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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 189 49 it is the complementary color RGB 198 66 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 189 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 189 49 shade: RGB 62 189 44, RGB 79 207 63, RGB 96 225 82, RGB 113 243 101 and RGB 130 255 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 189 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 189 49 shade: RGB 57 189 49, RGB 40 171 30, RGB 23 153 11, RGB 6 135 0 and RGB 0 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 189 49 shade: RGB 57 190 49, RGB 95 190 49, RGB 133 190 49, RGB 171 190 49 and RGB 190 171 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 189 49 shade: RGB 57 190 49, RGB 49 190 79, RGB 49 190 117, RGB 49 190 155 and RGB 49 187 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 189 49 shade matches the following richer shades: RGB 57 190 49, RGB 40 209 29 and RGB 22 229 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 189 49 shade: RGB 57 190 49, RGB 74 171 68, RGB 91 151 87, RGB 108 132 107 and RGB 125 112 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 189 49 shade: RGB 133 190 49, RGB 96 190 49, RGB 58 190 49, RGB 49 190 77 and RGB 49 190 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 189 49 shade: RGB 37 124 32, RGB 47 157 40, RGB 57 190 49, RGB 80 208 72 and RGB 112 216 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 189 49 shade: RGB 57 189 49, RGB 49 171 190 and RGB 190 49 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 189 49 shade: RGB 57 189 49, RGB 49 58 190 and RGB 190 49 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 189 49 shade: RGB 57 189 49, RGB 49 171 190, RGB 181 49 190 and RGB 190 67 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 189 49 shade: RGB 57 189 49, RGB 49 129 190, RGB 181 49 190 and RGB 190 110 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 74 / 26

HEX #39BD31

RGB 57 189 49

HSL 116.57, 0.59%, 0.47%

LAB 67.64, -60.96, 56.88

 

Complementary color

CMYK 4 / 68 / 0 / 19

HEX #C642CE

RGB 198 66 206

HSL 296.57, 0.59%, 0.53%

LAB 52.24, 68.89, -46.68

 

CMYK 67 / 0 / 77 / 26

HEX #3EBD2C

RGB 62 189 44

HSL 112.55, 0.62%, 0.46%

LAB 67.73, -60.36, 58.7

 

CMYK 62 / 0 / 70 / 19

HEX #4FCF3F

RGB 79 207 63

HSL 113.33, 0.6%, 0.53%

LAB 73.96, -61.4, 58.39

 

CMYK 57 / 0 / 64 / 12

HEX #60E152

RGB 96 225 82

HSL 114.13, 0.7%, 0.6%

LAB 80.15, -62.05, 57.62

 

CMYK 53 / 0 / 58 / 5

HEX #71F365

RGB 113 243 101

HSL 114.93, 0.86%, 0.67%

LAB 86.28, -62.43, 56.6

 

CMYK 49 / 0 / 53 / 0

HEX #82FF78

RGB 130 255 120

HSL 115.56, 1%, 0.74%

LAB 90.61, -60.36, 53.37

 

CMYK 70 / 0 / 74 / 26

HEX #39BD31

RGB 57 189 49

HSL 116.57, 0.59%, 0.47%

LAB 67.64, -60.96, 56.88

 

CMYK 77 / 0 / 82 / 33

HEX #28AB1E

RGB 40 171 30

HSL 115.74, 0.7%, 0.39%

LAB 61.37, -59.31, 56.74

 

CMYK 85 / 0 / 93 / 40

HEX #17990B

RGB 23 153 11

HSL 114.93, 0.87%, 0.32%

LAB 55.06, -56.83, 55.31

 

CMYK 96 / 0 / 100 / 47

HEX #068700

RGB 6 135 0

HSL 117.33, 1%, 0.26%

LAB 48.72, -53.29, 51.91

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 70 / 0 / 74 / 25

HEX #39BE31

RGB 57 190 49

HSL 116.6, 0.59%, 0.47%

LAB 67.96, -61.29, 57.2

 

