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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 212 196 it is the complementary color RGB 203 43 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 212 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 212 196 shade: RGB 57 212 191, RGB 74 230 210, RGB 91 248 229, RGB 108 255 248 and RGB 125 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 212 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 212 196 shade: RGB 52 212 196, RGB 35 194 177, RGB 18 176 158, RGB 1 158 139 and RGB 0 140 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 212 196 shade: RGB 53 212 196, RGB 53 212 153, RGB 53 212 110, RGB 53 212 67 and RGB 81 212 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 212 196 shade: RGB 53 212 196, RGB 53 185 212, RGB 53 142 212, RGB 53 99 212 and RGB 53 56 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 212 196 shade matches the following richer shades: RGB 53 212 196, RGB 33 231 212 and RGB 13 251 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 212 196 shade: RGB 53 212 196, RGB 72 192 180, RGB 92 172 164, RGB 112 152 148 and RGB 132 132 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 212 196 shade: RGB 53 212 111, RGB 53 212 153, RGB 53 212 196, RGB 53 185 212 and RGB 53 143 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 212 196 shade: RGB 31 150 138, RGB 39 184 170, RGB 53 212 196, RGB 87 219 206 and RGB 121 226 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 212 196 shade: RGB 52 212 196, RGB 68 53 212 and RGB 212 132 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 212 196 shade: RGB 52 212 196, RGB 196 53 212 and RGB 212 196 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 212 196 shade: RGB 52 212 196, RGB 68 53 212, RGB 212 53 68 and RGB 196 212 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 212 196 shade: RGB 52 212 196, RGB 116 53 212, RGB 212 53 68 and RGB 148 212 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 8 / 17

HEX #34D4C4

RGB 52 212 196

HSL 174, 0.65%, 0.52%

LAB 77.16, -43.44, -3.69

 

Complementary color

CMYK 0 / 79 / 71 / 20

HEX #CB2B3B

RGB 203 43 59

HSL 354, 0.65%, 0.48%

LAB 45.28, 61.62, 31.28

 

CMYK 73 / 0 / 10 / 17

HEX #39D4BF

RGB 57 212 191

HSL 171.87, 0.64%, 0.53%

LAB 77.11, -44.21, -1.07

 

CMYK 68 / 0 / 9 / 10

HEX #4AE6D2

RGB 74 230 210

HSL 172.31, 0.76%, 0.6%

LAB 83.29, -44.85, -2.11

 

CMYK 63 / 0 / 8 / 3

HEX #5BF8E5

RGB 91 248 229

HSL 172.74, 0.92%, 0.66%

LAB 89.4, -45.31, -3.05

 

CMYK 58 / 0 / 3 / 0

HEX #6CFFF8

RGB 108 255 248

HSL 177.14, 1%, 0.71%

LAB 92.35, -40.76, -8.52

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 75 / 0 / 8 / 17

HEX #34D4C4

RGB 52 212 196

HSL 174, 0.65%, 0.52%

LAB 77.16, -43.44, -3.69

 

CMYK 82 / 0 / 9 / 24

HEX #23C2B1

RGB 35 194 177

HSL 173.58, 0.69%, 0.45%

LAB 70.95, -42.41, -2.57

 

CMYK 90 / 0 / 10 / 31

HEX #12B09E

RGB 18 176 158

HSL 173.16, 0.81%, 0.38%

LAB 64.68, -41.02, -1.32

 

CMYK 99 / 0 / 12 / 38

HEX #019E8B

RGB 1 158 139

HSL 172.74, 0.99%, 0.31%

LAB 58.34, -39.29, 0.07

 

CMYK 100 / 0 / 14 / 45

HEX #008C78

RGB 0 140 120

HSL 171.43, 1%, 0.27%

LAB 51.96, -36.87, 1.67

 

CMYK 75 / 0 / 8 / 17

HEX #35D4C4

RGB 53 212 196

HSL 173.96, 0.65%, 0.52%

LAB 77.18, -43.33, -3.67

 

