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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 192 171 it is the complementary color RGB 203 63 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 192 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 192 171 shade: RGB 57 192 166, RGB 74 210 185, RGB 91 228 204, RGB 108 246 223 and RGB 125 255 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 192 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 35 174 152, RGB 18 156 133, RGB 1 138 114 and RGB 0 120 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 52 192 133, RGB 52 192 95, RGB 52 192 58 and RGB 84 192 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 52 175 192, RGB 52 137 192, RGB 52 100 192 and RGB 52 62 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 192 171 shade matches the following richer shades: RGB 52 192 171, RGB 32 211 185 and RGB 13 231 198

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 72 172 157, RGB 92 152 143, RGB 112 132 129 and RGB 131 112 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 192 171 shade: RGB 52 192 96, RGB 52 192 134, RGB 52 192 171, RGB 52 175 192 and RGB 52 138 192

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 192 171 shade: RGB 34 127 113, RGB 43 159 142, RGB 52 192 171, RGB 79 206 187 and RGB 111 215 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 59 52 192 and RGB 192 115 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 171 52 192 and RGB 192 171 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 59 52 192, RGB 192 52 73 and RGB 185 192 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 192 171 shade: RGB 52 192 171, RGB 101 52 192, RGB 192 52 73 and RGB 143 192 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

Complementary color

CMYK 0 / 69 / 59 / 20

HEX #CB3F54

RGB 203 63 84

HSL 351, 0.57%, 0.52%

LAB 48.12, 56.32, 19.81

 

CMYK 70 / 0 / 14 / 25

HEX #39C0A6

RGB 57 192 166

HSL 168.44, 0.54%, 0.49%

LAB 70.4, -42.04, 2.68

 

CMYK 65 / 0 / 12 / 18

HEX #4AD2B9

RGB 74 210 185

HSL 168.97, 0.6%, 0.56%

LAB 76.71, -42.51, 1.61

 

CMYK 60 / 0 / 11 / 11

HEX #5BE4CC

RGB 91 228 204

HSL 169.49, 0.72%, 0.63%

LAB 82.95, -42.8, 0.63

 

CMYK 56 / 0 / 9 / 4

HEX #6CF6DF

RGB 108 246 223

HSL 170, 0.88%, 0.69%

LAB 89.12, -42.98, -0.28

 

CMYK 51 / 0 / 5 / 0

HEX #7DFFF2

RGB 125 255 242

HSL 174, 1%, 0.75%

LAB 92.7, -39.05, -4.83

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 80 / 0 / 13 / 32

HEX #23AE98

RGB 35 174 152

HSL 170.5, 0.67%, 0.41%

LAB 64.08, -40.52, 1.16

 

CMYK 88 / 0 / 15 / 39

HEX #129C85

RGB 18 156 133

HSL 170, 0.79%, 0.34%

LAB 57.65, -39.28, 2.48

 

CMYK 99 / 0 / 17 / 46

HEX #018A72

RGB 1 138 114

HSL 169.49, 0.99%, 0.27%

LAB 51.15, -37.65, 3.97

 

CMYK 100 / 0 / 21 / 53

HEX #00785F

RGB 0 120 95

HSL 167.5, 1%, 0.24%

LAB 44.6, -35.18, 5.71

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 73 / 0 / 31 / 25

HEX #34C085

RGB 52 192 133

HSL 154.71, 0.57%, 0.48%

LAB 69.56, -50.57, 19.36

 

CMYK 73 / 0 / 51 / 25

HEX #34C05F

RGB 52 192 95

HSL 138.43, 0.57%, 0.48%

LAB 68.94, -57.57, 38.27

 

CMYK 73 / 0 / 70 / 25

HEX #34C03A

RGB 52 192 58

HSL 122.57, 0.57%, 0.48%

LAB 68.56, -62.06, 54.45

 

CMYK 56 / 0 / 73 / 25

HEX #54C034

RGB 84 192 52

HSL 106.29, 0.57%, 0.48%

LAB 69.35, -55.74, 57.77

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 73 / 9 / 0 / 25

HEX #34AFC0

RGB 52 175 192

HSL 187.29, 0.57%, 0.48%

LAB 65.9, -27.37, -18.34

 

CMYK 73 / 29 / 0 / 25

HEX #3489C0

RGB 52 137 192

HSL 203.57, 0.57%, 0.48%

LAB 54.48, -7, -35.96

 

CMYK 73 / 48 / 0 / 25

HEX #3464C0

RGB 52 100 192

HSL 219.43, 0.57%, 0.48%

LAB 43.73, 15.66, -53.04

 

CMYK 73 / 68 / 0 / 25

HEX #343EC0

RGB 52 62 192

HSL 235.71, 0.57%, 0.48%

LAB 33.94, 40.03, -68.95

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 85 / 0 / 12 / 17

HEX #20D3B9

RGB 32 211 185

HSL 171.28, 0.74%, 0.48%

LAB 76.31, -47.74, 0.94

 

