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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 227 135 it is the complementary color RGB 203 28 120. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 227 135. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 227 135 shade: RGB 57 227 130, RGB 74 245 149, RGB 91 255 168, RGB 108 255 187 and RGB 125 255 206

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 227 135. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 227 135 shade: RGB 52 227 135, RGB 35 209 116, RGB 18 191 97, RGB 1 173 78 and RGB 0 155 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 227 135 shade: RGB 53 227 135, RGB 53 227 88, RGB 64 227 53, RGB 111 227 53 and RGB 158 227 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 227 135 shade: RGB 53 227 135, RGB 53 227 182, RGB 53 225 227, RGB 53 178 227 and RGB 53 131 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 227 135 shade matches the following richer shades: RGB 53 227 135 and RGB 34 246 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 227 135 shade: RGB 53 227 135, RGB 71 208 136, RGB 90 190 137, RGB 108 171 138 and RGB 127 153 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 227 135 shade: RGB 64 227 53, RGB 53 227 87, RGB 53 227 134, RGB 53 227 180 and RGB 53 227 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 227 135 shade: RGB 23 174 95, RGB 28 210 114, RGB 53 227 135, RGB 89 232 157 and RGB 125 237 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 227 135 shade: RGB 52 227 135, RGB 53 111 227 and RGB 227 64 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 227 135 shade: RGB 52 227 135, RGB 134 53 227 and RGB 227 134 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 227 135 shade: RGB 52 227 135, RGB 53 111 227, RGB 227 53 146 and RGB 227 169 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 227 135 shade: RGB 52 227 135, RGB 53 58 227, RGB 227 53 146 and RGB 227 221 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 41 / 11

HEX #34E387

RGB 52 227 135

HSL 148.46, 0.76%, 0.55%

LAB 80.41, -63.24, 32.91

 

Complementary color

CMYK 0 / 86 / 41 / 20

HEX #CB1C78

RGB 203 28 120

HSL 328.46, 0.76%, 0.45%

LAB 45.47, 69.43, -6.05

 

CMYK 75 / 0 / 43 / 11

HEX #39E382

RGB 57 227 130

HSL 145.76, 0.75%, 0.56%

LAB 80.42, -63.5, 35.44

 

CMYK 70 / 0 / 39 / 4

HEX #4AF595

RGB 74 245 149

HSL 146.32, 0.9%, 0.63%

LAB 86.47, -64.19, 33.93

 

CMYK 64 / 0 / 34 / 0

HEX #5BFFA8

RGB 91 255 168

HSL 148.17, 1%, 0.68%

LAB 90.12, -61.64, 29.35

 

CMYK 58 / 0 / 27 / 0

HEX #6CFFBB

RGB 108 255 187

HSL 152.24, 1%, 0.71%

LAB 90.91, -54.77, 20.88

 

CMYK 51 / 0 / 19 / 0

HEX #7DFFCE

RGB 125 255 206

HSL 157.38, 1%, 0.75%

LAB 91.84, -47.25, 12.51

 

CMYK 77 / 0 / 41 / 11

HEX #34E387

RGB 52 227 135

HSL 148.46, 0.76%, 0.55%

LAB 80.41, -63.24, 32.91

 

CMYK 83 / 0 / 44 / 18

HEX #23D174

RGB 35 209 116

HSL 147.93, 0.71%, 0.48%

LAB 74.33, -62.11, 34.54

 

CMYK 91 / 0 / 49 / 25

HEX #12BF61

RGB 18 191 97

HSL 147.4, 0.83%, 0.41%

LAB 68.21, -60.51, 36.27

 

CMYK 99 / 0 / 55 / 32

HEX #01AD4E

RGB 1 173 78

HSL 146.86, 0.99%, 0.34%

LAB 62.04, -58.39, 38.06

 

CMYK 100 / 0 / 62 / 39

HEX #009B3B

RGB 0 155 59

HSL 142.84, 1%, 0.3%

LAB 55.85, -55.34, 39.88

 

