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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 31 126 it is the complementary color RGB 203 224 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 31 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 31 126 shade: RGB 57 31 121, RGB 74 49 140, RGB 91 67 159, RGB 108 85 178 and RGB 125 103 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 31 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 31 126 shade: RGB 52 31 126, RGB 35 13 107, RGB 18 0 88, RGB 1 0 69 and RGB 0 0 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 31 126 shade: RGB 52 30 127, RGB 78 30 127, RGB 104 30 127, RGB 127 30 124 and RGB 127 30 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 31 126 shade: RGB 52 30 127 and RGB 30 30 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 31 126 shade matches the following richer shades: RGB 52 30 127, RGB 45 18 140 and RGB 37 5 152

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 31 126 shade: RGB 52 30 127, RGB 59 43 114, RGB 66 56 101, RGB 73 69 88 and RGB 80 81 76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 31 126 shade: RGB 30 61 127, RGB 30 35 127, RGB 51 30 127, RGB 77 30 127 and RGB 103 30 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 31 126 shade: RGB 24 14 60, RGB 38 22 94, RGB 52 30 127, RGB 65 38 160 and RGB 79 46 193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 31 126 shade: RGB 52 31 126, RGB 127 30 87 and RGB 48 127 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 31 126 shade: RGB 52 31 126, RGB 127 51 30 and RGB 30 127 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 31 126 shade: RGB 52 31 126, RGB 127 30 87, RGB 106 127 30 and RGB 30 127 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 31 126 shade: RGB 52 31 126, RGB 127 30 58, RGB 106 127 30 and RGB 30 127 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 75 / 0 / 51

HEX #341F7E

RGB 52 31 126

HSL 253.26, 0.61%, 0.31%

LAB 20.89, 36.38, -50.2

 

Complementary color

CMYK 9 / 0 / 42 / 12

HEX #CBE081

RGB 203 224 129

HSL 73.26, 0.61%, 0.69%

LAB 85.8, -21.53, 44.09

 

CMYK 53 / 74 / 0 / 53

HEX #391F79

RGB 57 31 121

HSL 257.33, 0.59%, 0.3%

LAB 20.94, 35.65, -46.91

 

CMYK 47 / 65 / 0 / 45

HEX #4A318C

RGB 74 49 140

HSL 256.48, 0.48%, 0.37%

LAB 28.24, 34.28, -46.89

 

CMYK 43 / 58 / 0 / 38

HEX #5B439F

RGB 91 67 159

HSL 255.65, 0.41%, 0.44%

LAB 35.48, 32.9, -46.69

 

CMYK 39 / 52 / 0 / 30

HEX #6C55B2

RGB 108 85 178

HSL 254.84, 0.38%, 0.52%

LAB 42.61, 31.64, -46.46

 

CMYK 37 / 48 / 0 / 23

HEX #7D67C5

RGB 125 103 197

HSL 254.04, 0.45%, 0.59%

LAB 49.61, 30.52, -46.25

 

CMYK 59 / 75 / 0 / 51

HEX #341F7E

RGB 52 31 126

HSL 253.26, 0.61%, 0.31%

LAB 20.89, 36.38, -50.2

 

CMYK 67 / 88 / 0 / 58

HEX #230D6B

RGB 35 13 107

HSL 254.04, 0.78%, 0.24%

LAB 13.87, 37.47, -49.58

 

CMYK 80 / 100 / 0 / 65

HEX #120058

RGB 18 0 88

HSL 252.27, 1%, 0.17%

LAB 7.53, 36.88, -47.48

 

CMYK 99 / 100 / 0 / 73

HEX #010045

RGB 1 0 69

HSL 240.87, 1%, 0.14%

LAB 3.94, 26.69, -40.25

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 59 / 76 / 0 / 50

HEX #341E7F

RGB 52 30 127

HSL 253.61, 0.62%, 0.31%

LAB 20.79, 37.25, -50.99

 

CMYK 39 / 76 / 0 / 50

HEX #4E1E7F

RGB 78 30 127

HSL 269.69, 0.62%, 0.31%

LAB 23.94, 41.72, -45.73

 

CMYK 18 / 76 / 0 / 50

HEX #681E7F

RGB 104 30 127

HSL 285.77, 0.62%, 0.31%

LAB 27.86, 47.04, -39.19

 

CMYK 0 / 76 / 2 / 50

HEX #7F1E7C

RGB 127 30 124

HSL 301.86, 0.62%, 0.31%

LAB 31.57, 51.62, -31.15

 

CMYK 0 / 76 / 23 / 50

HEX #7F1E62

RGB 127 30 98

HSL 317.94, 0.62%, 0.31%

LAB 30.21, 47.55, -16.67

 

CMYK 59 / 76 / 0 / 50

HEX #341E7F

RGB 52 30 127

HSL 253.61, 0.62%, 0.31%

LAB 20.79, 37.25, -50.99

 

CMYK 76 / 76 / 0 / 50

HEX #1E1E7F

RGB 30 30 127

HSL 240, 0.62%, 0.31%

LAB 18.96, 34.53, -54.08

 

CMYK 59 / 76 / 0 / 50

HEX #341E7F

RGB 52 30 127

HSL 253.61, 0.62%, 0.31%

LAB 20.79, 37.25, -50.99

 

CMYK 68 / 87 / 0 / 45

HEX #2D128C

RGB 45 18 140

HSL 253.28, 0.77%, 0.31%

LAB 19.57, 46.11, -61.22

 

CMYK 76 / 97 / 0 / 40

HEX #250598

RGB 37 5 152

HSL 253.06, 0.94%, 0.31%

LAB 19.09, 53.04, -69.49

 

