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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 212 74 it is the complementary color RGB 198 43 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 212 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 212 74 shade: RGB 62 212 69, RGB 79 230 88, RGB 96 248 107, RGB 113 255 126 and RGB 130 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 212 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 212 74 shade: RGB 57 212 74, RGB 40 194 55, RGB 23 176 36, RGB 6 158 17 and RGB 0 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 212 74 shade: RGB 58 211 75, RGB 82 211 58, RGB 124 211 58, RGB 165 211 58 and RGB 207 211 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 212 74 shade: RGB 58 211 75, RGB 58 211 116, RGB 58 211 158, RGB 58 211 199 and RGB 58 182 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 212 74 shade matches the following richer shades: RGB 58 211 75, RGB 39 231 60 and RGB 19 250 44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 212 74 shade: RGB 58 211 75, RGB 77 192 90, RGB 97 173 105, RGB 116 153 120 and RGB 136 134 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 212 74 shade: RGB 124 211 58, RGB 84 211 58, RGB 58 211 73, RGB 58 211 114 and RGB 58 211 155

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 212 74 shade: RGB 33 153 46, RGB 41 187 57, RGB 58 211 75, RGB 92 219 106 and RGB 126 226 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 212 74 shade: RGB 57 212 74, RGB 58 165 211 and RGB 211 58 104

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 212 74 shade: RGB 57 212 74, RGB 73 58 211 and RGB 211 73 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 212 74 shade: RGB 57 212 74, RGB 58 165 211, RGB 211 58 196 and RGB 211 104 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 212 74 shade: RGB 57 212 74, RGB 58 119 211, RGB 211 58 196 and RGB 211 150 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 65 / 17

HEX #39D44A

RGB 57 212 74

HSL 126.58, 0.64%, 0.53%

LAB 75.11, -66.2, 55.1

 

Complementary color

CMYK 0 / 78 / 9 / 22

HEX #C62BB5

RGB 198 43 181

HSL 306.58, 0.64%, 0.47%

LAB 48.35, 72.25, -38.36

 

CMYK 71 / 0 / 67 / 17

HEX #3ED445

RGB 62 212 69

HSL 122.8, 0.64%, 0.54%

LAB 75.16, -65.88, 57.21

 

CMYK 66 / 0 / 62 / 10

HEX #4FE658

RGB 79 230 88

HSL 123.58, 0.75%, 0.61%

LAB 81.27, -66.84, 56.22

 

CMYK 61 / 0 / 57 / 3

HEX #60F86B

RGB 96 248 107

HSL 124.34, 0.92%, 0.67%

LAB 87.33, -67.46, 55.06

 

CMYK 56 / 0 / 51 / 0

HEX #71FF7E

RGB 113 255 126

HSL 125.49, 1%, 0.72%

LAB 90.11, -63.85, 49.88

 

CMYK 49 / 0 / 43 / 0

HEX #82FF91

RGB 130 255 145

HSL 127.2, 1%, 0.75%

LAB 90.92, -57.03, 41.99

 

CMYK 73 / 0 / 65 / 17

HEX #39D44A

RGB 57 212 74

HSL 126.58, 0.64%, 0.53%

LAB 75.11, -66.2, 55.1

 

CMYK 79 / 0 / 72 / 24

HEX #28C237

RGB 40 194 55

HSL 125.84, 0.66%, 0.46%

LAB 68.98, -64.69, 55.97

 

CMYK 87 / 0 / 80 / 31

HEX #17B024

RGB 23 176 36

HSL 125.1, 0.77%, 0.39%

LAB 62.81, -62.49, 56.26

 

CMYK 96 / 0 / 89 / 38

HEX #069E11

RGB 6 158 17

HSL 124.34, 0.93%, 0.32%

LAB 56.62, -59.4, 55.49

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 73 / 0 / 64 / 17

HEX #3AD34B

RGB 58 211 75

HSL 126.67, 0.63%, 0.53%

LAB 74.82, -65.62, 54.38

 

