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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 161 212 it is the complementary color RGB 203 94 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 161 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 161 212 shade: RGB 57 161 207, RGB 74 179 226, RGB 91 197 245, RGB 108 215 255 and RGB 125 233 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 161 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 161 212 shade: RGB 52 161 212, RGB 35 143 193, RGB 18 125 174, RGB 1 107 155 and RGB 0 89 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 161 212 shade: RGB 53 161 212, RGB 53 118 212, RGB 53 75 212, RGB 73 53 212 and RGB 116 53 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 161 212 shade: RGB 53 161 212, RGB 53 118 212, RGB 53 75 212 and RGB 53 53 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 161 212 shade matches the following richer shades: RGB 53 161 212, RGB 33 168 231 and RGB 13 175 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 161 212 shade: RGB 53 161 212, RGB 72 154 192, RGB 92 147 172, RGB 112 139 152 and RGB 132 132 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 161 212 shade: RGB 53 212 177, RGB 53 204 212, RGB 53 161 212, RGB 53 119 212 and RGB 53 76 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 161 212 shade: RGB 31 112 150, RGB 39 138 184, RGB 53 161 212, RGB 87 177 219 and RGB 121 192 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 161 212 shade: RGB 52 161 212, RGB 135 53 212 and RGB 212 198 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 161 212 shade: RGB 52 161 212, RGB 212 53 161 and RGB 161 212 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 161 212 shade: RGB 52 161 212, RGB 135 53 212, RGB 212 103 53 and RGB 129 212 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 161 212 shade: RGB 52 161 212, RGB 182 53 212, RGB 212 103 53 and RGB 82 212 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 24 / 0 / 17

HEX #34A1D4

RGB 52 161 212

HSL 199.13, 0.65%, 0.52%

LAB 62.49, -13.54, -34.7

 

Complementary color

CMYK 0 / 54 / 79 / 20

HEX #CB5E2B

RGB 203 94 43

HSL 19.13, 0.65%, 0.48%

LAB 52.81, 40.26, 48.08

 

CMYK 72 / 22 / 0 / 19

HEX #39A1CF

RGB 57 161 207

HSL 198.4, 0.61%, 0.52%

LAB 62.39, -14.6, -32.05

 

CMYK 67 / 21 / 0 / 11

HEX #4AB3E2

RGB 74 179 226

HSL 198.55, 0.72%, 0.59%

LAB 68.89, -15.64, -32.44

 

CMYK 63 / 20 / 0 / 4

HEX #5BC5F5

RGB 91 197 245

HSL 198.7, 0.89%, 0.66%

LAB 75.3, -16.45, -32.79

 

CMYK 58 / 16 / 0 / 0

HEX #6CD7FF

RGB 108 215 255

HSL 196.33, 1%, 0.71%

LAB 81.3, -19.74, -28.86

 

CMYK 51 / 9 / 0 / 0

HEX #7DE9FF

RGB 125 233 255

HSL 190.15, 1%, 0.75%

LAB 86.93, -25.37, -20.23

 

CMYK 75 / 24 / 0 / 17

HEX #34A1D4

RGB 52 161 212

HSL 199.13, 0.65%, 0.52%

LAB 62.49, -13.54, -34.7

 

CMYK 82 / 26 / 0 / 24

HEX #238FC1

RGB 35 143 193

HSL 198.99, 0.69%, 0.45%

LAB 55.94, -11.99, -34.27

 

CMYK 90 / 28 / 0 / 32

HEX #127DAE

RGB 18 125 174

HSL 198.85, 0.81%, 0.38%

LAB 49.32, -10, -33.77

 

CMYK 99 / 31 / 0 / 39

HEX #016B9B

RGB 1 107 155

HSL 198.7, 0.99%, 0.31%

LAB 42.59, -7.53, -33.19

 

CMYK 100 / 35 / 0 / 47

HEX #005988

RGB 0 89 136

HSL 200.74, 1%, 0.27%

LAB 35.83, -4.15, -32.43

 

