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Color name
RGB 57 243 27

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 243 27 it is the complementary color RGB 198 12 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 243 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 243 27 shade: RGB 62 243 22, RGB 79 255 41, RGB 96 255 60, RGB 113 255 79 and RGB 130 255 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 243 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 40 225 8, RGB 23 207 0, RGB 6 189 0 and RGB 0 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 115 243 27, RGB 173 243 27, RGB 231 243 27 and RGB 243 196 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 27 243 55, RGB 27 243 113, RGB 27 243 171 and RGB 27 243 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 243 27 shade matches the following richer shades: RGB 57 243 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 71 223 46, RGB 85 204 66, RGB 99 184 85 and RGB 113 165 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 243 27 shade: RGB 174 243 27, RGB 117 243 27, RGB 59 243 27, RGB 27 243 52 and RGB 27 243 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 243 27 shade: RGB 32 178 9, RGB 40 217 11, RGB 57 243 27, RGB 91 245 66 and RGB 125 247 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 27 232 243 and RGB 243 27 145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 27 59 243 and RGB 243 27 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 27 232 243, RGB 210 27 243 and RGB 243 38 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 243 27 shade: RGB 57 243 27, RGB 27 167 243, RGB 210 27 243 and RGB 243 102 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

Complementary color

CMYK 13 / 95 / 0 / 11

HEX #C60CE4

RGB 198 12 228

HSL 291.67, 0.9%, 0.47%

LAB 49.34, 84.84, -63.88

 

CMYK 74 / 0 / 91 / 5

HEX #3EF316

RGB 62 243 22

HSL 109.14, 0.9%, 0.52%

LAB 84.58, -77.96, 78.76

 

CMYK 69 / 0 / 84 / 0

HEX #4FFF29

RGB 79 255 41

HSL 109.35, 1%, 0.58%

LAB 88.61, -78.15, 78.99

 

CMYK 62 / 0 / 76 / 0

HEX #60FF3C

RGB 96 255 60

HSL 108.92, 1%, 0.62%

LAB 89.08, -73.92, 74.67

 

CMYK 56 / 0 / 69 / 0

HEX #71FF4F

RGB 113 255 79

HSL 108.41, 1%, 0.65%

LAB 89.67, -68.74, 69.13

 

CMYK 49 / 0 / 62 / 0

HEX #82FF62

RGB 130 255 98

HSL 107.77, 1%, 0.69%

LAB 90.39, -62.71, 62.68

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 82 / 0 / 96 / 12

HEX #28E108

RGB 40 225 8

HSL 111.15, 0.93%, 0.46%

LAB 78.65, -75.89, 75.27

 

CMYK 89 / 0 / 100 / 19

HEX #17CF00

RGB 23 207 0

HSL 113.33, 1%, 0.41%

LAB 72.77, -72.55, 71.23

 

CMYK 97 / 0 / 100 / 26

HEX #06BD00

RGB 6 189 0

HSL 118.1, 1%, 0.37%

LAB 66.85, -68.54, 66.45

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 53 / 0 / 89 / 5

HEX #73F31B

RGB 115 243 27

HSL 95.56, 0.9%, 0.53%

LAB 85.92, -66.75, 79.68

 

CMYK 29 / 0 / 89 / 5

HEX #ADF31B

RGB 173 243 27

HSL 79.44, 0.9%, 0.53%

LAB 88.48, -48.11, 82.85

 

CMYK 5 / 0 / 89 / 5

HEX #E7F31B

RGB 231 243 27

HSL 63.33, 0.9%, 0.53%

LAB 92.21, -25.43, 87.41

 

CMYK 0 / 19 / 89 / 5

HEX #F3C41B

RGB 243 196 27

HSL 46.94, 0.9%, 0.53%

LAB 81.08, 2.96, 79.14

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 89 / 0 / 77 / 5

HEX #1BF337

RGB 27 243 55

HSL 127.78, 0.9%, 0.53%

LAB 84.28, -80.15, 71.15

 

CMYK 89 / 0 / 53 / 5

HEX #1BF371

RGB 27 243 113

HSL 143.89, 0.9%, 0.53%

LAB 84.75, -74.26, 49

 

CMYK 89 / 0 / 30 / 5

HEX #1BF3AB

RGB 27 243 171

HSL 160, 0.9%, 0.53%

LAB 85.64, -63.88, 21.55

 

CMYK 89 / 0 / 5 / 5

HEX #1BF3E6

RGB 27 243 230

HSL 176.39, 0.9%, 0.53%

LAB 87.02, -49.27, -7.19

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 68 / 0 / 79 / 13

HEX #47DF2E

RGB 71 223 46

HSL 111.53, 0.73%, 0.53%

LAB 78.64, -69.49, 68.6

 

