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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 180 253 it is the complementary color RGB 203 75 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 180 253. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 180 253 shade: RGB 57 180 248, RGB 74 198 255, RGB 91 216 255, RGB 108 234 255 and RGB 125 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 180 253. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 180 253 shade: RGB 52 180 253, RGB 35 162 234, RGB 18 144 215, RGB 1 126 196 and RGB 0 108 177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 180 253 shade: RGB 53 180 252, RGB 53 126 252, RGB 53 72 252, RGB 87 53 252 and RGB 141 53 252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 180 253 shade: RGB 53 180 252, RGB 53 126 252, RGB 53 72 252 and RGB 53 53 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 180 253 shade matches the following richer shades: RGB 53 180 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 180 253 shade: RGB 53 180 252, RGB 69 175 236, RGB 86 171 219, RGB 102 166 203 and RGB 119 162 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 180 253 shade: RGB 53 252 216, RGB 53 236 252, RGB 53 182 252, RGB 53 129 252 and RGB 53 76 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 180 253 shade: RGB 2 141 221, RGB 12 165 252, RGB 53 180 252, RGB 93 195 253 and RGB 134 210 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 180 253 shade: RGB 52 180 253, RGB 162 53 252 and RGB 252 242 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 180 253 shade: RGB 52 180 253, RGB 252 53 182 and RGB 182 252 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 180 253 shade: RGB 52 180 253, RGB 162 53 252, RGB 252 123 53 and RGB 143 252 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 180 253 shade: RGB 52 180 253, RGB 222 53 252, RGB 252 123 53 and RGB 83 252 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 29 / 0 / 1

HEX #34B4FD

RGB 52 180 253

HSL 201.79, 0.98%, 0.6%

LAB 69.8, -9.85, -45.74

 

Complementary color

CMYK 0 / 63 / 99 / 20

HEX #CB4B02

RGB 203 75 2

HSL 21.79, 0.98%, 0.4%

LAB 49.17, 48.41, 59.17

 

CMYK 77 / 27 / 0 / 3

HEX #39B4F8

RGB 57 180 248

HSL 201.36, 0.93%, 0.6%

LAB 69.68, -11.07, -43.22

 

CMYK 71 / 22 / 0 / 0

HEX #4AC6FF

RGB 74 198 255

HSL 198.9, 1%, 0.65%

LAB 75.49, -16.36, -37.89

 

CMYK 64 / 15 / 0 / 0

HEX #5BD8FF

RGB 91 216 255

HSL 194.27, 1%, 0.68%

LAB 81.05, -23.14, -29.29

 

CMYK 58 / 8 / 0 / 0

HEX #6CEAFF

RGB 108 234 255

HSL 188.57, 1%, 0.71%

LAB 86.63, -29.13, -20.74

 

CMYK 51 / 1 / 0 / 0

HEX #7DFCFF

RGB 125 252 255

HSL 181.38, 1%, 0.75%

LAB 92.22, -34.43, -12.28

 

CMYK 79 / 29 / 0 / 1

HEX #34B4FD

RGB 52 180 253

HSL 201.79, 0.98%, 0.6%

LAB 69.8, -9.85, -45.74

 

CMYK 85 / 31 / 0 / 8

HEX #23A2EA

RGB 35 162 234

HSL 201.71, 0.83%, 0.53%

LAB 63.46, -7.96, -45.37

 

CMYK 92 / 33 / 0 / 16

HEX #1290D7

RGB 18 144 215

HSL 201.62, 0.85%, 0.46%

LAB 57.06, -5.65, -44.93

 

CMYK 99 / 36 / 0 / 23

HEX #017EC4

RGB 1 126 196

HSL 201.54, 0.99%, 0.39%

LAB 50.59, -2.9, -44.44

 

CMYK 100 / 39 / 0 / 31

HEX #006CB1

RGB 0 108 177

HSL 203.39, 1%, 0.35%

LAB 44.09, 0.57, -43.79

 

