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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 133 30 it is the complementary color RGB 203 122 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 133 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 133 30 shade: RGB 57 133 25, RGB 74 151 44, RGB 91 169 63, RGB 108 187 82 and RGB 125 205 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 133 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 35 115 11, RGB 18 97 0, RGB 1 79 0 and RGB 0 61 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 79 133 30, RGB 107 133 30, RGB 133 130 30 and RGB 133 102 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 30 133 35, RGB 30 133 63, RGB 30 133 91 and RGB 30 133 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 133 30 shade matches the following richer shades: RGB 52 133 30, RGB 44 146 16 and RGB 37 159 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 59 119 43, RGB 67 106 56, RGB 74 93 69 and RGB 82 80 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 133 30 shade: RGB 107 133 30, RGB 79 133 30, RGB 52 133 30, RGB 30 133 35 and RGB 30 133 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 133 30 shade: RGB 25 65 14, RGB 38 99 22, RGB 52 133 30, RGB 65 166 37 and RGB 78 200 45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 30 133 131 and RGB 133 30 93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 30 52 133 and RGB 133 30 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 30 133 131, RGB 110 30 133 and RGB 133 30 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 133 30 shade: RGB 52 133 30, RGB 30 103 133, RGB 110 30 133 and RGB 133 59 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

Complementary color

CMYK 10 / 46 / 0 / 12

HEX #CB7AE1

RGB 203 122 225

HSL 287.18, 0.63%, 0.68%

LAB 63.39, 48.03, -39.79

 

CMYK 57 / 0 / 81 / 48

HEX #398519

RGB 57 133 25

HSL 102.22, 0.68%, 0.31%

LAB 49.15, -42.82, 46.97

 

CMYK 51 / 0 / 71 / 41

HEX #4A972C

RGB 74 151 44

HSL 103.18, 0.55%, 0.38%

LAB 55.86, -43.52, 46.89

 

CMYK 46 / 0 / 63 / 34

HEX #5BA93F

RGB 91 169 63

HSL 104.15, 0.46%, 0.45%

LAB 62.47, -43.86, 46.11

 

CMYK 42 / 0 / 56 / 27

HEX #6CBB52

RGB 108 187 82

HSL 105.14, 0.44%, 0.53%

LAB 69, -43.97, 45.04

 

CMYK 39 / 0 / 51 / 20

HEX #7DCD65

RGB 125 205 101

HSL 106.15, 0.51%, 0.6%

LAB 75.43, -43.95, 43.86

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 70 / 0 / 90 / 55

HEX #23730B

RGB 35 115 11

HSL 106.15, 0.83%, 0.25%

LAB 42.22, -42.53, 44.35

 

CMYK 81 / 0 / 100 / 62

HEX #126100

RGB 18 97 0

HSL 108.87, 1%, 0.19%

LAB 35.36, -40.16, 41.29

 

CMYK 99 / 0 / 100 / 69

HEX #014F00

RGB 1 79 0

HSL 119.24, 1%, 0.15%

LAB 28.38, -36.7, 35.58

 

CMYK 100 / 0 / 100 / 76

HEX #003D00

RGB 0 61 0

HSL 120, 1%, 0.12%

LAB 21.35, -31.03, 28.85

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 41 / 0 / 77 / 48

HEX #4F851E

RGB 79 133 30

HSL 91.46, 0.63%, 0.32%

LAB 50.13, -35.3, 46.55

 

CMYK 20 / 0 / 77 / 48

HEX #6B851E

RGB 107 133 30

HSL 75.15, 0.63%, 0.32%

LAB 51.83, -24.08, 48.77

 

CMYK 0 / 2 / 77 / 48

HEX #85821E

RGB 133 130 30

HSL 58.25, 0.63%, 0.32%

LAB 53, -10.87, 50.61

 

CMYK 0 / 23 / 77 / 48

HEX #85661E

RGB 133 102 30

HSL 41.94, 0.63%, 0.32%

LAB 45.06, 4.96, 43.1

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 77 / 0 / 74 / 48

HEX #1E8523

RGB 30 133 35

HSL 122.91, 0.63%, 0.32%

LAB 48.48, -48.13, 42.44

 

CMYK 77 / 0 / 53 / 48

HEX #1E853F

RGB 30 133 63

HSL 139.22, 0.63%, 0.32%

LAB 48.77, -44.57, 29.53

 

CMYK 77 / 0 / 32 / 48

HEX #1E855B

RGB 30 133 91

HSL 155.53, 0.63%, 0.32%

LAB 49.26, -39.03, 14.63

 

CMYK 77 / 0 / 11 / 48

HEX #1E8577

RGB 30 133 119

HSL 171.84, 0.63%, 0.32%

LAB 49.96, -31.72, -0.64

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 70 / 0 / 89 / 43

HEX #2C9210

RGB 44 146 16

HSL 107.08, 0.8%, 0.32%

LAB 53.09, -51.15, 52.82

 

