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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 54 116 121 it is the complementary color RGB 201 139 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 54 116 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 54 116 121 shade: RGB 59 116 116, RGB 76 134 135, RGB 93 152 154, RGB 110 170 173 and RGB 127 188 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 54 116 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 54 116 121 shade: RGB 54 116 121, RGB 37 98 102, RGB 20 80 83, RGB 3 62 64 and RGB 0 44 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 54 116 121 shade: RGB 53 114 119, RGB 53 96 119, RGB 53 79 119, RGB 53 61 119 and RGB 63 53 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 54 116 121 shade: RGB 53 114 119, RGB 53 96 119, RGB 53 79 119, RGB 53 61 119 and RGB 53 53 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 54 116 121 shade matches the following richer shades: RGB 53 114 119, RGB 39 126 133, RGB 25 138 147 and RGB 11 150 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 54 116 121 shade: RGB 53 114 119, RGB 67 102 105, RGB 81 90 91, RGB 95 78 77 and RGB 109 66 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 54 116 121 shade: RGB 53 119 88, RGB 53 119 106, RGB 53 115 119, RGB 53 97 119 and RGB 53 80 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 54 116 121 shade: RGB 28 60 62, RGB 40 87 91, RGB 53 114 119, RGB 66 142 148 and RGB 79 169 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 54 116 121 shade: RGB 54 116 121, RGB 71 53 119 and RGB 119 97 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 54 116 121 shade: RGB 54 116 121, RGB 119 53 115 and RGB 115 119 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 54 116 121 shade: RGB 54 116 121, RGB 71 53 119, RGB 119 58 53 and RGB 102 119 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 54 116 121 shade: RGB 54 116 121, RGB 91 53 119, RGB 119 58 53 and RGB 82 119 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 4 / 0 / 53

HEX #367479

RGB 54 116 121

HSL 184.48, 0.38%, 0.34%

LAB 45.16, -18.35, -8.86

 

Complementary color

CMYK 0 / 31 / 33 / 21

HEX #C98B86

RGB 201 139 134

HSL 4.48, 0.38%, 0.66%

LAB 63.84, 22.99, 12.21

 

CMYK 49 / 0 / 0 / 55

HEX #3B7474

RGB 59 116 116

HSL 180, 0.33%, 0.34%

LAB 45.19, -18.63, -5.79

 

CMYK 44 / 1 / 0 / 47

HEX #4C8687

RGB 76 134 135

HSL 181.02, 0.28%, 0.41%

LAB 52.21, -18.65, -6.48

 

CMYK 40 / 1 / 0 / 40

HEX #5D989A

RGB 93 152 154

HSL 181.97, 0.25%, 0.48%

LAB 59.08, -18.62, -7.12

 

CMYK 36 / 2 / 0 / 32

HEX #6EAAAD

RGB 110 170 173

HSL 182.86, 0.28%, 0.55%

LAB 65.81, -18.57, -7.71

 

CMYK 34 / 2 / 0 / 25

HEX #7FBCC0

RGB 127 188 192

HSL 183.69, 0.34%, 0.63%

LAB 72.42, -18.51, -8.28

 

CMYK 55 / 4 / 0 / 53

HEX #367479

RGB 54 116 121

HSL 184.48, 0.38%, 0.34%

LAB 45.16, -18.35, -8.86

 

CMYK 64 / 4 / 0 / 60

HEX #256266

RGB 37 98 102

HSL 183.69, 0.47%, 0.27%

LAB 38, -18.02, -8.13

 

CMYK 76 / 4 / 0 / 67

HEX #145053

RGB 20 80 83

HSL 182.86, 0.61%, 0.2%

LAB 30.67, -17.38, -7.28

 

CMYK 95 / 3 / 0 / 75

HEX #033E40

RGB 3 62 64

HSL 181.97, 0.91%, 0.13%

LAB 23.12, -16.32, -6.26

 

CMYK 100 / 2 / 0 / 82

HEX #002C2D

RGB 0 44 45

HSL 181.33, 1%, 0.09%

LAB 15.44, -13.7, -4.79

 

CMYK 55 / 4 / 0 / 53

HEX #357277

RGB 53 114 119

HSL 184.55, 0.38%, 0.34%

LAB 44.41, -18.09, -8.79

 

