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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 226 163 it is the complementary color RGB 198 29 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 226 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 226 163 shade: RGB 62 226 158, RGB 79 244 177, RGB 96 255 196, RGB 113 255 215 and RGB 130 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 226 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 226 163 shade: RGB 57 226 163, RGB 40 208 144, RGB 23 190 125, RGB 6 172 106 and RGB 0 154 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 226 163 shade: RGB 55 225 161, RGB 55 225 116, RGB 55 225 70, RGB 86 225 55 and RGB 132 225 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 226 163 shade: RGB 55 225 161, RGB 55 225 207, RGB 55 196 225, RGB 55 151 225 and RGB 55 105 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 226 163 shade matches the following richer shades: RGB 55 225 161 and RGB 36 243 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 226 163 shade: RGB 55 225 161, RGB 73 206 157, RGB 92 188 152, RGB 111 169 147 and RGB 129 150 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 226 163 shade: RGB 55 225 69, RGB 55 225 114, RGB 55 225 160, RGB 55 225 205 and RGB 55 199 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 226 163 shade: RGB 25 172 117, RGB 31 208 142, RGB 55 225 161, RGB 91 230 178 and RGB 127 235 195

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 226 163 shade: RGB 57 226 163, RGB 55 86 225 and RGB 225 92 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 226 163 shade: RGB 57 226 163, RGB 160 55 225 and RGB 225 160 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 226 163 shade: RGB 57 226 163, RGB 55 86 225, RGB 225 55 120 and RGB 225 194 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 226 163 shade: RGB 57 226 163, RGB 75 55 225, RGB 225 55 120 and RGB 205 225 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 28 / 11

HEX #39E2A3

RGB 57 226 163

HSL 157.63, 0.74%, 0.55%

LAB 80.69, -56.69, 18.89

 

Complementary color

CMYK 0 / 85 / 54 / 22

HEX #C61D5C

RGB 198 29 92

HSL 337.63, 0.74%, 0.45%

LAB 43.74, 65.67, 8.71

 

CMYK 73 / 0 / 30 / 11

HEX #3EE29E

RGB 62 226 158

HSL 155.12, 0.74%, 0.56%

LAB 80.68, -57.11, 21.49

 

CMYK 68 / 0 / 27 / 4

HEX #4FF4B1

RGB 79 244 177

HSL 155.64, 0.88%, 0.63%

LAB 86.77, -57.62, 20.14

 

CMYK 62 / 0 / 23 / 0

HEX #60FFC4

RGB 96 255 196

HSL 157.74, 1%, 0.69%

LAB 90.78, -55.15, 16.03

 

CMYK 56 / 0 / 16 / 0

HEX #71FFD7

RGB 113 255 215

HSL 163.1, 1%, 0.72%

LAB 91.66, -47.8, 7.56

 

CMYK 49 / 0 / 8 / 0

HEX #82FFEA

RGB 130 255 234

HSL 169.92, 1%, 0.75%

LAB 92.67, -39.91, -0.73

 

CMYK 75 / 0 / 28 / 11

HEX #39E2A3

RGB 57 226 163

HSL 157.63, 0.74%, 0.55%

LAB 80.69, -56.69, 18.89

 

CMYK 81 / 0 / 31 / 18

HEX #28D090

RGB 40 208 144

HSL 157.14, 0.68%, 0.49%

LAB 74.56, -55.81, 20.36

 

CMYK 88 / 0 / 34 / 25

HEX #17BE7D

RGB 23 190 125

HSL 156.65, 0.78%, 0.42%

LAB 68.38, -54.55, 21.97

 

CMYK 97 / 0 / 38 / 33

HEX #06AC6A

RGB 6 172 106

HSL 156.14, 0.93%, 0.35%

LAB 62.16, -52.81, 23.74

 

CMYK 100 / 0 / 44 / 40

HEX #009A57

RGB 0 154 87

HSL 153.9, 1%, 0.3%

LAB 55.89, -50.43, 25.69

 

