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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 171 218 it is the complementary color RGB 203 84 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 171 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 171 218 shade: RGB 57 171 213, RGB 74 189 232, RGB 91 207 251, RGB 108 225 255 and RGB 125 243 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 171 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 171 218 shade: RGB 52 171 218, RGB 35 153 199, RGB 18 135 180, RGB 1 117 161 and RGB 0 99 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 171 218 shade: RGB 52 171 217, RGB 52 126 217, RGB 52 81 217, RGB 67 52 217 and RGB 112 52 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 171 218 shade: RGB 52 171 217, RGB 52 126 217, RGB 52 81 217 and RGB 52 52 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 171 218 shade matches the following richer shades: RGB 52 171 217 and RGB 33 179 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 171 218 shade: RGB 52 171 217, RGB 71 162 198, RGB 91 154 179, RGB 110 145 159 and RGB 130 137 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 171 218 shade: RGB 52 217 173, RGB 52 217 217, RGB 52 173 217, RGB 52 129 217 and RGB 52 85 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 171 218 shade: RGB 29 121 158, RGB 35 148 193, RGB 52 171 217, RGB 87 185 224 and RGB 122 199 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 171 218 shade: RGB 52 171 218, RGB 129 52 217 and RGB 217 195 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 171 218 shade: RGB 52 171 218, RGB 217 52 173 and RGB 173 217 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 171 218 shade: RGB 52 171 218, RGB 129 52 217, RGB 217 96 52 and RGB 140 217 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 171 218 shade: RGB 52 171 218, RGB 179 52 217, RGB 217 96 52 and RGB 91 217 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 22 / 0 / 15

HEX #34ABDA

RGB 52 171 218

HSL 196.99, 0.69%, 0.53%

LAB 65.68, -16.9, -33.05

 

Complementary color

CMYK 0 / 59 / 82 / 20

HEX #CB5425

RGB 203 84 37

HSL 16.99, 0.69%, 0.47%

LAB 50.89, 44.91, 49.01

 

CMYK 73 / 20 / 0 / 16

HEX #39ABD5

RGB 57 171 213

HSL 196.15, 0.65%, 0.53%

LAB 65.59, -17.97, -30.43

 

CMYK 68 / 19 / 0 / 9

HEX #4ABDE8

RGB 74 189 232

HSL 196.33, 0.77%, 0.6%

LAB 72.01, -18.99, -30.88

 

CMYK 64 / 18 / 0 / 2

HEX #5BCFFB

RGB 91 207 251

HSL 196.5, 0.95%, 0.67%

LAB 78.35, -19.79, -31.29

 

CMYK 58 / 12 / 0 / 0

HEX #6CE1FF

RGB 108 225 255

HSL 192.24, 1%, 0.71%

LAB 84.1, -24.74, -24.58

 

CMYK 51 / 5 / 0 / 0

HEX #7DF3FF

RGB 125 243 255

HSL 185.54, 1%, 0.75%

LAB 89.71, -30.2, -16.04

 

CMYK 76 / 22 / 0 / 15

HEX #34ABDA

RGB 52 171 218

HSL 196.99, 0.69%, 0.53%

LAB 65.68, -16.9, -33.05

 

CMYK 82 / 23 / 0 / 22

HEX #2399C7

RGB 35 153 199

HSL 196.83, 0.7%, 0.46%

LAB 59.22, -15.4, -32.55

 

CMYK 90 / 25 / 0 / 29

HEX #1287B4

RGB 18 135 180

HSL 196.67, 0.82%, 0.39%

LAB 52.68, -13.47, -31.97

 

CMYK 99 / 27 / 0 / 37

HEX #0175A1

RGB 1 117 161

HSL 196.5, 0.99%, 0.32%

LAB 46.05, -11.1, -31.32

 

CMYK 100 / 30 / 0 / 44

HEX #00638E

RGB 0 99 142

HSL 198.17, 1%, 0.28%

LAB 39.37, -7.91, -30.49

 

