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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 117 85 it is the complementary color RGB 201 138 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 117 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 117 85 shade: RGB 59 117 80, RGB 76 135 99, RGB 93 153 118, RGB 110 171 137 and RGB 127 189 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 117 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 117 85 shade: RGB 54 117 85, RGB 37 99 66, RGB 20 81 47, RGB 3 63 28 and RGB 0 45 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 117 85 shade: RGB 54 118 86, RGB 54 118 68, RGB 57 118 54, RGB 74 118 54 and RGB 92 118 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 117 85 shade: RGB 54 118 86, RGB 54 118 103, RGB 54 116 118, RGB 54 99 118 and RGB 54 82 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 117 85 shade matches the following richer shades: RGB 54 118 86, RGB 40 132 85, RGB 26 146 85 and RGB 12 160 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 117 85 shade: RGB 54 118 86, RGB 68 104 86, RGB 82 90 86, RGB 96 76 86 and RGB 110 62 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 117 85 shade: RGB 57 118 54, RGB 54 118 68, RGB 54 118 85, RGB 54 118 102 and RGB 54 117 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 117 85 shade: RGB 28 62 45, RGB 41 90 65, RGB 54 118 86, RGB 67 147 106 and RGB 80 174 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 117 85 shade: RGB 54 117 85, RGB 54 74 118 and RGB 118 59 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 117 85 shade: RGB 54 117 85, RGB 85 54 118 and RGB 118 85 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 117 85 shade: RGB 54 117 85, RGB 54 74 118, RGB 118 54 87 and RGB 118 98 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 117 85 shade: RGB 54 117 85, RGB 54 55 118, RGB 118 54 87 and RGB 118 117 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 27 / 54

HEX #367555

RGB 54 117 85

HSL 149.52, 0.37%, 0.34%

LAB 44.47, -28.4, 11.6

 

Complementary color

CMYK 0 / 31 / 15 / 21

HEX #C98AAA

RGB 201 138 170

HSL 329.52, 0.37%, 0.66%

LAB 64.56, 28.79, -7.11

 

CMYK 50 / 0 / 32 / 54

HEX #3B7550

RGB 59 117 80

HSL 141.72, 0.33%, 0.35%

LAB 44.56, -28.09, 14.7

 

CMYK 44 / 0 / 27 / 47

HEX #4C8763

RGB 76 135 99

HSL 143.39, 0.28%, 0.41%

LAB 51.57, -27.85, 13.47

 

CMYK 39 / 0 / 23 / 40

HEX #5D9976

RGB 93 153 118

HSL 145, 0.24%, 0.48%

LAB 58.43, -27.57, 12.36

 

CMYK 36 / 0 / 20 / 33

HEX #6EAB89

RGB 110 171 137

HSL 146.56, 0.27%, 0.55%

LAB 65.16, -27.3, 11.35

 

CMYK 33 / 0 / 17 / 26

HEX #7FBD9C

RGB 127 189 156

HSL 148.06, 0.32%, 0.62%

LAB 71.76, -27.04, 10.41

 

CMYK 54 / 0 / 27 / 54

HEX #367555

RGB 54 117 85

HSL 149.52, 0.37%, 0.34%

LAB 44.47, -28.4, 11.6

 

CMYK 63 / 0 / 33 / 61

HEX #256342

RGB 37 99 66

HSL 148.06, 0.46%, 0.27%

LAB 37.32, -28.45, 12.96

 

CMYK 75 / 0 / 42 / 68

HEX #14512F

RGB 20 81 47

HSL 146.56, 0.6%, 0.2%

LAB 30.01, -28.18, 14.56

 

CMYK 95 / 0 / 56 / 75

HEX #033F1C

RGB 3 63 28

HSL 145, 0.91%, 0.13%

LAB 22.51, -27.38, 16.42

 

CMYK 100 / 0 / 80 / 82

HEX #002D09

RGB 0 45 9

HSL 132, 1%, 0.09%

LAB 14.93, -24.23, 17.56

 

CMYK 54 / 0 / 27 / 54

HEX #367656

RGB 54 118 86

HSL 150, 0.37%, 0.34%

LAB 44.82, -28.66, 11.5

 

