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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 137 141 it is the complementary color RGB 203 118 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 137 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 137 141 shade: RGB 57 137 136, RGB 74 155 155, RGB 91 173 174, RGB 108 191 193 and RGB 125 209 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 137 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 35 119 122, RGB 18 101 103, RGB 1 83 84 and RGB 0 65 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 52 113 141, RGB 52 89 141, RGB 52 65 141 and RGB 63 52 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 52 113 141, RGB 52 89 141, RGB 52 65 141 and RGB 52 52 141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 137 141 shade matches the following richer shades: RGB 52 137 141, RGB 36 151 157, RGB 20 165 172 and RGB 5 180 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 68 123 125, RGB 83 108 110, RGB 99 94 94 and RGB 115 80 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 137 141 shade: RGB 52 141 96, RGB 52 141 120, RGB 52 138 141, RGB 52 114 141 and RGB 52 90 141

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 137 141 shade: RGB 30 78 81, RGB 41 108 111, RGB 52 137 141, RGB 63 166 171 and RGB 84 187 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 73 52 141 and RGB 141 108 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 141 52 138 and RGB 138 141 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 73 52 141, RGB 141 55 52 and RGB 120 141 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 137 141 shade: RGB 52 137 141, RGB 99 52 141, RGB 141 55 52 and RGB 93 141 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

Complementary color

CMYK 0 / 42 / 44 / 20

HEX #CB7672

RGB 203 118 114

HSL 2.7, 0.46%, 0.62%

LAB 58.85, 32.8, 16.7

 

CMYK 58 / 0 / 1 / 46

HEX #398988

RGB 57 137 136

HSL 179.25, 0.41%, 0.38%

LAB 52.44, -24.34, -6.81

 

CMYK 52 / 0 / 0 / 39

HEX #4A9B9B

RGB 74 155 155

HSL 180, 0.35%, 0.45%

LAB 59.22, -24.55, -7.57

 

CMYK 48 / 1 / 0 / 32

HEX #5BADAE

RGB 91 173 174

HSL 180.72, 0.34%, 0.52%

LAB 65.88, -24.66, -8.26

 

CMYK 44 / 1 / 0 / 24

HEX #6CBFC1

RGB 108 191 193

HSL 181.41, 0.41%, 0.59%

LAB 72.43, -24.69, -8.9

 

CMYK 41 / 1 / 0 / 17

HEX #7DD1D4

RGB 125 209 212

HSL 182.07, 0.5%, 0.66%

LAB 78.88, -24.69, -9.5

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 71 / 2 / 0 / 52

HEX #23777A

RGB 35 119 122

HSL 182.07, 0.55%, 0.31%

LAB 45.57, -23.21, -8.89

 

CMYK 83 / 2 / 0 / 60

HEX #126567

RGB 18 101 103

HSL 181.41, 0.7%, 0.24%

LAB 38.58, -22.22, -7.93

 

CMYK 99 / 1 / 0 / 67

HEX #015354

RGB 1 83 84

HSL 180.72, 0.98%, 0.17%

LAB 31.42, -20.81, -6.81

 

CMYK 100 / 0 / 0 / 75

HEX #004141

RGB 0 65 65

HSL 180, 1%, 0.13%

LAB 24.2, -18.04, -5.31

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 63 / 20 / 0 / 45

HEX #34718D

RGB 52 113 141

HSL 198.88, 0.46%, 0.38%

LAB 44.89, -10.73, -21.21

 

CMYK 63 / 37 / 0 / 45

HEX #34598D

RGB 52 89 141

HSL 215.06, 0.46%, 0.38%

LAB 37.48, 3.92, -32.78

 

CMYK 63 / 54 / 0 / 45

HEX #34418D

RGB 52 65 141

HSL 231.24, 0.46%, 0.38%

LAB 30.48, 19.81, -43.96

 

CMYK 55 / 63 / 0 / 45

HEX #3F348D

RGB 63 52 141

HSL 247.42, 0.46%, 0.38%

LAB 27.94, 30.5, -48.03

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 63 / 20 / 0 / 45

HEX #34718D

RGB 52 113 141

HSL 198.88, 0.46%, 0.38%

LAB 44.89, -10.73, -21.21

 

CMYK 63 / 37 / 0 / 45

HEX #34598D

RGB 52 89 141

HSL 215.06, 0.46%, 0.38%

LAB 37.48, 3.92, -32.78

 

CMYK 63 / 54 / 0 / 45

HEX #34418D

RGB 52 65 141

HSL 231.24, 0.46%, 0.38%

LAB 30.48, 19.81, -43.96

 

CMYK 63 / 63 / 0 / 45

HEX #34348D

RGB 52 52 141

HSL 240, 0.46%, 0.38%

LAB 27.04, 28.47, -49.54

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 77 / 4 / 0 / 38

HEX #24979D

RGB 36 151 157

HSL 182.98, 0.63%, 0.38%

LAB 57.02, -28.25, -12.11

 

CMYK 88 / 4 / 0 / 33

HEX #14A5AC

RGB 20 165 172

HSL 182.76, 0.79%, 0.38%

LAB 61.69, -31.68, -13.6

 

