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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 177 163 it is the complementary color RGB 198 78 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 177 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 177 163 shade: RGB 62 177 158, RGB 79 195 177, RGB 96 213 196, RGB 113 231 215 and RGB 130 249 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 177 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 40 159 144, RGB 23 141 125, RGB 6 123 106 and RGB 0 105 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 57 177 130, RGB 57 177 98, RGB 57 177 66 and RGB 80 177 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 57 158 177, RGB 57 126 177, RGB 57 94 177 and RGB 57 62 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 177 163 shade matches the following richer shades: RGB 57 177 163, RGB 38 196 177, RGB 19 215 192 and RGB 0 234 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 76 158 148, RGB 95 139 134, RGB 114 120 119 and RGB 133 101 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 177 163 shade: RGB 57 177 99, RGB 57 177 131, RGB 57 177 163, RGB 57 159 177 and RGB 57 127 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 177 163 shade: RGB 37 114 105, RGB 47 145 134, RGB 57 177 163, RGB 78 197 183 and RGB 109 207 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 67 57 177 and RGB 177 115 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 163 57 177 and RGB 177 163 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 67 57 177, RGB 177 57 71 and RGB 167 177 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 177 163 shade: RGB 57 177 163, RGB 103 57 177, RGB 177 57 71 and RGB 131 177 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

Complementary color

CMYK 0 / 61 / 54 / 22

HEX #C64E5C

RGB 198 78 92

HSL 353, 0.51%, 0.54%

LAB 49.77, 48.98, 17.06

 

CMYK 65 / 0 / 11 / 31

HEX #3EB19E

RGB 62 177 158

HSL 170.09, 0.48%, 0.47%

LAB 65.7, -36.65, 0.26

 

CMYK 59 / 0 / 9 / 24

HEX #4FC3B1

RGB 79 195 177

HSL 170.69, 0.49%, 0.54%

LAB 72.14, -36.94, -0.72

 

CMYK 55 / 0 / 8 / 16

HEX #60D5C4

RGB 96 213 196

HSL 171.28, 0.58%, 0.61%

LAB 78.5, -37.1, -1.61

 

CMYK 51 / 0 / 7 / 9

HEX #71E7D7

RGB 113 231 215

HSL 171.86, 0.71%, 0.67%

LAB 84.78, -37.17, -2.43

 

CMYK 48 / 0 / 6 / 2

HEX #82F9EA

RGB 130 249 234

HSL 172.44, 0.91%, 0.74%

LAB 90.98, -37.18, -3.2

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 75 / 0 / 9 / 38

HEX #289F90

RGB 40 159 144

HSL 172.44, 0.6%, 0.39%

LAB 59.22, -35.45, -1.44

 

CMYK 84 / 0 / 11 / 45

HEX #178D7D

RGB 23 141 125

HSL 171.86, 0.72%, 0.32%

LAB 52.63, -34.44, -0.23

 

CMYK 95 / 0 / 14 / 52

HEX #067B6A

RGB 6 123 106

HSL 171.28, 0.91%, 0.25%

LAB 45.97, -32.97, 1.16

 

CMYK 100 / 0 / 17 / 59

HEX #006957

RGB 0 105 87

HSL 169.71, 1%, 0.21%

LAB 39.23, -30.76, 2.8

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 68 / 0 / 27 / 31

HEX #39B182

RGB 57 177 130

HSL 156.5, 0.51%, 0.46%

LAB 64.9, -44.36, 14.56

 

CMYK 68 / 0 / 45 / 31

HEX #39B162

RGB 57 177 98

HSL 140.5, 0.51%, 0.46%

LAB 64.32, -50.73, 30.94

 

CMYK 68 / 0 / 63 / 31

HEX #39B142

RGB 57 177 66

HSL 124.5, 0.51%, 0.46%

LAB 63.92, -55.29, 46.09

 

CMYK 55 / 0 / 68 / 31

HEX #50B139

RGB 80 177 57

HSL 108.5, 0.51%, 0.46%

LAB 64.52, -50.82, 50.8

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 68 / 11 / 0 / 31

HEX #399EB1

RGB 57 158 177

HSL 189.5, 0.51%, 0.46%

LAB 60.34, -22.74, -18.4

 

CMYK 68 / 29 / 0 / 31

HEX #397EB1

RGB 57 126 177

HSL 205.5, 0.51%, 0.46%

LAB 50.65, -5.1, -33.35

 

CMYK 68 / 47 / 0 / 31

HEX #395EB1

RGB 57 94 177

HSL 221.5, 0.51%, 0.46%

LAB 41.29, 14.72, -48.18

 

CMYK 68 / 65 / 0 / 31

HEX #393EB1

RGB 57 62 177

HSL 237.5, 0.51%, 0.46%

LAB 32.9, 35.43, -61.79

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 81 / 0 / 10 / 23

HEX #26C4B1

RGB 38 196 177

HSL 172.78, 0.68%, 0.46%

LAB 71.6, -43.02, -1.61

 

