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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 147 107 it is the complementary color RGB 198 108 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 147 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 147 107 shade: RGB 62 147 102, RGB 79 165 121, RGB 96 183 140, RGB 113 201 159 and RGB 130 219 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 147 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 147 107 shade: RGB 57 147 107, RGB 40 129 88, RGB 23 111 69, RGB 6 93 50 and RGB 0 75 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 147 107 shade: RGB 57 146 106, RGB 57 146 82, RGB 57 146 58, RGB 79 146 57 and RGB 104 146 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 147 107 shade: RGB 57 146 106, RGB 57 146 131, RGB 57 138 146, RGB 57 114 146 and RGB 57 89 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 147 107 shade matches the following richer shades: RGB 57 146 106, RGB 40 163 108, RGB 24 179 110 and RGB 7 196 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 147 107 shade: RGB 57 146 106, RGB 73 130 105, RGB 90 113 103, RGB 106 97 101 and RGB 123 80 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 147 107 shade: RGB 57 146 58, RGB 57 146 82, RGB 57 146 106, RGB 57 146 130 and RGB 57 139 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 147 107 shade: RGB 34 87 63, RGB 45 117 85, RGB 57 146 106, RGB 68 176 128 and RGB 94 192 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 147 107 shade: RGB 57 147 107, RGB 57 79 146 and RGB 146 70 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 147 107 shade: RGB 57 147 107, RGB 106 57 146 and RGB 146 106 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 147 107 shade: RGB 57 147 107, RGB 57 79 146, RGB 146 57 97 and RGB 146 124 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 147 107 shade: RGB 57 147 107, RGB 61 57 146, RGB 146 57 97 and RGB 142 146 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 27 / 42

HEX #39936B

RGB 57 147 107

HSL 153.33, 0.44%, 0.4%

LAB 54.86, -36.61, 13.37

 

Complementary color

CMYK 0 / 45 / 25 / 22

HEX #C66C94

RGB 198 108 148

HSL 333.33, 0.44%, 0.6%

LAB 56.95, 40.49, -5.84

 

CMYK 58 / 0 / 31 / 42

HEX #3E9366

RGB 62 147 102

HSL 148.24, 0.41%, 0.41%

LAB 54.92, -36.58, 16.3

 

CMYK 52 / 0 / 27 / 35

HEX #4FA579

RGB 79 165 121

HSL 149.3, 0.35%, 0.48%

LAB 61.61, -36.5, 15.03

 

CMYK 48 / 0 / 23 / 28

HEX #60B78C

RGB 96 183 140

HSL 150.34, 0.38%, 0.55%

LAB 68.2, -36.34, 13.89

 

CMYK 44 / 0 / 21 / 21

HEX #71C99F

RGB 113 201 159

HSL 151.36, 0.45%, 0.62%

LAB 74.69, -36.13, 12.84

 

CMYK 41 / 0 / 19 / 14

HEX #82DBB2

RGB 130 219 178

HSL 152.36, 0.55%, 0.68%

LAB 81.08, -35.9, 11.87

 

CMYK 61 / 0 / 27 / 42

HEX #39936B

RGB 57 147 107

HSL 153.33, 0.44%, 0.4%

LAB 54.86, -36.61, 13.37

 

CMYK 69 / 0 / 32 / 49

HEX #288158

RGB 40 129 88

HSL 152.36, 0.53%, 0.33%

LAB 48.08, -36.39, 14.77

 

CMYK 79 / 0 / 38 / 56

HEX #176F45

RGB 23 111 69

HSL 151.36, 0.66%, 0.26%

LAB 41.19, -35.79, 16.36

 

CMYK 94 / 0 / 46 / 64

HEX #065D32

RGB 6 93 50

HSL 150.34, 0.88%, 0.19%

LAB 34.19, -34.57, 18.21

 

CMYK 100 / 0 / 59 / 71

HEX #004B1F

RGB 0 75 31

HSL 144.8, 1%, 0.15%

LAB 27.11, -32.05, 20.34

 

CMYK 61 / 0 / 27 / 43

HEX #39926A

RGB 57 146 106

HSL 153.03, 0.44%, 0.4%

LAB 54.52, -36.39, 13.46

 