CMYK 50 / 0 / 74 / 25

HEX #5FBE31

RGB 95 190 49

HSL 100.43, 0.59%, 0.47%

LAB 69.1, -52.15, 58.71

 

CMYK 30 / 0 / 74 / 25

HEX #85BE31

RGB 133 190 49

HSL 84.26, 0.59%, 0.47%

LAB 70.9, -39.34, 61.08

 

CMYK 10 / 0 / 74 / 25

HEX #ABBE31

RGB 171 190 49

HSL 68.09, 0.59%, 0.47%

LAB 73.35, -24.18, 64.3

 

CMYK 0 / 10 / 74 / 25

HEX #BEAB31

RGB 190 171 49

HSL 51.91, 0.59%, 0.47%

LAB 69.68, -6.37, 61.36

 

CMYK 70 / 0 / 74 / 25

HEX #39BE31

RGB 57 190 49

HSL 116.6, 0.59%, 0.47%

LAB 67.96, -61.29, 57.2

 

CMYK 74 / 0 / 58 / 25

HEX #31BE4F

RGB 49 190 79

HSL 132.77, 0.59%, 0.47%

LAB 68.05, -59.59, 44.87

 

CMYK 74 / 0 / 38 / 25

HEX #31BE75

RGB 49 190 117

HSL 148.94, 0.59%, 0.47%

LAB 68.58, -53.48, 26.53

 

CMYK 74 / 0 / 18 / 25

HEX #31BE9B

RGB 49 190 155

HSL 165.11, 0.59%, 0.47%

LAB 69.36, -45.04, 7.17

 

CMYK 74 / 2 / 0 / 25

HEX #31BBBE

RGB 49 187 190

HSL 181.28, 0.59%, 0.47%

LAB 69.41, -34.13, -11.96

 

CMYK 70 / 0 / 74 / 25

HEX #39BE31

RGB 57 190 49

HSL 116.6, 0.59%, 0.47%

LAB 67.96, -61.29, 57.2

 

CMYK 81 / 0 / 86 / 18

HEX #28D11D

RGB 40 209 29

HSL 116.33, 0.76%, 0.47%

LAB 73.64, -70.79, 68.05

 

CMYK 90 / 0 / 96 / 10

HEX #16E50A

RGB 22 229 10

HSL 116.71, 0.92%, 0.47%

LAB 79.75, -78.41, 75.93

 

CMYK 70 / 0 / 74 / 25

HEX #39BE31

RGB 57 190 49

HSL 116.6, 0.59%, 0.47%

LAB 67.96, -61.29, 57.2

 

CMYK 57 / 0 / 60 / 33

HEX #4AAB44

RGB 74 171 68

HSL 116.5, 0.43%, 0.47%

LAB 62.51, -48.99, 43.7

 

CMYK 40 / 0 / 42 / 41

HEX #5B9757

RGB 91 151 87

HSL 116.25, 0.27%, 0.47%

LAB 57.12, -32.9, 27.71

 

CMYK 18 / 0 / 19 / 48

HEX #6C846B

RGB 108 132 107

HSL 117.6, 0.1%, 0.47%

LAB 52.68, -13.82, 10.68

 

CMYK 1 / 11 / 0 / 51

HEX #7D707E

RGB 125 112 126

HSL 295.71, 0.06%, 0.47%

LAB 48.83, 7.79, -5.87

 

CMYK 30 / 0 / 74 / 25

HEX #85BE31

RGB 133 190 49

HSL 84.26, 0.59%, 0.47%

LAB 70.9, -39.34, 61.08

 

CMYK 49 / 0 / 74 / 25

HEX #60BE31

RGB 96 190 49

HSL 100, 0.59%, 0.47%

LAB 69.14, -51.86, 58.76

 

CMYK 69 / 0 / 74 / 25

HEX #3ABE31

RGB 58 190 49

HSL 116.17, 0.59%, 0.47%

LAB 67.98, -61.11, 57.23

 

CMYK 74 / 0 / 59 / 25

HEX #31BE4D

RGB 49 190 77

HSL 131.91, 0.59%, 0.47%

LAB 68.03, -59.84, 45.77

 

