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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 130 238 it is the complementary color RGB 198 125 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 130 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 130 238 shade: RGB 62 130 233, RGB 79 148 252, RGB 96 166 255, RGB 113 184 255 and RGB 130 202 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 130 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 130 238 shade: RGB 57 130 238, RGB 40 112 219, RGB 23 94 200, RGB 6 76 181 and RGB 0 58 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 130 238 shade: RGB 57 130 237, RGB 57 81 237, RGB 82 57 237, RGB 130 57 237 and RGB 179 57 237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 130 238 shade: RGB 57 130 237, RGB 57 81 237 and RGB 57 57 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 130 238 shade matches the following richer shades: RGB 57 130 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 130 238 shade: RGB 57 130 237, RGB 75 133 220, RGB 92 137 203, RGB 109 140 185 and RGB 127 143 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 130 238 shade: RGB 57 228 237, RGB 57 180 237, RGB 57 132 237, RGB 57 84 237 and RGB 78 57 237

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 130 238 shade: RGB 17 89 196, RGB 20 106 234, RGB 57 130 237, RGB 95 154 241 and RGB 133 178 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 130 238 shade: RGB 57 130 238, RGB 198 57 237 and RGB 204 237 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 130 238 shade: RGB 57 130 238, RGB 237 57 132 and RGB 132 237 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 130 238 shade: RGB 57 130 238, RGB 198 57 237, RGB 237 162 57 and RGB 96 237 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 130 238 shade: RGB 57 130 238, RGB 237 57 222, RGB 237 162 57 and RGB 57 237 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 45 / 0 / 7

HEX #3982EE

RGB 57 130 238

HSL 215.8, 0.84%, 0.58%

LAB 55.08, 14.41, -60.88

 

Complementary color

CMYK 0 / 37 / 91 / 22

HEX #C67D11

RGB 198 125 17

HSL 35.8, 0.84%, 0.42%

LAB 58.71, 21.13, 61.95

 

CMYK 73 / 44 / 0 / 9

HEX #3E82E9

RGB 62 130 233

HSL 216.14, 0.8%, 0.58%

LAB 54.94, 13.19, -58.31

 

CMYK 69 / 41 / 0 / 1

HEX #4F94FC

RGB 79 148 252

HSL 216.07, 0.97%, 0.65%

LAB 61.54, 11.36, -58.22

 

CMYK 62 / 35 / 0 / 0

HEX #60A6FF

RGB 96 166 255

HSL 213.58, 1%, 0.69%

LAB 67.26, 4.58, -50.74

 

CMYK 56 / 28 / 0 / 0

HEX #71B8FF

RGB 113 184 255

HSL 210, 1%, 0.72%

LAB 72.9, -2.35, -41.83

 

CMYK 49 / 21 / 0 / 0

HEX #82CAFF

RGB 130 202 255

HSL 205.44, 1%, 0.75%

LAB 78.58, -8.47, -32.95

 

CMYK 76 / 45 / 0 / 7

HEX #3982EE

RGB 57 130 238

HSL 215.8, 0.84%, 0.58%

LAB 55.08, 14.41, -60.88

 

CMYK 82 / 49 / 0 / 14

HEX #2870DB

RGB 40 112 219

HSL 215.87, 0.71%, 0.51%

LAB 48.45, 16.85, -60.91

 

CMYK 89 / 53 / 0 / 22

HEX #175EC8

RGB 23 94 200

HSL 215.93, 0.79%, 0.44%

LAB 41.78, 19.83, -60.86

 

CMYK 97 / 58 / 0 / 29

HEX #064CB5

RGB 6 76 181

HSL 216, 0.94%, 0.37%

LAB 35.09, 23.44, -60.65

 

CMYK 100 / 64 / 0 / 36

HEX #003AA2

RGB 0 58 162

HSL 218.52, 1%, 0.32%

LAB 28.47, 27.75, -60.13

 

CMYK 76 / 45 / 0 / 7

HEX #3982ED

RGB 57 130 237

HSL 215.67, 0.83%, 0.58%

LAB 55.02, 14.05, -60.42

 

CMYK 76 / 66 / 0 / 7

HEX #3951ED

RGB 57 81 237

HSL 232, 0.83%, 0.58%

LAB 42.57, 44.54, -80.66

 

CMYK 65 / 76 / 0 / 7

HEX #5239ED

RGB 82 57 237

HSL 248.33, 0.83%, 0.58%

LAB 39.3, 60.16, -85.98

 

CMYK 45 / 76 / 0 / 7

HEX #8239ED

RGB 130 57 237

HSL 264.33, 0.83%, 0.58%

LAB 43.93, 66.09, -78.21

 

CMYK 24 / 76 / 0 / 7

HEX #B339ED

RGB 179 57 237

HSL 280.67, 0.83%, 0.58%

LAB 50.24, 74, -67.64

 

CMYK 76 / 45 / 0 / 7

HEX #3982ED

RGB 57 130 237

HSL 215.67, 0.83%, 0.58%

LAB 55.02, 14.05, -60.42

 

CMYK 76 / 66 / 0 / 7

HEX #3951ED

RGB 57 81 237

HSL 232, 0.83%, 0.58%

LAB 42.57, 44.54, -80.66

 

CMYK 76 / 76 / 0 / 7

HEX #3939ED

RGB 57 57 237

HSL 240, 0.83%, 0.58%

LAB 37.68, 58.05, -88.71

 

CMYK 76 / 45 / 0 / 7

HEX #3982ED

RGB 57 130 237

HSL 215.67, 0.83%, 0.58%

LAB 55.02, 14.05, -60.42

 