CMYK 91 / 0 / 11 / 16

HEX #13D7C0

RGB 19 215 192

HSL 172.96, 0.84%, 0.46%

LAB 77.61, -48.25, -0.94

 

CMYK 100 / 0 / 12 / 8

HEX #00EACE

RGB 0 234 206

HSL 172.82, 1%, 0.46%

LAB 83.6, -52.87, 0.38

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 52 / 0 / 6 / 38

HEX #4C9E94

RGB 76 158 148

HSL 172.68, 0.35%, 0.46%

LAB 60, -27.5, -2.43

 

CMYK 32 / 0 / 4 / 45

HEX #5F8B86

RGB 95 139 134

HSL 173.18, 0.19%, 0.46%

LAB 54.68, -16.17, -2.15

 

CMYK 5 / 0 / 1 / 53

HEX #727877

RGB 114 120 119

HSL 170, 0.03%, 0.46%

LAB 49.91, -2.46, -0.24

 

CMYK 0 / 24 / 22 / 48

HEX #856568

RGB 133 101 104

HSL 354.38, 0.14%, 0.46%

LAB 46.03, 13.36, 3.29

 

CMYK 68 / 0 / 44 / 31

HEX #39B163

RGB 57 177 99

HSL 141, 0.51%, 0.46%

LAB 64.33, -50.56, 30.44

 

CMYK 68 / 0 / 26 / 31

HEX #39B183

RGB 57 177 131

HSL 157, 0.51%, 0.46%

LAB 64.93, -44.13, 14.04

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 68 / 10 / 0 / 31

HEX #399FB1

RGB 57 159 177

HSL 189, 0.51%, 0.46%

LAB 60.64, -23.25, -17.93

 

CMYK 68 / 28 / 0 / 31

HEX #397FB1

RGB 57 127 177

HSL 205, 0.51%, 0.46%

LAB 50.95, -5.68, -32.88

 

CMYK 68 / 0 / 8 / 55

HEX #257269

RGB 37 114 105

HSL 172.99, 0.51%, 0.3%

LAB 43.43, -25.52, -1.89

 

CMYK 68 / 0 / 8 / 43

HEX #2F9186

RGB 47 145 134

HSL 173.27, 0.51%, 0.38%

LAB 54.63, -30.69, -2.44

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 60 / 0 / 7 / 23

HEX #4EC5B7

RGB 78 197 183

HSL 172.94, 0.51%, 0.54%

LAB 72.87, -36.49, -2.91

 

CMYK 47 / 0 / 5 / 19

HEX #6DCFC4

RGB 109 207 196

HSL 173.27, 0.51%, 0.62%

LAB 77.2, -31.5, -3.46

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 62 / 68 / 0 / 31

HEX #4339B1

RGB 67 57 177

HSL 245, 0.51%, 0.46%

LAB 32.47, 39.91, -62.47

 

CMYK 0 / 35 / 68 / 31

HEX #B17339

RGB 177 115 57

HSL 29, 0.51%, 0.46%

LAB 53.92, 18.96, 41.28

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 8 / 68 / 0 / 31

HEX #A339B1

RGB 163 57 177

HSL 293, 0.51%, 0.46%

LAB 44.07, 59.3, -43.15

 

CMYK 0 / 8 / 68 / 31

HEX #B1A339

RGB 177 163 57

HSL 53, 0.51%, 0.46%

LAB 66.4, -7.43, 54.61

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 62 / 68 / 0 / 31

HEX #4339B1

RGB 67 57 177

HSL 245, 0.51%, 0.46%

LAB 32.47, 39.91, -62.47

 

CMYK 0 / 68 / 60 / 31

HEX #B13947

RGB 177 57 71

HSL 353, 0.51%, 0.46%

LAB 42.35, 49.47, 19.26

 

CMYK 6 / 0 / 68 / 31

HEX #A7B139

RGB 167 177 57

HSL 65, 0.51%, 0.46%

LAB 69.44, -19, 57.45

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A3

RGB 57 177 163

HSL 173, 0.51%, 0.46%

LAB 65.72, -36.11, -2.51

 

CMYK 42 / 68 / 0 / 31

HEX #6739B1

RGB 103 57 177

HSL 263, 0.51%, 0.46%

LAB 35.95, 46.22, -56.63

 

CMYK 0 / 68 / 60 / 31

HEX #B13947

RGB 177 57 71

HSL 353, 0.51%, 0.46%

LAB 42.35, 49.47, 19.26

 

CMYK 26 / 0 / 68 / 31

HEX #83B139

RGB 131 177 57

HSL 83, 0.51%, 0.46%

LAB 66.95, -33.71, 54.1

 

Description

Color code: RGB 57 177 163 | qconv.com Color code: RGB 57 177 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 177 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 177 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 8 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 8% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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