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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 207 220 it is the complementary color RGB 201 48 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 207 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 207 220 shade: RGB 59 207 215, RGB 76 225 234, RGB 93 243 253, RGB 110 255 255 and RGB 127 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 207 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 207 220 shade: RGB 54 207 220, RGB 37 189 201, RGB 20 171 182, RGB 3 153 163 and RGB 0 135 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 207 220 shade: RGB 55 206 219, RGB 55 162 219, RGB 55 118 219, RGB 55 74 219 and RGB 81 55 219

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 207 220 shade: RGB 55 206 219, RGB 55 162 219, RGB 55 118 219, RGB 55 74 219 and RGB 55 55 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 207 220 shade matches the following richer shades: RGB 55 206 219 and RGB 36 222 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 207 220 shade: RGB 55 206 219, RGB 74 190 200, RGB 93 174 181, RGB 112 158 162 and RGB 131 142 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 207 220 shade: RGB 55 219 143, RGB 55 219 186, RGB 55 208 219, RGB 55 165 219 and RGB 55 121 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 207 220 shade: RGB 28 153 163, RGB 35 186 199, RGB 55 206 219, RGB 90 215 225 and RGB 125 223 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 207 220 shade: RGB 54 207 220, RGB 99 55 219 and RGB 219 165 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 207 220 shade: RGB 54 207 220, RGB 219 55 208 and RGB 208 219 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 207 220 shade: RGB 54 207 220, RGB 99 55 219, RGB 219 66 55 and RGB 176 219 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 207 220 shade: RGB 54 207 220, RGB 148 55 219, RGB 219 66 55 and RGB 126 219 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 6 / 0 / 14

HEX #36CFDC

RGB 54 207 220

HSL 184.7, 0.7%, 0.54%

LAB 76.42, -34.11, -17.7

 

Complementary color

CMYK 0 / 76 / 83 / 21

HEX #C93023

RGB 201 48 35

HSL 4.7, 0.7%, 0.46%

LAB 45.15, 58.66, 44.52

 

CMYK 73 / 4 / 0 / 16

HEX #3BCFD7

RGB 59 207 215

HSL 183.08, 0.66%, 0.54%

LAB 76.35, -35.03, -15.11

 

CMYK 68 / 4 / 0 / 8

HEX #4CE1EA

RGB 76 225 234

HSL 183.42, 0.79%, 0.61%

LAB 82.55, -35.81, -15.89

 

CMYK 63 / 4 / 0 / 1

HEX #5DF3FD

RGB 93 243 253

HSL 183.75, 0.98%, 0.68%

LAB 88.7, -36.41, -16.62

 

CMYK 57 / 0 / 0 / 0

HEX #6EFFFF

RGB 110 255 255

HSL 180, 1%, 0.72%

LAB 92.6, -38.61, -11.77

 

CMYK 50 / 0 / 0 / 0

HEX #7FFFFF

RGB 127 255 255

HSL 180, 1%, 0.75%

LAB 93.12, -35.43, -10.93

 

CMYK 75 / 6 / 0 / 14

HEX #36CFDC

RGB 54 207 220

HSL 184.7, 0.7%, 0.54%

LAB 76.42, -34.11, -17.7

 

CMYK 82 / 6 / 0 / 21

HEX #25BDC9

RGB 37 189 201

HSL 184.39, 0.69%, 0.47%

LAB 70.18, -32.92, -16.84

 

CMYK 89 / 6 / 0 / 29

HEX #14ABB6

RGB 20 171 182

HSL 184.07, 0.8%, 0.4%

LAB 63.88, -31.4, -15.89

 

CMYK 98 / 6 / 0 / 36

HEX #0399A3

RGB 3 153 163

HSL 183.75, 0.96%, 0.33%

LAB 57.51, -29.5, -14.83

 

CMYK 100 / 6 / 0 / 44

HEX #008790

RGB 0 135 144

HSL 183.75, 1%, 0.28%

LAB 51.08, -27.01, -13.6

 

CMYK 75 / 6 / 0 / 14

HEX #37CEDB

RGB 55 206 219

HSL 184.76, 0.69%, 0.54%

LAB 76.11, -33.83, -17.63

 

