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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 176 129 it is the complementary color RGB 198 79 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 176 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 176 129 shade: RGB 62 176 124, RGB 79 194 143, RGB 96 212 162, RGB 113 230 181 and RGB 130 248 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 176 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 176 129 shade: RGB 57 176 129, RGB 40 158 110, RGB 23 140 91, RGB 6 122 72 and RGB 0 104 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 176 129 shade: RGB 57 177 129, RGB 57 177 97, RGB 57 177 65, RGB 81 177 57 and RGB 114 177 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 176 129 shade: RGB 57 177 129, RGB 57 177 162, RGB 57 159 177, RGB 57 127 177 and RGB 57 95 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 176 129 shade matches the following richer shades: RGB 57 177 129, RGB 38 196 133, RGB 19 215 137 and RGB 0 234 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 176 129 shade: RGB 57 177 129, RGB 76 158 125, RGB 95 139 121, RGB 114 120 117 and RGB 133 101 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 176 129 shade: RGB 57 177 65, RGB 57 177 97, RGB 57 177 129, RGB 57 177 161 and RGB 57 161 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 176 129 shade: RGB 37 114 84, RGB 47 145 107, RGB 57 177 129, RGB 78 197 150 and RGB 109 207 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 176 129 shade: RGB 57 176 129, RGB 57 81 177 and RGB 177 81 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 176 129 shade: RGB 57 176 129, RGB 129 57 177 and RGB 177 129 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 176 129 shade: RGB 57 176 129, RGB 57 81 177, RGB 177 57 105 and RGB 177 153 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 176 129 shade: RGB 57 176 129, RGB 69 57 177, RGB 177 57 105 and RGB 165 177 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 27 / 31

HEX #39B081

RGB 57 176 129

HSL 156.3, 0.51%, 0.46%

LAB 64.57, -44.17, 14.64

 

Complementary color

CMYK 0 / 60 / 36 / 22

HEX #C64F7E

RGB 198 79 126

HSL 336.3, 0.51%, 0.54%

LAB 50.81, 51.9, -1.91

 

CMYK 65 / 0 / 30 / 31

HEX #3EB07C

RGB 62 176 124

HSL 152.63, 0.48%, 0.47%

LAB 64.59, -44.37, 17.42

 

CMYK 59 / 0 / 26 / 24

HEX #4FC28F

RGB 79 194 143

HSL 153.39, 0.49%, 0.54%

LAB 71.03, -44.53, 16.13

 

CMYK 55 / 0 / 24 / 17

HEX #60D4A2

RGB 96 212 162

HSL 154.14, 0.57%, 0.6%

LAB 77.39, -44.54, 14.95

 

CMYK 51 / 0 / 21 / 10

HEX #71E6B5

RGB 113 230 181

HSL 154.87, 0.7%, 0.67%

LAB 83.67, -44.46, 13.86

 

CMYK 48 / 0 / 19 / 3

HEX #82F8C8

RGB 130 248 200

HSL 155.59, 0.89%, 0.74%

LAB 89.88, -44.33, 12.85

 

CMYK 68 / 0 / 27 / 31

HEX #39B081

RGB 57 176 129

HSL 156.3, 0.51%, 0.46%

LAB 64.57, -44.17, 14.64

 

CMYK 75 / 0 / 30 / 38

HEX #289E6E

RGB 40 158 110

HSL 155.59, 0.6%, 0.39%

LAB 58.07, -43.65, 16.06

 

CMYK 84 / 0 / 35 / 45

HEX #178C5B

RGB 23 140 91

HSL 154.87, 0.72%, 0.32%

LAB 51.49, -42.75, 17.66

 

CMYK 95 / 0 / 41 / 52

HEX #067A48

RGB 6 122 72

HSL 154.14, 0.91%, 0.25%

LAB 44.84, -41.26, 19.47

 

CMYK 100 / 0 / 49 / 59

HEX #006835

RGB 0 104 53

HSL 150.58, 1%, 0.2%

LAB 38.12, -38.82, 21.54

 

CMYK 68 / 0 / 27 / 31

HEX #39B181

RGB 57 177 129

HSL 156, 0.51%, 0.46%

LAB 64.88, -44.59, 15.08

 