CMYK 75 / 0 / 28 / 17

HEX #35D499

RGB 53 212 153

HSL 157.74, 0.65%, 0.52%

LAB 76.16, -53.94, 17.84

 

CMYK 75 / 0 / 48 / 17

HEX #35D46E

RGB 53 212 110

HSL 141.51, 0.65%, 0.52%

LAB 75.43, -62.1, 38.99

 

CMYK 75 / 0 / 68 / 17

HEX #35D443

RGB 53 212 67

HSL 125.28, 0.65%, 0.52%

LAB 74.98, -67.48, 57.75

 

CMYK 62 / 0 / 75 / 17

HEX #51D435

RGB 81 212 53

HSL 109.43, 0.65%, 0.52%

LAB 75.51, -63.42, 63.54

 

CMYK 75 / 0 / 8 / 17

HEX #35D4C4

RGB 53 212 196

HSL 173.96, 0.65%, 0.52%

LAB 77.18, -43.33, -3.67

 

CMYK 75 / 13 / 0 / 17

HEX #35B9D4

RGB 53 185 212

HSL 190.19, 0.65%, 0.52%

LAB 69.62, -25.98, -23.7

 

CMYK 75 / 33 / 0 / 17

HEX #358ED4

RGB 53 142 212

HSL 206.42, 0.65%, 0.52%

LAB 56.94, -2.69, -43.4

 

CMYK 75 / 53 / 0 / 17

HEX #3563D4

RGB 53 99 212

HSL 222.64, 0.65%, 0.52%

LAB 44.85, 23.86, -62.74

 

CMYK 75 / 74 / 0 / 17

HEX #3538D4

RGB 53 56 212

HSL 238.87, 0.65%, 0.52%

LAB 34.68, 50.35, -79.38

 

CMYK 75 / 0 / 8 / 17

HEX #35D4C4

RGB 53 212 196

HSL 173.96, 0.65%, 0.52%

LAB 77.18, -43.33, -3.67

 

CMYK 86 / 0 / 8 / 9

HEX #21E7D4

RGB 33 231 212

HSL 174.24, 0.8%, 0.52%

LAB 83.03, -48.82, -3.6

 

CMYK 95 / 0 / 10 / 2

HEX #0DFBE3

RGB 13 251 227

HSL 173.95, 0.97%, 0.52%

LAB 89.22, -53.9, -2.4

 

CMYK 75 / 0 / 8 / 17

HEX #35D4C4

RGB 53 212 196

HSL 173.96, 0.65%, 0.52%

LAB 77.18, -43.33, -3.67

 

CMYK 63 / 0 / 6 / 25

HEX #48C0B4

RGB 72 192 180

HSL 174, 0.49%, 0.52%

LAB 71.13, -36.02, -3.87

 

CMYK 47 / 0 / 5 / 33

HEX #5CACA4

RGB 92 172 164

HSL 174, 0.33%, 0.52%

LAB 65.33, -26.53, -3.51

 

CMYK 26 / 0 / 3 / 40

HEX #709894

RGB 112 152 148

HSL 174, 0.16%, 0.52%

LAB 59.92, -14.53, -2.35

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 75 / 0 / 48 / 17

HEX #35D46F

RGB 53 212 111

HSL 141.89, 0.65%, 0.52%

LAB 75.45, -61.94, 38.51

 

CMYK 75 / 0 / 28 / 17

HEX #35D499

RGB 53 212 153

HSL 157.74, 0.65%, 0.52%

LAB 76.16, -53.94, 17.84

 

CMYK 75 / 0 / 8 / 17

HEX #35D4C4

RGB 53 212 196

HSL 173.96, 0.65%, 0.52%

LAB 77.18, -43.33, -3.67

 

CMYK 75 / 13 / 0 / 17

HEX #35B9D4

RGB 53 185 212

HSL 190.19, 0.65%, 0.52%

LAB 69.62, -25.98, -23.7

 

