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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 214 212 it is the complementary color RGB 198 41 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 214 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 214 212 shade: RGB 62 214 207, RGB 79 232 226, RGB 96 250 245, RGB 113 255 255 and RGB 130 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 214 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 214 212 shade: RGB 57 214 212, RGB 40 196 193, RGB 23 178 174, RGB 6 160 155 and RGB 0 142 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 214 212 shade: RGB 56 214 212, RGB 56 214 169, RGB 56 214 126, RGB 56 214 84 and RGB 70 214 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 214 212 shade: RGB 56 214 212, RGB 56 173 214, RGB 56 130 214, RGB 56 88 214 and RGB 56 56 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 214 212 shade matches the following richer shades: RGB 56 214 212, RGB 36 233 231 and RGB 17 253 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 214 212 shade: RGB 56 214 212, RGB 75 194 193, RGB 94 175 174, RGB 114 156 155 and RGB 133 136 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 214 212 shade: RGB 56 214 127, RGB 56 214 169, RGB 56 214 211, RGB 56 174 214 and RGB 56 132 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 214 212 shade: RGB 31 155 154, RGB 38 190 188, RGB 56 214 212, RGB 90 221 219 and RGB 124 228 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 214 212 shade: RGB 57 214 212, RGB 85 56 214 and RGB 214 148 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 214 212 shade: RGB 57 214 212, RGB 211 56 214 and RGB 214 211 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 214 212 shade: RGB 57 214 212, RGB 85 56 214, RGB 214 56 58 and RGB 185 214 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 214 212 shade: RGB 57 214 212, RGB 132 56 214, RGB 214 56 58 and RGB 137 214 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 1 / 16

HEX #39D6D4

RGB 57 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.3, -39.35, -10.59

 

Complementary color

CMYK 0 / 79 / 78 / 22

HEX #C6292B

RGB 198 41 43

HSL 359.24, 0.66%, 0.47%

LAB 43.9, 60.12, 38.78

 

CMYK 71 / 0 / 3 / 16

HEX #3ED6CF

RGB 62 214 207

HSL 177.24, 0.65%, 0.54%

LAB 78.24, -40.16, -7.98

 

CMYK 66 / 0 / 3 / 9

HEX #4FE8E2

RGB 79 232 226

HSL 177.65, 0.77%, 0.61%

LAB 84.41, -40.8, -8.88

 

CMYK 62 / 0 / 2 / 2

HEX #60FAF5

RGB 96 250 245

HSL 178.05, 0.94%, 0.68%

LAB 90.53, -41.28, -9.7

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 73 / 0 / 1 / 16

HEX #39D6D4

RGB 57 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.3, -39.35, -10.59

 

CMYK 80 / 0 / 2 / 23

HEX #28C4C1

RGB 40 196 193

HSL 178.85, 0.66%, 0.46%

LAB 72.08, -38.32, -9.61

 

CMYK 87 / 0 / 2 / 30

HEX #17B2AE

RGB 23 178 174

HSL 178.45, 0.77%, 0.39%

LAB 65.81, -36.98, -8.53

 

CMYK 96 / 0 / 3 / 37

HEX #06A09B

RGB 6 160 155

HSL 178.05, 0.93%, 0.33%

LAB 59.48, -35.24, -7.32

 

CMYK 100 / 0 / 4 / 44

HEX #008E88

RGB 0 142 136

HSL 177.46, 1%, 0.28%

LAB 53.08, -32.99, -5.96

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D4

RGB 56 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.28, -39.46, -10.61

 

CMYK 74 / 0 / 21 / 16

HEX #38D6A9

RGB 56 214 169

HSL 162.91, 0.66%, 0.53%

LAB 77.16, -50.7, 10.76

 

CMYK 74 / 0 / 41 / 16

HEX #38D67E

RGB 56 214 126

HSL 146.58, 0.66%, 0.53%

LAB 76.34, -59.7, 32.14

 

CMYK 74 / 0 / 61 / 16

HEX #38D654

RGB 56 214 84

HSL 130.63, 0.66%, 0.53%

LAB 75.81, -65.91, 51.62

 

CMYK 67 / 0 / 74 / 16

HEX #46D638

RGB 70 214 56

HSL 114.68, 0.66%, 0.53%

LAB 75.87, -66.16, 62.8

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D4

RGB 56 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.28, -39.46, -10.61

 

CMYK 74 / 19 / 0 / 16

HEX #38ADD6

RGB 56 173 214

HSL 195.57, 0.66%, 0.53%

LAB 66.2, -18.82, -30.04

 

CMYK 74 / 39 / 0 / 16

HEX #3882D6

RGB 56 130 214

HSL 211.9, 0.66%, 0.53%

LAB 53.67, 5.55, -49.7

 

CMYK 74 / 59 / 0 / 16

HEX #3858D6

RGB 56 88 214

HSL 227.85, 0.66%, 0.53%

LAB 42.27, 31.97, -68.07

 

CMYK 74 / 74 / 0 / 16

HEX #3838D6

RGB 56 56 214

HSL 240, 0.66%, 0.53%

LAB 35.05, 51.24, -79.92

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D4

RGB 56 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.28, -39.46, -10.61

 

CMYK 85 / 0 / 1 / 9

HEX #24E9E7

RGB 36 233 231

HSL 179.39, 0.82%, 0.53%

LAB 84.19, -44.19, -11.93

 

