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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 202 165 it is the complementary color RGB 203 53 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 202 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 202 165 shade: RGB 57 202 160, RGB 74 220 179, RGB 91 238 198, RGB 108 255 217 and RGB 125 255 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 202 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 35 184 146, RGB 18 166 127, RGB 1 148 108 and RGB 0 130 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 52 202 125, RGB 52 202 84, RGB 60 202 52 and RGB 101 202 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 52 199 202, RGB 52 158 202, RGB 52 118 202 and RGB 52 77 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 202 165 shade matches the following richer shades: RGB 52 202 165, RGB 31 223 176 and RGB 11 243 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 72 182 155, RGB 93 161 144, RGB 114 140 134 and RGB 134 120 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 202 165 shade: RGB 52 202 84, RGB 52 202 124, RGB 52 202 165, RGB 52 200 202 and RGB 52 160 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 202 165 shade: RGB 35 137 112, RGB 43 169 138, RGB 52 202 165, RGB 85 211 180 and RGB 117 219 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 52 59 202 and RGB 202 104 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 165 52 202 and RGB 202 165 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 52 59 202, RGB 202 52 89 and RGB 202 195 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 202 165 shade: RGB 52 202 165, RGB 89 52 202, RGB 202 52 89 and RGB 165 202 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

Complementary color

CMYK 0 / 74 / 56 / 20

HEX #CB355A

RGB 203 53 90

HSL 345.2, 0.59%, 0.5%

LAB 46.95, 60.35, 14.56

 

CMYK 72 / 0 / 21 / 21

HEX #39CAA0

RGB 57 202 160

HSL 162.62, 0.58%, 0.51%

LAB 73.32, -47.79, 10.12

 

CMYK 66 / 0 / 19 / 14

HEX #4ADCB3

RGB 74 220 179

HSL 163.15, 0.68%, 0.58%

LAB 79.56, -48.27, 8.91

 

CMYK 62 / 0 / 17 / 7

HEX #5BEEC6

RGB 91 238 198

HSL 163.67, 0.81%, 0.65%

LAB 85.73, -48.56, 7.8

 

CMYK 58 / 0 / 15 / 0

HEX #6CFFD9

RGB 108 255 217

HSL 164.49, 1%, 0.71%

LAB 91.56, -48.3, 6.37

 

CMYK 51 / 0 / 7 / 0

HEX #7DFFEC

RGB 125 255 236

HSL 171.23, 1%, 0.75%

LAB 92.55, -40.49, -1.96

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 81 / 0 / 21 / 28

HEX #23B892

RGB 35 184 146

HSL 164.7, 0.68%, 0.43%

LAB 67.06, -46.35, 8.78

 

CMYK 89 / 0 / 23 / 35

HEX #12A67F

RGB 18 166 127

HSL 164.19, 0.8%, 0.36%

LAB 60.72, -45.09, 10.26

 

CMYK 99 / 0 / 27 / 42

HEX #01946C

RGB 1 148 108

HSL 163.67, 0.99%, 0.29%

LAB 54.31, -43.42, 11.9

 

CMYK 100 / 0 / 32 / 49

HEX #008259

RGB 0 130 89

HSL 161.08, 1%, 0.25%

LAB 47.86, -40.92, 13.8

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 74 / 0 / 38 / 21

HEX #34CA7D

RGB 52 202 125

HSL 149.2, 0.59%, 0.5%

LAB 72.53, -56.03, 27.61

 

CMYK 74 / 0 / 58 / 21

HEX #34CA54

RGB 52 202 84

HSL 132.8, 0.59%, 0.5%

LAB 71.97, -62.54, 47.17

 

CMYK 70 / 0 / 74 / 21

HEX #3CCA34

RGB 60 202 52

HSL 116.8, 0.59%, 0.5%

LAB 71.86, -64.42, 60.08

 

CMYK 50 / 0 / 74 / 21

HEX #65CA34

RGB 101 202 52

HSL 100.4, 0.59%, 0.5%

LAB 73.06, -54.76, 61.68

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 74 / 1 / 0 / 21

HEX #34C7CA

RGB 52 199 202

HSL 181.2, 0.59%, 0.5%

LAB 73.44, -35.89, -12.46

 

CMYK 74 / 22 / 0 / 21

HEX #349ECA

RGB 52 158 202

HSL 197.6, 0.59%, 0.5%

LAB 61.18, -15.29, -31.16

 

CMYK 74 / 42 / 0 / 21

HEX #3476CA

RGB 52 118 202

HSL 213.6, 0.59%, 0.5%

LAB 49.44, 8, -49.64

 

CMYK 74 / 62 / 0 / 21

HEX #344DCA

RGB 52 77 202

HSL 230, 0.59%, 0.5%

LAB 38.38, 34.18, -67.52

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 86 / 0 / 21 / 13

HEX #1FDFB0

RGB 31 223 176

HSL 165.31, 0.76%, 0.5%

LAB 79.73, -54.96, 10.66

 

