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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 39 185 it is the complementary color RGB 203 216 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 39 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 39 185 shade: RGB 57 39 180, RGB 74 57 199, RGB 91 75 218, RGB 108 93 237 and RGB 125 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 39 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 39 185 shade: RGB 52 39 185, RGB 35 21 166, RGB 18 3 147, RGB 1 0 128 and RGB 0 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 39 185 shade: RGB 52 39 185, RGB 91 39 185, RGB 130 39 185, RGB 170 39 185 and RGB 185 39 160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 39 185 shade: RGB 52 39 185 and RGB 39 39 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 39 185 shade matches the following richer shades: RGB 52 39 185, RGB 37 21 203 and RGB 22 2 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 39 185 shade: RGB 52 39 185, RGB 67 57 166, RGB 82 75 148, RGB 97 93 130 and RGB 111 111 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 39 185 shade: RGB 39 104 185, RGB 39 66 185, RGB 51 39 185, RGB 90 39 185 and RGB 129 39 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 39 185 shade: RGB 33 24 117, RGB 42 32 151, RGB 52 39 185, RGB 67 53 212 and RGB 99 87 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 39 185 shade: RGB 52 39 185, RGB 185 39 143 and RGB 85 185 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 39 185 shade: RGB 52 39 185, RGB 185 51 39 and RGB 39 185 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 39 185 shade: RGB 52 39 185, RGB 185 39 143, RGB 172 185 39 and RGB 39 185 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 39 185 shade: RGB 52 39 185, RGB 185 39 100, RGB 172 185 39 and RGB 39 185 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

Complementary color

CMYK 6 / 0 / 68 / 15

HEX #CBD846

RGB 203 216 70

HSL 65.34, 0.65%, 0.56%

LAB 83.05, -22.52, 67.11

 

CMYK 68 / 78 / 0 / 29

HEX #3927B4

RGB 57 39 180

HSL 247.66, 0.64%, 0.43%

LAB 28.42, 49.58, -70.94

 

CMYK 63 / 71 / 0 / 22

HEX #4A39C7

RGB 74 57 199

HSL 247.18, 0.56%, 0.5%

LAB 35.01, 47.86, -71.23

 

CMYK 58 / 66 / 0 / 15

HEX #5B4BDA

RGB 91 75 218

HSL 246.71, 0.66%, 0.57%

LAB 41.72, 46.04, -71.17

 

CMYK 54 / 61 / 0 / 7

HEX #6C5DED

RGB 108 93 237

HSL 246.25, 0.8%, 0.65%

LAB 48.43, 44.3, -70.95

 

CMYK 51 / 56 / 0 / 0

HEX #7D6FFF

RGB 125 111 255

HSL 245.83, 1%, 0.72%

LAB 55.02, 42.41, -70.22

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 79 / 87 / 0 / 35

HEX #2315A6

RGB 35 21 166

HSL 245.79, 0.78%, 0.37%

LAB 22.47, 51.88, -72.44

 

CMYK 88 / 98 / 0 / 42

HEX #120393

RGB 18 3 147

HSL 246.25, 0.96%, 0.29%

LAB 16.99, 51.76, -69.93

 

CMYK 99 / 100 / 0 / 50

HEX #010080

RGB 1 0 128

HSL 240.47, 1%, 0.25%

LAB 13.02, 47.52, -64.64

 

CMYK 100 / 100 / 0 / 57

HEX #00006D

RGB 0 0 109

HSL 240, 1%, 0.21%

LAB 9.83, 42.35, -57.68

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 51 / 79 / 0 / 27

HEX #5B27B9

RGB 91 39 185

HSL 261.37, 0.65%, 0.44%

LAB 32.21, 54.98, -67.56

 

CMYK 30 / 79 / 0 / 27

HEX #8227B9

RGB 130 39 185

HSL 277.4, 0.65%, 0.44%

LAB 37.3, 61.01, -59.03

 

CMYK 8 / 79 / 0 / 27

HEX #AA27B9

RGB 170 39 185

HSL 293.84, 0.65%, 0.44%

LAB 43.51, 68.33, -48.69

 

CMYK 0 / 79 / 14 / 27

HEX #B927A0

RGB 185 39 160

HSL 310.27, 0.65%, 0.44%

LAB 44.66, 67.51, -31.87

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 79 / 79 / 0 / 27

HEX #2727B9

RGB 39 39 185

HSL 240, 0.65%, 0.44%

LAB 27.81, 49.71, -74.97

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 82 / 90 / 0 / 20

HEX #2515CB

RGB 37 21 203

HSL 245.27, 0.81%, 0.44%

LAB 27.41, 62.39, -86.24

 