CMYK 93 / 0 / 1 / 1

HEX #11FDFA

RGB 17 253 250

HSL 179.24, 0.98%, 0.53%

LAB 90.45, -48.29, -12.54

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D4

RGB 56 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.28, -39.46, -10.61

 

CMYK 61 / 0 / 1 / 24

HEX #4BC2C1

RGB 75 194 193

HSL 179.5, 0.49%, 0.53%

LAB 72.18, -32.91, -9.39

 

CMYK 46 / 0 / 1 / 31

HEX #5EAFAE

RGB 94 175 174

HSL 179.26, 0.34%, 0.53%

LAB 66.59, -24.96, -7.19

 

CMYK 27 / 0 / 1 / 39

HEX #729C9B

RGB 114 156 155

HSL 178.57, 0.18%, 0.53%

LAB 61.41, -14.41, -4.11

 

CMYK 2 / 0 / 0 / 47

HEX #858888

RGB 133 136 136

HSL 180, 0.01%, 0.53%

LAB 56.46, -1.1, -0.39

 

CMYK 74 / 0 / 41 / 16

HEX #38D67F

RGB 56 214 127

HSL 146.96, 0.66%, 0.53%

LAB 76.35, -59.52, 31.65

 

CMYK 74 / 0 / 21 / 16

HEX #38D6A9

RGB 56 214 169

HSL 162.91, 0.66%, 0.53%

LAB 77.16, -50.7, 10.76

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D3

RGB 56 214 211

HSL 178.86, 0.66%, 0.53%

LAB 78.25, -39.74, -10.12

 

CMYK 74 / 19 / 0 / 16

HEX #38AED6

RGB 56 174 214

HSL 195.19, 0.66%, 0.53%

LAB 66.5, -19.35, -29.59

 

CMYK 74 / 38 / 0 / 16

HEX #3884D6

RGB 56 132 214

HSL 211.14, 0.66%, 0.53%

LAB 54.24, 4.34, -48.8

 

CMYK 80 / 0 / 1 / 39

HEX #1F9B9A

RGB 31 155 154

HSL 179.52, 0.67%, 0.36%

LAB 58.1, -31.64, -8.78

 

CMYK 80 / 0 / 1 / 25

HEX #26BEBC

RGB 38 190 188

HSL 179.21, 0.67%, 0.45%

LAB 70.08, -37.22, -9.86

 

CMYK 74 / 0 / 1 / 16

HEX #38D6D4

RGB 56 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.28, -39.46, -10.61

 

CMYK 59 / 0 / 1 / 13

HEX #5ADDDB

RGB 90 221 219

HSL 179.08, 0.66%, 0.61%

LAB 81.29, -35.95, -9.78

 

CMYK 46 / 0 / 1 / 11

HEX #7CE4E2

RGB 124 228 226

HSL 178.85, 0.66%, 0.69%

LAB 84.62, -30.66, -8.43

 

CMYK 73 / 0 / 1 / 16

HEX #39D6D4

RGB 57 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.3, -39.35, -10.59

 

CMYK 60 / 74 / 0 / 16

HEX #5538D6

RGB 85 56 214

HSL 251.01, 0.66%, 0.53%

LAB 37.14, 54.29, -76.4

 

CMYK 0 / 31 / 74 / 16

HEX #D69438

RGB 214 148 56

HSL 34.94, 0.66%, 0.53%

LAB 66.34, 16.76, 56.19

 

CMYK 73 / 0 / 1 / 16

HEX #39D6D4

RGB 57 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.3, -39.35, -10.59

 

CMYK 1 / 74 / 0 / 16

HEX #D338D6

RGB 211 56 214

HSL 298.86, 0.66%, 0.53%

LAB 53.53, 76.3, -49.08

 

CMYK 0 / 1 / 74 / 16

HEX #D6D338

RGB 214 211 56

HSL 58.86, 0.66%, 0.53%

LAB 82.47, -16.19, 71.75

 

CMYK 73 / 0 / 1 / 16

HEX #39D6D4

RGB 57 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.3, -39.35, -10.59

 

CMYK 60 / 74 / 0 / 16

HEX #5538D6

RGB 85 56 214

HSL 251.01, 0.66%, 0.53%

LAB 37.14, 54.29, -76.4

 

CMYK 0 / 74 / 73 / 16

HEX #D6383A

RGB 214 56 58

HSL 359.24, 0.66%, 0.53%

LAB 48.8, 60.79, 36.51

 

CMYK 14 / 0 / 74 / 16

HEX #B9D638

RGB 185 214 56

HSL 71.01, 0.66%, 0.53%

LAB 81.12, -29.6, 69.71

 

CMYK 73 / 0 / 1 / 16

HEX #39D6D4

RGB 57 214 212

HSL 179.24, 0.66%, 0.53%

LAB 78.3, -39.35, -10.59

 

CMYK 38 / 74 / 0 / 16

HEX #8438D6

RGB 132 56 214

HSL 268.86, 0.66%, 0.53%

LAB 42.14, 61.29, -68.02

 

CMYK 0 / 74 / 73 / 16

HEX #D6383A

RGB 214 56 58

HSL 359.24, 0.66%, 0.53%

LAB 48.8, 60.79, 36.51

 

CMYK 36 / 0 / 74 / 16

HEX #89D638

RGB 137 214 56

HSL 89.24, 0.66%, 0.53%

LAB 78.28, -47.76, 65.99

 

Description

Color code: RGB 57 214 212 | qconv.com Color code: RGB 57 214 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 214 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 214 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 1 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 1% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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