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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 238 48 it is the complementary color RGB 201 17 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 238 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 238 48 shade: RGB 59 238 43, RGB 76 255 62, RGB 93 255 81, RGB 110 255 100 and RGB 127 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 238 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 238 48 shade: RGB 54 238 48, RGB 37 220 29, RGB 20 202 10, RGB 3 184 0 and RGB 0 166 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 238 48 shade: RGB 53 238 47, RGB 104 238 47, RGB 156 238 47, RGB 207 238 47 and RGB 238 217 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 238 48 shade: RGB 53 238 47, RGB 47 238 92, RGB 47 238 144, RGB 47 238 195 and RGB 47 229 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 238 48 shade matches the following richer shades: RGB 53 238 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 238 48 shade: RGB 53 238 47, RGB 70 220 65, RGB 87 201 83, RGB 104 183 101 and RGB 121 165 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 238 48 shade: RGB 155 238 47, RGB 104 238 47, RGB 53 238 47, RGB 47 238 91 and RGB 47 238 142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 238 48 shade: RGB 20 187 15, RGB 24 226 18, RGB 53 238 47, RGB 90 241 85 and RGB 127 244 123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 238 48 shade: RGB 54 238 48, RGB 47 206 238 and RGB 238 47 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 238 48 shade: RGB 54 238 48, RGB 47 53 238 and RGB 238 47 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 238 48 shade: RGB 54 238 48, RGB 47 206 238, RGB 231 47 238 and RGB 238 79 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 238 48 shade: RGB 54 238 48, RGB 47 149 238, RGB 231 47 238 and RGB 238 136 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 80 / 7

HEX #36EE30

RGB 54 238 48

HSL 118.11, 0.85%, 0.56%

LAB 82.99, -76.59, 72.01

 

Complementary color

CMYK 3 / 92 / 0 / 19

HEX #C911CF

RGB 201 17 207

HSL 298.11, 0.85%, 0.44%

LAB 48.66, 81.52, -52.93

 

CMYK 75 / 0 / 82 / 7

HEX #3BEE2B

RGB 59 238 43

HSL 115.08, 0.85%, 0.55%

LAB 83.05, -76.17, 73.38

 

CMYK 70 / 0 / 76 / 0

HEX #4CFF3E

RGB 76 255 62

HSL 115.65, 1%, 0.62%

LAB 88.64, -77.56, 73.49

 

CMYK 64 / 0 / 68 / 0

HEX #5DFF51

RGB 93 255 81

HSL 115.86, 1%, 0.66%

LAB 89.13, -73.04, 67.66

 

CMYK 57 / 0 / 61 / 0

HEX #6EFF64

RGB 110 255 100

HSL 116.13, 1%, 0.7%

LAB 89.75, -67.58, 60.95

 

CMYK 50 / 0 / 53 / 0

HEX #7FFF77

RGB 127 255 119

HSL 116.47, 1%, 0.73%

LAB 90.49, -61.27, 53.66

 

CMYK 77 / 0 / 80 / 7

HEX #36EE30

RGB 54 238 48

HSL 118.11, 0.85%, 0.56%

LAB 82.99, -76.59, 72.01

 

CMYK 83 / 0 / 87 / 14

HEX #25DC1D

RGB 37 220 29

HSL 117.49, 0.77%, 0.49%

LAB 77.08, -74.25, 71.06

 

CMYK 90 / 0 / 95 / 21

HEX #14CA0A

RGB 20 202 10

HSL 116.88, 0.91%, 0.42%

LAB 71.15, -71.18, 68.86

 

CMYK 98 / 0 / 100 / 28

HEX #03B800

RGB 3 184 0

HSL 119.02, 1%, 0.36%

LAB 65.2, -67.31, 65.12

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 78 / 0 / 80 / 7

HEX #35EE2F

RGB 53 238 47

HSL 118.12, 0.85%, 0.56%

LAB 82.97, -76.77, 72.26

 

