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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 212 83 it is the complementary color RGB 203 43 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 212 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 212 83 shade: RGB 57 212 78, RGB 74 230 97, RGB 91 248 116, RGB 108 255 135 and RGB 125 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 212 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 212 83 shade: RGB 52 212 83, RGB 35 194 64, RGB 18 176 45, RGB 1 158 26 and RGB 0 140 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 212 83 shade: RGB 53 212 83, RGB 65 212 53, RGB 108 212 53, RGB 150 212 53 and RGB 193 212 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 212 83 shade: RGB 53 212 83, RGB 53 212 126, RGB 53 212 169, RGB 53 211 212 and RGB 53 168 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 212 83 shade matches the following richer shades: RGB 53 212 83, RGB 33 231 71 and RGB 13 251 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 212 83 shade: RGB 53 212 83, RGB 72 192 96, RGB 92 172 108, RGB 112 152 120 and RGB 132 132 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 212 83 shade: RGB 108 212 53, RGB 66 212 53, RGB 53 212 82, RGB 53 212 124 and RGB 53 212 167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 212 83 shade: RGB 31 150 54, RGB 39 184 67, RGB 53 212 83, RGB 87 219 112 and RGB 121 226 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 212 83 shade: RGB 52 212 83, RGB 53 151 212 and RGB 212 53 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 212 83 shade: RGB 52 212 83, RGB 82 53 212 and RGB 212 82 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 212 83 shade: RGB 52 212 83, RGB 53 151 212, RGB 212 53 182 and RGB 212 114 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 212 83 shade: RGB 52 212 83, RGB 53 103 212, RGB 212 53 182 and RGB 212 161 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 61 / 17

HEX #34D453

RGB 52 212 83

HSL 131.63, 0.65%, 0.52%

LAB 75.1, -65.95, 51.24

 

Complementary color

CMYK 0 / 79 / 15 / 20

HEX #CB2BAC

RGB 203 43 172

HSL 311.63, 0.65%, 0.48%

LAB 48.76, 72.05, -32.35

 

CMYK 73 / 0 / 63 / 17

HEX #39D44E

RGB 57 212 78

HSL 128.13, 0.64%, 0.53%

LAB 75.14, -65.78, 53.47

 

CMYK 68 / 0 / 58 / 10

HEX #4AE661

RGB 74 230 97

HSL 128.85, 0.76%, 0.6%

LAB 81.24, -66.75, 52.24

 

CMYK 63 / 0 / 53 / 3

HEX #5BF874

RGB 91 248 116

HSL 129.55, 0.92%, 0.66%

LAB 87.3, -67.36, 50.93

 

CMYK 58 / 0 / 47 / 0

HEX #6CFF87

RGB 108 255 135

HSL 131.02, 1%, 0.71%

LAB 90.07, -63.74, 45.57

 

CMYK 51 / 0 / 40 / 0

HEX #7DFF9A

RGB 125 255 154

HSL 133.38, 1%, 0.75%

LAB 90.88, -56.91, 37.5

 

CMYK 75 / 0 / 61 / 17

HEX #34D453

RGB 52 212 83

HSL 131.63, 0.65%, 0.52%

LAB 75.1, -65.95, 51.24

 

CMYK 82 / 0 / 67 / 24

HEX #23C240

RGB 35 194 64

HSL 130.94, 0.69%, 0.45%

LAB 68.98, -64.44, 52.42

 

CMYK 90 / 0 / 74 / 31

HEX #12B02D

RGB 18 176 45

HSL 130.25, 0.81%, 0.38%

LAB 62.82, -62.23, 53.25

 

CMYK 99 / 0 / 84 / 38

HEX #019E1A

RGB 1 158 26

HSL 129.55, 0.99%, 0.31%

LAB 56.62, -59.25, 53.31

 

CMYK 100 / 0 / 95 / 45

HEX #008C07

RGB 0 140 7

HSL 123, 1%, 0.27%

LAB 50.42, -54.93, 51.98

 

