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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 57 43 86 it is the complementary color RGB 198 212 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 57 43 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 57 43 86 shade: RGB 62 43 81, RGB 79 61 100, RGB 96 79 119, RGB 113 97 138 and RGB 130 115 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 57 43 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 57 43 86 shade: RGB 57 43 86, RGB 40 25 67, RGB 23 7 48, RGB 6 0 29 and RGB 0 0 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 57 43 86 shade: RGB 56 42 84, RGB 67 42 84, RGB 79 42 84, RGB 84 42 79 and RGB 84 42 67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 57 43 86 shade: RGB 56 42 84, RGB 45 42 84 and RGB 42 42 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 57 43 86 shade matches the following richer shades: RGB 56 42 84, RGB 52 32 95, RGB 49 22 105, RGB 45 11 115 and RGB 42 1 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 57 43 86 shade: RGB 56 42 84, RGB 60 53 74, RGB 63 63 64, RGB 67 73 53 and RGB 70 83 43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 57 43 86 shade: RGB 42 51 84, RGB 44 42 84, RGB 56 42 84, RGB 67 42 84 and RGB 78 42 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 57 43 86 shade: RGB 19 15 29, RGB 38 28 57, RGB 56 42 84, RGB 74 56 112 and RGB 92 70 139

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 57 43 86 shade: RGB 57 43 86, RGB 84 42 63 and RGB 46 84 42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 57 43 86 shade: RGB 57 43 86, RGB 84 56 42 and RGB 42 84 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 57 43 86 shade: RGB 57 43 86, RGB 84 42 63, RGB 71 84 42 and RGB 42 84 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 57 43 86 shade: RGB 57 43 86, RGB 84 42 50, RGB 71 84 42 and RGB 42 84 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 50 / 0 / 66

HEX #392B56

RGB 57 43 86

HSL 259.53, 0.33%, 0.25%

LAB 21.09, 17.32, -23.85

 

Complementary color

CMYK 7 / 0 / 20 / 17

HEX #C6D4A9

RGB 198 212 169

HSL 79.53, 0.33%, 0.75%

LAB 82.89, -12.15, 19.73

 

CMYK 23 / 47 / 0 / 68

HEX #3E2B51

RGB 62 43 81

HSL 270, 0.31%, 0.24%

LAB 21.38, 17.53, -20.02

 

CMYK 21 / 39 / 0 / 61

HEX #4F3D64

RGB 79 61 100

HSL 267.69, 0.24%, 0.32%

LAB 29.21, 16.63, -20.08

 

CMYK 19 / 34 / 0 / 53

HEX #604F77

RGB 96 79 119

HSL 265.5, 0.2%, 0.39%

LAB 36.76, 15.86, -20.18

 

CMYK 18 / 30 / 0 / 46

HEX #71618A

RGB 113 97 138

HSL 263.41, 0.17%, 0.46%

LAB 44.08, 15.2, -20.33

 

CMYK 17 / 27 / 0 / 38

HEX #82739D

RGB 130 115 157

HSL 261.43, 0.18%, 0.53%

LAB 51.2, 14.63, -20.52

 

CMYK 34 / 50 / 0 / 66

HEX #392B56

RGB 57 43 86

HSL 259.53, 0.33%, 0.25%

LAB 21.09, 17.32, -23.85

 

CMYK 40 / 63 / 0 / 74

HEX #281943

RGB 40 25 67

HSL 261.43, 0.46%, 0.18%

LAB 12.93, 18.55, -24.01

 

CMYK 52 / 85 / 0 / 81

HEX #170730

RGB 23 7 48

HSL 263.41, 0.75%, 0.11%

LAB 4.95, 17.9, -23.28

 

CMYK 79 / 100 / 0 / 89

HEX #06001D

RGB 6 0 29

HSL 252.41, 1%, 0.06%

LAB 1.15, 7.2, -14.58

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 33 / 50 / 0 / 67

HEX #382A54

RGB 56 42 84

HSL 260, 0.33%, 0.25%

LAB 20.58, 17.08, -23.33

 

