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Color name
RGB 54 20 47

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 20 47 it is the complementary color RGB 201 235 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 20 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 20 47 shade: RGB 59 20 42, RGB 76 38 61, RGB 93 56 80, RGB 110 74 99 and RGB 127 92 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 20 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 20 47 shade: RGB 54 20 47, RGB 37 2 28, RGB 20 0 9 and RGB 3 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 20 47 shade: RGB 55 20 48, RGB 55 20 39, RGB 55 20 29 and RGB 55 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 20 47 shade: RGB 55 20 48, RGB 53 20 55, RGB 44 20 55, RGB 34 20 55 and RGB 25 20 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 20 47 shade matches the following richer shades: RGB 55 20 48, RGB 62 14 52, RGB 68 8 55 and RGB 74 2 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 20 47 shade: RGB 55 20 48, RGB 49 26 44, RGB 43 33 41, RGB 37 39 37 and RGB 31 45 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 20 47 shade: RGB 44 20 55, RGB 53 20 55, RGB 55 20 48, RGB 55 20 39 and RGB 55 20 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 20 47 shade: RGB 54 20 47, RGB 55 34 20 and RGB 20 55 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 20 47 shade: RGB 54 20 47, RGB 48 55 20 and RGB 20 48 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 20 47 shade: RGB 54 20 47, RGB 55 34 20, RGB 20 55 27 and RGB 20 41 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 20 47 shade: RGB 54 20 47, RGB 55 45 20, RGB 20 55 27 and RGB 20 31 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 13 / 79

HEX #36142F

RGB 54 20 47

HSL 312.35, 0.46%, 0.15%

LAB 12.54, 21.27, -10.22

 

Complementary color

CMYK 14 / 0 / 11 / 8

HEX #C9EBD0

RGB 201 235 208

HSL 132.35, 0.46%, 0.85%

LAB 90.04, -16.14, 9.41

 

CMYK 0 / 66 / 29 / 77

HEX #3B142A

RGB 59 20 42

HSL 326.15, 0.49%, 0.15%

LAB 13.21, 22.21, -5.46

 

CMYK 0 / 50 / 20 / 70

HEX #4C263D

RGB 76 38 61

HSL 323.68, 0.33%, 0.22%

LAB 21.06, 21.37, -6.79

 

CMYK 0 / 40 / 14 / 64

HEX #5D3850

RGB 93 56 80

HSL 321.08, 0.25%, 0.29%

LAB 28.73, 20.46, -7.7

 

CMYK 0 / 33 / 10 / 57

HEX #6E4A63

RGB 110 74 99

HSL 318.33, 0.2%, 0.36%

LAB 36.2, 19.62, -8.42

 

CMYK 0 / 28 / 7 / 50

HEX #7F5C76

RGB 127 92 118

HSL 315.43, 0.16%, 0.43%

LAB 43.47, 18.88, -9.04

 

CMYK 0 / 63 / 13 / 79

HEX #36142F

RGB 54 20 47

HSL 312.35, 0.46%, 0.15%

LAB 12.54, 21.27, -10.22

 

CMYK 0 / 95 / 24 / 85

HEX #25021C

RGB 37 2 28

HSL 315.43, 0.9%, 0.08%

LAB 4.7, 20.12, -8.15

 

CMYK 0 / 100 / 55 / 92

HEX #140009

RGB 20 0 9

HSL 333, 1%, 0.04%

LAB 1.52, 7.28, -1.28

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 64 / 13 / 78

HEX #371430

RGB 55 20 48

HSL 312, 0.47%, 0.15%

LAB 12.77, 21.83, -10.57

 

CMYK 0 / 64 / 29 / 78

HEX #371427

RGB 55 20 39

HSL 327.43, 0.47%, 0.15%

LAB 12.35, 20.14, -4.64

 

CMYK 0 / 64 / 47 / 78

HEX #37141D

RGB 55 20 29

HSL 344.57, 0.47%, 0.15%

LAB 11.97, 18.58, 2.22

 

CMYK 0 / 64 / 64 / 78

HEX #371414

RGB 55 20 20

HSL 0, 0.47%, 0.15%

LAB 11.71, 17.49, 8.43

 

CMYK 0 / 64 / 13 / 78

HEX #371430

RGB 55 20 48

HSL 312, 0.47%, 0.15%

LAB 12.77, 21.83, -10.57

 

CMYK 4 / 64 / 0 / 78

HEX #351437

RGB 53 20 55

HSL 296.57, 0.47%, 0.15%

LAB 12.82, 22.64, -15.58

 

CMYK 20 / 64 / 0 / 78

HEX #2C1437

RGB 44 20 55

HSL 281.14, 0.47%, 0.15%

LAB 11.36, 19.63, -17.98

 

CMYK 38 / 64 / 0 / 78

HEX #221437

RGB 34 20 55

HSL 264, 0.47%, 0.15%

LAB 9.92, 16.39, -20.35

 

CMYK 55 / 64 / 0 / 78

HEX #191437

RGB 25 20 55

HSL 248.57, 0.47%, 0.15%

LAB 8.85, 13.71, -22.13

 

CMYK 0 / 64 / 13 / 78

HEX #371430

RGB 55 20 48

HSL 312, 0.47%, 0.15%

LAB 12.77, 21.83, -10.57

 