CMYK 75 / 0 / 61 / 17

HEX #35D453

RGB 53 212 83

HSL 131.32, 0.65%, 0.52%

LAB 75.12, -65.81, 51.26

 

CMYK 69 / 0 / 75 / 17

HEX #41D435

RGB 65 212 53

HSL 115.47, 0.65%, 0.52%

LAB 75.12, -66.66, 63.02

 

CMYK 49 / 0 / 75 / 17

HEX #6CD435

RGB 108 212 53

HSL 99.25, 0.65%, 0.52%

LAB 76.39, -56.43, 64.7

 

CMYK 29 / 0 / 75 / 17

HEX #96D435

RGB 150 212 53

HSL 83.4, 0.65%, 0.52%

LAB 78.36, -42.43, 67.28

 

CMYK 9 / 0 / 75 / 17

HEX #C1D435

RGB 193 212 53

HSL 67.17, 0.65%, 0.52%

LAB 81.12, -25.53, 70.86

 

CMYK 75 / 0 / 61 / 17

HEX #35D453

RGB 53 212 83

HSL 131.32, 0.65%, 0.52%

LAB 75.12, -65.81, 51.26

 

CMYK 75 / 0 / 41 / 17

HEX #35D47E

RGB 53 212 126

HSL 147.55, 0.65%, 0.52%

LAB 75.67, -59.38, 31.25

 

CMYK 75 / 0 / 20 / 17

HEX #35D4A9

RGB 53 212 169

HSL 163.77, 0.65%, 0.52%

LAB 76.5, -50.25, 9.82

 

CMYK 75 / 0 / 0 / 17

HEX #35D3D4

RGB 53 211 212

HSL 180.38, 0.65%, 0.52%

LAB 77.34, -38.41, -12.02

 

CMYK 75 / 21 / 0 / 17

HEX #35A8D4

RGB 53 168 212

HSL 196.6, 0.65%, 0.52%

LAB 64.58, -17.2, -31.45

 

CMYK 75 / 0 / 61 / 17

HEX #35D453

RGB 53 212 83

HSL 131.32, 0.65%, 0.52%

LAB 75.12, -65.81, 51.26

 

CMYK 86 / 0 / 69 / 9

HEX #21E747

RGB 33 231 71

HSL 131.52, 0.8%, 0.52%

LAB 80.7, -75.09, 62.2

 

CMYK 95 / 0 / 76 / 2

HEX #0DFB3B

RGB 13 251 59

HSL 131.6, 0.97%, 0.52%

LAB 86.7, -82.75, 72.27

 

CMYK 75 / 0 / 61 / 17

HEX #35D453

RGB 53 212 83

HSL 131.32, 0.65%, 0.52%

LAB 75.12, -65.81, 51.26

 

CMYK 63 / 0 / 50 / 25

HEX #48C060

RGB 72 192 96

HSL 132, 0.49%, 0.52%

LAB 69.41, -53.75, 38.47

 

CMYK 47 / 0 / 37 / 33

HEX #5CAC6C

RGB 92 172 108

HSL 132, 0.33%, 0.52%

LAB 64.05, -38.64, 25.52

 

CMYK 26 / 0 / 21 / 40

HEX #709878

RGB 112 152 120

HSL 132, 0.16%, 0.52%

LAB 59.21, -20.48, 12.48

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 49 / 0 / 75 / 17

HEX #6CD435

RGB 108 212 53

HSL 99.25, 0.65%, 0.52%

LAB 76.39, -56.43, 64.7

 

CMYK 69 / 0 / 75 / 17

HEX #42D435

RGB 66 212 53

HSL 115.09, 0.65%, 0.52%

LAB 75.14, -66.48, 63.05

 

CMYK 75 / 0 / 61 / 17

HEX #35D452

RGB 53 212 82

HSL 130.94, 0.65%, 0.52%

LAB 75.11, -65.93, 51.69

 

CMYK 75 / 0 / 42 / 17

HEX #35D47C

RGB 53 212 124

HSL 146.79, 0.65%, 0.52%

LAB 75.64, -59.74, 32.23

 

