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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 251 241 it is the complementary color RGB 201 4 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 251 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 251 241 shade: RGB 59 251 236, RGB 76 255 255, RGB 93 255 255, RGB 110 255 255 and RGB 127 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 251 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 251 241 shade: RGB 54 251 241, RGB 37 233 222, RGB 20 215 203, RGB 3 197 184 and RGB 0 179 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 251 241 shade: RGB 55 250 240, RGB 55 250 188, RGB 55 250 135, RGB 55 250 82 and RGB 80 250 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 251 241 shade: RGB 55 250 240, RGB 55 208 250, RGB 55 155 250, RGB 55 102 250 and RGB 55 55 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 251 241 shade matches the following richer shades: RGB 55 250 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 251 241 shade: RGB 55 250 240, RGB 71 234 226, RGB 88 217 211, RGB 104 201 196 and RGB 121 184 181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 251 241 shade: RGB 55 250 133, RGB 55 250 185, RGB 55 250 237, RGB 55 211 250 and RGB 55 159 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 251 241 shade: RGB 4 219 208, RGB 14 250 238, RGB 55 250 240, RGB 95 251 243 and RGB 135 252 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 251 241 shade: RGB 54 251 241, RGB 81 55 250 and RGB 250 159 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 251 241 shade: RGB 54 251 241, RGB 237 55 250 and RGB 250 237 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 251 241 shade: RGB 54 251 241, RGB 81 55 250, RGB 250 55 68 and RGB 224 250 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 251 241 shade: RGB 54 251 241, RGB 139 55 250, RGB 250 55 68 and RGB 166 250 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 4 / 2

HEX #36FBF1

RGB 54 251 241

HSL 176.95, 0.96%, 0.6%

LAB 89.92, -47.88, -8.61

 

Complementary color

CMYK 0 / 98 / 93 / 21

HEX #C9040E

RGB 201 4 14

HSL 356.95, 0.96%, 0.4%

LAB 42.06, 66.71, 51.53

 

CMYK 76 / 0 / 6 / 2

HEX #3BFBEC

RGB 59 251 236

HSL 175.31, 0.96%, 0.61%

LAB 89.85, -48.78, -6.1

 

CMYK 70 / 0 / 0 / 0

HEX #4CFFFF

RGB 76 255 255

HSL 180, 1%, 0.65%

LAB 91.81, -43.56, -13.03

 

CMYK 64 / 0 / 0 / 0

HEX #5DFFFF

RGB 93 255 255

HSL 180, 1%, 0.68%

LAB 92.16, -41.33, -12.47

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 78 / 0 / 4 / 2

HEX #36FBF1

RGB 54 251 241

HSL 176.95, 0.96%, 0.6%

LAB 89.92, -47.88, -8.61

 

CMYK 84 / 0 / 5 / 9

HEX #25E9DE

RGB 37 233 222

HSL 176.63, 0.82%, 0.53%

LAB 83.94, -46.67, -7.55

 

CMYK 91 / 0 / 6 / 16

HEX #14D7CB

RGB 20 215 203

HSL 176.31, 0.83%, 0.46%

LAB 77.91, -45.15, -6.38

 

CMYK 98 / 0 / 7 / 23

HEX #03C5B8

RGB 3 197 184

HSL 175.98, 0.97%, 0.39%

LAB 71.83, -43.33, -5.11

 

CMYK 100 / 0 / 8 / 30

HEX #00B3A5

RGB 0 179 165

HSL 175.31, 1%, 0.35%

LAB 65.72, -41.04, -3.7

 

CMYK 78 / 0 / 4 / 2

HEX #37FAF0

RGB 55 250 240

HSL 176.92, 0.95%, 0.6%

LAB 89.61, -47.64, -8.54

 

CMYK 78 / 0 / 25 / 2

HEX #37FABC

RGB 55 250 188

HSL 160.92, 0.95%, 0.6%

LAB 88.36, -60.59, 16.63

 

CMYK 78 / 0 / 46 / 2

HEX #37FA87

RGB 55 250 135

HSL 144.62, 0.95%, 0.6%

LAB 87.45, -70.8, 42.02

 

CMYK 78 / 0 / 67 / 2

HEX #37FA52

RGB 55 250 82

HSL 128.31, 0.95%, 0.6%

LAB 86.9, -77.5, 64.69

 

CMYK 68 / 0 / 78 / 2

HEX #50FA37

RGB 80 250 55

HSL 112.31, 0.95%, 0.6%

LAB 87.17, -75.76, 74.17

 

CMYK 78 / 0 / 4 / 2

HEX #37FAF0

RGB 55 250 240

HSL 176.92, 0.95%, 0.6%

LAB 89.61, -47.64, -8.54

 

CMYK 78 / 17 / 0 / 2

HEX #37D0FA

RGB 55 208 250

HSL 192.92, 0.95%, 0.6%

LAB 77.77, -25.22, -31.73

 

CMYK 78 / 38 / 0 / 2

HEX #379BFA

RGB 55 155 250

HSL 209.23, 0.95%, 0.6%

LAB 62.64, 3.54, -55.42

 

CMYK 78 / 59 / 0 / 2

HEX #3766FA

RGB 55 102 250

HSL 225.54, 0.95%, 0.6%

LAB 48.53, 36.03, -78.17

 

CMYK 78 / 78 / 0 / 2

HEX #3737FA

RGB 55 55 250

HSL 240, 0.95%, 0.6%

LAB 38.63, 62.88, -94.47

 

CMYK 78 / 0 / 4 / 2

HEX #37FAF0

RGB 55 250 240

HSL 176.92, 0.95%, 0.6%

LAB 89.61, -47.64, -8.54

 