CMYK 56 / 0 / 80 / 7

HEX #68EE2F

RGB 104 238 47

HSL 102.09, 0.85%, 0.56%

LAB 84.12, -67.14, 73.74

 

CMYK 34 / 0 / 80 / 7

HEX #9CEE2F

RGB 156 238 47

HSL 85.76, 0.85%, 0.56%

LAB 86.22, -51.48, 76.42

 

CMYK 13 / 0 / 80 / 7

HEX #CFEE2F

RGB 207 238 47

HSL 69.74, 0.85%, 0.56%

LAB 89.21, -32.31, 80.22

 

CMYK 0 / 9 / 80 / 7

HEX #EED92F

RGB 238 217 47

HSL 53.4, 0.85%, 0.56%

LAB 86.01, -9.39, 78.36

 

CMYK 78 / 0 / 80 / 7

HEX #35EE2F

RGB 53 238 47

HSL 118.12, 0.85%, 0.56%

LAB 82.97, -76.77, 72.26

 

CMYK 80 / 0 / 61 / 7

HEX #2FEE5C

RGB 47 238 92

HSL 134.14, 0.85%, 0.56%

LAB 83.19, -73.74, 56.54

 

CMYK 80 / 0 / 39 / 7

HEX #2FEE90

RGB 47 238 144

HSL 150.47, 0.85%, 0.56%

LAB 83.84, -66, 32.89

 

CMYK 80 / 0 / 18 / 7

HEX #2FEEC3

RGB 47 238 195

HSL 166.49, 0.85%, 0.56%

LAB 84.84, -55.04, 7.99

 

CMYK 80 / 4 / 0 / 7

HEX #2FE5EE

RGB 47 229 238

HSL 182.83, 0.85%, 0.56%

LAB 83.35, -39.6, -16.87

 

CMYK 78 / 0 / 80 / 7

HEX #35EE2F

RGB 53 238 47

HSL 118.12, 0.85%, 0.56%

LAB 82.97, -76.77, 72.26

 

CMYK 78 / 0 / 80 / 7

HEX #35EE2F

RGB 53 238 47

HSL 118.12, 0.85%, 0.56%

LAB 82.97, -76.77, 72.26

 

CMYK 68 / 0 / 70 / 14

HEX #46DC41

RGB 70 220 65

HSL 118.06, 0.69%, 0.56%

LAB 77.8, -67.41, 61.57

 

CMYK 57 / 0 / 59 / 21

HEX #57C953

RGB 87 201 83

HSL 117.97, 0.52%, 0.56%

LAB 72.51, -55.37, 48.47

 

CMYK 43 / 0 / 45 / 28

HEX #68B765

RGB 104 183 101

HSL 117.8, 0.36%, 0.56%

LAB 67.84, -41.04, 34.21

 

CMYK 27 / 0 / 27 / 35

HEX #79A578

RGB 121 165 120

HSL 118.67, 0.2%, 0.56%

LAB 63.62, -23.97, 18.67

 

CMYK 35 / 0 / 80 / 7

HEX #9BEE2F

RGB 155 238 47

HSL 86.07, 0.85%, 0.56%

LAB 86.17, -51.82, 76.36

 

CMYK 56 / 0 / 80 / 7

HEX #68EE2F

RGB 104 238 47

HSL 102.09, 0.85%, 0.56%

LAB 84.12, -67.14, 73.74

 

CMYK 78 / 0 / 80 / 7

HEX #35EE2F

RGB 53 238 47

HSL 118.12, 0.85%, 0.56%

LAB 82.97, -76.77, 72.26

 

CMYK 80 / 0 / 62 / 7

HEX #2FEE5B

RGB 47 238 91

HSL 133.82, 0.85%, 0.56%

LAB 83.18, -73.85, 56.96

 

CMYK 80 / 0 / 40 / 7

HEX #2FEE8E

RGB 47 238 142

HSL 149.84, 0.85%, 0.56%

LAB 83.81, -66.37, 33.85

 

