RGB 4 0 57

HSL 244.21, 1%, 0.11%

LAB 2.9, 19.8, -33.29

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 52 / 94 / 0 / 55

HEX #370773

RGB 55 7 115

HSL 266.67, 0.89%, 0.24%

LAB 16.51, 43.98, -50.34

 

CMYK 27 / 94 / 0 / 55

HEX #540773

RGB 84 7 115

HSL 282.78, 0.89%, 0.24%

LAB 21.11, 47.87, -42.63

 

CMYK 2 / 94 / 0 / 55

HEX #710773

RGB 113 7 115

HSL 298.89, 0.89%, 0.24%

LAB 26.45, 52.92, -33.74

 

CMYK 0 / 94 / 24 / 55

HEX #730757

RGB 115 7 87

HSL 315.56, 0.89%, 0.24%

LAB 25.21, 49.12, -17.38

 

CMYK 0 / 94 / 50 / 55

HEX #73073A

RGB 115 7 58

HSL 331.67, 0.89%, 0.24%

LAB 24.01, 45.85, 0.46

 

CMYK 52 / 94 / 0 / 55

HEX #370773

RGB 55 7 115

HSL 266.67, 0.89%, 0.24%

LAB 16.51, 43.98, -50.34

 

CMYK 77 / 94 / 0 / 55

HEX #1A0773

RGB 26 7 115

HSL 250.56, 0.89%, 0.24%

LAB 13.29, 41.62, -55.79

 

CMYK 94 / 94 / 0 / 55

HEX #070773

RGB 7 7 115

HSL 240, 0.89%, 0.24%

LAB 12.19, 40.92, -57.65

 

CMYK 52 / 94 / 0 / 55

HEX #370773

RGB 55 7 115

HSL 266.67, 0.89%, 0.24%

LAB 16.51, 43.98, -50.34

 

CMYK 52 / 94 / 0 / 55

HEX #370773

RGB 55 7 115

HSL 266.67, 0.89%, 0.24%

LAB 16.51, 43.98, -50.34

 

CMYK 47 / 84 / 0 / 59

HEX #381169

RGB 56 17 105

HSL 266.59, 0.72%, 0.24%

LAB 16.8, 37.88, -43.34

 

CMYK 40 / 72 / 0 / 63

HEX #391B5F

RGB 57 27 95

HSL 266.47, 0.56%, 0.24%

LAB 17.83, 30.18, -35.07

 

CMYK 32 / 56 / 0 / 67

HEX #3A2555

RGB 58 37 85

HSL 266.25, 0.39%, 0.24%

LAB 19.55, 21.35, -25.62

 

CMYK 21 / 39 / 0 / 71

HEX #3B2E4B

RGB 59 46 75

HSL 266.9, 0.24%, 0.24%

LAB 21.55, 12.8, -15.75

 

CMYK 94 / 84 / 0 / 55

HEX #071273

RGB 7 18 115

HSL 233.89, 0.89%, 0.24%

LAB 13.92, 35.77, -54.77

 

CMYK 78 / 94 / 0 / 55

HEX #190773

RGB 25 7 115

HSL 250, 0.89%, 0.24%

LAB 13.21, 41.57, -55.92

 

CMYK 53 / 94 / 0 / 55

HEX #360773

RGB 54 7 115

HSL 266.11, 0.89%, 0.24%

LAB 16.38, 43.87, -50.58

 

CMYK 29 / 94 / 0 / 55

HEX #520773

RGB 82 7 115

HSL 281.67, 0.89%, 0.24%

LAB 20.76, 47.56, -43.21

 

CMYK 3 / 94 / 0 / 55

HEX #6F0773

RGB 111 7 115

HSL 297.78, 0.89%, 0.24%

LAB 26.07, 52.54, -34.37

 

CMYK 51 / 95 / 0 / 85

HEX #120225

RGB 18 2 37

HSL 267.43, 0.9%, 0.08%

LAB 2.76, 12.89, -18.39

 

CMYK 53 / 95 / 0 / 70

HEX #24044C

RGB 36 4 76

HSL 266.67, 0.9%, 0.16%

LAB 8.85, 32.62, -36.95

 

CMYK 52 / 94 / 0 / 55

HEX #370773

RGB 55 7 115

HSL 266.67, 0.89%, 0.24%

LAB 16.51, 43.98, -50.34

 

CMYK 52 / 94 / 0 / 40

HEX #4A0999

RGB 74 9 153

HSL 267.08, 0.89%, 0.32%

LAB 23.51, 54.79, -62.66

 

CMYK 52 / 94 / 0 / 25

HEX #5D0CC0

RGB 93 12 192

HSL 267, 0.88%, 0.4%

LAB 30.39, 65.1, -74.68

 

CMYK 52 / 94 / 0 / 55

HEX #370772

RGB 55 7 114

HSL 266.92, 0.88%, 0.24%

LAB 16.4, 43.72, -49.88

 

CMYK 0 / 94 / 60 / 55

HEX #73072E

RGB 115 7 46

HSL 338.33, 0.89%, 0.24%

LAB 23.65, 44.87, 8.28

 

CMYK 94 / 0 / 91 / 55

HEX #07730A

RGB 7 115 10

HSL 121.67, 0.89%, 0.24%

LAB 41.73, -46.79, 43.97

 

CMYK 52 / 94 / 0 / 55

HEX #370772

RGB 55 7 114

HSL 266.92, 0.88%, 0.24%

LAB 16.4, 43.72, -49.88

 

CMYK 0 / 53 / 94 / 55

HEX #733607

RGB 115 54 7

HSL 26.11, 0.89%, 0.24%

LAB 30.15, 24.02, 38.08

 

CMYK 94 / 0 / 53 / 55

HEX #077336

RGB 7 115 54

HSL 146.11, 0.89%, 0.24%

LAB 42.11, -42.06, 26.02

 

CMYK 52 / 94 / 0 / 55

HEX #370772

RGB 55 7 114

HSL 266.92, 0.88%, 0.24%

LAB 16.4, 43.72, -49.88

 

CMYK 0 / 94 / 60 / 55

HEX #73072E

RGB 115 7 46

HSL 338.33, 0.89%, 0.24%

LAB 23.65, 44.87, 8.28

 

CMYK 41 / 0 / 94 / 55

HEX #447307

RGB 68 115 7

HSL 86.11, 0.89%, 0.24%

LAB 43.52, -32.47, 46.87

 

CMYK 94 / 0 / 35 / 55

HEX #07734B

RGB 7 115 75

HSL 157.78, 0.89%, 0.24%

LAB 42.48, -37.73, 14.57

 

CMYK 52 / 94 / 0 / 55

HEX #370772

RGB 55 7 114

HSL 266.92, 0.88%, 0.24%

LAB 16.4, 43.72, -49.88

 

CMYK 0 / 94 / 88 / 55

HEX #73070E

RGB 115 7 14

HSL 356.11, 0.89%, 0.24%

LAB 23.1, 43.29, 28.76

 

CMYK 41 / 0 / 94 / 55

HEX #447307

RGB 68 115 7

HSL 86.11, 0.89%, 0.24%

LAB 43.52, -32.47, 46.87

 

CMYK 94 / 0 / 7 / 55

HEX #07736B

RGB 7 115 107

HSL 175.56, 0.89%, 0.24%

LAB 43.31, -28.85, -3.33

 

Description

Color code: RGB 55 7 114 | qconv.com Color code: RGB 55 7 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 7 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 7 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 94 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 94% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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