CMYK 76 / 45 / 0 / 7

HEX #3982ED

RGB 57 130 237

HSL 215.67, 0.83%, 0.58%

LAB 55.02, 14.05, -60.42

 

CMYK 66 / 40 / 0 / 14

HEX #4B85DC

RGB 75 133 220

HSL 216, 0.67%, 0.58%

LAB 55.52, 8.66, -50.09

 

CMYK 55 / 33 / 0 / 20

HEX #5C89CB

RGB 92 137 203

HSL 215.68, 0.52%, 0.58%

LAB 56.56, 3.86, -38.82

 

CMYK 41 / 24 / 0 / 27

HEX #6D8CB9

RGB 109 140 185

HSL 215.53, 0.35%, 0.58%

LAB 57.57, 0.85, -26.98

 

CMYK 24 / 15 / 0 / 34

HEX #7F8FA8

RGB 127 143 168

HSL 216.59, 0.19%, 0.58%

LAB 58.96, -0.02, -15.07

 

CMYK 76 / 4 / 0 / 7

HEX #39E4ED

RGB 57 228 237

HSL 183, 0.83%, 0.58%

LAB 83.16, -38.55, -16.6

 

CMYK 76 / 24 / 0 / 7

HEX #39B4ED

RGB 57 180 237

HSL 199, 0.83%, 0.58%

LAB 69.2, -14.79, -37.98

 

CMYK 76 / 44 / 0 / 7

HEX #3984ED

RGB 57 132 237

HSL 215, 0.83%, 0.58%

LAB 55.57, 12.82, -59.54

 

CMYK 76 / 65 / 0 / 7

HEX #3954ED

RGB 57 84 237

HSL 231, 0.83%, 0.58%

LAB 43.25, 42.72, -79.54

 

CMYK 67 / 76 / 0 / 7

HEX #4E39ED

RGB 78 57 237

HSL 247, 0.83%, 0.58%

LAB 39, 59.77, -86.48

 

CMYK 91 / 55 / 0 / 23

HEX #1159C4

RGB 17 89 196

HSL 215.87, 0.84%, 0.42%

LAB 40, 21.22, -61.44

 

CMYK 91 / 55 / 0 / 8

HEX #146AEA

RGB 20 106 234

HSL 215.89, 0.84%, 0.5%

LAB 47.49, 25.17, -70.96

 

CMYK 76 / 45 / 0 / 7

HEX #3982ED

RGB 57 130 237

HSL 215.67, 0.83%, 0.58%

LAB 55.02, 14.05, -60.42

 

CMYK 61 / 36 / 0 / 5

HEX #5F9AF1

RGB 95 154 241

HSL 215.75, 0.84%, 0.66%

LAB 63.26, 6.77, -49.42

 

CMYK 45 / 27 / 0 / 4

HEX #85B2F4

RGB 133 178 244

HSL 215.68, 0.83%, 0.74%

LAB 71.8, 2.16, -37.53

 

CMYK 76 / 45 / 0 / 7

HEX #3982EE

RGB 57 130 238

HSL 215.8, 0.84%, 0.58%

LAB 55.08, 14.41, -60.88

 

CMYK 16 / 76 / 0 / 7

HEX #C639ED

RGB 198 57 237

HSL 287, 0.83%, 0.58%

LAB 53, 77.4, -63.05

 

CMYK 14 / 0 / 76 / 7

HEX #CCED39

RGB 204 237 57

HSL 71, 0.83%, 0.58%

LAB 88.78, -32.66, 77.02

 

CMYK 76 / 45 / 0 / 7

HEX #3982EE

RGB 57 130 238

HSL 215.8, 0.84%, 0.58%

LAB 55.08, 14.41, -60.88

 

CMYK 0 / 76 / 44 / 7

HEX #ED3984

RGB 237 57 132

HSL 335, 0.83%, 0.58%

LAB 54.65, 71.87, 0.91

 

CMYK 44 / 0 / 76 / 7

HEX #84ED39

RGB 132 237 57

HSL 95, 0.83%, 0.58%

LAB 84.88, -58.45, 71.96

 

CMYK 76 / 45 / 0 / 7

HEX #3982EE

RGB 57 130 238

HSL 215.8, 0.84%, 0.58%

LAB 55.08, 14.41, -60.88

 

CMYK 16 / 76 / 0 / 7

HEX #C639ED

RGB 198 57 237

HSL 287, 0.83%, 0.58%

LAB 53, 77.4, -63.05

 

CMYK 0 / 32 / 76 / 7

HEX #EDA239

RGB 237 162 57

HSL 35, 0.83%, 0.58%

LAB 72.32, 19.08, 62.56

 

CMYK 59 / 0 / 76 / 7

HEX #60ED39

RGB 96 237 57

HSL 107, 0.83%, 0.58%

LAB 83.63, -68.18, 70.32

 

CMYK 76 / 45 / 0 / 7

HEX #3982EE

RGB 57 130 238

HSL 215.8, 0.84%, 0.58%

LAB 55.08, 14.41, -60.88

 

CMYK 0 / 76 / 6 / 7

HEX #ED39DE

RGB 237 57 222

HSL 305, 0.83%, 0.58%

LAB 58.23, 82.51, -45.9

 

CMYK 0 / 32 / 76 / 7

HEX #EDA239

RGB 237 162 57

HSL 35, 0.83%, 0.58%

LAB 72.32, 19.08, 62.56

 

CMYK 76 / 0 / 70 / 7

HEX #39ED48

RGB 57 237 72

HSL 125, 0.83%, 0.58%

LAB 82.86, -74.21, 64.19

 

Description

Color code: RGB 57 130 238 | qconv.com Color code: RGB 57 130 238 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 130 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 130 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 45 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 45% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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