CMYK 61 / 0 / 73 / 17

HEX #52D33A

RGB 82 211 58

HSL 110.59, 0.63%, 0.53%

LAB 75.26, -62.5, 61.59

 

CMYK 41 / 0 / 73 / 17

HEX #7CD33A

RGB 124 211 58

HSL 94.12, 0.63%, 0.53%

LAB 76.79, -50.77, 63.62

 

CMYK 22 / 0 / 73 / 17

HEX #A5D33A

RGB 165 211 58

HSL 78.04, 0.63%, 0.53%

LAB 78.98, -36.03, 66.52

 

CMYK 2 / 0 / 73 / 17

HEX #CFD33A

RGB 207 211 58

HSL 61.57, 0.63%, 0.53%

LAB 81.92, -19.03, 70.38

 

CMYK 73 / 0 / 64 / 17

HEX #3AD34B

RGB 58 211 75

HSL 126.67, 0.63%, 0.53%

LAB 74.82, -65.62, 54.38

 

CMYK 73 / 0 / 45 / 17

HEX #3AD374

RGB 58 211 116

HSL 142.75, 0.63%, 0.53%

LAB 75.29, -60.06, 35.85

 

CMYK 73 / 0 / 25 / 17

HEX #3AD39E

RGB 58 211 158

HSL 159.22, 0.63%, 0.53%

LAB 76.04, -51.78, 15.04

 

CMYK 73 / 0 / 6 / 17

HEX #3AD3C7

RGB 58 211 199

HSL 175.29, 0.63%, 0.53%

LAB 77.05, -41.5, -5.46

 

CMYK 73 / 14 / 0 / 17

HEX #3AB6D3

RGB 58 182 211

HSL 191.37, 0.63%, 0.53%

LAB 68.79, -24.19, -24.4

 

CMYK 73 / 0 / 64 / 17

HEX #3AD34B

RGB 58 211 75

HSL 126.67, 0.63%, 0.53%

LAB 74.82, -65.62, 54.38

 

CMYK 83 / 0 / 74 / 9

HEX #27E73C

RGB 39 231 60

HSL 126.56, 0.8%, 0.53%

LAB 80.69, -75.47, 66.1

 

CMYK 92 / 0 / 82 / 2

HEX #13FA2C

RGB 19 250 44

HSL 126.49, 0.96%, 0.53%

LAB 86.35, -83.1, 76

 

CMYK 73 / 0 / 64 / 17

HEX #3AD34B

RGB 58 211 75

HSL 126.67, 0.63%, 0.53%

LAB 74.82, -65.62, 54.38

 

CMYK 60 / 0 / 53 / 25

HEX #4DC05A

RGB 77 192 90

HSL 126.78, 0.48%, 0.53%

LAB 69.48, -53.5, 41.52

 

CMYK 44 / 0 / 39 / 32

HEX #61AD69

RGB 97 173 105

HSL 126.32, 0.32%, 0.53%

LAB 64.52, -38.13, 27.78

 

CMYK 24 / 0 / 22 / 40

HEX #749978

RGB 116 153 120

HSL 126.49, 0.15%, 0.53%

LAB 59.75, -19.61, 13.28

 

CMYK 0 / 1 / 1 / 47

HEX #888687

RGB 136 134 135

HSL 330, 0.01%, 0.53%

LAB 56.12, 0.94, -0.28

 

CMYK 41 / 0 / 73 / 17

HEX #7CD33A

RGB 124 211 58

HSL 94.12, 0.63%, 0.53%

LAB 76.79, -50.77, 63.62

 

CMYK 60 / 0 / 73 / 17

HEX #54D33A

RGB 84 211 58

HSL 109.8, 0.63%, 0.53%

LAB 75.31, -62.04, 61.66

 

CMYK 73 / 0 / 65 / 17

HEX #3AD349

RGB 58 211 73

HSL 125.88, 0.63%, 0.53%

LAB 74.81, -65.82, 55.19

 

CMYK 73 / 0 / 46 / 17

HEX #3AD372

RGB 58 211 114

HSL 141.96, 0.63%, 0.53%

LAB 75.27, -60.39, 36.81

 