CMYK 0 / 77 / 16 / 76

HEX #3E0E34

RGB 62 14 52

HSL 312.5, 0.63%, 0.15%

LAB 13.15, 28.12, -12.79

 

CMYK 0 / 88 / 19 / 73

HEX #440837

RGB 68 8 55

HSL 313, 0.79%, 0.15%

LAB 13.7, 32.76, -13.99

 

CMYK 0 / 97 / 20 / 71

HEX #4A023B

RGB 74 2 59

HSL 312.5, 0.95%, 0.15%

LAB 14.48, 37.06, -15.53

 

CMYK 0 / 64 / 13 / 78

HEX #371430

RGB 55 20 48

HSL 312, 0.47%, 0.15%

LAB 12.77, 21.83, -10.57

 

CMYK 0 / 47 / 10 / 81

HEX #311A2C

RGB 49 26 44

HSL 313.04, 0.31%, 0.15%

LAB 13.07, 14.8, -7.3

 

CMYK 0 / 23 / 5 / 83

HEX #2B2129

RGB 43 33 41

HSL 312, 0.13%, 0.15%

LAB 14.18, 6.56, -3.53

 

CMYK 5 / 0 / 5 / 85

HEX #252725

RGB 37 39 37

HSL 120, 0.03%, 0.15%

LAB 15.37, -1.39, 1

 

CMYK 31 / 0 / 24 / 82

HEX #1F2D22

RGB 31 45 34

HSL 132.86, 0.18%, 0.15%

LAB 16.91, -8.77, 5.24

 

CMYK 20 / 64 / 0 / 78

HEX #2C1437

RGB 44 20 55

HSL 281.14, 0.47%, 0.15%

LAB 11.36, 19.63, -17.98

 

CMYK 4 / 64 / 0 / 78

HEX #351437

RGB 53 20 55

HSL 296.57, 0.47%, 0.15%

LAB 12.82, 22.64, -15.58

 

CMYK 0 / 64 / 13 / 78

HEX #371430

RGB 55 20 48

HSL 312, 0.47%, 0.15%

LAB 12.77, 21.83, -10.57

 

CMYK 0 / 64 / 29 / 78

HEX #371427

RGB 55 20 39

HSL 327.43, 0.47%, 0.15%

LAB 12.35, 20.14, -4.64

 

CMYK 0 / 64 / 45 / 78

HEX #37141E

RGB 55 20 30

HSL 342.86, 0.47%, 0.15%

LAB 12, 18.72, 1.52

 

CMYK 0 / 63 / 13 / 79

HEX #36142F

RGB 54 20 47

HSL 312.35, 0.46%, 0.15%

LAB 12.54, 21.27, -10.22

 

CMYK 0 / 38 / 64 / 78

HEX #372214

RGB 55 34 20

HSL 24, 0.47%, 0.15%

LAB 15.52, 8.2, 13.47

 

CMYK 64 / 0 / 13 / 78

HEX #143730

RGB 20 55 48

HSL 168, 0.47%, 0.15%

LAB 20.42, -14.74, 0.57

 

CMYK 0 / 63 / 13 / 79

HEX #36142F

RGB 54 20 47

HSL 312.35, 0.46%, 0.15%

LAB 12.54, 21.27, -10.22

 

CMYK 13 / 0 / 64 / 78

HEX #303714

RGB 48 55 20

HSL 72, 0.47%, 0.15%

LAB 21.62, -9.38, 20.64

 

CMYK 64 / 13 / 0 / 78

HEX #143037

RGB 20 48 55

HSL 192, 0.47%, 0.15%

LAB 18.09, -8.11, -7.69

 

CMYK 0 / 63 / 13 / 79

HEX #36142F

RGB 54 20 47

HSL 312.35, 0.46%, 0.15%

LAB 12.54, 21.27, -10.22

 

CMYK 0 / 38 / 64 / 78

HEX #372214

RGB 55 34 20

HSL 24, 0.47%, 0.15%

LAB 15.52, 8.2, 13.47

 

CMYK 64 / 0 / 51 / 78

HEX #14371B

RGB 20 55 27

HSL 132, 0.47%, 0.15%

LAB 19.88, -20.11, 13.81

 

CMYK 64 / 25 / 0 / 78

HEX #142937

RGB 20 41 55

HSL 204, 0.47%, 0.15%

LAB 15.54, -3.4, -11.6

 

CMYK 0 / 63 / 13 / 79

HEX #36142F

RGB 54 20 47

HSL 312.35, 0.46%, 0.15%

LAB 12.54, 21.27, -10.22

 

CMYK 0 / 18 / 64 / 78

HEX #372D14

RGB 55 45 20

HSL 42.86, 0.47%, 0.15%

LAB 18.97, 0.7, 17.7

 

CMYK 64 / 0 / 51 / 78

HEX #14371B

RGB 20 55 27

HSL 132, 0.47%, 0.15%

LAB 19.88, -20.11, 13.81

 

CMYK 64 / 44 / 0 / 78

HEX #141F37

RGB 20 31 55

HSL 221.14, 0.47%, 0.15%

LAB 11.99, 3.88, -17.15

 

Description

Color code: RGB 54 20 47 | qconv.com Color code: RGB 54 20 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 20 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 20 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 13 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 13% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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