CMYK 55 / 19 / 0 / 53

HEX #356077

RGB 53 96 119

HSL 200.91, 0.38%, 0.34%

LAB 38.65, -7.81, -17.54

 

CMYK 55 / 34 / 0 / 53

HEX #354F77

RGB 53 79 119

HSL 216.36, 0.38%, 0.34%

LAB 33.31, 2.81, -25.83

 

CMYK 55 / 49 / 0 / 53

HEX #353D77

RGB 53 61 119

HSL 232.73, 0.38%, 0.34%

LAB 27.92, 14.83, -34.37

 

CMYK 47 / 55 / 0 / 53

HEX #3F3577

RGB 63 53 119

HSL 249.09, 0.38%, 0.34%

LAB 26.55, 22.66, -36.52

 

CMYK 55 / 4 / 0 / 53

HEX #357277

RGB 53 114 119

HSL 184.55, 0.38%, 0.34%

LAB 44.41, -18.09, -8.79

 

CMYK 55 / 19 / 0 / 53

HEX #356077

RGB 53 96 119

HSL 200.91, 0.38%, 0.34%

LAB 38.65, -7.81, -17.54

 

CMYK 55 / 34 / 0 / 53

HEX #354F77

RGB 53 79 119

HSL 216.36, 0.38%, 0.34%

LAB 33.31, 2.81, -25.83

 

CMYK 55 / 49 / 0 / 53

HEX #353D77

RGB 53 61 119

HSL 232.73, 0.38%, 0.34%

LAB 27.92, 14.83, -34.37

 

CMYK 55 / 55 / 0 / 53

HEX #353577

RGB 53 53 119

HSL 240, 0.38%, 0.34%

LAB 25.67, 20.26, -37.98

 

CMYK 55 / 4 / 0 / 53

HEX #357277

RGB 53 114 119

HSL 184.55, 0.38%, 0.34%

LAB 44.41, -18.09, -8.79

 

CMYK 71 / 5 / 0 / 48

HEX #277E85

RGB 39 126 133

HSL 184.47, 0.55%, 0.34%

LAB 48.32, -22.75, -11.28

 

CMYK 83 / 6 / 0 / 42

HEX #198A93

RGB 25 138 147

HSL 184.43, 0.71%, 0.34%

LAB 52.39, -26.04, -13.35

 

CMYK 93 / 7 / 0 / 37

HEX #0B96A1

RGB 11 150 161

HSL 184.4, 0.87%, 0.34%

LAB 56.54, -28.36, -15.14

 

CMYK 55 / 4 / 0 / 53

HEX #357277

RGB 53 114 119

HSL 184.55, 0.38%, 0.34%

LAB 44.41, -18.09, -8.79

 

CMYK 36 / 3 / 0 / 59

HEX #436669

RGB 67 102 105

HSL 184.74, 0.22%, 0.34%

LAB 40.76, -11.68, -5.7

 

CMYK 11 / 1 / 0 / 64

HEX #515A5B

RGB 81 90 91

HSL 186, 0.06%, 0.34%

LAB 37.51, -3.28, -1.78

 

CMYK 0 / 18 / 19 / 63

HEX #5F4E4D

RGB 95 78 77

HSL 3.33, 0.1%, 0.34%

LAB 34.84, 6.92, 3.25

 

CMYK 0 / 39 / 42 / 57

HEX #6D423F

RGB 109 66 63

HSL 3.91, 0.27%, 0.34%

LAB 32.93, 18.25, 9.69

 

CMYK 55 / 0 / 26 / 53

HEX #357758

RGB 53 119 88

HSL 151.82, 0.38%, 0.34%

LAB 45.16, -28.94, 10.79

 

CMYK 55 / 0 / 11 / 53

HEX #35776A

RGB 53 119 106

HSL 168.18, 0.38%, 0.34%

LAB 45.62, -24.44, 0.78

 

CMYK 55 / 3 / 0 / 53

HEX #357377

RGB 53 115 119

HSL 183.64, 0.38%, 0.34%

LAB 44.73, -18.64, -8.31

 