CMYK 77 / 0 / 41 / 11

HEX #35E387

RGB 53 227 135

HSL 148.28, 0.76%, 0.55%

LAB 80.43, -63.12, 32.93

 

CMYK 77 / 0 / 61 / 11

HEX #35E358

RGB 53 227 88

HSL 132.07, 0.76%, 0.55%

LAB 79.84, -70.05, 54.47

 

CMYK 72 / 0 / 77 / 11

HEX #40E335

RGB 64 227 53

HSL 116.21, 0.76%, 0.55%

LAB 79.78, -71.54, 67.57

 

CMYK 51 / 0 / 77 / 11

HEX #6FE335

RGB 111 227 53

HSL 100, 0.76%, 0.55%

LAB 81.06, -61.11, 69.25

 

CMYK 30 / 0 / 77 / 11

HEX #9EE335

RGB 158 227 53

HSL 83.79, 0.76%, 0.55%

LAB 83.16, -45.93, 71.98

 

CMYK 77 / 0 / 41 / 11

HEX #35E387

RGB 53 227 135

HSL 148.28, 0.76%, 0.55%

LAB 80.43, -63.12, 32.93

 

CMYK 77 / 0 / 20 / 11

HEX #35E3B6

RGB 53 227 182

HSL 164.48, 0.76%, 0.55%

LAB 81.33, -53.2, 9.81

 

CMYK 77 / 1 / 0 / 11

HEX #35E1E3

RGB 53 225 227

HSL 180.69, 0.76%, 0.55%

LAB 81.92, -40.46, -13.17

 

CMYK 77 / 22 / 0 / 11

HEX #35B2E3

RGB 53 178 227

HSL 196.9, 0.76%, 0.55%

LAB 68.13, -17.5, -34.2

 

CMYK 77 / 42 / 0 / 11

HEX #3583E3

RGB 53 131 227

HSL 213.1, 0.76%, 0.55%

LAB 54.59, 9.32, -55.54

 

CMYK 77 / 0 / 41 / 11

HEX #35E387

RGB 53 227 135

HSL 148.28, 0.76%, 0.55%

LAB 80.43, -63.12, 32.93

 

CMYK 86 / 0 / 46 / 4

HEX #22F686

RGB 34 246 134

HSL 148.3, 0.92%, 0.55%

LAB 85.99, -71.55, 40.6

 

CMYK 77 / 0 / 41 / 11

HEX #35E387

RGB 53 227 135

HSL 148.28, 0.76%, 0.55%

LAB 80.43, -63.12, 32.93

 

CMYK 66 / 0 / 35 / 18

HEX #47D088

RGB 71 208 136

HSL 148.47, 0.59%, 0.55%

LAB 74.97, -53.2, 25.21

 

CMYK 53 / 0 / 28 / 25

HEX #5ABE89

RGB 90 190 137

HSL 148.2, 0.43%, 0.55%

LAB 70.04, -41.59, 18.04

 

CMYK 37 / 0 / 19 / 33

HEX #6CAB8A

RGB 108 171 138

HSL 148.57, 0.27%, 0.55%

LAB 65.08, -27.7, 10.67

 

CMYK 17 / 0 / 9 / 40

HEX #7F998B

RGB 127 153 139

HSL 147.69, 0.11%, 0.55%

LAB 60.92, -12.04, 4.32

 

CMYK 72 / 0 / 77 / 11

HEX #40E335

RGB 64 227 53

HSL 116.21, 0.76%, 0.55%

LAB 79.78, -71.54, 67.57

 

CMYK 77 / 0 / 62 / 11

HEX #35E357

RGB 53 227 87

HSL 131.72, 0.76%, 0.55%

LAB 79.83, -70.16, 54.89

 

CMYK 77 / 0 / 41 / 11

HEX #35E386

RGB 53 227 134

HSL 147.93, 0.76%, 0.55%

LAB 80.41, -63.3, 33.42

 

CMYK 77 / 0 / 21 / 11

HEX #35E3B4

RGB 53 227 180

HSL 163.79, 0.76%, 0.55%

LAB 81.29, -53.68, 10.8

 

