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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 103 44 it is the complementary color RGB 203 152 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 103 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 103 44 shade: RGB 57 103 39, RGB 74 121 58, RGB 91 139 77, RGB 108 157 96 and RGB 125 175 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 103 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 35 85 25, RGB 18 67 6, RGB 1 49 0 and RGB 0 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 68 103 44, RGB 84 103 44, RGB 100 103 44 and RGB 103 90 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 44 103 52, RGB 44 103 68, RGB 44 103 84 and RGB 44 103 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 103 44 shade matches the following richer shades: RGB 52 103 44, RGB 43 115 32, RGB 34 127 20 and RGB 26 139 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 61 91 56, RGB 69 79 68, RGB 78 67 80 and RGB 87 55 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 103 44 shade: RGB 84 103 44, RGB 69 103 44, RGB 53 103 44, RGB 44 103 51 and RGB 44 103 67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 103 44 shade: RGB 23 45 19, RGB 37 74 31, RGB 52 103 44, RGB 67 132 56 and RGB 81 161 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 44 100 103 and RGB 103 44 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 44 53 103 and RGB 103 44 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 44 100 103, RGB 94 44 103 and RGB 103 47 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 103 44 shade: RGB 52 103 44, RGB 44 82 103, RGB 94 44 103 and RGB 103 65 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

Complementary color

CMYK 4 / 28 / 0 / 17

HEX #CB98D3

RGB 203 152 211

HSL 291.86, 0.4%, 0.71%

LAB 69.37, 29.14, -22.77

 

CMYK 45 / 0 / 62 / 60

HEX #396727

RGB 57 103 39

HSL 103.13, 0.45%, 0.28%

LAB 39.1, -28.88, 30.66

 

CMYK 39 / 0 / 52 / 53

HEX #4A793A

RGB 74 121 58

HSL 104.76, 0.35%, 0.35%

LAB 46.23, -28.87, 29.39

 

CMYK 35 / 0 / 45 / 45

HEX #5B8B4D

RGB 91 139 77

HSL 106.45, 0.29%, 0.42%

LAB 53.2, -28.74, 28.07

 

CMYK 31 / 0 / 39 / 38

HEX #6C9D60

RGB 108 157 96

HSL 108.2, 0.24%, 0.5%

LAB 60.02, -28.54, 26.81

 

CMYK 29 / 0 / 34 / 31

HEX #7DAF73

RGB 125 175 115

HSL 110, 0.27%, 0.57%

LAB 66.72, -28.33, 25.61

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 59 / 0 / 71 / 67

HEX #235519

RGB 35 85 25

HSL 110, 0.55%, 0.22%

LAB 31.63, -29.72, 29.02

 

CMYK 73 / 0 / 91 / 74

HEX #124306

RGB 18 67 6

HSL 108.2, 0.84%, 0.14%

LAB 24.18, -28.79, 29.48

 

CMYK 98 / 0 / 100 / 81

HEX #013100

RGB 1 49 0

HSL 118.78, 1%, 0.1%

LAB 16.52, -26.7, 23.24

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 34 / 0 / 57 / 60

HEX #44672C

RGB 68 103 44

HSL 95.59, 0.4%, 0.29%

LAB 39.77, -24.13, 28.99

 

CMYK 18 / 0 / 57 / 60

HEX #54672C

RGB 84 103 44

HSL 79.32, 0.4%, 0.29%

LAB 40.84, -17.45, 30.53

 

CMYK 3 / 0 / 57 / 60

HEX #64672C

RGB 100 103 44

HSL 63.05, 0.4%, 0.29%

LAB 42.14, -10.24, 32.36

 

CMYK 0 / 13 / 57 / 60

HEX #675A2C

RGB 103 90 44

HSL 46.78, 0.4%, 0.29%

LAB 38.51, -1.27, 28.2

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 57 / 0 / 50 / 60

HEX #2C6734

RGB 44 103 52

HSL 128.14, 0.4%, 0.29%

LAB 38.7, -31.2, 23.02

 

CMYK 57 / 0 / 34 / 60

HEX #2C6744

RGB 44 103 68

HSL 144.41, 0.4%, 0.29%

LAB 38.99, -28.12, 14.09

 

CMYK 57 / 0 / 18 / 60

HEX #2C6754

RGB 44 103 84

HSL 160.68, 0.4%, 0.29%

LAB 39.37, -24.31, 4.96

 

CMYK 57 / 0 / 3 / 60

HEX #2C6764

RGB 44 103 100

HSL 176.95, 0.4%, 0.29%

LAB 39.84, -19.86, -4.13

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 63 / 0 / 72 / 55

HEX #2B7320

RGB 43 115 32

HSL 112.05, 0.56%, 0.29%

LAB 42.58, -39.12, 37.63

 

CMYK 73 / 0 / 84 / 50

HEX #227F14

RGB 34 127 20

HSL 112.15, 0.73%, 0.29%

LAB 46.4, -46.49, 45.71

 

