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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 171 134 it is the complementary color RGB 198 84 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 171 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 171 134 shade: RGB 62 171 129, RGB 79 189 148, RGB 96 207 167, RGB 113 225 186 and RGB 130 243 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 171 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 171 134 shade: RGB 57 171 134, RGB 40 153 115, RGB 23 135 96, RGB 6 117 77 and RGB 0 99 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 171 134 shade: RGB 57 172 134, RGB 57 172 103, RGB 57 172 73, RGB 72 172 57 and RGB 103 172 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 171 134 shade: RGB 57 172 134, RGB 57 172 165, RGB 57 147 172, RGB 57 116 172 and RGB 57 85 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 171 134 shade matches the following richer shades: RGB 57 172 134, RGB 38 190 141, RGB 20 209 147 and RGB 1 227 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 171 134 shade: RGB 57 172 134, RGB 75 153 128, RGB 94 134 121, RGB 113 116 115 and RGB 131 97 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 171 134 shade: RGB 57 172 72, RGB 57 172 103, RGB 57 172 133, RGB 57 172 164 and RGB 57 149 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 171 134 shade: RGB 36 110 86, RGB 47 141 110, RGB 57 172 134, RGB 75 195 156 and RGB 106 205 173

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 171 134 shade: RGB 57 171 134, RGB 57 72 172 and RGB 172 87 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 171 134 shade: RGB 57 171 134, RGB 133 57 172 and RGB 172 133 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 171 134 shade: RGB 57 171 134, RGB 57 72 172, RGB 172 57 95 and RGB 172 156 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 171 134 shade: RGB 57 171 134, RGB 76 57 172, RGB 172 57 95 and RGB 153 172 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 22 / 33

HEX #39AB86

RGB 57 171 134

HSL 160.53, 0.5%, 0.45%

LAB 63.11, -40.87, 9.83

 

Complementary color

CMYK 0 / 58 / 39 / 22

HEX #C65479

RGB 198 84 121

HSL 340.53, 0.5%, 0.55%

LAB 51.53, 49.03, 2.13

 

CMYK 64 / 0 / 25 / 33

HEX #3EAB81

RGB 62 171 129

HSL 156.88, 0.47%, 0.46%

LAB 63.12, -41.14, 12.64

 

CMYK 58 / 0 / 22 / 26

HEX #4FBD94

RGB 79 189 148

HSL 157.64, 0.45%, 0.53%

LAB 69.61, -41.27, 11.43

 

CMYK 54 / 0 / 19 / 19

HEX #60CFA7

RGB 96 207 167

HSL 158.38, 0.54%, 0.59%

LAB 76.01, -41.27, 10.33

 

CMYK 50 / 0 / 17 / 12

HEX #71E1BA

RGB 113 225 186

HSL 159.11, 0.65%, 0.66%

LAB 82.33, -41.19, 9.32

 

CMYK 47 / 0 / 16 / 5

HEX #82F3CD

RGB 130 243 205

HSL 159.82, 0.82%, 0.73%

LAB 88.57, -41.07, 8.39

 

CMYK 67 / 0 / 22 / 33

HEX #39AB86

RGB 57 171 134

HSL 160.53, 0.5%, 0.45%

LAB 63.11, -40.87, 9.83

 

CMYK 74 / 0 / 25 / 40

HEX #289973

RGB 40 153 115

HSL 159.82, 0.59%, 0.38%

LAB 56.56, -40.39, 11.16

 

CMYK 83 / 0 / 29 / 47

HEX #178760

RGB 23 135 96

HSL 159.11, 0.71%, 0.31%

LAB 49.92, -39.54, 12.66

 

CMYK 95 / 0 / 34 / 54

HEX #06754D

RGB 6 117 77

HSL 158.38, 0.9%, 0.24%

LAB 43.21, -38.15, 14.39

 

CMYK 100 / 0 / 41 / 61

HEX #00633A

RGB 0 99 58

HSL 155.15, 1%, 0.19%

LAB 36.42, -35.83, 16.41

 

CMYK 67 / 0 / 22 / 33

HEX #39AC86

RGB 57 172 134

HSL 160.17, 0.5%, 0.45%

LAB 63.42, -41.3, 10.27

 