CMYK 78 / 0 / 4 / 2

HEX #37FAF0

RGB 55 250 240

HSL 176.92, 0.95%, 0.6%

LAB 89.61, -47.64, -8.54

 

CMYK 70 / 0 / 3 / 8

HEX #47EAE2

RGB 71 234 226

HSL 177.06, 0.8%, 0.6%

LAB 84.83, -42.77, -8.28

 

CMYK 59 / 0 / 3 / 15

HEX #58D9D3

RGB 88 217 211

HSL 177.21, 0.63%, 0.6%

LAB 79.84, -36.57, -7.68

 

CMYK 48 / 0 / 2 / 21

HEX #68C9C4

RGB 104 201 196

HSL 176.91, 0.47%, 0.6%

LAB 75.27, -29.76, -6.34

 

CMYK 34 / 0 / 2 / 28

HEX #79B8B5

RGB 121 184 181

HSL 177.14, 0.31%, 0.6%

LAB 70.65, -20.78, -4.9

 

CMYK 78 / 0 / 47 / 2

HEX #37FA85

RGB 55 250 133

HSL 144, 0.95%, 0.6%

LAB 87.43, -71.12, 42.95

 

CMYK 78 / 0 / 26 / 2

HEX #37FAB9

RGB 55 250 185

HSL 160, 0.95%, 0.6%

LAB 88.3, -61.26, 18.09

 

CMYK 78 / 0 / 5 / 2

HEX #37FAED

RGB 55 250 237

HSL 176, 0.95%, 0.6%

LAB 89.53, -48.45, -7.1

 

CMYK 78 / 16 / 0 / 2

HEX #37D3FA

RGB 55 211 250

HSL 192, 0.95%, 0.6%

LAB 78.64, -26.71, -30.39

 

CMYK 78 / 36 / 0 / 2

HEX #379FFA

RGB 55 159 250

HSL 208, 0.95%, 0.6%

LAB 63.76, 1.21, -53.64

 

CMYK 98 / 0 / 5 / 14

HEX #04DBD0

RGB 4 219 208

HSL 176.93, 0.96%, 0.44%

LAB 79.18, -45.95, -7.18

 

CMYK 94 / 0 / 5 / 2

HEX #0EFAEE

RGB 14 250 238

HSL 176.95, 0.96%, 0.52%

LAB 89.22, -50.46, -8.12

 

CMYK 78 / 0 / 4 / 2

HEX #37FAF0

RGB 55 250 240

HSL 176.92, 0.95%, 0.6%

LAB 89.61, -47.64, -8.54

 

CMYK 62 / 0 / 3 / 2

HEX #5FFBF3

RGB 95 251 243

HSL 176.92, 0.95%, 0.68%

LAB 90.73, -42.41, -8.36

 

CMYK 46 / 0 / 2 / 1

HEX #87FCF6

RGB 135 252 246

HSL 176.92, 0.95%, 0.76%

LAB 92.32, -34.59, -7.43

 

CMYK 78 / 0 / 4 / 2

HEX #36FBF1

RGB 54 251 241

HSL 176.95, 0.96%, 0.6%

LAB 89.92, -47.88, -8.61

 

CMYK 68 / 78 / 0 / 2

HEX #5137FA

RGB 81 55 250

HSL 248, 0.95%, 0.6%

LAB 40.22, 64.74, -91.79

 

CMYK 0 / 36 / 78 / 2

HEX #FA9F37

RGB 250 159 55

HSL 32, 0.95%, 0.6%

LAB 73.15, 26, 64.67

 

CMYK 78 / 0 / 4 / 2

HEX #36FBF1

RGB 54 251 241

HSL 176.95, 0.96%, 0.6%

LAB 89.92, -47.88, -8.61

 

CMYK 5 / 78 / 0 / 2

HEX #ED37FA

RGB 237 55 250

HSL 296, 0.95%, 0.6%

LAB 59.56, 87.26, -59.45

 

CMYK 0 / 5 / 78 / 2

HEX #FAED37

RGB 250 237 55

HSL 56, 0.95%, 0.6%

LAB 92.21, -14.02, 81.97

 

CMYK 78 / 0 / 4 / 2

HEX #36FBF1

RGB 54 251 241

HSL 176.95, 0.96%, 0.6%

LAB 89.92, -47.88, -8.61

 

CMYK 68 / 78 / 0 / 2

HEX #5137FA

RGB 81 55 250

HSL 248, 0.95%, 0.6%

LAB 40.22, 64.74, -91.79

 

CMYK 0 / 78 / 73 / 2

HEX #FA3744

RGB 250 55 68

HSL 356, 0.95%, 0.6%

LAB 55.56, 71.9, 40.33

 

CMYK 10 / 0 / 78 / 2

HEX #E0FA37

RGB 224 250 55

HSL 68, 0.95%, 0.6%

LAB 93.66, -30.79, 82.52

 

CMYK 78 / 0 / 4 / 2

HEX #36FBF1

RGB 54 251 241

HSL 176.95, 0.96%, 0.6%

LAB 89.92, -47.88, -8.61

 

CMYK 44 / 78 / 0 / 2

HEX #8B37FA

RGB 139 55 250

HSL 265.85, 0.95%, 0.6%

LAB 45.8, 71.25, -82.4

 

CMYK 0 / 78 / 73 / 2

HEX #FA3744

RGB 250 55 68

HSL 356, 0.95%, 0.6%

LAB 55.56, 71.9, 40.33

 

CMYK 34 / 0 / 78 / 2

HEX #A6FA37

RGB 166 250 55

HSL 85.85, 0.95%, 0.6%

LAB 90.21, -52.56, 78.1

 

Description

Color code: RGB 54 251 241 | qconv.com Color code: RGB 54 251 241 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 251 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 251 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 4 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 4% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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