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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 73 171 it is the complementary color RGB 198 182 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 73 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 73 171 shade: RGB 62 73 166, RGB 79 91 185, RGB 96 109 204, RGB 113 127 223 and RGB 130 145 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 73 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 73 171 shade: RGB 57 73 171, RGB 40 55 152, RGB 23 37 133, RGB 6 19 114 and RGB 0 1 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 73 171 shade: RGB 57 73 172, RGB 72 57 172, RGB 103 57 172, RGB 134 57 172 and RGB 165 57 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 73 171 shade: RGB 57 73 172 and RGB 57 57 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 73 171 shade matches the following richer shades: RGB 57 73 172, RGB 38 60 190, RGB 20 46 209 and RGB 1 33 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 73 171 shade: RGB 57 73 172, RGB 75 86 153, RGB 94 100 134, RGB 113 113 116 and RGB 131 126 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 73 171 shade: RGB 57 135 172, RGB 57 105 172, RGB 57 74 172, RGB 70 57 172 and RGB 101 57 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 73 171 shade: RGB 36 47 110, RGB 47 60 141, RGB 57 73 172, RGB 75 92 195 and RGB 106 120 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 73 171 shade: RGB 57 73 171, RGB 172 57 166 and RGB 120 172 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 73 171 shade: RGB 57 73 171, RGB 172 57 74 and RGB 74 172 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 73 171 shade: RGB 57 73 171, RGB 172 57 166, RGB 172 154 57 and RGB 57 172 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 73 171 shade: RGB 57 73 171, RGB 172 57 131, RGB 172 154 57 and RGB 57 172 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 57 / 0 / 33

HEX #3949AB

RGB 57 73 171

HSL 231.58, 0.5%, 0.45%

LAB 35.15, 26.24, -54.54

 

Complementary color

CMYK 0 / 8 / 58 / 22

HEX #C6B654

RGB 198 182 84

HSL 51.58, 0.5%, 0.55%

LAB 73.61, -6.58, 51

 

CMYK 63 / 56 / 0 / 35

HEX #3E49A6

RGB 62 73 166

HSL 233.65, 0.46%, 0.45%

LAB 35.09, 25.3, -51.65

 

CMYK 57 / 51 / 0 / 27

HEX #4F5BB9

RGB 79 91 185

HSL 233.21, 0.43%, 0.52%

LAB 42.23, 23.49, -51.31

 

CMYK 53 / 47 / 0 / 20

HEX #606DCC

RGB 96 109 204

HSL 232.78, 0.51%, 0.59%

LAB 49.23, 22.01, -50.99

 

CMYK 49 / 43 / 0 / 13

HEX #717FDF

RGB 113 127 223

HSL 232.36, 0.63%, 0.66%

LAB 56.1, 20.78, -50.72

 

CMYK 46 / 40 / 0 / 5

HEX #8291F2

RGB 130 145 242

HSL 231.96, 0.81%, 0.73%

LAB 62.85, 19.73, -50.49

 

CMYK 67 / 57 / 0 / 33

HEX #3949AB

RGB 57 73 171

HSL 231.58, 0.5%, 0.45%

LAB 35.15, 26.24, -54.54

 

CMYK 74 / 64 / 0 / 40

HEX #283798

RGB 40 55 152

HSL 231.96, 0.58%, 0.38%

LAB 27.98, 28.71, -54.8

 

CMYK 83 / 72 / 0 / 48

HEX #172585

RGB 23 37 133

HSL 232.36, 0.71%, 0.31%

LAB 20.82, 31.68, -54.81

 

CMYK 95 / 83 / 0 / 55

HEX #061372

RGB 6 19 114

HSL 232.78, 0.9%, 0.24%

LAB 13.94, 34.81, -54.08

 

CMYK 100 / 99 / 0 / 63

HEX #00015F

RGB 0 1 95

HSL 239.37, 1%, 0.19%

LAB 7.66, 37.79, -52.02

 