CMYK 67 / 0 / 40 / 33

HEX #39AC67

RGB 57 172 103

HSL 144, 0.5%, 0.45%

LAB 62.81, -47.9, 26.33

 

CMYK 67 / 0 / 58 / 33

HEX #39AC49

RGB 57 172 73

HSL 128.35, 0.5%, 0.45%

LAB 62.39, -52.65, 41.08

 

CMYK 58 / 0 / 67 / 33

HEX #48AC39

RGB 72 172 57

HSL 112.17, 0.5%, 0.45%

LAB 62.66, -51.04, 48.72

 

CMYK 40 / 0 / 67 / 33

HEX #67AC39

RGB 103 172 57

HSL 96, 0.5%, 0.45%

LAB 63.9, -41.74, 50.42

 

CMYK 67 / 0 / 22 / 33

HEX #39AC86

RGB 57 172 134

HSL 160.17, 0.5%, 0.45%

LAB 63.42, -41.3, 10.27

 

CMYK 67 / 0 / 4 / 33

HEX #39ACA5

RGB 57 172 165

HSL 176.35, 0.5%, 0.45%

LAB 64.23, -33.22, -5.81

 

CMYK 67 / 15 / 0 / 33

HEX #3993AC

RGB 57 147 172

HSL 193.04, 0.5%, 0.45%

LAB 56.8, -18.55, -20.96

 

CMYK 67 / 33 / 0 / 33

HEX #3974AC

RGB 57 116 172

HSL 209.22, 0.5%, 0.45%

LAB 47.42, -0.89, -35.52

 

CMYK 67 / 51 / 0 / 33

HEX #3955AC

RGB 57 85 172

HSL 225.39, 0.5%, 0.45%

LAB 38.46, 18.75, -49.8

 

CMYK 67 / 0 / 22 / 33

HEX #39AC86

RGB 57 172 134

HSL 160.17, 0.5%, 0.45%

LAB 63.42, -41.3, 10.27

 

CMYK 80 / 0 / 26 / 25

HEX #26BE8D

RGB 38 190 141

HSL 160.66, 0.67%, 0.45%

LAB 68.87, -49.69, 14.06

 

CMYK 90 / 0 / 30 / 18

HEX #14D193

RGB 20 209 147

HSL 160.32, 0.83%, 0.45%

LAB 74.73, -57, 18.98

 

CMYK 100 / 0 / 32 / 11

HEX #01E39A

RGB 1 227 154

HSL 160.62, 0.99%, 0.45%

LAB 80.34, -62.71, 23.01

 

CMYK 67 / 0 / 22 / 33

HEX #39AC86

RGB 57 172 134

HSL 160.17, 0.5%, 0.45%

LAB 63.42, -41.3, 10.27

 

CMYK 51 / 0 / 16 / 40

HEX #4B9980

RGB 75 153 128

HSL 160.77, 0.34%, 0.45%

LAB 57.88, -30.32, 5.82

 

CMYK 30 / 0 / 10 / 47

HEX #5E8679

RGB 94 134 121

HSL 160.5, 0.18%, 0.45%

LAB 52.74, -16.86, 2.54

 

CMYK 3 / 0 / 1 / 55

HEX #717473

RGB 113 116 115

HSL 160, 0.01%, 0.45%

LAB 48.56, -1.34, 0.15

 

CMYK 0 / 26 / 18 / 49

HEX #83616C

RGB 131 97 108

HSL 340.59, 0.15%, 0.45%

LAB 44.88, 15.61, -0.83

 

CMYK 67 / 0 / 58 / 33

HEX #39AC48

RGB 57 172 72

HSL 127.83, 0.5%, 0.45%

LAB 62.37, -52.78, 41.54

 

CMYK 67 / 0 / 40 / 33

HEX #39AC67

RGB 57 172 103

HSL 144, 0.5%, 0.45%

LAB 62.81, -47.9, 26.33

 

CMYK 67 / 0 / 23 / 33

HEX #39AC85

RGB 57 172 133

HSL 159.65, 0.5%, 0.45%

LAB 63.4, -41.54, 10.8

 

