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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 241 170 it is the complementary color RGB 201 14 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 241 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 241 170 shade: RGB 59 241 165, RGB 76 255 184, RGB 93 255 203, RGB 110 255 222 and RGB 127 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 241 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 37 223 151, RGB 20 205 132, RGB 3 187 113 and RGB 0 169 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 54 241 120, RGB 54 241 69, RGB 89 241 54 and RGB 140 241 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 54 241 220, RGB 54 211 241, RGB 54 161 241 and RGB 54 110 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 241 170 shade matches the following richer shades: RGB 54 241 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 72 223 166, RGB 89 206 161, RGB 106 189 157 and RGB 124 171 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 241 170 shade: RGB 54 241 70, RGB 54 241 119, RGB 54 241 169, RGB 54 241 219 and RGB 54 213 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 241 170 shade: RGB 13 199 128, RGB 16 237 153, RGB 54 241 170, RGB 93 243 186 and RGB 131 246 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 54 88 241 and RGB 241 95 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 169 54 241 and RGB 241 169 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 54 88 241, RGB 241 54 126 and RGB 241 206 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 241 170 shade: RGB 54 241 170, RGB 76 54 241, RGB 241 54 126 and RGB 219 241 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

Complementary color

CMYK 0 / 93 / 58 / 21

HEX #C90E55

RGB 201 14 85

HSL 337.22, 0.87%, 0.42%

LAB 43.34, 68.31, 12.64

 

CMYK 76 / 0 / 32 / 5

HEX #3BF1A5

RGB 59 241 165

HSL 154.95, 0.87%, 0.59%

LAB 85.28, -61.7, 24.19

 

CMYK 70 / 0 / 28 / 0

HEX #4CFFB8

RGB 76 255 184

HSL 156.2, 1%, 0.65%

LAB 90.1, -60.84, 21.16

 

CMYK 64 / 0 / 20 / 0

HEX #5DFFCB

RGB 93 255 203

HSL 160.74, 1%, 0.68%

LAB 90.85, -54.13, 12.53

 

CMYK 57 / 0 / 13 / 0

HEX #6EFFDE

RGB 110 255 222

HSL 166.34, 1%, 0.72%

LAB 91.73, -46.77, 4.04

 

CMYK 50 / 0 / 5 / 0

HEX #7FFFF1

RGB 127 255 241

HSL 173.44, 1%, 0.75%

LAB 92.74, -38.88, -4.25

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 83 / 0 / 32 / 13

HEX #25DF97

RGB 37 223 151

HSL 156.77, 0.74%, 0.51%

LAB 79.27, -60.17, 23.15

 

CMYK 90 / 0 / 36 / 20

HEX #14CD84

RGB 20 205 132

HSL 156.32, 0.82%, 0.44%

LAB 73.21, -58.75, 24.79

 

CMYK 98 / 0 / 40 / 27

HEX #03BB71

RGB 3 187 113

HSL 155.87, 0.97%, 0.37%

LAB 67.09, -56.9, 26.58

 

CMYK 100 / 0 / 44 / 34

HEX #00A95E

RGB 0 169 94

HSL 153.37, 1%, 0.33%

LAB 60.94, -54.38, 28.53

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 78 / 0 / 50 / 5

HEX #36F178

RGB 54 241 120

HSL 141.18, 0.87%, 0.58%

LAB 84.51, -70.24, 45.49

 

CMYK 78 / 0 / 71 / 5

HEX #36F145

RGB 54 241 69

HSL 124.81, 0.87%, 0.58%

LAB 84.03, -76.05, 66.46

 

CMYK 63 / 0 / 78 / 5

HEX #59F136

RGB 89 241 54

HSL 108.77, 0.87%, 0.58%

LAB 84.64, -71.22, 72.13

 

CMYK 42 / 0 / 78 / 5

HEX #8CF136

RGB 140 241 54

HSL 92.41, 0.87%, 0.58%

LAB 86.38, -57.65, 74.39

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 78 / 0 / 9 / 5

HEX #36F1DC

RGB 54 241 220

HSL 173.26, 0.87%, 0.58%

LAB 86.44, -49.27, -2.79

 

CMYK 78 / 12 / 0 / 5

HEX #36D3F1

RGB 54 211 241

HSL 189.63, 0.87%, 0.58%

LAB 78.3, -29.62, -26.11

 

CMYK 78 / 33 / 0 / 5

HEX #36A1F1

RGB 54 161 241

HSL 205.67, 0.87%, 0.58%

LAB 63.86, -3.23, -48.56

 

CMYK 78 / 54 / 0 / 5

HEX #366EF1

RGB 54 110 241

HSL 222.03, 0.87%, 0.58%

LAB 49.84, 27.66, -71.02

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 68 / 0 / 26 / 13

HEX #48DFA6

RGB 72 223 166

HSL 157.35, 0.7%, 0.58%

LAB 80.13, -52.77, 16.58

 