CMYK 75 / 26 / 0 / 14

HEX #37A2DB

RGB 55 162 219

HSL 200.85, 0.69%, 0.54%

LAB 63.15, -11.34, -37.54

 

CMYK 75 / 46 / 0 / 14

HEX #3776DB

RGB 55 118 219

HSL 216.95, 0.69%, 0.54%

LAB 50.55, 14.65, -57.51

 

CMYK 75 / 66 / 0 / 14

HEX #374ADB

RGB 55 74 219

HSL 233.05, 0.69%, 0.54%

LAB 39.28, 42.37, -75.82

 

CMYK 63 / 75 / 0 / 14

HEX #5137DB

RGB 81 55 219

HSL 249.51, 0.69%, 0.54%

LAB 37.11, 55.78, -79.34

 

CMYK 75 / 6 / 0 / 14

HEX #37CEDB

RGB 55 206 219

HSL 184.76, 0.69%, 0.54%

LAB 76.11, -33.83, -17.63

 

CMYK 75 / 26 / 0 / 14

HEX #37A2DB

RGB 55 162 219

HSL 200.85, 0.69%, 0.54%

LAB 63.15, -11.34, -37.54

 

CMYK 75 / 46 / 0 / 14

HEX #3776DB

RGB 55 118 219

HSL 216.95, 0.69%, 0.54%

LAB 50.55, 14.65, -57.51

 

CMYK 75 / 66 / 0 / 14

HEX #374ADB

RGB 55 74 219

HSL 233.05, 0.69%, 0.54%

LAB 39.28, 42.37, -75.82

 

CMYK 75 / 75 / 0 / 14

HEX #3737DB

RGB 55 55 219

HSL 240, 0.69%, 0.54%

LAB 35.32, 53.3, -82.36

 

CMYK 75 / 6 / 0 / 14

HEX #37CEDB

RGB 55 206 219

HSL 184.76, 0.69%, 0.54%

LAB 76.11, -33.83, -17.63

 

CMYK 85 / 7 / 0 / 7

HEX #24DEEE

RGB 36 222 238

HSL 184.75, 0.86%, 0.54%

LAB 81.18, -37.18, -20.16

 

CMYK 75 / 6 / 0 / 14

HEX #37CEDB

RGB 55 206 219

HSL 184.76, 0.69%, 0.54%

LAB 76.11, -33.83, -17.63

 

CMYK 63 / 5 / 0 / 22

HEX #4ABEC8

RGB 74 190 200

HSL 184.76, 0.53%, 0.54%

LAB 71.18, -29.18, -14.71

 

CMYK 49 / 4 / 0 / 29

HEX #5DAEB5

RGB 93 174 181

HSL 184.77, 0.37%, 0.54%

LAB 66.47, -22.82, -11.26

 

CMYK 31 / 2 / 0 / 36

HEX #709EA2

RGB 112 158 162

HSL 184.8, 0.21%, 0.54%

LAB 62.09, -14.4, -7.07

 

CMYK 8 / 1 / 0 / 44

HEX #838E8F

RGB 131 142 143

HSL 185, 0.05%, 0.54%

LAB 58.18, -3.77, -1.91

 

CMYK 75 / 0 / 35 / 14

HEX #37DB8F

RGB 55 219 143

HSL 152.2, 0.69%, 0.54%

LAB 78.14, -58.45, 25.81

 

CMYK 75 / 0 / 15 / 14

HEX #37DBBA

RGB 55 219 186

HSL 167.93, 0.69%, 0.54%

LAB 79.05, -48.72, 4.42

 

CMYK 75 / 5 / 0 / 14

HEX #37D0DB

RGB 55 208 219

HSL 184.02, 0.69%, 0.54%

LAB 76.7, -34.77, -16.74

 

CMYK 75 / 25 / 0 / 14

HEX #37A5DB

RGB 55 165 219

HSL 199.76, 0.69%, 0.54%

LAB 64.03, -12.99, -36.17

 