CMYK 54 / 0 / 42 / 54

HEX #367644

RGB 54 118 68

HSL 133.13, 0.37%, 0.34%

LAB 44.46, -32.34, 21.44

 

CMYK 52 / 0 / 54 / 54

HEX #397636

RGB 57 118 54

HSL 117.19, 0.37%, 0.34%

LAB 44.37, -33.73, 29.07

 

CMYK 37 / 0 / 54 / 54

HEX #4A7636

RGB 74 118 54

HSL 101.25, 0.37%, 0.34%

LAB 45.19, -27.96, 30.26

 

CMYK 22 / 0 / 54 / 54

HEX #5C7636

RGB 92 118 54

HSL 84.38, 0.37%, 0.34%

LAB 46.31, -20.86, 31.87

 

CMYK 54 / 0 / 27 / 54

HEX #367656

RGB 54 118 86

HSL 150, 0.37%, 0.34%

LAB 44.82, -28.66, 11.5

 

CMYK 54 / 0 / 13 / 54

HEX #367667

RGB 54 118 103

HSL 165.94, 0.37%, 0.34%

LAB 45.25, -24.49, 2.03

 

CMYK 54 / 2 / 0 / 54

HEX #367476

RGB 54 116 118

HSL 181.88, 0.37%, 0.34%

LAB 45.06, -19.25, -7.22

 

CMYK 54 / 16 / 0 / 54

HEX #366376

RGB 54 99 118

HSL 197.81, 0.37%, 0.34%

LAB 39.61, -9.67, -15.45

 

CMYK 54 / 31 / 0 / 54

HEX #365276

RGB 54 82 118

HSL 213.75, 0.37%, 0.34%

LAB 34.25, 0.78, -23.74

 

CMYK 54 / 0 / 27 / 54

HEX #367656

RGB 54 118 86

HSL 150, 0.37%, 0.34%

LAB 44.82, -28.66, 11.5

 

CMYK 70 / 0 / 36 / 48

HEX #288455

RGB 40 132 85

HSL 149.35, 0.53%, 0.34%

LAB 49.02, -38.33, 17.77

 

CMYK 82 / 0 / 42 / 43

HEX #1A9255

RGB 26 146 85

HSL 149.5, 0.7%, 0.34%

LAB 53.42, -46.02, 23.59

 

CMYK 93 / 0 / 47 / 37

HEX #0CA055

RGB 12 160 85

HSL 149.59, 0.86%, 0.34%

LAB 57.92, -52.3, 29.39

 

CMYK 54 / 0 / 27 / 54

HEX #367656

RGB 54 118 86

HSL 150, 0.37%, 0.34%

LAB 44.82, -28.66, 11.5

 

CMYK 35 / 0 / 17 / 59

HEX #446856

RGB 68 104 86

HSL 150, 0.21%, 0.34%

LAB 40.9, -17.24, 6.08

 

CMYK 9 / 0 / 4 / 65

HEX #525A56

RGB 82 90 86

HSL 150, 0.05%, 0.34%

LAB 37.44, -4.02, 1.23

 

CMYK 0 / 21 / 10 / 62

HEX #604C56

RGB 96 76 86

HSL 330, 0.12%, 0.34%

LAB 34.66, 10.29, -2.69

 

CMYK 0 / 44 / 21 / 57

HEX #6E3E57

RGB 110 62 87

HSL 328.75, 0.28%, 0.34%

LAB 32.81, 24.67, -5.89

 

CMYK 52 / 0 / 54 / 54

HEX #397636

RGB 57 118 54

HSL 117.19, 0.37%, 0.34%

LAB 44.37, -33.73, 29.07

 

CMYK 54 / 0 / 42 / 54

HEX #367644

RGB 54 118 68

HSL 133.13, 0.37%, 0.34%

LAB 44.46, -32.34, 21.44

 

CMYK 54 / 0 / 28 / 54

HEX #367655

RGB 54 118 85

HSL 149.06, 0.37%, 0.34%

LAB 44.8, -28.88, 12.06

 