CMYK 89 / 0 / 92 / 27

HEX #14BB0F

RGB 20 187 15

HSL 118.26, 0.85%, 0.4%

LAB 66.31, -66.88, 64.19

 

CMYK 89 / 0 / 92 / 11

HEX #18E212

RGB 24 226 18

HSL 118.27, 0.85%, 0.48%

LAB 78.83, -77.31, 74.3

 

CMYK 78 / 0 / 80 / 7

HEX #35EE2F

RGB 53 238 47

HSL 118.12, 0.85%, 0.56%

LAB 82.97, -76.77, 72.26

 

CMYK 63 / 0 / 65 / 5

HEX #5AF155

RGB 90 241 85

HSL 118.08, 0.85%, 0.64%

LAB 84.86, -68.65, 61.52

 

CMYK 48 / 0 / 50 / 4

HEX #7FF47B

RGB 127 244 123

HSL 118.02, 0.85%, 0.72%

LAB 87.31, -56.54, 47.95

 

CMYK 77 / 0 / 80 / 7

HEX #36EE30

RGB 54 238 48

HSL 118.11, 0.85%, 0.56%

LAB 82.99, -76.59, 72.01

 

CMYK 80 / 13 / 0 / 7

HEX #2FCEEE

RGB 47 206 238

HSL 190.05, 0.85%, 0.56%

LAB 76.63, -28.76, -27.07

 

CMYK 0 / 80 / 45 / 7

HEX #EE2F82

RGB 238 47 130

HSL 333.93, 0.85%, 0.56%

LAB 53.84, 74.62, 0.94

 

CMYK 77 / 0 / 80 / 7

HEX #36EE30

RGB 54 238 48

HSL 118.11, 0.85%, 0.56%

LAB 82.99, -76.59, 72.01

 

CMYK 80 / 78 / 0 / 7

HEX #2F35EE

RGB 47 53 238

HSL 238.12, 0.85%, 0.56%

LAB 36.6, 59.76, -91.08

 

CMYK 0 / 80 / 78 / 7

HEX #EE2F35

RGB 238 47 53

HSL 358.12, 0.85%, 0.56%

LAB 52.36, 70.15, 44.51

 

CMYK 77 / 0 / 80 / 7

HEX #36EE30

RGB 54 238 48

HSL 118.11, 0.85%, 0.56%

LAB 82.99, -76.59, 72.01

 

CMYK 80 / 13 / 0 / 7

HEX #2FCEEE

RGB 47 206 238

HSL 190.05, 0.85%, 0.56%

LAB 76.63, -28.76, -27.07

 

CMYK 3 / 80 / 0 / 7

HEX #E72FEE

RGB 231 47 238

HSL 297.8, 0.85%, 0.56%

LAB 57.26, 86.22, -56.49

 

CMYK 0 / 67 / 80 / 7

HEX #EE4F2F

RGB 238 79 47

HSL 10.05, 0.85%, 0.56%

LAB 56.06, 59.56, 51.29

 

CMYK 77 / 0 / 80 / 7

HEX #36EE30

RGB 54 238 48

HSL 118.11, 0.85%, 0.56%

LAB 82.99, -76.59, 72.01

 

CMYK 80 / 37 / 0 / 7

HEX #2F95EE

RGB 47 149 238

HSL 207.96, 0.85%, 0.56%

LAB 60.13, 1.94, -52.82

 

CMYK 3 / 80 / 0 / 7

HEX #E72FEE

RGB 231 47 238

HSL 297.8, 0.85%, 0.56%

LAB 57.26, 86.22, -56.49

 

CMYK 0 / 43 / 80 / 7

HEX #EE882F

RGB 238 136 47

HSL 27.96, 0.85%, 0.56%

LAB 66.51, 32.81, 61.06

 

Description

Color code: RGB 54 238 48 | qconv.com Color code: RGB 54 238 48 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 238 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 238 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 80 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 80% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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