CMYK 67 / 58 / 0 / 33

HEX #3949AC

RGB 57 73 172

HSL 231.65, 0.5%, 0.45%

LAB 35.23, 26.6, -55.02

 

CMYK 58 / 67 / 0 / 33

HEX #4839AC

RGB 72 57 172

HSL 247.83, 0.5%, 0.45%

LAB 32.44, 39.09, -59.51

 

CMYK 40 / 67 / 0 / 33

HEX #6739AC

RGB 103 57 172

HSL 264, 0.5%, 0.45%

LAB 35.57, 44.88, -54.27

 

CMYK 22 / 67 / 0 / 33

HEX #8639AC

RGB 134 57 172

HSL 280.17, 0.5%, 0.45%

LAB 39.54, 51.64, -47.68

 

CMYK 4 / 67 / 0 / 33

HEX #A539AC

RGB 165 57 172

HSL 296.35, 0.5%, 0.45%

LAB 44.1, 58.86, -40.13

 

CMYK 67 / 58 / 0 / 33

HEX #3949AC

RGB 57 73 172

HSL 231.65, 0.5%, 0.45%

LAB 35.23, 26.6, -55.02

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 67 / 58 / 0 / 33

HEX #3949AC

RGB 57 73 172

HSL 231.65, 0.5%, 0.45%

LAB 35.23, 26.6, -55.02

 

CMYK 80 / 68 / 0 / 25

HEX #263CBE

RGB 38 60 190

HSL 231.32, 0.67%, 0.45%

LAB 32.62, 39.24, -69.98

 

CMYK 90 / 78 / 0 / 18

HEX #142ED1

RGB 20 46 209

HSL 231.75, 0.83%, 0.45%

LAB 31.13, 52.97, -83.57

 

CMYK 100 / 85 / 0 / 11

HEX #0121E3

RGB 1 33 227

HSL 231.5, 0.99%, 0.45%

LAB 30.97, 64.21, -94.21

 

CMYK 67 / 58 / 0 / 33

HEX #3949AC

RGB 57 73 172

HSL 231.65, 0.5%, 0.45%

LAB 35.23, 26.6, -55.02

 

CMYK 51 / 44 / 0 / 40

HEX #4B5699

RGB 75 86 153

HSL 231.54, 0.34%, 0.45%

LAB 38.64, 15.17, -38.1

 

CMYK 30 / 25 / 0 / 47

HEX #5E6486

RGB 94 100 134

HSL 231, 0.18%, 0.45%

LAB 43.09, 6.04, -19.6

 

CMYK 3 / 3 / 0 / 55

HEX #717174

RGB 113 113 116

HSL 240, 0.01%, 0.45%

LAB 47.73, 0.62, -1.66

 

CMYK 0 / 4 / 26 / 49

HEX #837E61

RGB 131 126 97

HSL 51.18, 0.15%, 0.45%

LAB 52.52, -3.1, 16.51

 

CMYK 67 / 22 / 0 / 33

HEX #3987AC

RGB 57 135 172

HSL 199.3, 0.5%, 0.45%

LAB 53.14, -11.97, -26.58

 

CMYK 67 / 39 / 0 / 33

HEX #3969AC

RGB 57 105 172

HSL 214.96, 0.5%, 0.45%

LAB 44.16, 5.89, -40.66

 

CMYK 67 / 57 / 0 / 33

HEX #394AAC

RGB 57 74 172

HSL 231.13, 0.5%, 0.45%

LAB 35.49, 25.95, -54.59

 

CMYK 59 / 67 / 0 / 33

HEX #4639AC

RGB 70 57 172

HSL 246.78, 0.5%, 0.45%

LAB 32.27, 38.76, -59.79

 

CMYK 41 / 67 / 0 / 33

HEX #6539AC

RGB 101 57 172

HSL 262.96, 0.5%, 0.45%

LAB 35.34, 44.47, -54.66

 