CMYK 20 / 50 / 0 / 67

HEX #432A54

RGB 67 42 84

HSL 275.71, 0.33%, 0.25%

LAB 21.91, 20.69, -21.15

 

CMYK 6 / 50 / 0 / 67

HEX #4F2A54

RGB 79 42 84

HSL 292.86, 0.33%, 0.25%

LAB 23.53, 24.77, -18.49

 

CMYK 0 / 50 / 6 / 67

HEX #542A4F

RGB 84 42 79

HSL 307.14, 0.33%, 0.25%

LAB 24.02, 25.44, -14.35

 

CMYK 0 / 50 / 20 / 67

HEX #542A43

RGB 84 42 67

HSL 324.29, 0.33%, 0.25%

LAB 23.49, 23.14, -7.08

 

CMYK 33 / 50 / 0 / 67

HEX #382A54

RGB 56 42 84

HSL 260, 0.33%, 0.25%

LAB 20.58, 17.08, -23.33

 

CMYK 46 / 50 / 0 / 67

HEX #2D2A54

RGB 45 42 84

HSL 244.29, 0.33%, 0.25%

LAB 19.45, 13.71, -25.2

 

CMYK 50 / 50 / 0 / 67

HEX #2A2A54

RGB 42 42 84

HSL 240, 0.33%, 0.25%

LAB 19.18, 12.86, -25.65

 

CMYK 33 / 50 / 0 / 67

HEX #382A54

RGB 56 42 84

HSL 260, 0.33%, 0.25%

LAB 20.58, 17.08, -23.33

 

CMYK 45 / 66 / 0 / 63

HEX #34205F

RGB 52 32 95

HSL 259.05, 0.5%, 0.25%

LAB 18.32, 25.97, -34.3

 

CMYK 53 / 79 / 0 / 59

HEX #311669

RGB 49 22 105

HSL 259.52, 0.65%, 0.25%

LAB 16.73, 34.32, -43.5

 

CMYK 61 / 90 / 0 / 55

HEX #2D0B73

RGB 45 11 115

HSL 259.62, 0.83%, 0.25%

LAB 15.67, 41.6, -51.78

 

CMYK 67 / 99 / 0 / 51

HEX #2A017E

RGB 42 1 126

HSL 259.68, 0.98%, 0.25%

LAB 15.59, 47.75, -58.99

 

CMYK 33 / 50 / 0 / 67

HEX #382A54

RGB 56 42 84

HSL 260, 0.33%, 0.25%

LAB 20.58, 17.08, -23.33

 

CMYK 19 / 28 / 0 / 71

HEX #3C354A

RGB 60 53 74

HSL 260, 0.17%, 0.25%

LAB 23.68, 8.14, -11.79

 

CMYK 2 / 2 / 0 / 75

HEX #3F3F40

RGB 63 63 64

HSL 240, 0.01%, 0.25%

LAB 26.68, 0.23, -0.61

 

CMYK 8 / 0 / 27 / 71

HEX #434935

RGB 67 73 53

HSL 78, 0.16%, 0.25%

LAB 29.95, -6.56, 11.19

 

CMYK 16 / 0 / 48 / 67

HEX #46532B

RGB 70 83 43

HSL 79.5, 0.32%, 0.25%

LAB 33.27, -12.68, 21.69

 

CMYK 50 / 39 / 0 / 67

HEX #2A3354

RGB 42 51 84

HSL 227.14, 0.33%, 0.25%

LAB 21.94, 6.5, -21.27

 

CMYK 48 / 50 / 0 / 67

HEX #2C2A54

RGB 44 42 84

HSL 242.86, 0.33%, 0.25%

LAB 19.36, 13.42, -25.35

 

CMYK 33 / 50 / 0 / 67

HEX #382A54

RGB 56 42 84

HSL 260, 0.33%, 0.25%

LAB 20.58, 17.08, -23.33

 

CMYK 20 / 50 / 0 / 67

HEX #432A54

RGB 67 42 84

HSL 275.71, 0.33%, 0.25%

LAB 21.91, 20.69, -21.15

 