CMYK 75 / 45 / 0 / 14

HEX #3779DB

RGB 55 121 219

HSL 215.85, 0.69%, 0.54%

LAB 51.38, 12.78, -56.18

 

CMYK 83 / 6 / 0 / 36

HEX #1C99A3

RGB 28 153 163

HSL 184.44, 0.71%, 0.37%

LAB 57.73, -28.12, -14.47

 

CMYK 82 / 7 / 0 / 22

HEX #23BAC7

RGB 35 186 199

HSL 184.76, 0.7%, 0.46%

LAB 69.18, -32.27, -17.26

 

CMYK 75 / 6 / 0 / 14

HEX #37CEDB

RGB 55 206 219

HSL 184.76, 0.69%, 0.54%

LAB 76.11, -33.83, -17.63

 

CMYK 60 / 4 / 0 / 12

HEX #5AD7E1

RGB 90 215 225

HSL 184.44, 0.69%, 0.62%

LAB 79.73, -31.48, -15.31

 

CMYK 46 / 4 / 0 / 9

HEX #7DDFE8

RGB 125 223 232

HSL 185.05, 0.7%, 0.7%

LAB 83.42, -26.51, -13.38

 

CMYK 75 / 6 / 0 / 14

HEX #36CFDC

RGB 54 207 220

HSL 184.7, 0.7%, 0.54%

LAB 76.42, -34.11, -17.7

 

CMYK 55 / 75 / 0 / 14

HEX #6337DB

RGB 99 55 219

HSL 256.1, 0.69%, 0.54%

LAB 38.72, 57.99, -76.62

 

CMYK 0 / 25 / 75 / 14

HEX #DBA537

RGB 219 165 55

HSL 40.24, 0.69%, 0.54%

LAB 71.04, 9.73, 61.42

 

CMYK 75 / 6 / 0 / 14

HEX #36CFDC

RGB 54 207 220

HSL 184.7, 0.7%, 0.54%

LAB 76.42, -34.11, -17.7

 

CMYK 0 / 75 / 5 / 14

HEX #DB37D0

RGB 219 55 208

HSL 304.02, 0.69%, 0.54%

LAB 54.39, 77.31, -44.2

 

CMYK 5 / 0 / 75 / 14

HEX #D0DB37

RGB 208 219 55

HSL 64.02, 0.69%, 0.54%

LAB 84.15, -22.64, 73.45

 

CMYK 75 / 6 / 0 / 14

HEX #36CFDC

RGB 54 207 220

HSL 184.7, 0.7%, 0.54%

LAB 76.42, -34.11, -17.7

 

CMYK 55 / 75 / 0 / 14

HEX #6337DB

RGB 99 55 219

HSL 256.1, 0.69%, 0.54%

LAB 38.72, 57.99, -76.62

 

CMYK 0 / 70 / 75 / 14

HEX #DB4237

RGB 219 66 55

HSL 4.02, 0.69%, 0.54%

LAB 50.96, 58.68, 40.86

 

CMYK 20 / 0 / 75 / 14

HEX #B0DB37

RGB 176 219 55

HSL 75.73, 0.69%, 0.54%

LAB 81.93, -35.54, 70.58

 

CMYK 75 / 6 / 0 / 14

HEX #36CFDC

RGB 54 207 220

HSL 184.7, 0.7%, 0.54%

LAB 76.42, -34.11, -17.7

 

CMYK 32 / 75 / 0 / 14

HEX #9437DB

RGB 148 55 219

HSL 274.02, 0.69%, 0.54%

LAB 44.44, 65.58, -67.05

 

CMYK 0 / 70 / 75 / 14

HEX #DB4237

RGB 219 66 55

HSL 4.02, 0.69%, 0.54%

LAB 50.96, 58.68, 40.86

 

CMYK 42 / 0 / 75 / 14

HEX #7EDB37

RGB 126 219 55

HSL 94.02, 0.69%, 0.54%

LAB 79.26, -53.49, 67.09

 

Description

Color code: RGB 54 207 220 | qconv.com Color code: RGB 54 207 220 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 207 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 207 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 6 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 6% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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