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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 130 82 it is the complementary color RGB 201 125 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 130 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 130 82 shade: RGB 59 130 77, RGB 76 148 96, RGB 93 166 115, RGB 110 184 134 and RGB 127 202 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 130 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 130 82 shade: RGB 54 130 82, RGB 37 112 63, RGB 20 94 44, RGB 3 76 25 and RGB 0 58 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 130 82 shade: RGB 54 129 81, RGB 54 129 61, RGB 67 129 54, RGB 87 129 54 and RGB 107 129 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 130 82 shade: RGB 54 129 81, RGB 54 129 102, RGB 54 129 122, RGB 54 116 129 and RGB 54 95 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 130 82 shade matches the following richer shades: RGB 54 129 81, RGB 39 144 77, RGB 24 159 74 and RGB 9 173 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 130 82 shade: RGB 54 129 81, RGB 69 114 85, RGB 83 99 89, RGB 98 84 93 and RGB 113 70 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 130 82 shade: RGB 66 129 54, RGB 54 129 61, RGB 54 129 81, RGB 54 129 101 and RGB 54 129 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 130 82 shade: RGB 29 71 45, RGB 41 100 63, RGB 54 129 81, RGB 66 158 100 and RGB 83 183 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 130 82 shade: RGB 54 130 82, RGB 54 86 129 and RGB 129 54 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 130 82 shade: RGB 54 130 82, RGB 81 54 129 and RGB 129 81 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 130 82 shade: RGB 54 130 82, RGB 54 86 129, RGB 129 54 101 and RGB 129 96 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 130 82 shade: RGB 54 130 82, RGB 54 64 129, RGB 129 54 101 and RGB 129 119 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 37 / 49

HEX #368252

RGB 54 130 82

HSL 142.11, 0.41%, 0.36%

LAB 48.71, -35.06, 19.12

 

Complementary color

CMYK 0 / 38 / 14 / 21

HEX #C97DAD

RGB 201 125 173

HSL 322.11, 0.41%, 0.64%

LAB 61.74, 36.34, -13.03

 

CMYK 55 / 0 / 41 / 49

HEX #3B824D

RGB 59 130 77

HSL 135.21, 0.38%, 0.37%

LAB 48.8, -34.72, 22.09

 

CMYK 49 / 0 / 35 / 42

HEX #4C9460

RGB 76 148 96

HSL 136.67, 0.32%, 0.44%

LAB 55.65, -34.58, 20.72

 

CMYK 44 / 0 / 31 / 35

HEX #5DA673

RGB 93 166 115

HSL 138.08, 0.29%, 0.51%

LAB 62.37, -34.36, 19.47

 

CMYK 40 / 0 / 27 / 28

HEX #6EB886

RGB 110 184 134

HSL 139.46, 0.34%, 0.58%

LAB 68.98, -34.1, 18.32

 

CMYK 37 / 0 / 24 / 21

HEX #7FCA99

RGB 127 202 153

HSL 140.8, 0.41%, 0.65%

LAB 75.48, -33.83, 17.26

 

CMYK 58 / 0 / 37 / 49

HEX #368252

RGB 54 130 82

HSL 142.11, 0.41%, 0.36%

LAB 48.71, -35.06, 19.12

 

CMYK 67 / 0 / 44 / 56

HEX #25703F

RGB 37 112 63

HSL 140.8, 0.5%, 0.29%

LAB 41.75, -34.91, 20.65

 

CMYK 79 / 0 / 53 / 63

HEX #145E2C

RGB 20 94 44

HSL 139.46, 0.65%, 0.22%

LAB 34.67, -34.3, 22.34

 

CMYK 96 / 0 / 67 / 70

HEX #034C19

RGB 3 76 25

HSL 138.08, 0.92%, 0.15%

LAB 27.46, -32.95, 24.1

 

CMYK 100 / 0 / 90 / 77

HEX #003A06

RGB 0 58 6

HSL 126.21, 1%, 0.11%

LAB 20.2, -29.35, 25.14

 

CMYK 58 / 0 / 37 / 49

HEX #368151

RGB 54 129 81

HSL 141.6, 0.41%, 0.36%

LAB 48.36, -34.81, 19.22

 