CMYK 76 / 21 / 0 / 15

HEX #34ABD9

RGB 52 171 217

HSL 196.73, 0.68%, 0.53%

LAB 65.64, -17.24, -32.56

 

CMYK 76 / 42 / 0 / 15

HEX #347ED9

RGB 52 126 217

HSL 213.09, 0.68%, 0.53%

LAB 52.58, 8.59, -53.14

 

CMYK 76 / 63 / 0 / 15

HEX #3451D9

RGB 52 81 217

HSL 229.45, 0.68%, 0.53%

LAB 40.61, 37.04, -72.5

 

CMYK 69 / 76 / 0 / 15

HEX #4334D9

RGB 67 52 217

HSL 245.45, 0.68%, 0.53%

LAB 35.32, 55.26, -81.18

 

CMYK 48 / 76 / 0 / 15

HEX #7034D9

RGB 112 52 217

HSL 261.82, 0.68%, 0.53%

LAB 39.43, 60.61, -74.27

 

CMYK 76 / 21 / 0 / 15

HEX #34ABD9

RGB 52 171 217

HSL 196.73, 0.68%, 0.53%

LAB 65.64, -17.24, -32.56

 

CMYK 76 / 42 / 0 / 15

HEX #347ED9

RGB 52 126 217

HSL 213.09, 0.68%, 0.53%

LAB 52.58, 8.59, -53.14

 

CMYK 76 / 63 / 0 / 15

HEX #3451D9

RGB 52 81 217

HSL 229.45, 0.68%, 0.53%

LAB 40.61, 37.04, -72.5

 

CMYK 76 / 76 / 0 / 15

HEX #3434D9

RGB 52 52 217

HSL 240, 0.68%, 0.53%

LAB 34.39, 54.02, -82.75

 

CMYK 76 / 21 / 0 / 15

HEX #34ABD9

RGB 52 171 217

HSL 196.73, 0.68%, 0.53%

LAB 65.64, -17.24, -32.56

 

CMYK 86 / 24 / 0 / 7

HEX #21B3ED

RGB 33 179 237

HSL 197.06, 0.85%, 0.53%

LAB 68.52, -16.34, -39.08

 

CMYK 76 / 21 / 0 / 15

HEX #34ABD9

RGB 52 171 217

HSL 196.73, 0.68%, 0.53%

LAB 65.64, -17.24, -32.56

 

CMYK 64 / 18 / 0 / 22

HEX #47A2C6

RGB 71 162 198

HSL 197.01, 0.53%, 0.53%

LAB 62.72, -15.96, -26.49

 

CMYK 49 / 14 / 0 / 30

HEX #5B9AB3

RGB 91 154 179

HSL 197.05, 0.37%, 0.53%

LAB 60.42, -13.33, -19.29

 

CMYK 31 / 9 / 0 / 38

HEX #6E919F

RGB 110 145 159

HSL 197.14, 0.2%, 0.53%

LAB 58.1, -8.67, -11.34

 

CMYK 7 / 2 / 0 / 45

HEX #82898C

RGB 130 137 140

HSL 198, 0.04%, 0.53%

LAB 56.62, -1.94, -2.5

 

CMYK 76 / 0 / 20 / 15

HEX #34D9AD

RGB 52 217 173

HSL 164, 0.68%, 0.53%

LAB 78.09, -51.44, 9.96

 

CMYK 76 / 0 / 0 / 15

HEX #34D9D9

RGB 52 217 217

HSL 180, 0.68%, 0.53%

LAB 79.25, -39.81, -11.84

 

CMYK 76 / 20 / 0 / 15

HEX #34ADD9

RGB 52 173 217

HSL 196, 0.68%, 0.53%

LAB 66.23, -18.3, -31.65

 

CMYK 76 / 41 / 0 / 15

HEX #3481D9

RGB 52 129 217

HSL 212, 0.68%, 0.53%

LAB 53.43, 6.76, -51.78

 