CMYK 79 / 29 / 0 / 1

HEX #35B4FC

RGB 53 180 252

HSL 201.71, 0.97%, 0.6%

LAB 69.77, -10.1, -45.24

 

CMYK 79 / 50 / 0 / 1

HEX #357EFC

RGB 53 126 252

HSL 217.99, 0.97%, 0.6%

LAB 54.77, 21.6, -69.15

 

CMYK 79 / 71 / 0 / 1

HEX #3548FC

RGB 53 72 252

HSL 234.27, 0.97%, 0.6%

LAB 41.88, 54.51, -90.22

 

CMYK 65 / 79 / 0 / 1

HEX #5735FC

RGB 87 53 252

HSL 250.25, 0.97%, 0.6%

LAB 40.57, 66.7, -92.31

 

CMYK 44 / 79 / 0 / 1

HEX #8D35FC

RGB 141 53 252

HSL 266.53, 0.97%, 0.6%

LAB 45.96, 72.72, -83.25

 

CMYK 79 / 29 / 0 / 1

HEX #35B4FC

RGB 53 180 252

HSL 201.71, 0.97%, 0.6%

LAB 69.77, -10.1, -45.24

 

CMYK 79 / 50 / 0 / 1

HEX #357EFC

RGB 53 126 252

HSL 217.99, 0.97%, 0.6%

LAB 54.77, 21.6, -69.15

 

CMYK 79 / 71 / 0 / 1

HEX #3548FC

RGB 53 72 252

HSL 234.27, 0.97%, 0.6%

LAB 41.88, 54.51, -90.22

 

CMYK 79 / 79 / 0 / 1

HEX #3535FC

RGB 53 53 252

HSL 240, 0.97%, 0.6%

LAB 38.43, 64.32, -95.93

 

CMYK 79 / 29 / 0 / 1

HEX #35B4FC

RGB 53 180 252

HSL 201.71, 0.97%, 0.6%

LAB 69.77, -10.1, -45.24

 

CMYK 79 / 29 / 0 / 1

HEX #35B4FC

RGB 53 180 252

HSL 201.71, 0.97%, 0.6%

LAB 69.77, -10.1, -45.24

 

CMYK 71 / 26 / 0 / 7

HEX #45AFEC

RGB 69 175 236

HSL 201.92, 0.81%, 0.6%

LAB 68.01, -10.94, -39.28

 

CMYK 61 / 22 / 0 / 14

HEX #56ABDB

RGB 86 171 219

HSL 201.65, 0.65%, 0.6%

LAB 66.69, -11.54, -31.97

 

CMYK 50 / 18 / 0 / 20

HEX #66A6CB

RGB 102 166 203

HSL 201.98, 0.49%, 0.6%

LAB 65.29, -10.33, -25.23

 

CMYK 36 / 13 / 0 / 27

HEX #77A2BA

RGB 119 162 186

HSL 201.49, 0.33%, 0.6%

LAB 64.41, -8.48, -17.02

 

CMYK 79 / 0 / 14 / 1

HEX #35FCD8

RGB 53 252 216

HSL 169.15, 0.97%, 0.6%

LAB 89.55, -54.93, 3.84

 

CMYK 79 / 6 / 0 / 1

HEX #35ECFC

RGB 53 236 252

HSL 184.82, 0.97%, 0.6%

LAB 85.89, -38.19, -20.39

 

CMYK 79 / 28 / 0 / 1

HEX #35B6FC

RGB 53 182 252

HSL 201.11, 0.97%, 0.6%

LAB 70.34, -11.19, -44.34

 

CMYK 79 / 49 / 0 / 1

HEX #3581FC

RGB 53 129 252

HSL 217.09, 0.97%, 0.6%

LAB 55.57, 19.75, -67.86

 

CMYK 79 / 70 / 0 / 1

HEX #354CFC

RGB 53 76 252

HSL 233.07, 0.97%, 0.6%

LAB 42.69, 52.24, -88.87

 