CMYK 67 / 0 / 5 / 33

HEX #39ACA4

RGB 57 172 164

HSL 175.83, 0.5%, 0.45%

LAB 64.21, -33.5, -5.29

 

CMYK 67 / 13 / 0 / 33

HEX #3995AC

RGB 57 149 172

HSL 192, 0.5%, 0.45%

LAB 57.41, -19.61, -20.02

 

CMYK 67 / 0 / 22 / 57

HEX #246E56

RGB 36 110 86

HSL 160.54, 0.51%, 0.29%

LAB 41.53, -29.01, 6.79

 

CMYK 67 / 0 / 22 / 45

HEX #2F8D6E

RGB 47 141 110

HSL 160.21, 0.5%, 0.37%

LAB 52.71, -35.2, 8.59

 

CMYK 67 / 0 / 22 / 33

HEX #39AC86

RGB 57 172 134

HSL 160.17, 0.5%, 0.45%

LAB 63.42, -41.3, 10.27

 

CMYK 62 / 0 / 20 / 24

HEX #4BC39C

RGB 75 195 156

HSL 160.5, 0.5%, 0.53%

LAB 71.5, -42.84, 9.76

 

CMYK 48 / 0 / 16 / 20

HEX #6ACDAD

RGB 106 205 173

HSL 160.61, 0.5%, 0.61%

LAB 75.91, -36.71, 7.02

 

CMYK 67 / 0 / 22 / 33

HEX #39AB86

RGB 57 171 134

HSL 160.53, 0.5%, 0.45%

LAB 63.11, -40.87, 9.83

 

CMYK 67 / 58 / 0 / 33

HEX #3948AC

RGB 57 72 172

HSL 232.17, 0.5%, 0.45%

LAB 34.97, 27.25, -55.44

 

CMYK 0 / 49 / 67 / 33

HEX #AC5739

RGB 172 87 57

HSL 15.65, 0.5%, 0.45%

LAB 46.82, 32.26, 32.97

 

CMYK 67 / 0 / 22 / 33

HEX #39AB86

RGB 57 171 134

HSL 160.53, 0.5%, 0.45%

LAB 63.11, -40.87, 9.83

 

CMYK 23 / 67 / 0 / 33

HEX #8539AC

RGB 133 57 172

HSL 279.65, 0.5%, 0.45%

LAB 39.4, 51.42, -47.91

 

CMYK 0 / 23 / 67 / 33

HEX #AC8539

RGB 172 133 57

HSL 39.65, 0.5%, 0.45%

LAB 57.89, 6.68, 45.47

 

CMYK 67 / 0 / 22 / 33

HEX #39AB86

RGB 57 171 134

HSL 160.53, 0.5%, 0.45%

LAB 63.11, -40.87, 9.83

 

CMYK 67 / 58 / 0 / 33

HEX #3948AC

RGB 57 72 172

HSL 232.17, 0.5%, 0.45%

LAB 34.97, 27.25, -55.44

 

CMYK 0 / 67 / 45 / 33

HEX #AC395F

RGB 172 57 95

HSL 340.17, 0.5%, 0.45%

LAB 42.04, 49.9, 3.75

 

CMYK 0 / 9 / 67 / 33

HEX #AC9C39

RGB 172 156 57

HSL 51.65, 0.5%, 0.45%

LAB 64.03, -5.91, 52.02

 

CMYK 67 / 0 / 22 / 33

HEX #39AB86

RGB 57 171 134

HSL 160.53, 0.5%, 0.45%

LAB 63.11, -40.87, 9.83

 

CMYK 56 / 67 / 0 / 33

HEX #4C39AC

RGB 76 57 172

HSL 249.91, 0.5%, 0.45%

LAB 32.79, 39.76, -58.92

 

CMYK 0 / 67 / 45 / 33

HEX #AC395F

RGB 172 57 95

HSL 340.17, 0.5%, 0.45%

LAB 42.04, 49.9, 3.75

 

CMYK 11 / 0 / 67 / 33

HEX #99AC39

RGB 153 172 57

HSL 69.91, 0.5%, 0.45%

LAB 66.96, -22.4, 54.57

 

Description

Color code: RGB 57 171 134 | qconv.com Color code: RGB 57 171 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 171 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 171 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 22 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 22% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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