CMYK 94 / 0 / 14 / 9

HEX #0DE7C6

RGB 13 231 198

HSL 170.92, 0.89%, 0.48%

LAB 82.55, -53.44, 3.07

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 58 / 0 / 9 / 33

HEX #48AC9D

RGB 72 172 157

HSL 171, 0.41%, 0.48%

LAB 64.42, -32.76, -1.03

 

CMYK 39 / 0 / 6 / 40

HEX #5C988F

RGB 92 152 143

HSL 171, 0.25%, 0.48%

LAB 58.71, -21.69, -1.42

 

CMYK 15 / 0 / 2 / 48

HEX #708481

RGB 112 132 129

HSL 171, 0.08%, 0.48%

LAB 53.53, -7.87, -0.82

 

CMYK 0 / 15 / 12 / 49

HEX #837073

RGB 131 112 115

HSL 350.53, 0.08%, 0.48%

LAB 49.07, 7.97, 1.09

 

CMYK 73 / 0 / 50 / 25

HEX #34C060

RGB 52 192 96

HSL 138.86, 0.57%, 0.48%

LAB 68.95, -57.42, 37.79

 

CMYK 73 / 0 / 30 / 25

HEX #34C086

RGB 52 192 134

HSL 155.14, 0.57%, 0.48%

LAB 69.58, -50.36, 18.85

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 73 / 9 / 0 / 25

HEX #34AFC0

RGB 52 175 192

HSL 187.29, 0.57%, 0.48%

LAB 65.9, -27.37, -18.34

 

CMYK 73 / 28 / 0 / 25

HEX #348AC0

RGB 52 138 192

HSL 203.14, 0.57%, 0.48%

LAB 54.78, -7.58, -35.5

 

CMYK 73 / 0 / 11 / 50

HEX #227F71

RGB 34 127 113

HSL 170.97, 0.58%, 0.32%

LAB 47.89, -30.06, -0.12

 

CMYK 73 / 0 / 11 / 38

HEX #2B9F8E

RGB 43 159 142

HSL 171.21, 0.57%, 0.4%

LAB 59.22, -35.61, -0.3

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 62 / 0 / 9 / 19

HEX #4FCEBB

RGB 79 206 187

HSL 171.02, 0.56%, 0.56%

LAB 75.7, -39.38, -0.94

 

CMYK 48 / 0 / 7 / 16

HEX #6FD7C8

RGB 111 215 200

HSL 171.35, 0.57%, 0.64%

LAB 79.7, -33.84, -1.93

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 69 / 73 / 0 / 25

HEX #3B34C0

RGB 59 52 192

HSL 243, 0.57%, 0.48%

LAB 32.24, 46.65, -71.74

 

CMYK 0 / 40 / 73 / 25

HEX #C07334

RGB 192 115 52

HSL 27, 0.57%, 0.48%

LAB 55.8, 25.13, 46.34

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 11 / 73 / 0 / 25

HEX #AB34C0

RGB 171 52 192

HSL 291, 0.57%, 0.48%

LAB 45.52, 65.66, -49.55

 

CMYK 0 / 11 / 73 / 25

HEX #C0AB34

RGB 192 171 52

HSL 51, 0.57%, 0.48%

LAB 69.88, -5.35, 60.51

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 69 / 73 / 0 / 25

HEX #3B34C0

RGB 59 52 192

HSL 243, 0.57%, 0.48%

LAB 32.24, 46.65, -71.74

 

CMYK 0 / 73 / 62 / 25

HEX #C03449

RGB 192 52 73

HSL 351, 0.57%, 0.48%

LAB 44.44, 56.26, 21.28

 

CMYK 4 / 0 / 73 / 25

HEX #B9C034

RGB 185 192 52

HSL 63, 0.57%, 0.48%

LAB 74.99, -19.14, 65.21

 

CMYK 73 / 0 / 11 / 25

HEX #34C0AB

RGB 52 192 171

HSL 171, 0.57%, 0.48%

LAB 70.43, -41.39, -0.01

 

CMYK 47 / 73 / 0 / 25

HEX #6534C0

RGB 101 52 192

HSL 261, 0.57%, 0.48%

LAB 36.04, 52.4, -65.36

 

CMYK 0 / 73 / 62 / 25

HEX #C03449

RGB 192 52 73

HSL 351, 0.57%, 0.48%

LAB 44.44, 56.26, 21.28

 

CMYK 26 / 0 / 73 / 25

HEX #8FC034

RGB 143 192 52

HSL 81, 0.57%, 0.48%

LAB 72.09, -36.26, 61.4

 

Description

Color code: RGB 52 192 171 | qconv.com Color code: RGB 52 192 171 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 192 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 192 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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