CMYK 58 / 0 / 53 / 49

HEX #36813D

RGB 54 129 61

HSL 125.6, 0.41%, 0.36%

LAB 48.03, -38.3, 29.82

 

CMYK 48 / 0 / 58 / 49

HEX #438136

RGB 67 129 54

HSL 109.6, 0.41%, 0.36%

LAB 48.46, -35.44, 34.07

 

CMYK 33 / 0 / 58 / 49

HEX #578136

RGB 87 129 54

HSL 93.6, 0.41%, 0.36%

LAB 49.49, -28.37, 35.53

 

CMYK 17 / 0 / 58 / 49

HEX #6B8136

RGB 107 129 54

HSL 77.6, 0.41%, 0.36%

LAB 50.8, -20.26, 37.37

 

CMYK 58 / 0 / 37 / 49

HEX #368151

RGB 54 129 81

HSL 141.6, 0.41%, 0.36%

LAB 48.36, -34.81, 19.22

 

CMYK 58 / 0 / 21 / 49

HEX #368166

RGB 54 129 102

HSL 158.4, 0.41%, 0.36%

LAB 48.81, -30.16, 7.73

 

CMYK 58 / 0 / 5 / 49

HEX #36817A

RGB 54 129 122

HSL 174.4, 0.41%, 0.36%

LAB 49.36, -24.88, -3.2

 

CMYK 58 / 10 / 0 / 49

HEX #367481

RGB 54 116 129

HSL 190.4, 0.41%, 0.36%

LAB 45.44, -15.9, -13.21

 

CMYK 58 / 26 / 0 / 49

HEX #365F81

RGB 54 95 129

HSL 207.2, 0.41%, 0.36%

LAB 38.82, -3.63, -23.38

 

CMYK 58 / 0 / 37 / 49

HEX #368151

RGB 54 129 81

HSL 141.6, 0.41%, 0.36%

LAB 48.36, -34.81, 19.22

 

CMYK 73 / 0 / 47 / 44

HEX #27904D

RGB 39 144 77

HSL 141.71, 0.57%, 0.36%

LAB 52.85, -44.92, 27.24

 

CMYK 85 / 0 / 53 / 38

HEX #189F4A

RGB 24 159 74

HSL 142.22, 0.74%, 0.36%

LAB 57.54, -52.88, 34.63

 

CMYK 95 / 0 / 60 / 32

HEX #09AD46

RGB 9 173 70

HSL 142.32, 0.9%, 0.36%

LAB 61.99, -59.15, 41.86

 

CMYK 58 / 0 / 37 / 49

HEX #368151

RGB 54 129 81

HSL 141.6, 0.41%, 0.36%

LAB 48.36, -34.81, 19.22

 

CMYK 39 / 0 / 25 / 55

HEX #457255

RGB 69 114 85

HSL 141.33, 0.25%, 0.36%

LAB 44.17, -22.44, 11.29

 

CMYK 16 / 0 / 10 / 61

HEX #536359

RGB 83 99 89

HSL 142.5, 0.09%, 0.36%

LAB 40.38, -8.32, 3.65

 

CMYK 0 / 14 / 5 / 62

HEX #62545D

RGB 98 84 93

HSL 321.43, 0.08%, 0.36%

LAB 37.35, 7.52, -3.09

 

CMYK 0 / 38 / 14 / 56

HEX #714661

RGB 113 70 97

HSL 322.33, 0.23%, 0.36%

LAB 35.51, 22.81, -8.17

 

CMYK 49 / 0 / 58 / 49

HEX #428136

RGB 66 129 54

HSL 110.4, 0.41%, 0.36%

LAB 48.42, -35.76, 34

 

CMYK 58 / 0 / 53 / 49

HEX #36813D

RGB 54 129 61

HSL 125.6, 0.41%, 0.36%

LAB 48.03, -38.3, 29.82

 

CMYK 58 / 0 / 37 / 49

HEX #368151

RGB 54 129 81

HSL 141.6, 0.41%, 0.36%

LAB 48.36, -34.81, 19.22

 