CMYK 76 / 0 / 28 / 12

HEX #37E1A1

RGB 55 225 161

HSL 157.41, 0.74%, 0.55%

LAB 80.31, -56.98, 19.41

 

CMYK 76 / 0 / 48 / 12

HEX #37E174

RGB 55 225 116

HSL 141.53, 0.74%, 0.55%

LAB 79.57, -65.37, 41.26

 

CMYK 76 / 0 / 69 / 12

HEX #37E146

RGB 55 225 70

HSL 125.29, 0.74%, 0.55%

LAB 79.1, -70.98, 60.97

 

CMYK 62 / 0 / 76 / 12

HEX #56E137

RGB 86 225 55

HSL 109.06, 0.74%, 0.55%

LAB 79.67, -66.54, 67.02

 

CMYK 41 / 0 / 76 / 12

HEX #84E137

RGB 132 225 55

HSL 92.82, 0.74%, 0.55%

LAB 81.31, -53.92, 69.16

 

CMYK 76 / 0 / 28 / 12

HEX #37E1A1

RGB 55 225 161

HSL 157.41, 0.74%, 0.55%

LAB 80.31, -56.98, 19.41

 

CMYK 76 / 0 / 8 / 12

HEX #37E1CF

RGB 55 225 207

HSL 173.65, 0.74%, 0.55%

LAB 81.38, -45.8, -3.35

 

CMYK 76 / 13 / 0 / 12

HEX #37C4E1

RGB 55 196 225

HSL 190.24, 0.74%, 0.55%

LAB 73.37, -27.15, -25.04

 

CMYK 76 / 33 / 0 / 12

HEX #3797E1

RGB 55 151 225

HSL 206.12, 0.74%, 0.55%

LAB 60.23, -3.05, -45.45

 

CMYK 76 / 53 / 0 / 12

HEX #3769E1

RGB 55 105 225

HSL 222.35, 0.74%, 0.55%

LAB 47.43, 25.05, -65.94

 

CMYK 76 / 0 / 28 / 12

HEX #37E1A1

RGB 55 225 161

HSL 157.41, 0.74%, 0.55%

LAB 80.31, -56.98, 19.41

 

CMYK 85 / 0 / 32 / 5

HEX #24F3A6

RGB 36 243 166

HSL 157.68, 0.9%, 0.55%

LAB 85.62, -64.38, 24.1

 

CMYK 76 / 0 / 28 / 12

HEX #37E1A1

RGB 55 225 161

HSL 157.41, 0.74%, 0.55%

LAB 80.31, -56.98, 19.41

 

CMYK 65 / 0 / 24 / 19

HEX #49CE9D

RGB 73 206 157

HSL 157.89, 0.58%, 0.55%

LAB 74.82, -47.65, 13.91

 

CMYK 51 / 0 / 19 / 26

HEX #5CBC98

RGB 92 188 152

HSL 157.5, 0.42%, 0.55%

LAB 69.83, -37.01, 9.63

 

CMYK 34 / 0 / 13 / 34

HEX #6FA993

RGB 111 169 147

HSL 157.24, 0.25%, 0.55%

LAB 64.85, -23.89, 5.37

 

CMYK 14 / 0 / 5 / 41

HEX #81968E

RGB 129 150 142

HSL 157.14, 0.09%, 0.55%

LAB 60.28, -9.1, 1.71

 

CMYK 76 / 0 / 69 / 12

HEX #37E145

RGB 55 225 69

HSL 124.94, 0.74%, 0.55%

LAB 79.09, -71.07, 61.34

 

CMYK 76 / 0 / 49 / 12

HEX #37E172

RGB 55 225 114

HSL 140.82, 0.74%, 0.55%

LAB 79.54, -65.67, 42.19

 

CMYK 76 / 0 / 29 / 12

HEX #37E1A0

RGB 55 225 160

HSL 157.06, 0.74%, 0.55%

LAB 80.29, -57.2, 19.9

 

CMYK 76 / 0 / 9 / 12

HEX #37E1CD

RGB 55 225 205

HSL 172.94, 0.74%, 0.55%

LAB 81.33, -46.34, -2.37

 