CMYK 61 / 0 / 44 / 43

HEX #399252

RGB 57 146 82

HSL 136.85, 0.44%, 0.4%

LAB 54.07, -41.2, 26.2

 

CMYK 61 / 0 / 60 / 43

HEX #39923A

RGB 57 146 58

HSL 120.67, 0.44%, 0.4%

LAB 53.74, -44.8, 38.16

 

CMYK 46 / 0 / 61 / 43

HEX #4F9239

RGB 79 146 57

HSL 105.17, 0.44%, 0.4%

LAB 54.57, -38.61, 39.81

 

CMYK 29 / 0 / 61 / 43

HEX #689239

RGB 104 146 57

HSL 88.31, 0.44%, 0.4%

LAB 55.88, -29.65, 41.65

 

CMYK 61 / 0 / 27 / 43

HEX #39926A

RGB 57 146 106

HSL 153.03, 0.44%, 0.4%

LAB 54.52, -36.39, 13.46

 

CMYK 61 / 0 / 10 / 43

HEX #399283

RGB 57 146 131

HSL 169.89, 0.44%, 0.4%

LAB 55.14, -30.2, 0.06

 

CMYK 61 / 5 / 0 / 43

HEX #398A92

RGB 57 138 146

HSL 185.39, 0.44%, 0.4%

LAB 53.08, -21.9, -11.65

 

CMYK 61 / 22 / 0 / 43

HEX #397292

RGB 57 114 146

HSL 201.57, 0.44%, 0.4%

LAB 45.61, -8.64, -23.06

 

CMYK 61 / 39 / 0 / 43

HEX #395992

RGB 57 89 146

HSL 218.43, 0.44%, 0.4%

LAB 38, 6.74, -34.96

 

CMYK 61 / 0 / 27 / 43

HEX #39926A

RGB 57 146 106

HSL 153.03, 0.44%, 0.4%

LAB 54.52, -36.39, 13.46

 

CMYK 75 / 0 / 34 / 36

HEX #28A36C

RGB 40 163 108

HSL 153.17, 0.61%, 0.4%

LAB 59.64, -46.12, 19.33

 

CMYK 87 / 0 / 39 / 30

HEX #18B36E

RGB 24 179 110

HSL 153.29, 0.76%, 0.4%

LAB 64.61, -53.52, 24.9

 

CMYK 96 / 0 / 43 / 23

HEX #07C470

RGB 7 196 112

HSL 153.33, 0.93%, 0.4%

LAB 69.96, -60.07, 30.88

 

CMYK 61 / 0 / 27 / 43

HEX #39926A

RGB 57 146 106

HSL 153.03, 0.44%, 0.4%

LAB 54.52, -36.39, 13.46

 

CMYK 44 / 0 / 19 / 49

HEX #498269

RGB 73 130 105

HSL 153.68, 0.28%, 0.4%

LAB 49.98, -24.94, 7.74

 

CMYK 20 / 0 / 9 / 56

HEX #5A7167

RGB 90 113 103

HSL 153.91, 0.11%, 0.4%

LAB 45.58, -10.71, 2.75

 

CMYK 0 / 8 / 5 / 58

HEX #6A6165

RGB 106 97 101

HSL 333.33, 0.04%, 0.4%

LAB 42.08, 4.37, -0.98

 

CMYK 0 / 35 / 20 / 52

HEX #7B5063

RGB 123 80 99

HSL 333.49, 0.21%, 0.4%

LAB 39.33, 21.04, -3.59

 

CMYK 61 / 0 / 60 / 43

HEX #39923A

RGB 57 146 58

HSL 120.67, 0.44%, 0.4%

LAB 53.74, -44.8, 38.16

 

CMYK 61 / 0 / 44 / 43

HEX #399252

RGB 57 146 82

HSL 136.85, 0.44%, 0.4%

LAB 54.07, -41.2, 26.2

 

CMYK 61 / 0 / 27 / 43

HEX #39926A

RGB 57 146 106

HSL 153.03, 0.44%, 0.4%

LAB 54.52, -36.39, 13.46

 