CMYK 75 / 33 / 0 / 17

HEX #358FD4

RGB 53 143 212

HSL 206.04, 0.65%, 0.52%

LAB 57.23, -3.27, -42.94

 

CMYK 79 / 0 / 8 / 41

HEX #1F968A

RGB 31 150 138

HSL 173.95, 0.66%, 0.35%

LAB 56.03, -34.04, -2.72

 

CMYK 79 / 0 / 8 / 28

HEX #27B8AA

RGB 39 184 170

HSL 174.21, 0.65%, 0.44%

LAB 67.74, -39.58, -3.45

 

CMYK 75 / 0 / 8 / 17

HEX #35D4C4

RGB 53 212 196

HSL 173.96, 0.65%, 0.52%

LAB 77.18, -43.33, -3.67

 

CMYK 60 / 0 / 6 / 14

HEX #57DBCE

RGB 87 219 206

HSL 174.09, 0.65%, 0.6%

LAB 80.26, -38.97, -4.39

 

CMYK 46 / 0 / 4 / 11

HEX #79E2D8

RGB 121 226 216

HSL 174.29, 0.64%, 0.68%

LAB 83.66, -32.85, -4.57

 

CMYK 75 / 0 / 8 / 17

HEX #34D4C4

RGB 52 212 196

HSL 174, 0.65%, 0.52%

LAB 77.16, -43.44, -3.69

 

CMYK 68 / 75 / 0 / 17

HEX #4435D4

RGB 68 53 212

HSL 245.66, 0.65%, 0.52%

LAB 35.06, 53.32, -78.72

 

CMYK 0 / 38 / 75 / 17

HEX #D48435

RGB 212 132 53

HSL 29.81, 0.65%, 0.52%

LAB 62.3, 24.41, 53.37

 

CMYK 75 / 0 / 8 / 17

HEX #34D4C4

RGB 52 212 196

HSL 174, 0.65%, 0.52%

LAB 77.16, -43.44, -3.69

 

CMYK 8 / 75 / 0 / 17

HEX #C435D4

RGB 196 53 212

HSL 293.96, 0.65%, 0.52%

LAB 50.73, 73.88, -52.54

 

CMYK 0 / 8 / 75 / 17

HEX #D4C435

RGB 212 196 53

HSL 53.96, 0.65%, 0.52%

LAB 78.31, -9.61, 68.79

 

CMYK 75 / 0 / 8 / 17

HEX #34D4C4

RGB 52 212 196

HSL 174, 0.65%, 0.52%

LAB 77.16, -43.44, -3.69

 

CMYK 68 / 75 / 0 / 17

HEX #4435D4

RGB 68 53 212

HSL 245.66, 0.65%, 0.52%

LAB 35.06, 53.32, -78.72

 

CMYK 0 / 75 / 68 / 17

HEX #D43544

RGB 212 53 68

HSL 354.34, 0.65%, 0.52%

LAB 48.21, 61.64, 29.87

 

CMYK 8 / 0 / 75 / 17

HEX #C4D435

RGB 196 212 53

HSL 66.04, 0.65%, 0.52%

LAB 81.34, -24.3, 71.15

 

CMYK 75 / 0 / 8 / 17

HEX #34D4C4

RGB 52 212 196

HSL 174, 0.65%, 0.52%

LAB 77.16, -43.44, -3.69

 

CMYK 45 / 75 / 0 / 17

HEX #7435D4

RGB 116 53 212

HSL 263.77, 0.65%, 0.52%

LAB 39.6, 59.5, -71.09

 

CMYK 0 / 75 / 68 / 17

HEX #D43544

RGB 212 53 68

HSL 354.34, 0.65%, 0.52%

LAB 48.21, 61.64, 29.87

 

CMYK 30 / 0 / 75 / 17

HEX #94D435

RGB 148 212 53

HSL 84.15, 0.65%, 0.52%

LAB 78.25, -43.16, 67.14

 

Description

Color code: RGB 52 212 196 | qconv.com Color code: RGB 52 212 196 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 212 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 212 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 8 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 8% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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