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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 110 120 it is the complementary color RGB 198 145 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 110 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 110 120 shade: RGB 62 110 115, RGB 79 128 134, RGB 96 146 153, RGB 113 164 172 and RGB 130 182 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 110 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 110 120 shade: RGB 57 110 120, RGB 40 92 101, RGB 23 74 82, RGB 6 56 63 and RGB 0 38 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 110 120 shade: RGB 57 111 121, RGB 57 93 121, RGB 57 76 121, RGB 57 59 121 and RGB 72 57 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 110 120 shade: RGB 57 111 121, RGB 57 93 121, RGB 57 76 121, RGB 57 59 121 and RGB 57 57 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 110 120 shade matches the following richer shades: RGB 57 111 121, RGB 42 121 135, RGB 28 130 150 and RGB 13 140 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 110 120 shade: RGB 57 111 121, RGB 71 101 106, RGB 86 91 92, RGB 100 81 78 and RGB 114 71 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 110 120 shade: RGB 57 121 96, RGB 57 121 113, RGB 57 111 121, RGB 57 94 121 and RGB 57 77 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 110 120 shade: RGB 30 59 65, RGB 43 85 93, RGB 57 111 121, RGB 70 136 149 and RGB 85 161 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 110 120 shade: RGB 57 110 120, RGB 79 57 121 and RGB 121 105 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 110 120 shade: RGB 57 110 120, RGB 121 57 111 and RGB 111 121 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 110 120 shade: RGB 57 110 120, RGB 79 57 121, RGB 121 66 57 and RGB 98 121 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 110 120 shade: RGB 57 110 120, RGB 98 57 121, RGB 121 66 57 and RGB 79 121 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 8 / 0 / 53

HEX #396E78

RGB 57 110 120

HSL 189.52, 0.36%, 0.35%

LAB 43.33, -14.64, -11

 

Complementary color

CMYK 0 / 27 / 32 / 22

HEX #C69187

RGB 198 145 135

HSL 9.52, 0.36%, 0.65%

LAB 64.97, 18.66, 13.19

 

CMYK 46 / 4 / 0 / 55

HEX #3E6E73

RGB 62 110 115

HSL 185.66, 0.3%, 0.35%

LAB 43.38, -14.85, -7.89

 

CMYK 41 / 4 / 0 / 47

HEX #4F8086

RGB 79 128 134

HSL 186.55, 0.26%, 0.42%

LAB 50.48, -14.87, -8.47

 

CMYK 37 / 5 / 0 / 40

HEX #609299

RGB 96 146 153

HSL 187.37, 0.23%, 0.49%

LAB 57.41, -14.86, -9.02

 

CMYK 34 / 5 / 0 / 33

HEX #71A4AC

RGB 113 164 172

HSL 188.14, 0.26%, 0.56%

LAB 64.19, -14.83, -9.55

 

CMYK 32 / 5 / 0 / 25

HEX #82B6BF

RGB 130 182 191

HSL 188.85, 0.32%, 0.63%

LAB 70.85, -14.8, -10.05

 

CMYK 53 / 8 / 0 / 53

HEX #396E78

RGB 57 110 120

HSL 189.52, 0.36%, 0.35%

LAB 43.33, -14.64, -11

 

CMYK 60 / 9 / 0 / 60

HEX #285C65

RGB 40 92 101

HSL 188.85, 0.43%, 0.28%

LAB 36.07, -14.35, -10.41

 

CMYK 72 / 10 / 0 / 68

HEX #174A52

RGB 23 74 82

HSL 188.14, 0.56%, 0.21%

LAB 28.61, -13.79, -9.72

 

CMYK 90 / 11 / 0 / 75

HEX #06383F

RGB 6 56 63

HSL 187.37, 0.83%, 0.14%

LAB 20.93, -12.76, -8.89

 

CMYK 100 / 14 / 0 / 83

HEX #00262C

RGB 0 38 44

HSL 188.18, 1%, 0.09%

LAB 13.03, -10.44, -7.72

 

CMYK 53 / 8 / 0 / 53

HEX #396F79

RGB 57 111 121

HSL 189.38, 0.36%, 0.35%

LAB 43.68, -14.9, -11.07

 