CMYK 95 / 0 / 23 / 5

HEX #0BF3BA

RGB 11 243 186

HSL 165.26, 0.91%, 0.5%

LAB 85.86, -61.12, 14.1

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 60 / 0 / 15 / 29

HEX #48B69B

RGB 72 182 155

HSL 165.27, 0.43%, 0.5%

LAB 67.43, -37.89, 4.46

 

CMYK 42 / 0 / 11 / 37

HEX #5DA190

RGB 93 161 144

HSL 165, 0.27%, 0.5%

LAB 61.51, -25.73, 2.11

 

CMYK 19 / 0 / 4 / 45

HEX #728C86

RGB 114 140 134

HSL 166.15, 0.1%, 0.5%

LAB 56.14, -10.52, 0.13

 

CMYK 0 / 10 / 8 / 47

HEX #86787B

RGB 134 120 123

HSL 347.14, 0.06%, 0.5%

LAB 51.76, 5.94, 0.32

 

CMYK 74 / 0 / 58 / 21

HEX #34CA54

RGB 52 202 84

HSL 132.8, 0.59%, 0.5%

LAB 71.97, -62.54, 47.17

 

CMYK 74 / 0 / 39 / 21

HEX #34CA7C

RGB 52 202 124

HSL 148.8, 0.59%, 0.5%

LAB 72.51, -56.22, 28.11

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 74 / 1 / 0 / 21

HEX #34C8CA

RGB 52 200 202

HSL 180.8, 0.59%, 0.5%

LAB 73.74, -36.35, -12.01

 

CMYK 74 / 21 / 0 / 21

HEX #34A0CA

RGB 52 160 202

HSL 196.8, 0.59%, 0.5%

LAB 61.77, -16.37, -30.24

 

CMYK 74 / 0 / 18 / 46

HEX #238970

RGB 35 137 112

HSL 165.29, 0.59%, 0.34%

LAB 51.17, -34.84, 5.21

 

CMYK 75 / 0 / 18 / 34

HEX #2BA98A

RGB 43 169 138

HSL 165.24, 0.59%, 0.42%

LAB 62.27, -41.13, 6.38

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 60 / 0 / 15 / 17

HEX #55D3B4

RGB 85 211 180

HSL 165.24, 0.59%, 0.58%

LAB 77.17, -42.26, 4.99

 

CMYK 47 / 0 / 11 / 14

HEX #75DBC2

RGB 117 219 194

HSL 165.29, 0.59%, 0.66%

LAB 80.93, -35.73, 3.09

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 74 / 71 / 0 / 21

HEX #343BCA

RGB 52 59 202

HSL 237.2, 0.59%, 0.5%

LAB 34.24, 45.25, -74.32

 

CMYK 0 / 49 / 74 / 21

HEX #CA6834

RGB 202 104 52

HSL 20.8, 0.59%, 0.5%

LAB 54.77, 35.13, 45.68

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 18 / 74 / 0 / 21

HEX #A534CA

RGB 165 52 202

HSL 285.2, 0.59%, 0.5%

LAB 45.25, 66.32, -55.85

 

CMYK 0 / 18 / 74 / 21

HEX #CAA534

RGB 202 165 52

HSL 45.2, 0.59%, 0.5%

LAB 69.27, 2.21, 60.25

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 74 / 71 / 0 / 21

HEX #343BCA

RGB 52 59 202

HSL 237.2, 0.59%, 0.5%

LAB 34.24, 45.25, -74.32

 

CMYK 0 / 74 / 56 / 21

HEX #CA3459

RGB 202 52 89

HSL 345.2, 0.59%, 0.5%

LAB 46.62, 60.32, 14.7

 

CMYK 0 / 3 / 74 / 21

HEX #CAC334

RGB 202 195 52

HSL 57.2, 0.59%, 0.5%

LAB 77.18, -13.42, 67.77

 

CMYK 74 / 0 / 18 / 21

HEX #34CAA5

RGB 52 202 165

HSL 165.2, 0.59%, 0.5%

LAB 73.34, -47.22, 7.45

 

CMYK 56 / 74 / 0 / 21

HEX #5934CA

RGB 89 52 202

HSL 254.8, 0.59%, 0.5%

LAB 35.68, 53.36, -71.84

 

CMYK 0 / 74 / 56 / 21

HEX #CA3459

RGB 202 52 89

HSL 345.2, 0.59%, 0.5%

LAB 46.62, 60.32, 14.7

 

CMYK 18 / 0 / 74 / 21

HEX #A5CA34

RGB 165 202 52

HSL 74.8, 0.59%, 0.5%

LAB 76.37, -32.21, 66.02

 

Description

Color code: RGB 52 202 165 | qconv.com Color code: RGB 52 202 165 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 202 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 202 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 18 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 18% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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