CMYK 68 / 0 / 45 / 31

HEX #39B161

RGB 57 177 97

HSL 140, 0.51%, 0.46%

LAB 64.3, -50.9, 31.44

 

CMYK 68 / 0 / 63 / 31

HEX #39B141

RGB 57 177 65

HSL 124, 0.51%, 0.46%

LAB 63.91, -55.4, 46.52

 

CMYK 54 / 0 / 68 / 31

HEX #51B139

RGB 81 177 57

HSL 108, 0.51%, 0.46%

LAB 64.55, -50.55, 50.85

 

CMYK 36 / 0 / 68 / 31

HEX #72B139

RGB 114 177 57

HSL 91.5, 0.51%, 0.46%

LAB 65.99, -40.05, 52.81

 

CMYK 68 / 0 / 27 / 31

HEX #39B181

RGB 57 177 129

HSL 156, 0.51%, 0.46%

LAB 64.88, -44.59, 15.08

 

CMYK 68 / 0 / 8 / 31

HEX #39B1A2

RGB 57 177 162

HSL 172.5, 0.51%, 0.46%

LAB 65.69, -36.38, -1.99

 

CMYK 68 / 10 / 0 / 31

HEX #399FB1

RGB 57 159 177

HSL 189, 0.51%, 0.46%

LAB 60.64, -23.25, -17.93

 

CMYK 68 / 28 / 0 / 31

HEX #397FB1

RGB 57 127 177

HSL 205, 0.51%, 0.46%

LAB 50.95, -5.68, -32.88

 

CMYK 68 / 46 / 0 / 31

HEX #395FB1

RGB 57 95 177

HSL 221, 0.51%, 0.46%

LAB 41.58, 14.08, -47.73

 

CMYK 68 / 0 / 27 / 31

HEX #39B181

RGB 57 177 129

HSL 156, 0.51%, 0.46%

LAB 64.88, -44.59, 15.08

 

CMYK 81 / 0 / 32 / 23

HEX #26C485

RGB 38 196 133

HSL 156.08, 0.68%, 0.46%

LAB 70.58, -53.82, 20.73

 

CMYK 91 / 0 / 36 / 16

HEX #13D789

RGB 19 215 137

HSL 156.12, 0.84%, 0.46%

LAB 76.4, -61.36, 26.5

 

CMYK 100 / 0 / 40 / 8

HEX #00EA8D

RGB 0 234 141

HSL 156.15, 1%, 0.46%

LAB 82.25, -67.77, 32.24

 

CMYK 68 / 0 / 27 / 31

HEX #39B181

RGB 57 177 129

HSL 156, 0.51%, 0.46%

LAB 64.88, -44.59, 15.08

 

CMYK 52 / 0 / 21 / 38

HEX #4C9E7D

RGB 76 158 125

HSL 155.85, 0.35%, 0.46%

LAB 59.41, -33.15, 9.69

 

CMYK 32 / 0 / 13 / 45

HEX #5F8B79

RGB 95 139 121

HSL 155.45, 0.19%, 0.46%

LAB 54.32, -19.19, 4.83

 

CMYK 5 / 0 / 3 / 53

HEX #727875

RGB 114 120 117

HSL 150, 0.03%, 0.46%

LAB 49.85, -2.87, 0.86

 

CMYK 0 / 24 / 15 / 48

HEX #856571

RGB 133 101 113

HSL 337.5, 0.14%, 0.46%

LAB 46.29, 14.9, -1.75

 

CMYK 68 / 0 / 63 / 31

HEX #39B141

RGB 57 177 65

HSL 124, 0.51%, 0.46%

LAB 63.91, -55.4, 46.52

 

CMYK 68 / 0 / 45 / 31

HEX #39B161

RGB 57 177 97

HSL 140, 0.51%, 0.46%

LAB 64.3, -50.9, 31.44

 

CMYK 68 / 0 / 27 / 31

HEX #39B181

RGB 57 177 129

HSL 156, 0.51%, 0.46%

LAB 64.88, -44.59, 15.08

 