CMYK 57 / 0 / 22 / 19

HEX #59CEA1

RGB 89 206 161

HSL 156.92, 0.54%, 0.58%

LAB 75.35, -43.67, 12.58

 

CMYK 44 / 0 / 17 / 26

HEX #6ABD9D

RGB 106 189 157

HSL 156.87, 0.39%, 0.58%

LAB 70.8, -32.84, 8.36

 

CMYK 27 / 0 / 11 / 33

HEX #7CAB99

RGB 124 171 153

HSL 157.02, 0.22%, 0.58%

LAB 66.3, -19.59, 4.21

 

CMYK 78 / 0 / 71 / 5

HEX #36F146

RGB 54 241 70

HSL 125.13, 0.87%, 0.58%

LAB 84.04, -75.97, 66.11

 

CMYK 78 / 0 / 51 / 5

HEX #36F177

RGB 54 241 119

HSL 140.86, 0.87%, 0.58%

LAB 84.5, -70.39, 45.95

 

CMYK 78 / 0 / 30 / 5

HEX #36F1A9

RGB 54 241 169

HSL 156.9, 0.87%, 0.58%

LAB 85.28, -61.43, 22.12

 

CMYK 78 / 0 / 9 / 5

HEX #36F1DB

RGB 54 241 219

HSL 172.94, 0.87%, 0.58%

LAB 86.41, -49.53, -2.3

 

CMYK 78 / 12 / 0 / 5

HEX #36D5F1

RGB 54 213 241

HSL 188.98, 0.87%, 0.58%

LAB 78.88, -30.59, -25.22

 

CMYK 93 / 0 / 36 / 22

HEX #0DC780

RGB 13 199 128

HSL 157.1, 0.88%, 0.42%

LAB 71.21, -57.75, 24.19

 

CMYK 93 / 0 / 35 / 7

HEX #10ED99

RGB 16 237 153

HSL 157.19, 0.87%, 0.5%

LAB 83.43, -65.99, 27.74

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 62 / 0 / 23 / 5

HEX #5DF3BA

RGB 93 243 186

HSL 157.2, 0.86%, 0.66%

LAB 86.98, -52.97, 15.84

 

CMYK 47 / 0 / 18 / 4

HEX #83F6CA

RGB 131 246 202

HSL 157.04, 0.86%, 0.74%

LAB 89.39, -42.8, 11.13

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 78 / 63 / 0 / 5

HEX #3658F1

RGB 54 88 241

HSL 229.09, 0.87%, 0.58%

LAB 44.4, 41.4, -79.91

 

CMYK 0 / 61 / 78 / 5

HEX #F15F36

RGB 241 95 54

HSL 13.16, 0.87%, 0.58%

LAB 59.11, 54.13, 51.07

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 30 / 78 / 0 / 5

HEX #A936F1

RGB 169 54 241

HSL 276.9, 0.87%, 0.58%

LAB 48.79, 74.13, -72.31

 

CMYK 0 / 30 / 78 / 5

HEX #F1A936

RGB 241 169 54

HSL 36.9, 0.87%, 0.58%

LAB 74.41, 16.95, 65.84

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 78 / 63 / 0 / 5

HEX #3658F1

RGB 54 88 241

HSL 229.09, 0.87%, 0.58%

LAB 44.4, 41.4, -79.91

 

CMYK 0 / 78 / 48 / 5

HEX #F1367E

RGB 241 54 126

HSL 336.9, 0.87%, 0.58%

LAB 54.91, 73.24, 4.96

 

CMYK 0 / 15 / 78 / 5

HEX #F1CE36

RGB 241 206 54

HSL 48.77, 0.87%, 0.58%

LAB 83.5, -2.33, 74.19

 

CMYK 78 / 0 / 29 / 5

HEX #36F1AA

RGB 54 241 170

HSL 157.22, 0.87%, 0.58%

LAB 85.3, -61.22, 21.64

 

CMYK 68 / 78 / 0 / 5

HEX #4C36F1

RGB 76 54 241

HSL 247.06, 0.87%, 0.58%

LAB 38.77, 62.19, -89.14

 

CMYK 0 / 78 / 48 / 5

HEX #F1367E

RGB 241 54 126

HSL 336.9, 0.87%, 0.58%

LAB 54.91, 73.24, 4.96

 

CMYK 9 / 0 / 78 / 5

HEX #DBF136

RGB 219 241 54

HSL 67.06, 0.87%, 0.58%

LAB 90.89, -28.65, 80.18

 

Description

Color code: RGB 54 241 170 | qconv.com Color code: RGB 54 241 170 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 241 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 241 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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