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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 8 197 it is the complementary color RGB 203 247 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 8 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 8 197 shade: RGB 57 8 192, RGB 74 26 211, RGB 91 44 230, RGB 108 62 249 and RGB 125 80 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 8 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 8 197 shade: RGB 52 8 197, RGB 35 0 178, RGB 18 0 159, RGB 1 0 140 and RGB 0 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 8 197 shade: RGB 51 8 195, RGB 102 8 195, RGB 153 8 195, RGB 195 8 187 and RGB 195 8 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 8 197 shade: RGB 51 8 195 and RGB 8 8 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 8 197 shade matches the following richer shades: RGB 51 8 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 8 197 shade: RGB 51 8 195, RGB 60 24 179, RGB 69 41 162, RGB 78 57 146 and RGB 87 74 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 8 197 shade: RGB 8 67 195, RGB 8 17 195, RGB 48 8 195, RGB 98 8 195 and RGB 148 8 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 8 197 shade: RGB 30 4 116, RGB 41 6 156, RGB 51 8 195, RGB 62 9 235 and RGB 88 40 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 8 197 shade: RGB 52 8 197, RGB 195 8 117 and RGB 42 195 8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 8 197 shade: RGB 52 8 197, RGB 195 48 8 and RGB 8 195 48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 8 197 shade: RGB 52 8 197, RGB 195 8 117, RGB 155 195 8 and RGB 8 195 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 8 197 shade: RGB 52 8 197, RGB 195 8 61, RGB 155 195 8 and RGB 8 195 142

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 96 / 0 / 23

HEX #3408C5

RGB 52 8 197

HSL 253.97, 0.92%, 0.4%

LAB 26.55, 64.48, -84.13

 

Complementary color

CMYK 18 / 0 / 77 / 3

HEX #CBF73A

RGB 203 247 58

HSL 73.97, 0.92%, 0.6%

LAB 91.47, -37.55, 79.18

 

CMYK 70 / 96 / 0 / 25

HEX #3908C0

RGB 57 8 192

HSL 255.98, 0.92%, 0.39%

LAB 26.3, 63.44, -81.58

 

CMYK 65 / 88 / 0 / 17

HEX #4A1AD3

RGB 74 26 211

HSL 255.57, 0.78%, 0.46%

LAB 31.57, 64.85, -83.9

 

CMYK 60 / 81 / 0 / 10

HEX #5B2CE6

RGB 91 44 230

HSL 255.16, 0.79%, 0.54%

LAB 37.37, 64.85, -85.17

 

CMYK 57 / 75 / 0 / 2

HEX #6C3EF9

RGB 108 62 249

HSL 254.76, 0.94%, 0.61%

LAB 43.47, 64.06, -85.79

 

CMYK 51 / 69 / 0 / 0

HEX #7D50FF

RGB 125 80 255

HSL 255.43, 1%, 0.66%

LAB 48.66, 59.36, -80.57

 

CMYK 74 / 96 / 0 / 23

HEX #3408C5

RGB 52 8 197

HSL 253.97, 0.92%, 0.4%

LAB 26.55, 64.48, -84.13

 

CMYK 80 / 100 / 0 / 30

HEX #2300B2

RGB 35 0 178

HSL 251.8, 1%, 0.35%

LAB 22.2, 60.92, -80.13

 

CMYK 89 / 100 / 0 / 38

HEX #12009F

RGB 18 0 159

HSL 246.79, 1%, 0.31%

LAB 18.5, 55.82, -74.81

 

CMYK 99 / 100 / 0 / 45

HEX #01008C

RGB 1 0 140

HSL 240.43, 1%, 0.27%

LAB 14.95, 50.7, -68.98

 

CMYK 100 / 100 / 0 / 53

HEX #000079

RGB 0 0 121

HSL 240, 1%, 0.24%

LAB 11.83, 45.63, -62.14

 

CMYK 74 / 96 / 0 / 24

HEX #3308C3

RGB 51 8 195

HSL 253.8, 0.92%, 0.4%

LAB 26.21, 63.94, -83.52

 

CMYK 48 / 96 / 0 / 24

HEX #6608C3

RGB 102 8 195

HSL 270.16, 0.92%, 0.4%

LAB 31.67, 67.22, -74.3

 

CMYK 22 / 96 / 0 / 24

HEX #9908C3

RGB 153 8 195

HSL 286.52, 0.92%, 0.4%

LAB 39.39, 73.17, -61.35

 

CMYK 0 / 96 / 4 / 24

HEX #C308BB

RGB 195 8 187

HSL 302.57, 0.92%, 0.4%

LAB 46.13, 78.45, -45.43

 

CMYK 0 / 96 / 30 / 24

HEX #C30889

RGB 195 8 137

HSL 318.61, 0.92%, 0.4%

LAB 43.63, 72.11, -19.43

 

CMYK 74 / 96 / 0 / 24

HEX #3308C3

RGB 51 8 195

HSL 253.8, 0.92%, 0.4%

LAB 26.21, 63.94, -83.52

 

CMYK 96 / 96 / 0 / 24

HEX #0808C3

RGB 8 8 195

HSL 240, 0.92%, 0.4%

LAB 24.21, 63.01, -86.91

 

CMYK 74 / 96 / 0 / 24

HEX #3308C3

RGB 51 8 195

HSL 253.8, 0.92%, 0.4%

LAB 26.21, 63.94, -83.52

 

CMYK 74 / 96 / 0 / 24

HEX #3308C3

RGB 51 8 195

HSL 253.8, 0.92%, 0.4%

LAB 26.21, 63.94, -83.52

 