CMYK 76 / 61 / 0 / 15

HEX #3455D9

RGB 52 85 217

HSL 228, 0.68%, 0.53%

LAB 41.59, 34.52, -70.9

 

CMYK 82 / 23 / 0 / 38

HEX #1D799E

RGB 29 121 158

HSL 197.21, 0.69%, 0.37%

LAB 47.5, -12.73, -27.26

 

CMYK 82 / 23 / 0 / 24

HEX #2394C1

RGB 35 148 193

HSL 197.09, 0.69%, 0.45%

LAB 57.45, -14.77, -31.91

 

CMYK 76 / 21 / 0 / 15

HEX #34ABD9

RGB 52 171 217

HSL 196.73, 0.68%, 0.53%

LAB 65.64, -17.24, -32.56

 

CMYK 61 / 17 / 0 / 12

HEX #57B9E0

RGB 87 185 224

HSL 197.08, 0.69%, 0.61%

LAB 70.94, -17.29, -28.14

 

CMYK 47 / 13 / 0 / 10

HEX #7AC7E6

RGB 122 199 230

HSL 197.22, 0.68%, 0.69%

LAB 76.5, -15.65, -22.78

 

CMYK 76 / 22 / 0 / 15

HEX #34ABDA

RGB 52 171 218

HSL 196.99, 0.69%, 0.53%

LAB 65.68, -16.9, -33.05

 

CMYK 41 / 76 / 0 / 15

HEX #8134D9

RGB 129 52 217

HSL 268, 0.68%, 0.53%

LAB 41.43, 63.17, -70.92

 

CMYK 0 / 10 / 76 / 15

HEX #D9C334

RGB 217 195 52

HSL 52, 0.68%, 0.53%

LAB 78.48, -7, 69.44

 

CMYK 76 / 22 / 0 / 15

HEX #34ABDA

RGB 52 171 218

HSL 196.99, 0.69%, 0.53%

LAB 65.68, -16.9, -33.05

 

CMYK 0 / 76 / 20 / 15

HEX #D934AD

RGB 217 52 173

HSL 316, 0.68%, 0.53%

LAB 52.09, 72.85, -27.57

 

CMYK 20 / 0 / 76 / 15

HEX #ADD934

RGB 173 217 52

HSL 76, 0.68%, 0.53%

LAB 81.16, -35.94, 70.72

 

CMYK 76 / 22 / 0 / 15

HEX #34ABDA

RGB 52 171 218

HSL 196.99, 0.69%, 0.53%

LAB 65.68, -16.9, -33.05

 

CMYK 41 / 76 / 0 / 15

HEX #8134D9

RGB 129 52 217

HSL 268, 0.68%, 0.53%

LAB 41.43, 63.17, -70.92

 

CMYK 0 / 56 / 76 / 15

HEX #D96034

RGB 217 96 52

HSL 16, 0.68%, 0.53%

LAB 55.45, 44.94, 47.09

 

CMYK 35 / 0 / 76 / 15

HEX #8CD934

RGB 140 217 52

HSL 88, 0.68%, 0.53%

LAB 79.3, -48.18, 68.31

 

CMYK 76 / 22 / 0 / 15

HEX #34ABDA

RGB 52 171 218

HSL 196.99, 0.69%, 0.53%

LAB 65.68, -16.9, -33.05

 

CMYK 18 / 76 / 0 / 15

HEX #B334D9

RGB 179 52 217

HSL 286.18, 0.68%, 0.53%

LAB 48.32, 71.82, -59.41

 

CMYK 0 / 56 / 76 / 15

HEX #D96034

RGB 217 96 52

HSL 16, 0.68%, 0.53%

LAB 55.45, 44.94, 47.09

 

CMYK 58 / 0 / 76 / 15

HEX #5BD934

RGB 91 217 52

HSL 105.82, 0.68%, 0.53%

LAB 77.34, -62.85, 65.75

 

Description

Color code: RGB 52 171 218 | qconv.com Color code: RGB 52 171 218 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 171 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 171 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 22 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 22% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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