CMYK 68 / 0 / 9 / 31

HEX #39B1A1

RGB 57 177 161

HSL 172, 0.51%, 0.46%

LAB 65.66, -36.65, -1.48

 

CMYK 68 / 9 / 0 / 31

HEX #39A1B1

RGB 57 161 177

HSL 188, 0.51%, 0.46%

LAB 61.25, -24.28, -17.01

 

CMYK 68 / 0 / 26 / 55

HEX #257254

RGB 37 114 84

HSL 156.62, 0.51%, 0.3%

LAB 42.87, -31.19, 9.87

 

CMYK 68 / 0 / 26 / 43

HEX #2F916B

RGB 47 145 107

HSL 156.73, 0.51%, 0.38%

LAB 53.94, -37.71, 12.04

 

CMYK 68 / 0 / 27 / 31

HEX #39B181

RGB 57 177 129

HSL 156, 0.51%, 0.46%

LAB 64.88, -44.59, 15.08

 

CMYK 60 / 0 / 24 / 23

HEX #4EC596

RGB 78 197 150

HSL 156.3, 0.51%, 0.54%

LAB 72.06, -44.48, 13.81

 

CMYK 47 / 0 / 19 / 19

HEX #6DCFA8

RGB 109 207 168

HSL 156.12, 0.51%, 0.62%

LAB 76.5, -37.99, 10.56

 

CMYK 68 / 0 / 27 / 31

HEX #39B081

RGB 57 176 129

HSL 156.3, 0.51%, 0.46%

LAB 64.57, -44.17, 14.64

 

CMYK 68 / 54 / 0 / 31

HEX #3951B1

RGB 57 81 177

HSL 228, 0.51%, 0.46%

LAB 37.71, 23.18, -53.95

 

CMYK 0 / 54 / 68 / 31

HEX #B15139

RGB 177 81 57

HSL 12, 0.51%, 0.46%

LAB 46.35, 37.38, 32.6

 

CMYK 68 / 0 / 27 / 31

HEX #39B081

RGB 57 176 129

HSL 156.3, 0.51%, 0.46%

LAB 64.57, -44.17, 14.64

 

CMYK 27 / 68 / 0 / 31

HEX #8139B1

RGB 129 57 177

HSL 276, 0.51%, 0.46%

LAB 39.19, 51.64, -51.24

 

CMYK 0 / 27 / 68 / 31

HEX #B18139

RGB 177 129 57

HSL 36, 0.51%, 0.46%

LAB 57.41, 11.13, 45.12

 

CMYK 68 / 0 / 27 / 31

HEX #39B081

RGB 57 176 129

HSL 156.3, 0.51%, 0.46%

LAB 64.57, -44.17, 14.64

 

CMYK 68 / 54 / 0 / 31

HEX #3951B1

RGB 57 81 177

HSL 228, 0.51%, 0.46%

LAB 37.71, 23.18, -53.95

 

CMYK 0 / 68 / 41 / 31

HEX #B13969

RGB 177 57 105

HSL 336, 0.51%, 0.46%

LAB 43.2, 52.48, -0.68

 

CMYK 0 / 14 / 68 / 31

HEX #B19939

RGB 177 153 57

HSL 48, 0.51%, 0.46%

LAB 63.69, -2.08, 51.81

 

CMYK 68 / 0 / 27 / 31

HEX #39B081

RGB 57 176 129

HSL 156.3, 0.51%, 0.46%

LAB 64.57, -44.17, 14.64

 

CMYK 61 / 68 / 0 / 31

HEX #4539B1

RGB 69 57 177

HSL 246, 0.51%, 0.46%

LAB 32.63, 40.21, -62.2

 

CMYK 0 / 68 / 41 / 31

HEX #B13969

RGB 177 57 105

HSL 336, 0.51%, 0.46%

LAB 43.2, 52.48, -0.68

 

CMYK 7 / 0 / 68 / 31

HEX #A5B139

RGB 165 177 57

HSL 66, 0.51%, 0.46%

LAB 69.28, -19.85, 57.24

 

Description

Color code: RGB 57 176 129 | qconv.com Color code: RGB 57 176 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 176 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 176 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 27 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 27% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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