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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 253 253 it is the complementary color RGB 203 2 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 253 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 253 253 shade: RGB 57 253 248, RGB 74 255 255, RGB 91 255 255, RGB 108 255 255 and RGB 125 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 253 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 253 253 shade: RGB 52 253 253, RGB 35 235 234, RGB 18 217 215, RGB 1 199 196 and RGB 0 181 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 253 253 shade: RGB 53 252 252, RGB 53 252 199, RGB 53 252 145, RGB 53 252 91 and RGB 68 252 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 253 253 shade: RGB 53 252 252, RGB 53 199 252, RGB 53 145 252, RGB 53 91 252 and RGB 53 53 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 253 253 shade matches the following richer shades: RGB 53 252 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 253 253 shade: RGB 53 252 252, RGB 69 236 236, RGB 86 219 219, RGB 102 203 203 and RGB 119 186 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 253 253 shade: RGB 53 252 146, RGB 53 252 199, RGB 53 252 252, RGB 53 199 252 and RGB 53 146 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 253 253 shade: RGB 2 221 221, RGB 12 252 252, RGB 53 252 252, RGB 93 253 253 and RGB 134 253 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 253 253 shade: RGB 52 253 253, RGB 93 53 252 and RGB 252 172 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 253 253 shade: RGB 52 253 253, RGB 252 53 252 and RGB 252 252 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 253 253 shade: RGB 52 253 253, RGB 93 53 252, RGB 252 53 53 and RGB 212 252 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 253 253 shade: RGB 52 253 253, RGB 153 53 252, RGB 252 53 53 and RGB 153 252 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 0 / 1

HEX #34FDFD

RGB 52 253 253

HSL 180, 0.98%, 0.6%

LAB 90.81, -45.59, -13.52

 

Complementary color

CMYK 0 / 99 / 99 / 20

HEX #CB0202

RGB 203 2 2

HSL 0, 0.98%, 0.4%

LAB 42.38, 67.29, 55.92

 

CMYK 77 / 0 / 2 / 1

HEX #39FDF8

RGB 57 253 248

HSL 178.47, 0.98%, 0.61%

LAB 90.73, -46.57, -11.04

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 79 / 0 / 0 / 1

HEX #34FDFD

RGB 52 253 253

HSL 180, 0.98%, 0.6%

LAB 90.81, -45.59, -13.52

 

CMYK 85 / 0 / 0 / 8

HEX #23EBEA

RGB 35 235 234

HSL 179.7, 0.83%, 0.53%

LAB 84.85, -44.27, -12.52

 

CMYK 92 / 0 / 1 / 15

HEX #12D9D7

RGB 18 217 215

HSL 179.4, 0.85%, 0.46%

LAB 78.85, -42.66, -11.42

 

CMYK 99 / 0 / 2 / 22

HEX #01C7C4

RGB 1 199 196

HSL 179.09, 0.99%, 0.39%

LAB 72.79, -40.76, -10.23

 

CMYK 100 / 0 / 2 / 29

HEX #00B5B1

RGB 0 181 177

HSL 178.67, 1%, 0.35%

LAB 66.69, -38.38, -8.9

 

CMYK 79 / 0 / 0 / 1

HEX #35FCFC

RGB 53 252 252

HSL 180, 0.97%, 0.6%

LAB 90.51, -45.36, -13.45

 

CMYK 79 / 0 / 21 / 1

HEX #35FCC7

RGB 53 252 199

HSL 164.02, 0.97%, 0.6%

LAB 89.16, -59.04, 12.08

 

CMYK 79 / 0 / 42 / 1

HEX #35FC91

RGB 53 252 145

HSL 147.74, 0.97%, 0.6%

LAB 88.17, -70.03, 38.07

 

CMYK 79 / 0 / 64 / 1

HEX #35FC5B

RGB 53 252 91

HSL 131.46, 0.97%, 0.6%

LAB 87.55, -77.45, 61.86

 

CMYK 73 / 0 / 79 / 1

HEX #44FC35

RGB 68 252 53

HSL 115.48, 0.97%, 0.6%

LAB 87.54, -78.46, 74.99

 

CMYK 79 / 0 / 0 / 1

HEX #35FCFC

RGB 53 252 252

HSL 180, 0.97%, 0.6%

LAB 90.51, -45.36, -13.45

 

CMYK 79 / 21 / 0 / 1

HEX #35C7FC

RGB 53 199 252

HSL 195.98, 0.97%, 0.6%

LAB 75.22, -20.19, -36.74

 

CMYK 79 / 42 / 0 / 1

HEX #3591FC

RGB 53 145 252

HSL 212.26, 0.97%, 0.6%

LAB 59.92, 9.99, -60.86

 

CMYK 79 / 64 / 0 / 1

HEX #355BFC

RGB 53 91 252

HSL 228.54, 0.97%, 0.6%

LAB 46, 43.35, -83.44

 

CMYK 79 / 79 / 0 / 1

HEX #3535FC

RGB 53 53 252

HSL 240, 0.97%, 0.6%

LAB 38.43, 64.32, -95.93

 

CMYK 79 / 0 / 0 / 1

HEX #35FCFC

RGB 53 252 252

HSL 180, 0.97%, 0.6%

LAB 90.51, -45.36, -13.45

 

CMYK 79 / 0 / 0 / 1

HEX #35FCFC

RGB 53 252 252

HSL 180, 0.97%, 0.6%

LAB 90.51, -45.36, -13.45

 