CMYK 99 / 36 / 0 / 13

HEX #028DDD

RGB 2 141 221

HSL 201.92, 0.98%, 0.44%

LAB 56.37, -2.17, -49.39

 

CMYK 95 / 35 / 0 / 1

HEX #0CA5FC

RGB 12 165 252

HSL 201.75, 0.98%, 0.52%

LAB 64.98, -4.2, -52.84

 

CMYK 79 / 29 / 0 / 1

HEX #35B4FC

RGB 53 180 252

HSL 201.71, 0.97%, 0.6%

LAB 69.77, -10.1, -45.24

 

CMYK 63 / 23 / 0 / 1

HEX #5DC3FD

RGB 93 195 253

HSL 201.75, 0.98%, 0.68%

LAB 75.11, -12.6, -37.38

 

CMYK 47 / 17 / 0 / 1

HEX #86D2FD

RGB 134 210 253

HSL 201.68, 0.97%, 0.76%

LAB 80.88, -12.33, -28.34

 

CMYK 79 / 29 / 0 / 1

HEX #34B4FD

RGB 52 180 253

HSL 201.79, 0.98%, 0.6%

LAB 69.8, -9.85, -45.74

 

CMYK 36 / 79 / 0 / 1

HEX #A235FC

RGB 162 53 252

HSL 272.86, 0.97%, 0.6%

LAB 48.58, 75.68, -78.85

 

CMYK 0 / 4 / 79 / 1

HEX #FCF235

RGB 252 242 53

HSL 56.98, 0.97%, 0.6%

LAB 93.65, -15.69, 83.85

 

CMYK 79 / 29 / 0 / 1

HEX #34B4FD

RGB 52 180 253

HSL 201.79, 0.98%, 0.6%

LAB 69.8, -9.85, -45.74

 

CMYK 0 / 79 / 28 / 1

HEX #FC35B6

RGB 252 53 182

HSL 321.11, 0.97%, 0.6%

LAB 58.62, 81.62, -22.24

 

CMYK 28 / 0 / 79 / 1

HEX #B6FC35

RGB 182 252 53

HSL 81.11, 0.97%, 0.6%

LAB 91.61, -47.81, 80.23

 

CMYK 79 / 29 / 0 / 1

HEX #34B4FD

RGB 52 180 253

HSL 201.79, 0.98%, 0.6%

LAB 69.8, -9.85, -45.74

 

CMYK 36 / 79 / 0 / 1

HEX #A235FC

RGB 162 53 252

HSL 272.86, 0.97%, 0.6%

LAB 48.58, 75.68, -78.85

 

CMYK 0 / 51 / 79 / 1

HEX #FC7B35

RGB 252 123 53

HSL 21.11, 0.97%, 0.6%

LAB 65.84, 45.05, 58.67

 

CMYK 43 / 0 / 79 / 1

HEX #8FFC35

RGB 143 252 53

HSL 92.86, 0.97%, 0.6%

LAB 89.73, -60.95, 77.82

 

CMYK 79 / 29 / 0 / 1

HEX #34B4FD

RGB 52 180 253

HSL 201.79, 0.98%, 0.6%

LAB 69.8, -9.85, -45.74

 

CMYK 12 / 79 / 0 / 1

HEX #DE35FC

RGB 222 53 252

HSL 290.95, 0.97%, 0.6%

LAB 57.18, 85.41, -64.51

 

CMYK 0 / 51 / 79 / 1

HEX #FC7B35

RGB 252 123 53

HSL 21.11, 0.97%, 0.6%

LAB 65.84, 45.05, 58.67

 

CMYK 67 / 0 / 79 / 1

HEX #53FC35

RGB 83 252 53

HSL 110.95, 0.97%, 0.6%

LAB 87.83, -75.94, 75.37

 

Description

Color code: RGB 52 180 253 | qconv.com Color code: RGB 52 180 253 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 180 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 180 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 29 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 29% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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