CMYK 77 / 0 / 98 / 38

HEX #259F03

RGB 37 159 3

HSL 106.92, 0.96%, 0.32%

LAB 57.27, -57.02, 58.45

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 50 / 0 / 64 / 53

HEX #3B772B

RGB 59 119 43

HSL 107.37, 0.47%, 0.32%

LAB 44.66, -34.94, 35.03

 

CMYK 37 / 0 / 47 / 58

HEX #436A38

RGB 67 106 56

HSL 106.8, 0.31%, 0.32%

LAB 40.88, -24.38, 23.75

 

CMYK 20 / 0 / 26 / 64

HEX #4A5D45

RGB 74 93 69

HSL 107.5, 0.15%, 0.32%

LAB 37.32, -12.45, 11.46

 

CMYK 1 / 4 / 0 / 67

HEX #525053

RGB 82 80 83

HSL 280, 0.02%, 0.32%

LAB 34.31, 1.46, -1.47

 

CMYK 20 / 0 / 77 / 48

HEX #6B851E

RGB 107 133 30

HSL 75.15, 0.63%, 0.32%

LAB 51.83, -24.08, 48.77

 

CMYK 41 / 0 / 77 / 48

HEX #4F851E

RGB 79 133 30

HSL 91.46, 0.63%, 0.32%

LAB 50.13, -35.3, 46.55

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 77 / 0 / 74 / 48

HEX #1E8523

RGB 30 133 35

HSL 122.91, 0.63%, 0.32%

LAB 48.48, -48.13, 42.44

 

CMYK 77 / 0 / 53 / 48

HEX #1E853E

RGB 30 133 62

HSL 138.64, 0.63%, 0.32%

LAB 48.76, -44.73, 30.04

 

CMYK 62 / 0 / 78 / 75

HEX #19410E

RGB 25 65 14

HSL 107.06, 0.65%, 0.15%

LAB 23.73, -25.18, 25.72

 

CMYK 62 / 0 / 78 / 61

HEX #266316

RGB 38 99 22

HSL 107.53, 0.64%, 0.24%

LAB 36.73, -35, 35.73

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 61 / 0 / 78 / 35

HEX #41A625

RGB 65 166 37

HSL 106.98, 0.64%, 0.4%

LAB 60.36, -52.22, 53.88

 

CMYK 61 / 0 / 78 / 22

HEX #4EC82D

RGB 78 200 45

HSL 107.23, 0.63%, 0.48%

LAB 71.63, -60.53, 62.31

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 77 / 0 / 2 / 48

HEX #1E8583

RGB 30 133 131

HSL 178.83, 0.63%, 0.32%

LAB 50.32, -28.13, -7.12

 

CMYK 0 / 77 / 30 / 48

HEX #851E5D

RGB 133 30 93

HSL 323.3, 0.63%, 0.32%

LAB 31.13, 48.49, -11.93

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 77 / 61 / 0 / 48

HEX #1E3485

RGB 30 52 133

HSL 227.18, 0.63%, 0.32%

LAB 25.03, 22.2, -47.9

 

CMYK 0 / 77 / 61 / 48

HEX #851E34

RGB 133 30 52

HSL 347.18, 0.63%, 0.32%

LAB 29.82, 44.35, 13.23

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 77 / 0 / 2 / 48

HEX #1E8583

RGB 30 133 131

HSL 178.83, 0.63%, 0.32%

LAB 50.32, -28.13, -7.12

 

CMYK 17 / 77 / 0 / 48

HEX #6E1E85

RGB 110 30 133

HSL 286.6, 0.63%, 0.32%

LAB 29.25, 49.55, -40.66

 

CMYK 0 / 77 / 77 / 48

HEX #851E1F

RGB 133 30 31

HSL 359.42, 0.63%, 0.32%

LAB 29.45, 43.13, 26.39

 

CMYK 61 / 0 / 77 / 48

HEX #34851E

RGB 52 133 30

HSL 107.18, 0.63%, 0.32%

LAB 49.01, -43.86, 45.06

 

CMYK 77 / 23 / 0 / 48

HEX #1E6785

RGB 30 103 133

HSL 197.48, 0.63%, 0.32%

LAB 40.69, -11.33, -22.97

 

CMYK 17 / 77 / 0 / 48

HEX #6E1E85

RGB 110 30 133

HSL 286.6, 0.63%, 0.32%

LAB 29.25, 49.55, -40.66

 

CMYK 0 / 56 / 77 / 48

HEX #853B1E

RGB 133 59 30

HSL 16.89, 0.63%, 0.32%

LAB 34.41, 29.8, 32.38

 

Description

Color code: RGB 52 133 30 | qconv.com Color code: RGB 52 133 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 133 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 133 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 77 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 77% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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