CMYK 71 / 0 / 0 / 7

HEX #45ECEC

RGB 69 236 236

HSL 180, 0.81%, 0.6%

LAB 85.66, -41.16, -12.31

 

CMYK 61 / 0 / 0 / 14

HEX #56DBDB

RGB 86 219 219

HSL 180, 0.65%, 0.6%

LAB 80.6, -35.69, -10.82

 

CMYK 50 / 0 / 0 / 20

HEX #66CBCB

RGB 102 203 203

HSL 180, 0.49%, 0.6%

LAB 75.98, -29.35, -9.08

 

CMYK 36 / 0 / 0 / 27

HEX #77BABA

RGB 119 186 186

HSL 180, 0.33%, 0.6%

LAB 71.27, -21.13, -6.74

 

CMYK 79 / 0 / 42 / 1

HEX #35FC92

RGB 53 252 146

HSL 148.04, 0.97%, 0.6%

LAB 88.19, -69.86, 37.6

 

CMYK 79 / 0 / 21 / 1

HEX #35FCC7

RGB 53 252 199

HSL 164.02, 0.97%, 0.6%

LAB 89.16, -59.04, 12.08

 

CMYK 79 / 0 / 0 / 1

HEX #35FCFC

RGB 53 252 252

HSL 180, 0.97%, 0.6%

LAB 90.51, -45.36, -13.45

 

CMYK 79 / 21 / 0 / 1

HEX #35C7FC

RGB 53 199 252

HSL 195.98, 0.97%, 0.6%

LAB 75.22, -20.19, -36.74

 

CMYK 79 / 42 / 0 / 1

HEX #3592FC

RGB 53 146 252

HSL 211.96, 0.97%, 0.6%

LAB 60.2, 9.4, -60.42

 

CMYK 99 / 0 / 0 / 13

HEX #02DDDD

RGB 2 221 221

HSL 180, 0.98%, 0.44%

LAB 80.15, -43.11, -12.68

 

CMYK 95 / 0 / 0 / 1

HEX #0CFCFC

RGB 12 252 252

HSL 180, 0.98%, 0.52%

LAB 90.2, -47.41, -13.95

 

CMYK 79 / 0 / 0 / 1

HEX #35FCFC

RGB 53 252 252

HSL 180, 0.97%, 0.6%

LAB 90.51, -45.36, -13.45

 

CMYK 63 / 0 / 0 / 1

HEX #5DFDFD

RGB 93 253 253

HSL 180, 0.98%, 0.68%

LAB 91.54, -40.96, -12.36

 

CMYK 47 / 0 / 0 / 1

HEX #86FDFD

RGB 134 253 253

HSL 180, 0.97%, 0.76%

LAB 92.76, -33.55, -10.42

 

CMYK 79 / 0 / 0 / 1

HEX #34FDFD

RGB 52 253 253

HSL 180, 0.98%, 0.6%

LAB 90.81, -45.59, -13.52

 

CMYK 63 / 79 / 0 / 1

HEX #5D35FC

RGB 93 53 252

HSL 252.06, 0.97%, 0.6%

LAB 41.06, 67.24, -91.49

 

CMYK 0 / 32 / 79 / 1

HEX #FCAC35

RGB 252 172 53

HSL 35.88, 0.97%, 0.6%

LAB 76.35, 19.96, 68.45

 

CMYK 79 / 0 / 0 / 1

HEX #34FDFD

RGB 52 253 253

HSL 180, 0.98%, 0.6%

LAB 90.81, -45.59, -13.52

 

CMYK 0 / 79 / 0 / 1

HEX #FC35FC

RGB 252 53 252

HSL 300, 0.97%, 0.6%

LAB 61.89, 90.78, -56.71

 

CMYK 0 / 0 / 79 / 1

HEX #FCFC35

RGB 252 252 53

HSL 60, 0.97%, 0.6%

LAB 96.23, -20.51, 86.1

 

CMYK 79 / 0 / 0 / 1

HEX #34FDFD

RGB 52 253 253

HSL 180, 0.98%, 0.6%

LAB 90.81, -45.59, -13.52

 

CMYK 63 / 79 / 0 / 1

HEX #5D35FC

RGB 93 53 252

HSL 252.06, 0.97%, 0.6%

LAB 41.06, 67.24, -91.49

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 16 / 0 / 79 / 1

HEX #D4FC35

RGB 212 252 53

HSL 72.06, 0.97%, 0.6%

LAB 93.4, -36.5, 82.51

 

CMYK 79 / 0 / 0 / 1

HEX #34FDFD

RGB 52 253 253

HSL 180, 0.98%, 0.6%

LAB 90.81, -45.59, -13.52

 

CMYK 39 / 79 / 0 / 1

HEX #9935FC

RGB 153 53 252

HSL 270.15, 0.97%, 0.6%

LAB 47.43, 74.38, -80.79

 

CMYK 0 / 79 / 79 / 1

HEX #FC3535

RGB 252 53 53

HSL 0, 0.97%, 0.6%

LAB 55.58, 72.48, 48.66

 

CMYK 39 / 0 / 79 / 1

HEX #99FC35

RGB 153 252 53

HSL 89.85, 0.97%, 0.6%

LAB 90.16, -57.79, 78.38

 

Description

Color code: RGB 52 253 253 | qconv.com Color code: RGB 52 253 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 253 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 253 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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