CMYK 53 / 23 / 0 / 53

HEX #395D79

RGB 57 93 121

HSL 206.25, 0.36%, 0.35%

LAB 37.98, -4.35, -19.77

 

CMYK 53 / 37 / 0 / 53

HEX #394C79

RGB 57 76 121

HSL 222.19, 0.36%, 0.35%

LAB 32.74, 6.47, -27.95

 

CMYK 53 / 51 / 0 / 53

HEX #393B79

RGB 57 59 121

HSL 238.13, 0.36%, 0.35%

LAB 27.79, 17.84, -35.82

 

CMYK 40 / 53 / 0 / 53

HEX #483979

RGB 72 57 121

HSL 254.06, 0.36%, 0.35%

LAB 28.6, 23.03, -34.44

 

CMYK 53 / 8 / 0 / 53

HEX #396F79

RGB 57 111 121

HSL 189.38, 0.36%, 0.35%

LAB 43.68, -14.9, -11.07

 

CMYK 53 / 23 / 0 / 53

HEX #395D79

RGB 57 93 121

HSL 206.25, 0.36%, 0.35%

LAB 37.98, -4.35, -19.77

 

CMYK 53 / 37 / 0 / 53

HEX #394C79

RGB 57 76 121

HSL 222.19, 0.36%, 0.35%

LAB 32.74, 6.47, -27.95

 

CMYK 53 / 51 / 0 / 53

HEX #393B79

RGB 57 59 121

HSL 238.13, 0.36%, 0.35%

LAB 27.79, 17.84, -35.82

 

CMYK 53 / 53 / 0 / 53

HEX #393979

RGB 57 57 121

HSL 240, 0.36%, 0.35%

LAB 27.23, 19.18, -36.71

 

CMYK 53 / 8 / 0 / 53

HEX #396F79

RGB 57 111 121

HSL 189.38, 0.36%, 0.35%

LAB 43.68, -14.9, -11.07

 

CMYK 69 / 10 / 0 / 47

HEX #2A7987

RGB 42 121 135

HSL 189.03, 0.53%, 0.35%

LAB 46.86, -18.99, -14.65

 

CMYK 81 / 13 / 0 / 41

HEX #1C8296

RGB 28 130 150

HSL 189.84, 0.69%, 0.35%

LAB 49.99, -20.61, -18.73

 

CMYK 92 / 15 / 0 / 36

HEX #0D8CA4

RGB 13 140 164

HSL 189.54, 0.85%, 0.35%

LAB 53.52, -22.16, -21.47

 

CMYK 53 / 8 / 0 / 53

HEX #396F79

RGB 57 111 121

HSL 189.38, 0.36%, 0.35%

LAB 43.68, -14.9, -11.07

 

CMYK 33 / 5 / 0 / 58

HEX #47656A

RGB 71 101 106

HSL 188.57, 0.2%, 0.35%

LAB 40.72, -9.58, -6.36

 

CMYK 7 / 1 / 0 / 64

HEX #565B5C

RGB 86 91 92

HSL 190, 0.03%, 0.35%

LAB 38.26, -1.74, -1.26

 

CMYK 0 / 19 / 22 / 61

HEX #64514E

RGB 100 81 78

HSL 8.18, 0.12%, 0.35%

LAB 36.26, 7.37, 4.73

 

CMYK 0 / 38 / 45 / 55

HEX #72473F

RGB 114 71 63

HSL 9.41, 0.29%, 0.35%

LAB 34.89, 17.4, 12.48

 

CMYK 53 / 0 / 21 / 53

HEX #397960

RGB 57 121 96

HSL 156.56, 0.36%, 0.35%

LAB 46.16, -27, 7.51

 

CMYK 53 / 0 / 7 / 53

HEX #397971

RGB 57 121 113

HSL 172.5, 0.36%, 0.35%

LAB 46.63, -22.61, -1.9

 

CMYK 53 / 8 / 0 / 53

HEX #396F79

RGB 57 111 121

HSL 189.38, 0.36%, 0.35%

LAB 43.68, -14.9, -11.07

 