CMYK 74 / 0 / 39 / 25

HEX #31BE73

RGB 49 190 115

HSL 148.09, 0.59%, 0.47%

LAB 68.55, -53.87, 27.54

 

CMYK 70 / 0 / 74 / 51

HEX #257C20

RGB 37 124 32

HSL 116.74, 0.59%, 0.31%

LAB 45.51, -43.93, 40.64

 

CMYK 70 / 0 / 75 / 38

HEX #2F9D28

RGB 47 157 40

HSL 116.41, 0.59%, 0.39%

LAB 56.95, -52.84, 49.29

 

CMYK 70 / 0 / 74 / 25

HEX #39BE31

RGB 57 190 49

HSL 116.6, 0.59%, 0.47%

LAB 67.96, -61.29, 57.2

 

CMYK 62 / 0 / 65 / 18

HEX #50D048

RGB 80 208 72

HSL 116.47, 0.59%, 0.55%

LAB 74.37, -60.71, 55.27

 

CMYK 48 / 0 / 51 / 15

HEX #70D869

RGB 112 216 105

HSL 116.22, 0.59%, 0.63%

LAB 78.21, -51.9, 45.21

 

CMYK 70 / 0 / 74 / 26

HEX #39BD31

RGB 57 189 49

HSL 116.57, 0.59%, 0.47%

LAB 67.64, -60.96, 56.88

 

CMYK 74 / 10 / 0 / 25

HEX #31ABBE

RGB 49 171 190

HSL 188.09, 0.59%, 0.47%

LAB 64.56, -26.36, -19.27

 

CMYK 0 / 74 / 39 / 25

HEX #BE3173

RGB 190 49 115

HSL 331.91, 0.59%, 0.47%

LAB 44.78, 60.21, -4.28

 

CMYK 70 / 0 / 74 / 26

HEX #39BD31

RGB 57 189 49

HSL 116.57, 0.59%, 0.47%

LAB 67.64, -60.96, 56.88

 

CMYK 74 / 69 / 0 / 25

HEX #313ABE

RGB 49 58 190

HSL 236.17, 0.59%, 0.47%

LAB 32.69, 41.46, -69.84

 

CMYK 0 / 74 / 69 / 25

HEX #BE313A

RGB 190 49 58

HSL 356.17, 0.59%, 0.47%

LAB 43.43, 55.84, 29.07

 

CMYK 70 / 0 / 74 / 26

HEX #39BD31

RGB 57 189 49

HSL 116.57, 0.59%, 0.47%

LAB 67.64, -60.96, 56.88

 

CMYK 74 / 10 / 0 / 25

HEX #31ABBE

RGB 49 171 190

HSL 188.09, 0.59%, 0.47%

LAB 64.56, -26.36, -19.27

 

CMYK 5 / 74 / 0 / 25

HEX #B531BE

RGB 181 49 190

HSL 296.17, 0.59%, 0.47%

LAB 46.63, 68.38, -46.53

 

CMYK 0 / 65 / 74 / 25

HEX #BE4331

RGB 190 67 49

HSL 7.66, 0.59%, 0.47%

LAB 45.88, 48.39, 37.13

 

CMYK 70 / 0 / 74 / 26

HEX #39BD31

RGB 57 189 49

HSL 116.57, 0.59%, 0.47%

LAB 67.64, -60.96, 56.88

 

CMYK 74 / 32 / 0 / 25

HEX #3181BE

RGB 49 129 190

HSL 205.96, 0.59%, 0.47%

LAB 51.92, -3.45, -38.85

 

CMYK 5 / 74 / 0 / 25

HEX #B531BE

RGB 181 49 190

HSL 296.17, 0.59%, 0.47%

LAB 46.63, 68.38, -46.53

 

CMYK 0 / 42 / 74 / 25

HEX #BE6E31

RGB 190 110 49

HSL 25.96, 0.59%, 0.47%

LAB 54.37, 26.86, 46.19

 

Description

Color code: RGB 57 189 49 | qconv.com Color code: RGB 57 189 49 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 189 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 189 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 74 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 74% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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