CMYK 90 / 99 / 0 / 13

HEX #1602DD

RGB 22 2 221

HSL 245.48, 0.98%, 0.44%

LAB 27.94, 70.87, -95.82

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 60 / 66 / 0 / 35

HEX #4339A6

RGB 67 57 166

HSL 245.5, 0.49%, 0.44%

LAB 31.52, 36.32, -57.44

 

CMYK 45 / 49 / 0 / 42

HEX #524B94

RGB 82 75 148

HSL 245.75, 0.33%, 0.44%

LAB 35.92, 22.38, -39.39

 

CMYK 25 / 28 / 0 / 49

HEX #615D82

RGB 97 93 130

HSL 246.49, 0.17%, 0.44%

LAB 41.19, 10.28, -20.09

 

CMYK 1 / 1 / 0 / 56

HEX #6F6F70

RGB 111 111 112

HSL 240, 0%, 0.44%

LAB 46.87, 0.21, -0.56

 

CMYK 79 / 44 / 0 / 27

HEX #2768B9

RGB 39 104 185

HSL 213.29, 0.65%, 0.44%

LAB 44, 8.84, -48.57

 

CMYK 79 / 64 / 0 / 27

HEX #2742B9

RGB 39 66 185

HSL 228.9, 0.65%, 0.44%

LAB 33.63, 33.69, -65.37

 

CMYK 72 / 79 / 0 / 27

HEX #3327B9

RGB 51 39 185

HSL 244.93, 0.65%, 0.44%

LAB 28.53, 50.59, -73.75

 

CMYK 51 / 79 / 0 / 27

HEX #5A27B9

RGB 90 39 185

HSL 260.96, 0.65%, 0.44%

LAB 32.1, 54.84, -67.75

 

CMYK 30 / 79 / 0 / 27

HEX #8127B9

RGB 129 39 185

HSL 276.99, 0.65%, 0.44%

LAB 37.15, 60.84, -59.27

 

CMYK 72 / 79 / 0 / 54

HEX #211875

RGB 33 24 117

HSL 245.81, 0.66%, 0.28%

LAB 16.8, 34.89, -51.24

 

CMYK 72 / 79 / 0 / 41

HEX #2A2097

RGB 42 32 151

HSL 245.04, 0.65%, 0.36%

LAB 22.86, 42.65, -62.61

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 68 / 75 / 0 / 17

HEX #4335D4

RGB 67 53 212

HSL 245.28, 0.65%, 0.52%

LAB 34.99, 53.22, -78.84

 

CMYK 55 / 60 / 0 / 14

HEX #6357DB

RGB 99 87 219

HSL 245.45, 0.65%, 0.6%

LAB 45.06, 40.71, -66.27

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 0 / 79 / 23 / 27

HEX #B9278F

RGB 185 39 143

HSL 317.26, 0.65%, 0.44%

LAB 43.87, 65.22, -22.87

 

CMYK 54 / 0 / 79 / 27

HEX #55B927

RGB 85 185 39

HSL 101.1, 0.65%, 0.44%

LAB 67.11, -53.76, 59.92

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 0 / 72 / 79 / 27

HEX #B93327

RGB 185 51 39

HSL 4.93, 0.65%, 0.44%

LAB 42.5, 52.75, 38.77

 

CMYK 79 / 0 / 72 / 27

HEX #27B933

RGB 39 185 51

HSL 124.93, 0.65%, 0.44%

LAB 66.03, -62.36, 54.42

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 0 / 79 / 23 / 27

HEX #B9278F

RGB 185 39 143

HSL 317.26, 0.65%, 0.44%

LAB 43.87, 65.22, -22.87

 

CMYK 7 / 0 / 79 / 27

HEX #ACB927

RGB 172 185 39

HSL 65.34, 0.65%, 0.44%

LAB 71.97, -21.73, 66.17

 

CMYK 79 / 0 / 57 / 27

HEX #27B950

RGB 39 185 80

HSL 136.85, 0.65%, 0.44%

LAB 66.3, -59.16, 42.29

 

CMYK 72 / 79 / 0 / 27

HEX #3427B9

RGB 52 39 185

HSL 245.34, 0.65%, 0.44%

LAB 28.6, 50.67, -73.63

 

CMYK 0 / 79 / 46 / 27

HEX #B92764

RGB 185 39 100

HSL 334.93, 0.65%, 0.44%

LAB 42.29, 60.5, 1.28

 

CMYK 7 / 0 / 79 / 27

HEX #ACB927

RGB 172 185 39

HSL 65.34, 0.65%, 0.44%

LAB 71.97, -21.73, 66.17

 

CMYK 79 / 0 / 33 / 27

HEX #27B97C

RGB 39 185 124

HSL 154.93, 0.65%, 0.44%

LAB 66.96, -51.43, 20.61

 

Description

Color code: RGB 52 39 185 | qconv.com Color code: RGB 52 39 185 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 39 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 39 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 79 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 79% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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