CMYK 77 / 0 / 0 / 11

HEX #35E3E3

RGB 53 227 227

HSL 180, 0.76%, 0.55%

LAB 82.51, -41.36, -12.3

 

CMYK 87 / 0 / 45 / 32

HEX #17AE5F

RGB 23 174 95

HSL 148.61, 0.77%, 0.39%

LAB 62.74, -54.67, 30.36

 

CMYK 87 / 0 / 46 / 18

HEX #1CD272

RGB 28 210 114

HSL 148.35, 0.76%, 0.47%

LAB 74.54, -63.37, 35.8

 

CMYK 77 / 0 / 41 / 11

HEX #35E387

RGB 53 227 135

HSL 148.28, 0.76%, 0.55%

LAB 80.43, -63.12, 32.93

 

CMYK 62 / 0 / 32 / 9

HEX #59E89D

RGB 89 232 157

HSL 148.53, 0.76%, 0.63%

LAB 83.06, -55.23, 25.36

 

CMYK 47 / 0 / 25 / 7

HEX #7DEDB2

RGB 125 237 178

HSL 148.39, 0.76%, 0.71%

LAB 86.08, -45.23, 18.86

 

CMYK 77 / 0 / 41 / 11

HEX #34E387

RGB 52 227 135

HSL 148.46, 0.76%, 0.55%

LAB 80.41, -63.24, 32.91

 

CMYK 77 / 51 / 0 / 11

HEX #356FE3

RGB 53 111 227

HSL 220, 0.76%, 0.55%

LAB 49.1, 21.77, -64.38

 

CMYK 0 / 72 / 77 / 11

HEX #E34035

RGB 227 64 53

HSL 3.79, 0.76%, 0.55%

LAB 52.12, 61.84, 43.62

 

CMYK 77 / 0 / 41 / 11

HEX #34E387

RGB 52 227 135

HSL 148.46, 0.76%, 0.55%

LAB 80.41, -63.24, 32.91

 

CMYK 41 / 77 / 0 / 11

HEX #8635E3

RGB 134 53 227

HSL 267.93, 0.76%, 0.55%

LAB 43, 65.9, -74.03

 

CMYK 0 / 41 / 77 / 11

HEX #E38635

RGB 227 134 53

HSL 27.93, 0.76%, 0.55%

LAB 64.67, 29.58, 56.36

 

CMYK 77 / 0 / 41 / 11

HEX #34E387

RGB 52 227 135

HSL 148.46, 0.76%, 0.55%

LAB 80.41, -63.24, 32.91

 

CMYK 77 / 51 / 0 / 11

HEX #356FE3

RGB 53 111 227

HSL 220, 0.76%, 0.55%

LAB 49.1, 21.77, -64.38

 

CMYK 0 / 77 / 36 / 11

HEX #E33592

RGB 227 53 146

HSL 327.93, 0.76%, 0.55%

LAB 52.9, 71.82, -10.23

 

CMYK 0 / 26 / 77 / 11

HEX #E3A935

RGB 227 169 53

HSL 40, 0.76%, 0.55%

LAB 72.87, 10.95, 64.22

 

CMYK 77 / 0 / 41 / 11

HEX #34E387

RGB 52 227 135

HSL 148.46, 0.76%, 0.55%

LAB 80.41, -63.24, 32.91

 

CMYK 77 / 74 / 0 / 11

HEX #353AE3

RGB 53 58 227

HSL 238.28, 0.76%, 0.55%

LAB 36.61, 54.09, -84.81

 

CMYK 0 / 77 / 36 / 11

HEX #E33592

RGB 227 53 146

HSL 327.93, 0.76%, 0.55%

LAB 52.9, 71.82, -10.23

 

CMYK 0 / 3 / 77 / 11

HEX #E3DD35

RGB 227 221 53

HSL 57.93, 0.76%, 0.55%

LAB 86.16, -15.8, 76.44

 

Description

Color code: RGB 52 227 135 | qconv.com Color code: RGB 52 227 135 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 227 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 227 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 41 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 41% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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