CMYK 58 / 0 / 22 / 49

HEX #368165

RGB 54 129 101

HSL 157.6, 0.41%, 0.36%

LAB 48.79, -30.4, 8.28

 

CMYK 58 / 0 / 6 / 49

HEX #368179

RGB 54 129 121

HSL 173.6, 0.41%, 0.36%

LAB 49.33, -25.17, -2.66

 

CMYK 59 / 0 / 37 / 72

HEX #1D472D

RGB 29 71 45

HSL 142.86, 0.42%, 0.2%

LAB 26.61, -21.66, 11.31

 

CMYK 59 / 0 / 37 / 61

HEX #29643F

RGB 41 100 63

HSL 142.37, 0.42%, 0.28%

LAB 37.74, -28.57, 15.36

 

CMYK 58 / 0 / 37 / 49

HEX #368151

RGB 54 129 81

HSL 141.6, 0.41%, 0.36%

LAB 48.36, -34.81, 19.22

 

CMYK 58 / 0 / 37 / 38

HEX #429E64

RGB 66 158 100

HSL 142.17, 0.41%, 0.44%

LAB 58.54, -40.83, 22.33

 

CMYK 55 / 0 / 35 / 28

HEX #53B777

RGB 83 183 119

HSL 141.6, 0.41%, 0.52%

LAB 67.31, -43.79, 23.92

 

CMYK 58 / 0 / 37 / 49

HEX #368252

RGB 54 130 82

HSL 142.11, 0.41%, 0.36%

LAB 48.71, -35.06, 19.12

 

CMYK 58 / 33 / 0 / 49

HEX #365681

RGB 54 86 129

HSL 214.4, 0.41%, 0.36%

LAB 36.03, 2.02, -27.73

 

CMYK 0 / 58 / 57 / 49

HEX #813638

RGB 129 54 56

HSL 358.4, 0.41%, 0.36%

LAB 33.12, 32.59, 14.91

 

CMYK 58 / 0 / 37 / 49

HEX #368252

RGB 54 130 82

HSL 142.11, 0.41%, 0.36%

LAB 48.71, -35.06, 19.12

 

CMYK 37 / 58 / 0 / 49

HEX #513681

RGB 81 54 129

HSL 261.6, 0.41%, 0.36%

LAB 29.34, 29.67, -38.22

 

CMYK 0 / 37 / 58 / 49

HEX #815136

RGB 129 81 54

HSL 21.6, 0.41%, 0.36%

LAB 39.27, 17.12, 24.11

 

CMYK 58 / 0 / 37 / 49

HEX #368252

RGB 54 130 82

HSL 142.11, 0.41%, 0.36%

LAB 48.71, -35.06, 19.12

 

CMYK 58 / 33 / 0 / 49

HEX #365681

RGB 54 86 129

HSL 214.4, 0.41%, 0.36%

LAB 36.03, 2.02, -27.73

 

CMYK 0 / 58 / 22 / 49

HEX #813665

RGB 129 54 101

HSL 322.4, 0.41%, 0.36%

LAB 34.49, 38.14, -12.02

 

CMYK 0 / 26 / 58 / 49

HEX #816036

RGB 129 96 54

HSL 33.6, 0.41%, 0.36%

LAB 43.21, 8.22, 28.95

 

CMYK 58 / 0 / 37 / 49

HEX #368252

RGB 54 130 82

HSL 142.11, 0.41%, 0.36%

LAB 48.71, -35.06, 19.12

 

CMYK 58 / 50 / 0 / 49

HEX #364081

RGB 54 64 129

HSL 232, 0.41%, 0.36%

LAB 29.5, 16.57, -38.1

 

CMYK 0 / 58 / 22 / 49

HEX #813665

RGB 129 54 101

HSL 322.4, 0.41%, 0.36%

LAB 34.49, 38.14, -12.02

 

CMYK 0 / 8 / 58 / 49

HEX #817736

RGB 129 119 54

HSL 52, 0.41%, 0.36%

LAB 49.65, -5.09, 36.54

 

Description

Color code: RGB 54 130 82 | qconv.com Color code: RGB 54 130 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 130 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 130 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 37 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 37% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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