CMYK 75 / 24 / 0 / 17

HEX #35A1D4

RGB 53 161 212

HSL 199.25, 0.65%, 0.52%

LAB 62.51, -13.42, -34.67

 

CMYK 75 / 44 / 0 / 17

HEX #3576D4

RGB 53 118 212

HSL 215.47, 0.65%, 0.52%

LAB 50.06, 11.82, -54.34

 

CMYK 75 / 65 / 0 / 17

HEX #354BD4

RGB 53 75 212

HSL 231.7, 0.65%, 0.52%

LAB 38.8, 39.11, -72.6

 

CMYK 66 / 75 / 0 / 17

HEX #4935D4

RGB 73 53 212

HSL 247.55, 0.65%, 0.52%

LAB 35.43, 53.84, -78.1

 

CMYK 45 / 75 / 0 / 17

HEX #7435D4

RGB 116 53 212

HSL 263.77, 0.65%, 0.52%

LAB 39.6, 59.5, -71.09

 

CMYK 75 / 24 / 0 / 17

HEX #35A1D4

RGB 53 161 212

HSL 199.25, 0.65%, 0.52%

LAB 62.51, -13.42, -34.67

 

CMYK 75 / 44 / 0 / 17

HEX #3576D4

RGB 53 118 212

HSL 215.47, 0.65%, 0.52%

LAB 50.06, 11.82, -54.34

 

CMYK 75 / 65 / 0 / 17

HEX #354BD4

RGB 53 75 212

HSL 231.7, 0.65%, 0.52%

LAB 38.8, 39.11, -72.6

 

CMYK 75 / 75 / 0 / 17

HEX #3535D4

RGB 53 53 212

HSL 240, 0.65%, 0.52%

LAB 34.1, 51.98, -80.34

 

CMYK 75 / 24 / 0 / 17

HEX #35A1D4

RGB 53 161 212

HSL 199.25, 0.65%, 0.52%

LAB 62.51, -13.42, -34.67

 

CMYK 86 / 27 / 0 / 9

HEX #21A8E7

RGB 33 168 231

HSL 199.09, 0.8%, 0.52%

LAB 65.04, -12.5, -41.23

 

CMYK 95 / 30 / 0 / 2

HEX #0DAFFB

RGB 13 175 251

HSL 199.16, 0.97%, 0.52%

LAB 67.81, -10.14, -47.82

 

CMYK 75 / 24 / 0 / 17

HEX #35A1D4

RGB 53 161 212

HSL 199.25, 0.65%, 0.52%

LAB 62.51, -13.42, -34.67

 

CMYK 63 / 20 / 0 / 25

HEX #489AC0

RGB 72 154 192

HSL 199, 0.49%, 0.52%

LAB 60.15, -13.35, -27.09

 

CMYK 47 / 15 / 0 / 33

HEX #5C93AC

RGB 92 147 172

HSL 198.75, 0.33%, 0.52%

LAB 58.15, -11.27, -18.77

 

CMYK 26 / 9 / 0 / 40

HEX #708B98

RGB 112 139 152

HSL 199.5, 0.16%, 0.52%

LAB 56.26, -6.45, -10.07

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 75 / 0 / 17 / 17

HEX #35D4B1

RGB 53 212 177

HSL 166.79, 0.65%, 0.52%

LAB 76.69, -48.29, 5.81

 

CMYK 75 / 4 / 0 / 17

HEX #35CCD4

RGB 53 204 212

HSL 183.02, 0.65%, 0.52%

LAB 75.26, -35.18, -15.14

 

CMYK 75 / 24 / 0 / 17

HEX #35A1D4

RGB 53 161 212

HSL 199.25, 0.65%, 0.52%

LAB 62.51, -13.42, -34.67

 

CMYK 75 / 44 / 0 / 17

HEX #3577D4

RGB 53 119 212

HSL 215.09, 0.65%, 0.52%

LAB 50.34, 11.2, -53.89

 