CMYK 67 / 57 / 0 / 57

HEX #242F6E

RGB 36 47 110

HSL 231.08, 0.51%, 0.29%

LAB 22.07, 17.58, -38.1

 

CMYK 67 / 57 / 0 / 45

HEX #2F3C8D

RGB 47 60 141

HSL 231.7, 0.5%, 0.37%

LAB 28.8, 22.28, -46.7

 

CMYK 67 / 58 / 0 / 33

HEX #3949AC

RGB 57 73 172

HSL 231.65, 0.5%, 0.45%

LAB 35.23, 26.6, -55.02

 

CMYK 62 / 53 / 0 / 24

HEX #4B5CC3

RGB 75 92 195

HSL 231.5, 0.5%, 0.53%

LAB 42.9, 25.49, -56.06

 

CMYK 48 / 41 / 0 / 20

HEX #6A78CD

RGB 106 120 205

HSL 231.52, 0.5%, 0.61%

LAB 52.85, 17.87, -45.76

 

CMYK 67 / 57 / 0 / 33

HEX #3949AB

RGB 57 73 171

HSL 231.58, 0.5%, 0.45%

LAB 35.15, 26.24, -54.54

 

CMYK 0 / 67 / 3 / 33

HEX #AC39A6

RGB 172 57 166

HSL 303.13, 0.5%, 0.45%

LAB 44.87, 59.51, -35.28

 

CMYK 30 / 0 / 67 / 33

HEX #78AC39

RGB 120 172 57

HSL 87.13, 0.5%, 0.45%

LAB 64.8, -35.63, 51.64

 

CMYK 67 / 57 / 0 / 33

HEX #3949AB

RGB 57 73 171

HSL 231.58, 0.5%, 0.45%

LAB 35.15, 26.24, -54.54

 

CMYK 0 / 67 / 57 / 33

HEX #AC394A

RGB 172 57 74

HSL 351.13, 0.5%, 0.45%

LAB 41.52, 48.04, 16.13

 

CMYK 57 / 0 / 67 / 33

HEX #4AAC39

RGB 74 172 57

HSL 111.13, 0.5%, 0.45%

LAB 62.72, -50.53, 48.81

 

CMYK 67 / 57 / 0 / 33

HEX #3949AB

RGB 57 73 171

HSL 231.58, 0.5%, 0.45%

LAB 35.15, 26.24, -54.54

 

CMYK 0 / 67 / 3 / 33

HEX #AC39A6

RGB 172 57 166

HSL 303.13, 0.5%, 0.45%

LAB 44.87, 59.51, -35.28

 

CMYK 0 / 10 / 67 / 33

HEX #AC9A39

RGB 172 154 57

HSL 50.61, 0.5%, 0.45%

LAB 63.49, -4.83, 51.45

 

CMYK 67 / 0 / 63 / 33

HEX #39AC3F

RGB 57 172 63

HSL 123.13, 0.5%, 0.45%

LAB 62.28, -53.86, 45.58

 

CMYK 67 / 57 / 0 / 33

HEX #3949AB

RGB 57 73 171

HSL 231.58, 0.5%, 0.45%

LAB 35.15, 26.24, -54.54

 

CMYK 0 / 67 / 24 / 33

HEX #AC3983

RGB 172 57 131

HSL 321.39, 0.5%, 0.45%

LAB 43.26, 54.19, -16.68

 

CMYK 0 / 10 / 67 / 33

HEX #AC9A39

RGB 172 154 57

HSL 50.61, 0.5%, 0.45%

LAB 63.49, -4.83, 51.45

 

CMYK 67 / 0 / 44 / 33

HEX #39AC61

RGB 57 172 97

HSL 140.87, 0.5%, 0.45%

LAB 62.71, -48.98, 29.38

 

Description

Color code: RGB 57 73 171 | qconv.com Color code: RGB 57 73 171 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 73 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 73 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 57 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 57% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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