CMYK 55 / 18 / 0 / 53

HEX #356177

RGB 53 97 119

HSL 200, 0.38%, 0.34%

LAB 38.96, -8.41, -17.05

 

CMYK 55 / 33 / 0 / 53

HEX #355077

RGB 53 80 119

HSL 215.45, 0.38%, 0.34%

LAB 33.62, 2.16, -25.34

 

CMYK 55 / 3 / 0 / 76

HEX #1C3C3E

RGB 28 60 62

HSL 183.53, 0.38%, 0.18%

LAB 23.09, -11.1, -4.89

 

CMYK 56 / 4 / 0 / 64

HEX #28575B

RGB 40 87 91

HSL 184.71, 0.39%, 0.26%

LAB 34.03, -14.68, -7.23

 

CMYK 55 / 4 / 0 / 53

HEX #357277

RGB 53 114 119

HSL 184.55, 0.38%, 0.34%

LAB 44.41, -18.09, -8.79

 

CMYK 55 / 4 / 0 / 42

HEX #428E94

RGB 66 142 148

HSL 184.39, 0.38%, 0.42%

LAB 54.7, -21.58, -10.34

 

CMYK 55 / 4 / 0 / 31

HEX #4FA9B0

RGB 79 169 176

HSL 184.33, 0.38%, 0.5%

LAB 64.3, -24.7, -11.78

 

CMYK 55 / 4 / 0 / 53

HEX #367479

RGB 54 116 121

HSL 184.48, 0.38%, 0.34%

LAB 45.16, -18.35, -8.86

 

CMYK 40 / 55 / 0 / 53

HEX #473577

RGB 71 53 119

HSL 256.36, 0.38%, 0.34%

LAB 27.35, 24.74, -35.19

 

CMYK 0 / 18 / 55 / 53

HEX #776135

RGB 119 97 53

HSL 40, 0.38%, 0.34%

LAB 42.35, 2.93, 28.21

 

CMYK 55 / 4 / 0 / 53

HEX #367479

RGB 54 116 121

HSL 184.48, 0.38%, 0.34%

LAB 45.16, -18.35, -8.86

 

CMYK 0 / 55 / 3 / 53

HEX #773573

RGB 119 53 115

HSL 303.64, 0.38%, 0.34%

LAB 33.36, 37.89, -22.75

 

CMYK 3 / 0 / 55 / 53

HEX #737735

RGB 115 119 53

HSL 63.64, 0.38%, 0.34%

LAB 48.38, -11.51, 35.26

 

CMYK 55 / 4 / 0 / 53

HEX #367479

RGB 54 116 121

HSL 184.48, 0.38%, 0.34%

LAB 45.16, -18.35, -8.86

 

CMYK 40 / 55 / 0 / 53

HEX #473577

RGB 71 53 119

HSL 256.36, 0.38%, 0.34%

LAB 27.35, 24.74, -35.19

 

CMYK 0 / 51 / 55 / 53

HEX #773A35

RGB 119 58 53

HSL 4.55, 0.38%, 0.34%

LAB 32.27, 26.11, 15.41

 

CMYK 14 / 0 / 55 / 53

HEX #667735

RGB 102 119 53

HSL 75.45, 0.38%, 0.34%

LAB 47.33, -17.25, 33.77

 

CMYK 55 / 4 / 0 / 53

HEX #367479

RGB 54 116 121

HSL 184.48, 0.38%, 0.34%

LAB 45.16, -18.35, -8.86

 

CMYK 24 / 55 / 0 / 53

HEX #5B3577

RGB 91 53 119

HSL 274.55, 0.38%, 0.34%

LAB 29.67, 30.35, -31.35

 

CMYK 0 / 51 / 55 / 53

HEX #773A35

RGB 119 58 53

HSL 4.55, 0.38%, 0.34%

LAB 32.27, 26.11, 15.41

 

CMYK 31 / 0 / 55 / 53

HEX #527735

RGB 82 119 53

HSL 93.64, 0.38%, 0.34%

LAB 45.97, -25.53, 31.82

 

Description

Color code: RGB 54 116 121 | qconv.com Color code: RGB 54 116 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 54 red, 116 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
54 116 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 4 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 4% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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