CMYK 73 / 0 / 27 / 17

HEX #3AD39B

RGB 58 211 155

HSL 158.04, 0.63%, 0.53%

LAB 75.98, -52.46, 16.55

 

CMYK 78 / 0 / 70 / 40

HEX #21992E

RGB 33 153 46

HSL 126.5, 0.65%, 0.36%

LAB 55.38, -53.34, 45.22

 

CMYK 78 / 0 / 70 / 27

HEX #29BB39

RGB 41 187 57

HSL 126.58, 0.64%, 0.45%

LAB 66.75, -62.19, 52.88

 

CMYK 73 / 0 / 64 / 17

HEX #3AD34B

RGB 58 211 75

HSL 126.67, 0.63%, 0.53%

LAB 74.82, -65.62, 54.38

 

CMYK 58 / 0 / 52 / 14

HEX #5CDB6A

RGB 92 219 106

HSL 126.61, 0.64%, 0.61%

LAB 78.45, -58.02, 44.87

 

CMYK 44 / 0 / 39 / 11

HEX #7EE289

RGB 126 226 137

HSL 126.6, 0.63%, 0.69%

LAB 82.18, -47.52, 34.6

 

CMYK 73 / 0 / 65 / 17

HEX #39D44A

RGB 57 212 74

HSL 126.58, 0.64%, 0.53%

LAB 75.11, -66.2, 55.1

 

CMYK 73 / 22 / 0 / 17

HEX #3AA5D3

RGB 58 165 211

HSL 198.04, 0.63%, 0.53%

LAB 63.76, -15.3, -32.15

 

CMYK 0 / 73 / 51 / 17

HEX #D33A68

RGB 211 58 104

HSL 341.96, 0.63%, 0.53%

LAB 49.34, 62.06, 9.55

 

CMYK 73 / 0 / 65 / 17

HEX #39D44A

RGB 57 212 74

HSL 126.58, 0.64%, 0.53%

LAB 75.11, -66.2, 55.1

 

CMYK 65 / 73 / 0 / 17

HEX #493AD3

RGB 73 58 211

HSL 245.88, 0.63%, 0.53%

LAB 36.26, 50.91, -76.15

 

CMYK 0 / 65 / 73 / 17

HEX #D3493A

RGB 211 73 58

HSL 5.88, 0.63%, 0.53%

LAB 50.59, 53.43, 38.4

 

CMYK 73 / 0 / 65 / 17

HEX #39D44A

RGB 57 212 74

HSL 126.58, 0.64%, 0.53%

LAB 75.11, -66.2, 55.1

 

CMYK 73 / 22 / 0 / 17

HEX #3AA5D3

RGB 58 165 211

HSL 198.04, 0.63%, 0.53%

LAB 63.76, -15.3, -32.15

 

CMYK 0 / 73 / 7 / 17

HEX #D33AC4

RGB 211 58 196

HSL 305.88, 0.63%, 0.53%

LAB 52.8, 72.9, -39.92

 

CMYK 0 / 51 / 73 / 17

HEX #D3683A

RGB 211 104 58

HSL 18.04, 0.63%, 0.53%

LAB 56.14, 38.96, 44.54

 

CMYK 73 / 0 / 65 / 17

HEX #39D44A

RGB 57 212 74

HSL 126.58, 0.64%, 0.53%

LAB 75.11, -66.2, 55.1

 

CMYK 73 / 44 / 0 / 17

HEX #3A77D3

RGB 58 119 211

HSL 216.08, 0.63%, 0.53%

LAB 50.45, 11.47, -53.14

 

CMYK 0 / 73 / 7 / 17

HEX #D33AC4

RGB 211 58 196

HSL 305.88, 0.63%, 0.53%

LAB 52.8, 72.9, -39.92

 

CMYK 0 / 29 / 73 / 17

HEX #D3963A

RGB 211 150 58

HSL 36.08, 0.63%, 0.53%

LAB 66.49, 14.48, 55.39

 

Description

Color code: RGB 57 212 74 | qconv.com Color code: RGB 57 212 74 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 212 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 212 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 65 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 65% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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