CMYK 75 / 64 / 0 / 17

HEX #354CD4

RGB 53 76 212

HSL 231.32, 0.65%, 0.52%

LAB 39.03, 38.49, -72.22

 

CMYK 79 / 25 / 0 / 41

HEX #1F7096

RGB 31 112 150

HSL 199.16, 0.66%, 0.35%

LAB 44.35, -10.25, -27.45

 

CMYK 79 / 25 / 0 / 28

HEX #278AB8

RGB 39 138 184

HSL 199.03, 0.65%, 0.44%

LAB 54.1, -11.99, -32.01

 

CMYK 75 / 24 / 0 / 17

HEX #35A1D4

RGB 53 161 212

HSL 199.25, 0.65%, 0.52%

LAB 62.51, -13.42, -34.67

 

CMYK 60 / 19 / 0 / 14

HEX #57B1DB

RGB 87 177 219

HSL 199.09, 0.65%, 0.6%

LAB 68.45, -14.59, -29.25

 

CMYK 46 / 15 / 0 / 11

HEX #79C0E2

RGB 121 192 226

HSL 199.43, 0.64%, 0.68%

LAB 74.35, -13.32, -23.89

 

CMYK 75 / 24 / 0 / 17

HEX #34A1D4

RGB 52 161 212

HSL 199.13, 0.65%, 0.52%

LAB 62.49, -13.54, -34.7

 

CMYK 36 / 75 / 0 / 17

HEX #8735D4

RGB 135 53 212

HSL 270.94, 0.65%, 0.52%

LAB 41.92, 62.58, -67.2

 

CMYK 0 / 7 / 75 / 17

HEX #D4C635

RGB 212 198 53

HSL 54.72, 0.65%, 0.52%

LAB 78.83, -10.63, 69.28

 

CMYK 75 / 24 / 0 / 17

HEX #34A1D4

RGB 52 161 212

HSL 199.13, 0.65%, 0.52%

LAB 62.49, -13.54, -34.7

 

CMYK 0 / 75 / 24 / 17

HEX #D435A1

RGB 212 53 161

HSL 319.25, 0.65%, 0.52%

LAB 50.82, 69.86, -22.53

 

CMYK 24 / 0 / 75 / 17

HEX #A1D435

RGB 161 212 53

HSL 79.25, 0.65%, 0.52%

LAB 79, -38.29, 68.11

 

CMYK 75 / 24 / 0 / 17

HEX #34A1D4

RGB 52 161 212

HSL 199.13, 0.65%, 0.52%

LAB 62.49, -13.54, -34.7

 

CMYK 36 / 75 / 0 / 17

HEX #8735D4

RGB 135 53 212

HSL 270.94, 0.65%, 0.52%

LAB 41.92, 62.58, -67.2

 

CMYK 0 / 51 / 75 / 17

HEX #D46735

RGB 212 103 53

HSL 18.87, 0.65%, 0.52%

LAB 56.04, 39.63, 46.97

 

CMYK 39 / 0 / 75 / 17

HEX #81D435

RGB 129 212 53

HSL 91.32, 0.65%, 0.52%

LAB 77.29, -49.83, 65.88

 

CMYK 75 / 24 / 0 / 17

HEX #34A1D4

RGB 52 161 212

HSL 199.13, 0.65%, 0.52%

LAB 62.49, -13.54, -34.7

 

CMYK 14 / 75 / 0 / 17

HEX #B635D4

RGB 182 53 212

HSL 288.68, 0.65%, 0.52%

LAB 48.57, 71.15, -56.13

 

CMYK 0 / 51 / 75 / 17

HEX #D46735

RGB 212 103 53

HSL 18.87, 0.65%, 0.52%

LAB 56.04, 39.63, 46.97

 

CMYK 61 / 0 / 75 / 17

HEX #52D435

RGB 82 212 53

HSL 109.06, 0.65%, 0.52%

LAB 75.54, -63.19, 63.57

 

Description

Color code: RGB 52 161 212 | qconv.com Color code: RGB 52 161 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 161 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 161 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 24 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 24% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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