CMYK 97 / 4 / 0 / 26

HEX #05B4BC

RGB 5 180 188

HSL 182.62, 0.95%, 0.38%

LAB 66.75, -34.38, -14.89

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 46 / 2 / 0 / 51

HEX #447B7D

RGB 68 123 125

HSL 182.11, 0.3%, 0.38%

LAB 48.1, -17.58, -6.78

 

CMYK 25 / 2 / 0 / 57

HEX #536C6E

RGB 83 108 110

HSL 184.44, 0.14%, 0.38%

LAB 43.78, -8.66, -4.14

 

CMYK 0 / 5 / 5 / 61

HEX #635E5E

RGB 99 94 94

HSL 0, 0.03%, 0.38%

LAB 40.35, 1.99, 0.71

 

CMYK 0 / 30 / 32 / 55

HEX #73504E

RGB 115 80 78

HSL 3.24, 0.19%, 0.38%

LAB 37.72, 14.41, 7.05

 

CMYK 63 / 0 / 32 / 45

HEX #348D60

RGB 52 141 96

HSL 149.66, 0.46%, 0.38%

LAB 52.54, -37.45, 16.36

 

CMYK 63 / 0 / 15 / 45

HEX #348D78

RGB 52 141 120

HSL 165.84, 0.46%, 0.38%

LAB 53.1, -31.71, 3.41

 

CMYK 63 / 2 / 0 / 45

HEX #348A8D

RGB 52 138 141

HSL 182.02, 0.46%, 0.38%

LAB 52.76, -24.33, -9.25

 

CMYK 63 / 19 / 0 / 45

HEX #34728D

RGB 52 114 141

HSL 198.2, 0.46%, 0.38%

LAB 45.2, -11.31, -20.73

 

CMYK 63 / 36 / 0 / 45

HEX #345A8D

RGB 52 90 141

HSL 214.38, 0.46%, 0.38%

LAB 37.78, 3.28, -32.31

 

CMYK 63 / 4 / 0 / 68

HEX #1E4E51

RGB 30 78 81

HSL 183.53, 0.46%, 0.22%

LAB 30.2, -15.04, -6.66

 

CMYK 63 / 3 / 0 / 56

HEX #296C6F

RGB 41 108 111

HSL 182.57, 0.46%, 0.3%

LAB 41.76, -19.83, -7.98

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 63 / 3 / 0 / 33

HEX #3FA6AB

RGB 63 166 171

HSL 182.78, 0.46%, 0.46%

LAB 62.73, -27.63, -11.38

 

CMYK 56 / 2 / 0 / 25

HEX #54BBBF

RGB 84 187 191

HSL 182.24, 0.46%, 0.54%

LAB 70.31, -28.47, -11.07

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 48 / 63 / 0 / 45

HEX #49348D

RGB 73 52 141

HSL 254.16, 0.46%, 0.38%

LAB 28.89, 32.56, -46.45

 

CMYK 0 / 23 / 63 / 45

HEX #8D6C34

RGB 141 108 52

HSL 37.75, 0.46%, 0.38%

LAB 47.8, 6.54, 35.77

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 0 / 63 / 2 / 45

HEX #8D348A

RGB 141 52 138

HSL 302.02, 0.46%, 0.38%

LAB 37.76, 48.88, -29.91

 

CMYK 2 / 0 / 63 / 45

HEX #8A8D34

RGB 138 141 52

HSL 62.02, 0.46%, 0.38%

LAB 56.78, -13.25, 45.64

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 48 / 63 / 0 / 45

HEX #49348D

RGB 73 52 141

HSL 254.16, 0.46%, 0.38%

LAB 28.89, 32.56, -46.45

 

CMYK 0 / 61 / 63 / 45

HEX #8D3734

RGB 141 55 52

HSL 2.02, 0.46%, 0.38%

LAB 35.29, 36.35, 20.67

 

CMYK 15 / 0 / 63 / 45

HEX #788D34

RGB 120 141 52

HSL 74.16, 0.46%, 0.38%

LAB 55.37, -21.08, 43.7

 

CMYK 63 / 3 / 0 / 45

HEX #34898D

RGB 52 137 141

HSL 182.7, 0.46%, 0.38%

LAB 52.45, -23.82, -9.72

 

CMYK 30 / 63 / 0 / 45

HEX #63348D

RGB 99 52 141

HSL 271.69, 0.46%, 0.38%

LAB 31.88, 38.62, -41.48

 

CMYK 0 / 61 / 63 / 45

HEX #8D3734

RGB 141 55 52

HSL 2.02, 0.46%, 0.38%

LAB 35.29, 36.35, 20.67

 

CMYK 34 / 0 / 63 / 45

HEX #5D8D34

RGB 93 141 52

HSL 92.36, 0.46%, 0.38%

LAB 53.63, -31.98, 41.28

 

Description

Color code: RGB 52 137 141 | qconv.com Color code: RGB 52 137 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 137 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 137 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 3 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 3% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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