CMYK 54 / 0 / 14 / 54

HEX #367666

RGB 54 118 102

HSL 165, 0.37%, 0.34%

LAB 45.22, -24.75, 2.58

 

CMYK 54 / 1 / 0 / 54

HEX #367576

RGB 54 117 118

HSL 180.94, 0.37%, 0.34%

LAB 45.38, -19.78, -6.74

 

CMYK 55 / 0 / 27 / 76

HEX #1C3E2D

RGB 28 62 45

HSL 150, 0.38%, 0.18%

LAB 23.28, -17.2, 6.71

 

CMYK 54 / 0 / 28 / 65

HEX #295A41

RGB 41 90 65

HSL 149.39, 0.37%, 0.26%

LAB 34.33, -23.23, 9.47

 

CMYK 54 / 0 / 27 / 54

HEX #367656

RGB 54 118 86

HSL 150, 0.37%, 0.34%

LAB 44.82, -28.66, 11.5

 

CMYK 54 / 0 / 28 / 42

HEX #43936A

RGB 67 147 106

HSL 149.25, 0.37%, 0.42%

LAB 55.18, -34.51, 14.42

 

CMYK 54 / 0 / 27 / 32

HEX #50AE7F

RGB 80 174 127

HSL 150, 0.37%, 0.5%

LAB 64.57, -39.02, 15.84

 

CMYK 54 / 0 / 27 / 54

HEX #367555

RGB 54 117 85

HSL 149.52, 0.37%, 0.34%

LAB 44.47, -28.4, 11.6

 

CMYK 54 / 37 / 0 / 54

HEX #364A76

RGB 54 74 118

HSL 221.25, 0.37%, 0.34%

LAB 31.78, 5.99, -27.6

 

CMYK 0 / 50 / 54 / 54

HEX #763B36

RGB 118 59 54

HSL 4.69, 0.37%, 0.34%

LAB 32.36, 25.22, 14.87

 

CMYK 54 / 0 / 27 / 54

HEX #367555

RGB 54 117 85

HSL 149.52, 0.37%, 0.34%

LAB 44.47, -28.4, 11.6

 

CMYK 28 / 54 / 0 / 54

HEX #553676

RGB 85 54 118

HSL 269.06, 0.37%, 0.34%

LAB 29.1, 27.74, -31.67

 

CMYK 0 / 28 / 54 / 54

HEX #765536

RGB 118 85 54

HSL 29.06, 0.37%, 0.34%

LAB 38.92, 9.73, 23.37

 

CMYK 54 / 0 / 27 / 54

HEX #367555

RGB 54 117 85

HSL 149.52, 0.37%, 0.34%

LAB 44.47, -28.4, 11.6

 

CMYK 54 / 37 / 0 / 54

HEX #364A76

RGB 54 74 118

HSL 221.25, 0.37%, 0.34%

LAB 31.78, 5.99, -27.6

 

CMYK 0 / 54 / 26 / 54

HEX #763657

RGB 118 54 87

HSL 329.06, 0.37%, 0.34%

LAB 32.21, 32.2, -6.66

 

CMYK 0 / 17 / 54 / 54

HEX #766236

RGB 118 98 54

HSL 41.25, 0.37%, 0.34%

LAB 42.54, 1.97, 27.85

 

CMYK 54 / 0 / 27 / 54

HEX #367555

RGB 54 117 85

HSL 149.52, 0.37%, 0.34%

LAB 44.47, -28.4, 11.6

 

CMYK 54 / 53 / 0 / 54

HEX #363776

RGB 54 55 118

HSL 239.06, 0.37%, 0.34%

LAB 26.23, 18.79, -36.44

 

CMYK 0 / 54 / 26 / 54

HEX #763657

RGB 118 54 87

HSL 329.06, 0.37%, 0.34%

LAB 32.21, 32.2, -6.66

 

CMYK 0 / 1 / 54 / 54

HEX #767536

RGB 118 117 54

HSL 59.06, 0.37%, 0.34%

LAB 48.06, -8.96, 34.44

 

Description

Color code: RGB 54 117 85 | qconv.com Color code: RGB 54 117 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 117 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 117 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 27 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 27% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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