CMYK 59 / 76 / 0 / 50

HEX #341E7F

RGB 52 30 127

HSL 253.61, 0.62%, 0.31%

LAB 20.79, 37.25, -50.99

 

CMYK 48 / 62 / 0 / 55

HEX #3B2B72

RGB 59 43 114

HSL 253.52, 0.45%, 0.31%

LAB 23.25, 26.61, -38.68

 

CMYK 35 / 45 / 0 / 60

HEX #423865

RGB 66 56 101

HSL 253.33, 0.29%, 0.31%

LAB 26.52, 15.9, -25.03

 

CMYK 17 / 22 / 0 / 65

HEX #494558

RGB 73 69 88

HSL 252.63, 0.12%, 0.31%

LAB 30.35, 6.14, -10.67

 

CMYK 1 / 0 / 6 / 68

HEX #50514C

RGB 80 81 76

HSL 72, 0.03%, 0.31%

LAB 34.22, -1.46, 2.79

 

CMYK 76 / 52 / 0 / 50

HEX #1E3D7F

RGB 30 61 127

HSL 220.82, 0.62%, 0.31%

LAB 27.15, 13.5, -40.71

 

CMYK 76 / 72 / 0 / 50

HEX #1E237F

RGB 30 35 127

HSL 236.91, 0.62%, 0.31%

LAB 20.09, 31.4, -52.22

 

CMYK 60 / 76 / 0 / 50

HEX #331E7F

RGB 51 30 127

HSL 252.99, 0.62%, 0.31%

LAB 20.69, 37.1, -51.16

 

CMYK 39 / 76 / 0 / 50

HEX #4D1E7F

RGB 77 30 127

HSL 269.07, 0.62%, 0.31%

LAB 23.8, 41.53, -45.96

 

CMYK 19 / 76 / 0 / 50

HEX #671E7F

RGB 103 30 127

HSL 285.15, 0.62%, 0.31%

LAB 27.69, 46.83, -39.46

 

CMYK 60 / 77 / 0 / 76

HEX #180E3C

RGB 24 14 60

HSL 253.04, 0.62%, 0.15%

LAB 7.54, 19.61, -27.87

 

CMYK 60 / 77 / 0 / 63

HEX #26165E

RGB 38 22 94

HSL 253.33, 0.62%, 0.23%

LAB 14.37, 28.97, -40.14

 

CMYK 59 / 76 / 0 / 50

HEX #341E7F

RGB 52 30 127

HSL 253.61, 0.62%, 0.31%

LAB 20.79, 37.25, -50.99

 

CMYK 59 / 76 / 0 / 37

HEX #4126A0

RGB 65 38 160

HSL 253.28, 0.62%, 0.39%

LAB 26.87, 44.93, -61.43

 

CMYK 59 / 76 / 0 / 24

HEX #4F2EC1

RGB 79 46 193

HSL 253.47, 0.62%, 0.47%

LAB 32.85, 52.42, -71.27

 

CMYK 59 / 75 / 0 / 51

HEX #341F7E

RGB 52 31 126

HSL 253.26, 0.61%, 0.31%

LAB 20.89, 36.38, -50.2

 

CMYK 0 / 76 / 31 / 50

HEX #7F1E57

RGB 127 30 87

HSL 324.74, 0.62%, 0.31%

LAB 29.73, 46.06, -10.23

 

CMYK 62 / 0 / 76 / 50

HEX #307F1E

RGB 48 127 30

HSL 108.87, 0.62%, 0.31%

LAB 46.84, -42.62, 42.87

 

CMYK 59 / 75 / 0 / 51

HEX #341F7E

RGB 52 31 126

HSL 253.26, 0.61%, 0.31%

LAB 20.89, 36.38, -50.2

 

CMYK 0 / 60 / 76 / 50

HEX #7F331E

RGB 127 51 30

HSL 12.99, 0.62%, 0.31%

LAB 31.75, 31.57, 29.22

 

CMYK 76 / 0 / 60 / 50

HEX #1E7F33

RGB 30 127 51

HSL 132.99, 0.62%, 0.31%

LAB 46.57, -44.17, 33.06

 

CMYK 59 / 75 / 0 / 51

HEX #341F7E

RGB 52 31 126

HSL 253.26, 0.61%, 0.31%

LAB 20.89, 36.38, -50.2

 

CMYK 0 / 76 / 31 / 50

HEX #7F1E57

RGB 127 30 87

HSL 324.74, 0.62%, 0.31%

LAB 29.73, 46.06, -10.23

 

CMYK 17 / 0 / 76 / 50

HEX #6A7F1E

RGB 106 127 30

HSL 72.99, 0.62%, 0.31%

LAB 49.9, -21.47, 46.91

 

CMYK 76 / 0 / 44 / 50

HEX #1E7F47

RGB 30 127 71

HSL 145.36, 0.62%, 0.31%

LAB 46.86, -40.84, 22.75

 

CMYK 59 / 75 / 0 / 51

HEX #341F7E

RGB 52 31 126

HSL 253.26, 0.61%, 0.31%

LAB 20.89, 36.38, -50.2

 

CMYK 0 / 76 / 54 / 50

HEX #7F1E3A

RGB 127 30 58

HSL 342.68, 0.62%, 0.31%

LAB 28.76, 42.95, 7.59

 

CMYK 17 / 0 / 76 / 50

HEX #6A7F1E

RGB 106 127 30

HSL 72.99, 0.62%, 0.31%

LAB 49.9, -21.47, 46.91

 

CMYK 76 / 0 / 22 / 50

HEX #1E7F63

RGB 30 127 99

HSL 162.68, 0.62%, 0.31%

LAB 47.44, -34.47, 7.44

 

Description

Color code: RGB 52 31 126 | qconv.com Color code: RGB 52 31 126 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 31 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 31 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 75 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 75% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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