CMYK 75 / 0 / 21 / 17

HEX #35D4A7

RGB 53 212 167

HSL 163.02, 0.65%, 0.52%

LAB 76.46, -50.73, 10.82

 

CMYK 79 / 0 / 64 / 41

HEX #1F9636

RGB 31 150 54

HSL 131.6, 0.66%, 0.35%

LAB 54.42, -51.74, 40.65

 

CMYK 79 / 0 / 64 / 28

HEX #27B843

RGB 39 184 67

HSL 131.59, 0.65%, 0.44%

LAB 65.84, -60.46, 47.71

 

CMYK 75 / 0 / 61 / 17

HEX #35D453

RGB 53 212 83

HSL 131.32, 0.65%, 0.52%

LAB 75.12, -65.81, 51.26

 

CMYK 60 / 0 / 49 / 14

HEX #57DB70

RGB 87 219 112

HSL 131.36, 0.65%, 0.6%

LAB 78.38, -58.3, 41.86

 

CMYK 46 / 0 / 38 / 11

HEX #79E28D

RGB 121 226 141

HSL 131.43, 0.64%, 0.68%

LAB 82.04, -48.26, 32.36

 

CMYK 75 / 0 / 61 / 17

HEX #34D453

RGB 52 212 83

HSL 131.63, 0.65%, 0.52%

LAB 75.1, -65.95, 51.24

 

CMYK 75 / 29 / 0 / 17

HEX #3597D4

RGB 53 151 212

HSL 203.02, 0.65%, 0.52%

LAB 59.57, -7.86, -39.26

 

CMYK 0 / 75 / 59 / 17

HEX #D43557

RGB 212 53 87

HSL 347.17, 0.65%, 0.52%

LAB 48.55, 62.75, 18.85

 

CMYK 75 / 0 / 61 / 17

HEX #34D453

RGB 52 212 83

HSL 131.63, 0.65%, 0.52%

LAB 75.1, -65.95, 51.24

 

CMYK 61 / 75 / 0 / 17

HEX #5235D4

RGB 82 53 212

HSL 250.94, 0.65%, 0.52%

LAB 36.16, 54.85, -76.87

 

CMYK 0 / 61 / 75 / 17

HEX #D45235

RGB 212 82 53

HSL 10.94, 0.65%, 0.52%

LAB 52.16, 49.67, 42.88

 

CMYK 75 / 0 / 61 / 17

HEX #34D453

RGB 52 212 83

HSL 131.63, 0.65%, 0.52%

LAB 75.1, -65.95, 51.24

 

CMYK 75 / 29 / 0 / 17

HEX #3597D4

RGB 53 151 212

HSL 203.02, 0.65%, 0.52%

LAB 59.57, -7.86, -39.26

 

CMYK 0 / 75 / 14 / 17

HEX #D435B6

RGB 212 53 182

HSL 311.32, 0.65%, 0.52%

LAB 51.75, 72.63, -33.44

 

CMYK 0 / 46 / 75 / 17

HEX #D47235

RGB 212 114 53

HSL 23.02, 0.65%, 0.52%

LAB 58.31, 33.98, 49.32

 

CMYK 75 / 0 / 61 / 17

HEX #34D453

RGB 52 212 83

HSL 131.63, 0.65%, 0.52%

LAB 75.1, -65.95, 51.24

 

CMYK 75 / 51 / 0 / 17

HEX #3567D4

RGB 53 103 212

HSL 221.13, 0.65%, 0.52%

LAB 45.92, 21.3, -61

 

CMYK 0 / 75 / 14 / 17

HEX #D435B6

RGB 212 53 182

HSL 311.32, 0.65%, 0.52%

LAB 51.75, 72.63, -33.44

 

CMYK 0 / 24 / 75 / 17

HEX #D4A135

RGB 212 161 53

HSL 40.75, 0.65%, 0.52%

LAB 69.29, 8.75, 60.24

 

Description

Color code: RGB 52 212 83 | qconv.com Color code: RGB 52 212 83 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 212 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 212 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 61 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 61% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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