CMYK 76 / 12 / 0 / 12

HEX #37C7E1

RGB 55 199 225

HSL 189.18, 0.74%, 0.55%

LAB 74.25, -28.63, -23.69

 

CMYK 85 / 0 / 32 / 33

HEX #19AC75

RGB 25 172 117

HSL 157.55, 0.75%, 0.39%

LAB 62.5, -49.32, 18.27

 

CMYK 85 / 0 / 32 / 18

HEX #1FD08E

RGB 31 208 142

HSL 157.63, 0.74%, 0.47%

LAB 74.42, -57.02, 21.2

 

CMYK 76 / 0 / 28 / 12

HEX #37E1A1

RGB 55 225 161

HSL 157.41, 0.74%, 0.55%

LAB 80.31, -56.98, 19.41

 

CMYK 60 / 0 / 23 / 10

HEX #5BE6B2

RGB 91 230 178

HSL 157.55, 0.74%, 0.63%

LAB 82.93, -49.72, 14.29

 

CMYK 46 / 0 / 17 / 8

HEX #7FEBC3

RGB 127 235 195

HSL 157.78, 0.73%, 0.71%

LAB 85.94, -40.37, 9.83

 

CMYK 75 / 0 / 28 / 11

HEX #39E2A3

RGB 57 226 163

HSL 157.63, 0.74%, 0.55%

LAB 80.69, -56.69, 18.89

 

CMYK 76 / 62 / 0 / 12

HEX #3756E1

RGB 55 86 225

HSL 229.06, 0.74%, 0.55%

LAB 42.62, 37.07, -73.78

 

CMYK 0 / 59 / 76 / 12

HEX #E15C37

RGB 225 92 55

HSL 13.06, 0.74%, 0.55%

LAB 56.03, 49.86, 46.58

 

CMYK 75 / 0 / 28 / 11

HEX #39E2A3

RGB 57 226 163

HSL 157.63, 0.74%, 0.55%

LAB 80.69, -56.69, 18.89

 

CMYK 29 / 76 / 0 / 12

HEX #A037E1

RGB 160 55 225

HSL 277.06, 0.74%, 0.55%

LAB 46.5, 68.95, -67.04

 

CMYK 0 / 29 / 76 / 12

HEX #E1A037

RGB 225 160 55

HSL 37.06, 0.74%, 0.55%

LAB 70.47, 14.97, 61.09

 

CMYK 75 / 0 / 28 / 11

HEX #39E2A3

RGB 57 226 163

HSL 157.63, 0.74%, 0.55%

LAB 80.69, -56.69, 18.89

 

CMYK 76 / 62 / 0 / 12

HEX #3756E1

RGB 55 86 225

HSL 229.06, 0.74%, 0.55%

LAB 42.62, 37.07, -73.78

 

CMYK 0 / 76 / 47 / 12

HEX #E13778

RGB 225 55 120

HSL 337.06, 0.74%, 0.55%

LAB 51.95, 68.25, 3.91

 

CMYK 0 / 14 / 76 / 12

HEX #E1C237

RGB 225 194 55

HSL 49.06, 0.74%, 0.55%

LAB 78.96, -2.94, 69.15

 

CMYK 75 / 0 / 28 / 11

HEX #39E2A3

RGB 57 226 163

HSL 157.63, 0.74%, 0.55%

LAB 80.69, -56.69, 18.89

 

CMYK 67 / 76 / 0 / 12

HEX #4B37E1

RGB 75 55 225

HSL 247.06, 0.74%, 0.55%

LAB 37.23, 56.92, -82.59

 

CMYK 0 / 76 / 47 / 12

HEX #E13778

RGB 225 55 120

HSL 337.06, 0.74%, 0.55%

LAB 51.95, 68.25, 3.91

 

CMYK 9 / 0 / 76 / 12

HEX #CDE137

RGB 205 225 55

HSL 67.06, 0.74%, 0.55%

LAB 85.56, -26.74, 74.67

 

Description

Color code: RGB 57 226 163 | qconv.com Color code: RGB 57 226 163 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 226 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 226 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 28 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 28% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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