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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 211 28 it is the complementary color RGB 203 44 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 211 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 211 28 shade: RGB 57 211 23, RGB 74 229 42, RGB 91 247 61, RGB 108 255 80 and RGB 125 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 211 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 211 28 shade: RGB 52 211 28, RGB 35 193 9, RGB 18 175 0, RGB 1 157 0 and RGB 0 139 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 211 28 shade: RGB 51 212 27, RGB 101 212 27, RGB 151 212 27, RGB 201 212 27 and RGB 212 173 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 211 28 shade: RGB 51 212 27, RGB 27 212 53, RGB 27 212 102, RGB 27 212 152 and RGB 27 212 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 211 28 shade matches the following richer shades: RGB 51 212 27 and RGB 37 231 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 211 28 shade: RGB 51 212 27, RGB 66 192 46, RGB 80 173 66, RGB 94 153 85 and RGB 108 134 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 211 28 shade: RGB 150 212 27, RGB 101 212 27, RGB 52 212 27, RGB 27 212 52 and RGB 27 212 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 211 28 shade: RGB 33 139 18, RGB 42 175 22, RGB 51 212 27, RGB 75 228 52 and RGB 107 233 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 211 28 shade: RGB 52 211 28, RGB 27 199 212 and RGB 212 27 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 211 28 shade: RGB 52 211 28, RGB 27 52 212 and RGB 212 27 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 211 28 shade: RGB 52 211 28, RGB 27 199 212, RGB 187 27 212 and RGB 212 39 27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 211 28 shade: RGB 52 211 28, RGB 27 144 212, RGB 187 27 212 and RGB 212 95 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 87 / 17

HEX #34D31C

RGB 52 211 28

HSL 112.13, 0.77%, 0.47%

LAB 74.45, -69.84, 69.03

 

Complementary color

CMYK 11 / 81 / 0 / 11

HEX #CB2CE3

RGB 203 44 227

HSL 292.13, 0.77%, 0.53%

LAB 51.89, 80.18, -59.16

 

CMYK 73 / 0 / 89 / 17

HEX #39D317

RGB 57 211 23

HSL 109.15, 0.8%, 0.46%

LAB 74.52, -69.24, 70.07

 

CMYK 68 / 0 / 82 / 10

HEX #4AE52A

RGB 74 229 42

HSL 109.73, 0.78%, 0.53%

LAB 80.55, -71.03, 71.46

 

CMYK 63 / 0 / 75 / 3

HEX #5BF73D

RGB 91 247 61

HSL 110.32, 0.92%, 0.6%

LAB 86.54, -72.32, 71.87

 

CMYK 58 / 0 / 69 / 0

HEX #6CFF50

RGB 108 255 80

HSL 110.4, 1%, 0.66%

LAB 89.53, -69.86, 68.57

 

CMYK 51 / 0 / 61 / 0

HEX #7DFF63

RGB 125 255 99

HSL 110, 1%, 0.69%

LAB 90.22, -63.95, 62.03

 

CMYK 75 / 0 / 87 / 17

HEX #34D31C

RGB 52 211 28

HSL 112.13, 0.77%, 0.47%

LAB 74.45, -69.84, 69.03

 

CMYK 82 / 0 / 95 / 24

HEX #23C109

RGB 35 193 9

HSL 111.52, 0.91%, 0.4%

LAB 68.4, -67.33, 66.76

 

CMYK 90 / 0 / 100 / 31

HEX #12AF00

RGB 18 175 0

HSL 113.83, 1%, 0.34%

LAB 62.33, -63.99, 62.85

 

CMYK 99 / 0 / 100 / 38

HEX #019D00

RGB 1 157 0

HSL 119.62, 1%, 0.31%

LAB 56.21, -59.93, 57.9

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 76 / 0 / 87 / 17

HEX #33D41B

RGB 51 212 27

HSL 112.22, 0.77%, 0.47%

LAB 74.74, -70.32, 69.48

 