CMYK 61 / 0 / 11 / 43

HEX #399282

RGB 57 146 130

HSL 169.21, 0.44%, 0.4%

LAB 55.11, -30.47, 0.59

 

CMYK 61 / 5 / 0 / 43

HEX #398B92

RGB 57 139 146

HSL 184.72, 0.44%, 0.4%

LAB 53.4, -22.42, -11.18

 

CMYK 61 / 0 / 28 / 66

HEX #22573F

RGB 34 87 63

HSL 152.83, 0.44%, 0.24%

LAB 32.95, -24.09, 8.75

 

CMYK 62 / 0 / 27 / 54

HEX #2D7555

RGB 45 117 85

HSL 153.33, 0.44%, 0.32%

LAB 44.14, -30.63, 11.1

 

CMYK 61 / 0 / 27 / 43

HEX #39926A

RGB 57 146 106

HSL 153.03, 0.44%, 0.4%

LAB 54.52, -36.39, 13.46

 

CMYK 61 / 0 / 27 / 31

HEX #44B080

RGB 68 176 128

HSL 153.33, 0.44%, 0.48%

LAB 64.83, -42.33, 15.6

 

CMYK 51 / 0 / 23 / 25

HEX #5EC094

RGB 94 192 148

HSL 153.06, 0.44%, 0.56%

LAB 71.02, -39.21, 13.49

 

CMYK 61 / 0 / 27 / 42

HEX #39936B

RGB 57 147 107

HSL 153.33, 0.44%, 0.4%

LAB 54.86, -36.61, 13.37

 

CMYK 61 / 46 / 0 / 43

HEX #394F92

RGB 57 79 146

HSL 225.17, 0.44%, 0.4%

LAB 35.08, 13.27, -39.62

 

CMYK 0 / 52 / 61 / 43

HEX #924639

RGB 146 70 57

HSL 8.76, 0.44%, 0.4%

LAB 39.22, 30.88, 22.76

 

CMYK 61 / 0 / 27 / 42

HEX #39936B

RGB 57 147 107

HSL 153.33, 0.44%, 0.4%

LAB 54.86, -36.61, 13.37

 

CMYK 27 / 61 / 0 / 43

HEX #6A3992

RGB 106 57 146

HSL 273.03, 0.44%, 0.4%

LAB 34.12, 38.88, -40.9

 

CMYK 0 / 27 / 61 / 43

HEX #926A39

RGB 146 106 57

HSL 33.03, 0.44%, 0.4%

LAB 47.9, 10.35, 33.38

 

CMYK 61 / 0 / 27 / 42

HEX #39936B

RGB 57 147 107

HSL 153.33, 0.44%, 0.4%

LAB 54.86, -36.61, 13.37

 

CMYK 61 / 46 / 0 / 43

HEX #394F92

RGB 57 79 146

HSL 225.17, 0.44%, 0.4%

LAB 35.08, 13.27, -39.62

 

CMYK 0 / 61 / 34 / 43

HEX #923961

RGB 146 57 97

HSL 333.03, 0.44%, 0.4%

LAB 37.66, 41.72, -4.43

 

CMYK 0 / 15 / 61 / 43

HEX #927C39

RGB 146 124 57

HSL 45.17, 0.44%, 0.4%

LAB 52.75, 0.05, 39.01

 

CMYK 61 / 0 / 27 / 42

HEX #39936B

RGB 57 147 107

HSL 153.33, 0.44%, 0.4%

LAB 54.86, -36.61, 13.37

 

CMYK 58 / 61 / 0 / 43

HEX #3D3992

RGB 61 57 146

HSL 242.7, 0.44%, 0.4%

LAB 29.4, 28.58, -48.76

 

CMYK 0 / 61 / 34 / 43

HEX #923961

RGB 146 57 97

HSL 333.03, 0.44%, 0.4%

LAB 37.66, 41.72, -4.43

 

CMYK 3 / 0 / 61 / 43

HEX #8E9239

RGB 142 146 57

HSL 62.7, 0.44%, 0.4%

LAB 58.61, -13.78, 45.44

 

Description

Color code: RGB 57 147 107 | qconv.com Color code: RGB 57 147 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 147 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 147 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 27 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 27% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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