CMYK 7 / 50 / 0 / 67

HEX #4E2A54

RGB 78 42 84

HSL 291.43, 0.33%, 0.25%

LAB 23.39, 24.42, -18.72

 

CMYK 34 / 48 / 0 / 89

HEX #130F1D

RGB 19 15 29

HSL 257.14, 0.32%, 0.09%

LAB 5.14, 4.94, -8.52

 

CMYK 33 / 51 / 0 / 78

HEX #261C39

RGB 38 28 57

HSL 260.69, 0.34%, 0.17%

LAB 12.85, 12.61, -17.11

 

CMYK 33 / 50 / 0 / 67

HEX #382A54

RGB 56 42 84

HSL 260, 0.33%, 0.25%

LAB 20.58, 17.08, -23.33

 

CMYK 34 / 50 / 0 / 56

HEX #4A3870

RGB 74 56 112

HSL 259.29, 0.33%, 0.33%

LAB 27.99, 21.58, -29.7

 

CMYK 34 / 50 / 0 / 45

HEX #5C468B

RGB 92 70 139

HSL 259.13, 0.33%, 0.41%

LAB 35.04, 25.58, -35.24

 

CMYK 34 / 50 / 0 / 66

HEX #392B56

RGB 57 43 86

HSL 259.53, 0.33%, 0.25%

LAB 21.09, 17.32, -23.85

 

CMYK 0 / 50 / 25 / 67

HEX #542A3F

RGB 84 42 63

HSL 330, 0.33%, 0.25%

LAB 23.34, 22.44, -4.61

 

CMYK 45 / 0 / 50 / 67

HEX #2E542A

RGB 46 84 42

HSL 114.29, 0.33%, 0.25%

LAB 32.01, -23.21, 20.35

 

CMYK 34 / 50 / 0 / 66

HEX #392B56

RGB 57 43 86

HSL 259.53, 0.33%, 0.25%

LAB 21.09, 17.32, -23.85

 

CMYK 0 / 33 / 50 / 67

HEX #54382A

RGB 84 56 42

HSL 20, 0.33%, 0.25%

LAB 26.39, 10.54, 13.75

 

CMYK 50 / 0 / 33 / 67

HEX #2A5438

RGB 42 84 56

HSL 140, 0.33%, 0.25%

LAB 32.07, -21.91, 11.94

 

CMYK 34 / 50 / 0 / 66

HEX #392B56

RGB 57 43 86

HSL 259.53, 0.33%, 0.25%

LAB 21.09, 17.32, -23.85

 

CMYK 0 / 50 / 25 / 67

HEX #542A3F

RGB 84 42 63

HSL 330, 0.33%, 0.25%

LAB 23.34, 22.44, -4.61

 

CMYK 15 / 0 / 50 / 67

HEX #47542A

RGB 71 84 42

HSL 78.57, 0.33%, 0.25%

LAB 33.66, -12.93, 22.78

 

CMYK 50 / 0 / 24 / 67

HEX #2A5440

RGB 42 84 64

HSL 151.43, 0.33%, 0.25%

LAB 32.26, -20.06, 7.22

 

CMYK 34 / 50 / 0 / 66

HEX #392B56

RGB 57 43 86

HSL 259.53, 0.33%, 0.25%

LAB 21.09, 17.32, -23.85

 

CMYK 0 / 50 / 40 / 67

HEX #542A32

RGB 84 42 50

HSL 348.57, 0.33%, 0.25%

LAB 22.9, 20.42, 3.61

 

CMYK 15 / 0 / 50 / 67

HEX #47542A

RGB 71 84 42

HSL 78.57, 0.33%, 0.25%

LAB 33.66, -12.93, 22.78

 

CMYK 50 / 0 / 8 / 67

HEX #2A544D

RGB 42 84 77

HSL 170, 0.33%, 0.25%

LAB 32.63, -16.64, -0.46

 

Description

Color code: RGB 57 43 86 | qconv.com Color code: RGB 57 43 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 43 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 43 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 50 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 50% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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