CMYK 52 / 0 / 87 / 17

HEX #65D41B

RGB 101 212 27

HSL 96, 0.77%, 0.47%

LAB 76.03, -59.65, 71.1

 

CMYK 29 / 0 / 87 / 17

HEX #97D41B

RGB 151 212 27

HSL 79.78, 0.77%, 0.47%

LAB 78.31, -43.08, 73.94

 

CMYK 5 / 0 / 87 / 17

HEX #C9D41B

RGB 201 212 27

HSL 63.57, 0.77%, 0.47%

LAB 81.61, -23.04, 78.01

 

CMYK 0 / 18 / 87 / 17

HEX #D4AD1B

RGB 212 173 27

HSL 47.35, 0.77%, 0.47%

LAB 72.2, 1.53, 70.85

 

CMYK 76 / 0 / 87 / 17

HEX #33D41B

RGB 51 212 27

HSL 112.22, 0.77%, 0.47%

LAB 74.74, -70.32, 69.48

 

CMYK 87 / 0 / 75 / 17

HEX #1BD435

RGB 27 212 53

HSL 128.43, 0.77%, 0.47%

LAB 74.56, -71.53, 62.28

 

CMYK 87 / 0 / 52 / 17

HEX #1BD466

RGB 27 212 102

HSL 144.32, 0.77%, 0.47%

LAB 75, -66.04, 42.27

 

CMYK 87 / 0 / 28 / 17

HEX #1BD498

RGB 27 212 152

HSL 160.54, 0.77%, 0.47%

LAB 75.82, -56.6, 17.85

 

CMYK 87 / 0 / 5 / 17

HEX #1BD4CA

RGB 27 212 202

HSL 176.76, 0.77%, 0.47%

LAB 77.03, -43.79, -7.14

 

CMYK 76 / 0 / 87 / 17

HEX #33D41B

RGB 51 212 27

HSL 112.22, 0.77%, 0.47%

LAB 74.74, -70.32, 69.48

 

CMYK 84 / 0 / 97 / 9

HEX #25E708

RGB 37 231 8

HSL 112.2, 0.93%, 0.47%

LAB 80.5, -77.85, 76.77

 

CMYK 76 / 0 / 87 / 17

HEX #33D41B

RGB 51 212 27

HSL 112.22, 0.77%, 0.47%

LAB 74.74, -70.32, 69.48

 

CMYK 66 / 0 / 76 / 25

HEX #42C02E

RGB 66 192 46

HSL 111.78, 0.61%, 0.47%

LAB 68.79, -60.4, 59.12

 

CMYK 54 / 0 / 62 / 32

HEX #50AD42

RGB 80 173 66

HSL 112.15, 0.45%, 0.47%

LAB 63.33, -48.39, 45.61

 

CMYK 39 / 0 / 44 / 40

HEX #5E9955

RGB 94 153 85

HSL 112.06, 0.29%, 0.47%

LAB 57.86, -33.14, 29.77

 

CMYK 19 / 0 / 22 / 47

HEX #6C8669

RGB 108 134 105

HSL 113.79, 0.12%, 0.47%

LAB 53.23, -15.27, 12.61

 

CMYK 29 / 0 / 87 / 17

HEX #96D41B

RGB 150 212 27

HSL 80.11, 0.77%, 0.47%

LAB 78.26, -43.45, 73.87

 

CMYK 52 / 0 / 87 / 17

HEX #65D41B

RGB 101 212 27

HSL 96, 0.77%, 0.47%

LAB 76.03, -59.65, 71.1

 

CMYK 75 / 0 / 87 / 17

HEX #34D41B

RGB 52 212 27

HSL 111.89, 0.77%, 0.47%

LAB 74.76, -70.17, 69.5

 

CMYK 87 / 0 / 75 / 17

HEX #1BD434

RGB 27 212 52

HSL 128.11, 0.77%, 0.47%

LAB 74.55, -71.6, 62.6

 

CMYK 87 / 0 / 52 / 17

HEX #1BD465

RGB 27 212 101

HSL 144, 0.77%, 0.47%

LAB 74.99, -66.19, 42.74

 