CMYK 81 / 0 / 94 / 45

HEX #1A8B08

RGB 26 139 8

HSL 111.76, 0.89%, 0.29%

LAB 50.34, -52.26, 51.84

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 33 / 0 / 38 / 64

HEX #3D5B38

RGB 61 91 56

HSL 111.43, 0.24%, 0.29%

LAB 35.52, -18.86, 16.75

 

CMYK 13 / 0 / 14 / 69

HEX #454F44

RGB 69 79 68

HSL 114.55, 0.07%, 0.29%

LAB 32.42, -6.44, 5.16

 

CMYK 2 / 16 / 0 / 69

HEX #4E4350

RGB 78 67 80

HSL 290.77, 0.09%, 0.29%

LAB 29.94, 7.45, -6.06

 

CMYK 5 / 40 / 0 / 64

HEX #57375C

RGB 87 55 92

HSL 291.89, 0.25%, 0.29%

LAB 28.2, 21.33, -16.41

 

CMYK 18 / 0 / 57 / 60

HEX #54672C

RGB 84 103 44

HSL 79.32, 0.4%, 0.29%

LAB 40.84, -17.45, 30.53

 

CMYK 33 / 0 / 57 / 60

HEX #45672C

RGB 69 103 44

HSL 94.58, 0.4%, 0.29%

LAB 39.83, -23.74, 29.08

 

CMYK 49 / 0 / 57 / 60

HEX #35672C

RGB 53 103 44

HSL 110.85, 0.4%, 0.29%

LAB 38.97, -29.63, 27.85

 

CMYK 57 / 0 / 50 / 60

HEX #2C6733

RGB 44 103 51

HSL 127.12, 0.4%, 0.29%

LAB 38.68, -31.37, 23.57

 

CMYK 57 / 0 / 35 / 60

HEX #2C6743

RGB 44 103 67

HSL 143.39, 0.4%, 0.29%

LAB 38.97, -28.34, 14.65

 

CMYK 49 / 0 / 58 / 82

HEX #172D13

RGB 23 45 19

HSL 110.77, 0.41%, 0.13%

LAB 16.03, -15.24, 14.08

 

CMYK 50 / 0 / 58 / 71

HEX #254A1F

RGB 37 74 31

HSL 111.63, 0.41%, 0.21%

LAB 27.82, -23.17, 21.45

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 49 / 0 / 58 / 48

HEX #438438

RGB 67 132 56

HSL 111.32, 0.4%, 0.37%

LAB 49.47, -36.5, 34.25

 

CMYK 50 / 0 / 57 / 37

HEX #51A145

RGB 81 161 69

HSL 112.17, 0.4%, 0.45%

LAB 59.59, -42.93, 39.9

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 57 / 3 / 0 / 60

HEX #2C6467

RGB 44 100 103

HSL 183.05, 0.4%, 0.29%

LAB 38.95, -17.32, -7.3

 

CMYK 0 / 57 / 26 / 60

HEX #672C4C

RGB 103 44 76

HSL 327.46, 0.4%, 0.29%

LAB 27.32, 30.56, -7.05

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 57 / 49 / 0 / 60

HEX #2C3567

RGB 44 53 103

HSL 230.85, 0.4%, 0.29%

LAB 23.87, 12.44, -30.65

 

CMYK 0 / 57 / 49 / 60

HEX #672C35

RGB 103 44 53

HSL 350.85, 0.4%, 0.29%

LAB 26.57, 27.45, 7.21

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 57 / 3 / 0 / 60

HEX #2C6467

RGB 44 100 103

HSL 183.05, 0.4%, 0.29%

LAB 38.95, -17.32, -7.3

 

CMYK 9 / 57 / 0 / 60

HEX #5E2C67

RGB 94 44 103

HSL 290.85, 0.4%, 0.29%

LAB 27.19, 32.65, -25.04

 

CMYK 0 / 54 / 57 / 60

HEX #672F2C

RGB 103 47 44

HSL 3.05, 0.4%, 0.29%

LAB 27.01, 24.82, 13.79

 

CMYK 50 / 0 / 57 / 60

HEX #34672C

RGB 52 103 44

HSL 111.86, 0.4%, 0.29%

LAB 38.92, -29.96, 27.78

 

CMYK 57 / 20 / 0 / 60

HEX #2C5267

RGB 44 82 103

HSL 201.36, 0.4%, 0.29%

LAB 33.03, -6.81, -16.29

 

CMYK 9 / 57 / 0 / 60

HEX #5E2C67

RGB 94 44 103

HSL 290.85, 0.4%, 0.29%

LAB 27.19, 32.65, -25.04

 

CMYK 0 / 37 / 57 / 60

HEX #67412C

RGB 103 65 44

HSL 21.36, 0.4%, 0.29%

LAB 31.45, 14.02, 19.55

 

Description

Color code: RGB 52 103 44 | qconv.com Color code: RGB 52 103 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 103 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 103 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 57 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 57% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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