CMYK 66 / 87 / 0 / 30

HEX #3C18B3

RGB 60 24 179

HSL 253.94, 0.76%, 0.4%

LAB 26.36, 56.01, -73.75

 

CMYK 57 / 75 / 0 / 36

HEX #4529A2

RGB 69 41 162

HSL 253.88, 0.6%, 0.4%

LAB 28.01, 44.53, -60.77

 

CMYK 47 / 61 / 0 / 43

HEX #4E3992

RGB 78 57 146

HSL 254.16, 0.44%, 0.4%

LAB 30.93, 32.13, -46.2

 

CMYK 33 / 43 / 0 / 49

HEX #574A81

RGB 87 74 129

HSL 254.18, 0.27%, 0.4%

LAB 35.02, 18.78, -29.15

 

CMYK 96 / 66 / 0 / 24

HEX #0843C3

RGB 8 67 195

HSL 221.07, 0.92%, 0.4%

LAB 34, 35.04, -70.68

 

CMYK 96 / 91 / 0 / 24

HEX #0811C3

RGB 8 17 195

HSL 237.11, 0.92%, 0.4%

LAB 24.93, 60.81, -85.71

 

CMYK 75 / 96 / 0 / 24

HEX #3008C3

RGB 48 8 195

HSL 252.83, 0.92%, 0.4%

LAB 25.99, 63.83, -83.9

 

CMYK 50 / 96 / 0 / 24

HEX #6208C3

RGB 98 8 195

HSL 268.88, 0.92%, 0.4%

LAB 31.14, 66.86, -75.19

 

CMYK 24 / 96 / 0 / 24

HEX #9408C3

RGB 148 8 195

HSL 284.92, 0.92%, 0.4%

LAB 38.57, 72.48, -62.72

 

CMYK 74 / 97 / 0 / 55

HEX #1E0474

RGB 30 4 116

HSL 253.93, 0.93%, 0.24%

LAB 13.37, 43.32, -56.28

 

CMYK 74 / 96 / 0 / 39

HEX #29069C

RGB 41 6 156

HSL 254, 0.93%, 0.32%

LAB 20.05, 53.99, -70.35

 

CMYK 74 / 96 / 0 / 24

HEX #3308C3

RGB 51 8 195

HSL 253.8, 0.92%, 0.4%

LAB 26.21, 63.94, -83.52

 

CMYK 74 / 96 / 0 / 8

HEX #3E09EB

RGB 62 9 235

HSL 254.07, 0.93%, 0.48%

LAB 32.3, 73.97, -96.51

 

CMYK 64 / 84 / 0 / 4

HEX #5828F6

RGB 88 40 246

HSL 253.98, 0.92%, 0.56%

LAB 38.28, 70.3, -92.74

 

CMYK 74 / 96 / 0 / 23

HEX #3408C5

RGB 52 8 197

HSL 253.97, 0.92%, 0.4%

LAB 26.55, 64.48, -84.13

 

CMYK 0 / 96 / 40 / 24

HEX #C30875

RGB 195 8 117

HSL 325.03, 0.92%, 0.4%

LAB 42.85, 70.08, -8.27

 

CMYK 78 / 0 / 96 / 24

HEX #2AC308

RGB 42 195 8

HSL 109.09, 0.92%, 0.4%

LAB 69.14, -67.07, 67.52

 

CMYK 74 / 96 / 0 / 23

HEX #3408C5

RGB 52 8 197

HSL 253.97, 0.92%, 0.4%

LAB 26.55, 64.48, -84.13

 

CMYK 0 / 75 / 96 / 24

HEX #C33008

RGB 195 48 8

HSL 12.83, 0.92%, 0.4%

LAB 43.85, 56.33, 53.83

 

CMYK 96 / 0 / 75 / 24

HEX #08C330

RGB 8 195 48

HSL 132.83, 0.92%, 0.4%

LAB 68.96, -68.1, 58.35

 

CMYK 74 / 96 / 0 / 23

HEX #3408C5

RGB 52 8 197

HSL 253.97, 0.92%, 0.4%

LAB 26.55, 64.48, -84.13

 

CMYK 0 / 96 / 40 / 24

HEX #C30875

RGB 195 8 117

HSL 325.03, 0.92%, 0.4%

LAB 42.85, 70.08, -8.27

 

CMYK 21 / 0 / 96 / 24

HEX #9BC308

RGB 155 195 8

HSL 72.83, 0.92%, 0.4%

LAB 73.56, -34.32, 72.91

 

CMYK 96 / 0 / 56 / 24

HEX #08C356

RGB 8 195 86

HSL 145.03, 0.92%, 0.4%

LAB 69.29, -63.97, 42.96

 

CMYK 74 / 96 / 0 / 23

HEX #3408C5

RGB 52 8 197

HSL 253.97, 0.92%, 0.4%

LAB 26.55, 64.48, -84.13

 

CMYK 0 / 96 / 69 / 24

HEX #C3083D

RGB 195 8 61

HSL 342.99, 0.92%, 0.4%

LAB 41.39, 66.14, 24.95

 

CMYK 21 / 0 / 96 / 24

HEX #9BC308

RGB 155 195 8

HSL 72.83, 0.92%, 0.4%

LAB 73.56, -34.32, 72.91

 

CMYK 96 / 0 / 27 / 24

HEX #08C38E

RGB 8 195 142

HSL 162.99, 0.92%, 0.4%

LAB 70.2, -53.35, 15.34

 

Description

Color code: RGB 52 8 197 | qconv.com Color code: RGB 52 8 197 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 8 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 8 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 96 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 96% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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