CMYK 76 / 0 / 87 / 45

HEX #218B12

RGB 33 139 18

HSL 112.56, 0.77%, 0.31%

LAB 50.49, -50.8, 49.96

 

CMYK 76 / 0 / 87 / 31

HEX #2AAF16

RGB 42 175 22

HSL 112.16, 0.78%, 0.39%

LAB 62.68, -60.63, 59.91

 

CMYK 76 / 0 / 87 / 17

HEX #33D41B

RGB 51 212 27

HSL 112.22, 0.77%, 0.47%

LAB 74.74, -70.32, 69.48

 

CMYK 67 / 0 / 77 / 11

HEX #4BE434

RGB 75 228 52

HSL 112.16, 0.77%, 0.55%

LAB 80.31, -69.97, 68.47

 

CMYK 54 / 0 / 62 / 9

HEX #6BE958

RGB 107 233 88

HSL 112.14, 0.77%, 0.63%

LAB 82.97, -61.64, 58.35

 

CMYK 75 / 0 / 87 / 17

HEX #34D31C

RGB 52 211 28

HSL 112.13, 0.77%, 0.47%

LAB 74.45, -69.84, 69.03

 

CMYK 87 / 6 / 0 / 17

HEX #1BC7D4

RGB 27 199 212

HSL 184.22, 0.77%, 0.47%

LAB 73.44, -34.94, -17.92

 

CMYK 0 / 87 / 41 / 17

HEX #D41B7E

RGB 212 27 126

HSL 327.89, 0.77%, 0.47%

LAB 47.35, 72.26, -6.76

 

CMYK 75 / 0 / 87 / 17

HEX #34D31C

RGB 52 211 28

HSL 112.13, 0.77%, 0.47%

LAB 74.45, -69.84, 69.03

 

CMYK 87 / 75 / 0 / 17

HEX #1B34D4

RGB 27 52 212

HSL 231.89, 0.77%, 0.47%

LAB 32.79, 50.97, -82.54

 

CMYK 0 / 87 / 75 / 17

HEX #D41B34

RGB 212 27 52

HSL 351.89, 0.77%, 0.47%

LAB 45.67, 67.5, 36.35

 

CMYK 75 / 0 / 87 / 17

HEX #34D31C

RGB 52 211 28

HSL 112.13, 0.77%, 0.47%

LAB 74.45, -69.84, 69.03

 

CMYK 87 / 6 / 0 / 17

HEX #1BC7D4

RGB 27 199 212

HSL 184.22, 0.77%, 0.47%

LAB 73.44, -34.94, -17.92

 

CMYK 12 / 87 / 0 / 17

HEX #BB1BD4

RGB 187 27 212

HSL 291.89, 0.77%, 0.47%

LAB 47.11, 78.58, -58.44

 

CMYK 0 / 82 / 87 / 17

HEX #D4271B

RGB 212 39 27

HSL 3.89, 0.77%, 0.47%

LAB 46.35, 64.25, 50.24

 

CMYK 75 / 0 / 87 / 17

HEX #34D31C

RGB 52 211 28

HSL 112.13, 0.77%, 0.47%

LAB 74.45, -69.84, 69.03

 

CMYK 87 / 32 / 0 / 17

HEX #1B90D4

RGB 27 144 212

HSL 202.05, 0.77%, 0.47%

LAB 57.01, -6.27, -43.32

 

CMYK 12 / 87 / 0 / 17

HEX #BB1BD4

RGB 187 27 212

HSL 291.89, 0.77%, 0.47%

LAB 47.11, 78.58, -58.44

 

CMYK 0 / 55 / 87 / 17

HEX #D45F1B

RGB 212 95 27

HSL 22.05, 0.77%, 0.47%

LAB 54.3, 42.77, 56.57

 

Description

Color code: RGB 52 211 28 | qconv.com Color code: RGB 52 211 28 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 211 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 211 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 87 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 87% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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