CMYK 53 / 22 / 0 / 53

HEX #395E79

RGB 57 94 121

HSL 205.31, 0.36%, 0.35%

LAB 38.3, -4.96, -19.28

 

CMYK 53 / 36 / 0 / 53

HEX #394D79

RGB 57 77 121

HSL 221.25, 0.36%, 0.35%

LAB 33.05, 5.81, -27.47

 

CMYK 54 / 9 / 0 / 75

HEX #1E3B41

RGB 30 59 65

HSL 190.29, 0.37%, 0.19%

LAB 22.95, -8.94, -7.09

 

CMYK 54 / 9 / 0 / 64

HEX #2B555D

RGB 43 85 93

HSL 189.6, 0.37%, 0.27%

LAB 33.56, -12.15, -9.17

 

CMYK 53 / 8 / 0 / 53

HEX #396F79

RGB 57 111 121

HSL 189.38, 0.36%, 0.35%

LAB 43.68, -14.9, -11.07

 

CMYK 53 / 9 / 0 / 42

HEX #468895

RGB 70 136 149

HSL 189.87, 0.36%, 0.43%

LAB 53.04, -17.22, -13.41

 

CMYK 51 / 8 / 0 / 31

HEX #55A1AF

RGB 85 161 175

HSL 189.33, 0.36%, 0.51%

LAB 62.1, -19.59, -14.51

 

CMYK 53 / 8 / 0 / 53

HEX #396E78

RGB 57 110 120

HSL 189.52, 0.36%, 0.35%

LAB 43.33, -14.64, -11

 

CMYK 35 / 53 / 0 / 53

HEX #4F3979

RGB 79 57 121

HSL 260.63, 0.36%, 0.35%

LAB 29.33, 24.98, -33.23

 

CMYK 0 / 13 / 53 / 53

HEX #796939

RGB 121 105 57

HSL 45, 0.36%, 0.35%

LAB 44.89, -0.46, 29.12

 

CMYK 53 / 8 / 0 / 53

HEX #396E78

RGB 57 110 120

HSL 189.52, 0.36%, 0.35%

LAB 43.33, -14.64, -11

 

CMYK 0 / 53 / 8 / 53

HEX #79396F

RGB 121 57 111

HSL 309.38, 0.36%, 0.35%

LAB 34.27, 35.66, -18.79

 

CMYK 8 / 0 / 53 / 53

HEX #6F7939

RGB 111 121 57

HSL 69.38, 0.36%, 0.35%

LAB 48.7, -13.99, 33.48

 

CMYK 53 / 8 / 0 / 53

HEX #396E78

RGB 57 110 120

HSL 189.52, 0.36%, 0.35%

LAB 43.33, -14.64, -11

 

CMYK 35 / 53 / 0 / 53

HEX #4F3979

RGB 79 57 121

HSL 260.63, 0.36%, 0.35%

LAB 29.33, 24.98, -33.23

 

CMYK 0 / 45 / 53 / 53

HEX #794239

RGB 121 66 57

HSL 8.44, 0.36%, 0.35%

LAB 34.51, 22.73, 15.91

 

CMYK 19 / 0 / 53 / 53

HEX #627939

RGB 98 121 57

HSL 81.56, 0.36%, 0.35%

LAB 47.71, -19.58, 32.07

 

CMYK 53 / 8 / 0 / 53

HEX #396E78

RGB 57 110 120

HSL 189.52, 0.36%, 0.35%

LAB 43.33, -14.64, -11

 

CMYK 19 / 53 / 0 / 53

HEX #623979

RGB 98 57 121

HSL 278.44, 0.36%, 0.35%

LAB 31.59, 30.55, -29.52

 

CMYK 0 / 45 / 53 / 53

HEX #794239

RGB 121 66 57

HSL 8.44, 0.36%, 0.35%

LAB 34.51, 22.73, 15.91

 

CMYK 35 / 0 / 53 / 53

HEX #4F7939

RGB 79 121 57

HSL 99.38, 0.36%, 0.35%

LAB 46.49, -27.17, 30.31

 

Description

Color code: RGB 57 110 120 | qconv.com Color code: RGB 57 110 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 110 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 110 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 8 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 8% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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