CMYK 58 / 0 / 68 / 20

HEX #55CC42

RGB 85 204 66

HSL 111.74, 0.58%, 0.53%

LAB 73.23, -58.69, 56.5

 

CMYK 46 / 0 / 54 / 28

HEX #63B855

RGB 99 184 85

HSL 111.52, 0.41%, 0.53%

LAB 67.72, -45.15, 42

 

CMYK 32 / 0 / 37 / 35

HEX #71A568

RGB 113 165 104

HSL 111.15, 0.25%, 0.53%

LAB 62.86, -29.41, 26.28

 

CMYK 28 / 0 / 89 / 5

HEX #AEF31B

RGB 174 243 27

HSL 79.17, 0.9%, 0.53%

LAB 88.53, -47.74, 82.92

 

CMYK 52 / 0 / 89 / 5

HEX #75F31B

RGB 117 243 27

HSL 95, 0.9%, 0.53%

LAB 85.99, -66.21, 79.77

 

CMYK 76 / 0 / 89 / 5

HEX #3BF31B

RGB 59 243 27

HSL 111.11, 0.9%, 0.53%

LAB 84.54, -78.25, 77.97

 

CMYK 89 / 0 / 79 / 5

HEX #1BF334

RGB 27 243 52

HSL 126.94, 0.9%, 0.53%

LAB 84.27, -80.33, 72.01

 

CMYK 89 / 0 / 55 / 5

HEX #1BF36D

RGB 27 243 109

HSL 142.78, 0.9%, 0.53%

LAB 84.71, -74.81, 50.78

 

CMYK 82 / 0 / 95 / 30

HEX #20B209

RGB 32 178 9

HSL 111.83, 0.9%, 0.37%

LAB 63.48, -63.3, 62.68

 

CMYK 82 / 0 / 95 / 15

HEX #28D90B

RGB 40 217 11

HSL 111.55, 0.9%, 0.45%

LAB 76.13, -73.59, 72.94

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 63 / 0 / 73 / 4

HEX #5BF542

RGB 91 245 66

HSL 111.62, 0.9%, 0.61%

LAB 85.97, -71.33, 69.69

 

CMYK 49 / 0 / 57 / 3

HEX #7DF769

RGB 125 247 105

HSL 111.55, 0.9%, 0.69%

LAB 87.92, -60.36, 56.85

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 89 / 5 / 0 / 5

HEX #1BE8F3

RGB 27 232 243

HSL 183.06, 0.9%, 0.53%

LAB 84.18, -40.72, -18.27

 

CMYK 0 / 89 / 40 / 5

HEX #F31B91

RGB 243 27 145

HSL 327.22, 0.9%, 0.53%

LAB 53.9, 80.93, -7.82

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 89 / 76 / 0 / 5

HEX #1B3BF3

RGB 27 59 243

HSL 231.11, 0.9%, 0.53%

LAB 37.54, 57.39, -92.37

 

CMYK 0 / 89 / 76 / 5

HEX #F31B3B

RGB 243 27 59

HSL 351.11, 0.9%, 0.53%

LAB 52.01, 75.65, 41.08

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 89 / 5 / 0 / 5

HEX #1BE8F3

RGB 27 232 243

HSL 183.06, 0.9%, 0.53%

LAB 84.18, -40.72, -18.27

 

CMYK 14 / 89 / 0 / 5

HEX #D21BF3

RGB 210 27 243

HSL 290.83, 0.9%, 0.53%

LAB 52.9, 87.29, -66.48

 

CMYK 0 / 84 / 89 / 5

HEX #F3261B

RGB 243 38 27

HSL 3.06, 0.9%, 0.53%

LAB 52.42, 72.95, 57.54

 

CMYK 77 / 0 / 89 / 5

HEX #39F31B

RGB 57 243 27

HSL 111.67, 0.9%, 0.53%

LAB 84.51, -78.52, 77.93

 

CMYK 89 / 31 / 0 / 5

HEX #1BA7F3

RGB 27 167 243

HSL 201.11, 0.9%, 0.53%

LAB 65.23, -8.02, -47.51

 

CMYK 14 / 89 / 0 / 5

HEX #D21BF3

RGB 210 27 243

HSL 290.83, 0.9%, 0.53%

LAB 52.9, 87.29, -66.48

 

CMYK 0 / 58 / 89 / 5

HEX #F3661B

RGB 243 102 27

HSL 20.83, 0.9%, 0.53%

LAB 60.46, 51, 63.43

 

Description

Color code: RGB 57 243 27 | qconv.com Color code: RGB 57 243 27 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 243 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 243 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 89 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 89% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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