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Color name
RGB 52 42 33

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 42 33 it is the complementary color RGB 203 213 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 42 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 42 33 shade: RGB 57 42 28, RGB 74 60 47, RGB 91 78 66, RGB 108 96 85 and RGB 125 114 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 42 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 35 24 14, RGB 18 6 0 and RGB 1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 52 37 33 and RGB 52 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 52 47 33, RGB 52 52 33, RGB 47 52 33 and RGB 42 52 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 42 33 shade matches the following richer shades: RGB 52 42 33, RGB 59 42 26, RGB 66 42 19, RGB 73 41 12 and RGB 80 41 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 45 43 40, RGB 38 43 47, RGB 31 43 54 and RGB 24 44 61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 42 33 shade: RGB 52 33 35, RGB 52 37 33, RGB 52 42 33, RGB 52 47 33 and RGB 52 52 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 52 42 33 shade: RGB 2 2 1, RGB 27 22 17, RGB 52 42 33, RGB 78 63 49 and RGB 103 83 65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 40 52 33 and RGB 35 33 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 33 52 42 and RGB 42 33 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 40 52 33, RGB 33 43 52 and RGB 46 33 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 42 33 shade: RGB 52 42 33, RGB 34 52 33, RGB 33 43 52 and RGB 52 33 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

Complementary color

CMYK 9 / 4 / 0 / 13

HEX #CBD5DE

RGB 203 213 222

HSL 208.42, 0.22%, 0.83%

LAB 84.77, -1.64, -5.6

 

CMYK 0 / 26 / 51 / 78

HEX #392A1C

RGB 57 42 28

HSL 28.97, 0.34%, 0.17%

LAB 18.41, 4.72, 11.82

 

CMYK 0 / 19 / 36 / 71

HEX #4A3C2F

RGB 74 60 47

HSL 28.89, 0.22%, 0.24%

LAB 26.43, 3.88, 10.34

 

CMYK 0 / 14 / 27 / 64

HEX #5B4E42

RGB 91 78 66

HSL 28.8, 0.16%, 0.31%

LAB 34.12, 3.29, 9.11

 

CMYK 0 / 11 / 21 / 58

HEX #6C6055

RGB 108 96 85

HSL 28.7, 0.12%, 0.38%

LAB 41.55, 2.83, 8.04

 

CMYK 0 / 9 / 17 / 51

HEX #7D7268

RGB 125 114 104

HSL 28.57, 0.09%, 0.45%

LAB 48.75, 2.46, 7.08

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 0 / 31 / 60 / 86

HEX #23180E

RGB 35 24 14

HSL 28.57, 0.43%, 0.1%

LAB 9.34, 3.85, 8.11

 

CMYK 0 / 67 / 100 / 93

HEX #120600

RGB 18 6 0

HSL 20, 1%, 0.04%

LAB 2.34, 2.81, 3.55

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 0 / 29 / 37 / 80

HEX #342521

RGB 52 37 33

HSL 12.63, 0.22%, 0.17%

LAB 16.32, 6.4, 5.42

 

CMYK 0 / 37 / 37 / 80

HEX #342121

RGB 52 33 33

HSL 0, 0.22%, 0.17%

LAB 15.1, 9.17, 3.71

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 0 / 10 / 37 / 80

HEX #342F21

RGB 52 47 33

HSL 44.21, 0.22%, 0.17%

LAB 19.53, -0.44, 9.83

 

CMYK 0 / 0 / 37 / 80

HEX #343421

RGB 52 52 33

HSL 60, 0.22%, 0.17%

LAB 21.19, -3.74, 12.06

 

CMYK 10 / 0 / 37 / 80

HEX #2F3421

RGB 47 52 33

HSL 75.79, 0.22%, 0.17%

LAB 20.71, -6.16, 11.33

 

CMYK 19 / 0 / 37 / 80

HEX #2A3421

RGB 42 52 33

HSL 91.58, 0.22%, 0.17%

LAB 20.27, -8.51, 10.67

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 0 / 29 / 56 / 77

HEX #3B2A1A

RGB 59 42 26

HSL 29.09, 0.39%, 0.17%

LAB 18.63, 5.49, 13.5

 

CMYK 0 / 36 / 71 / 74

HEX #422A13

RGB 66 42 19

HSL 29.36, 0.55%, 0.17%

LAB 19.48, 8.39, 19.29

 

CMYK 0 / 44 / 84 / 71

HEX #49290C

RGB 73 41 12

HSL 28.52, 0.72%, 0.17%

LAB 20.16, 12.17, 24.14

 

CMYK 0 / 49 / 94 / 69

HEX #502905

RGB 80 41 5

HSL 28.8, 0.88%, 0.17%

LAB 21.22, 15.35, 28.52

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 0 / 4 / 11 / 82

HEX #2D2B28

RGB 45 43 40

HSL 36, 0.06%, 0.17%

LAB 17.64, 0.23, 2.27

 

CMYK 19 / 9 / 0 / 82

HEX #262B2F

RGB 38 43 47

HSL 206.67, 0.11%, 0.17%

LAB 17.2, -1.14, -3.34

 

CMYK 43 / 20 / 0 / 79

HEX #1F2B36

RGB 31 43 54

HSL 208.7, 0.27%, 0.17%

LAB 16.92, -1.71, -8.72

 

CMYK 61 / 28 / 0 / 76

HEX #182C3D

RGB 24 44 61

HSL 207.57, 0.44%, 0.17%

LAB 17.14, -2.12, -13.28

 

CMYK 0 / 37 / 33 / 80

HEX #342123

RGB 52 33 35

HSL 353.68, 0.22%, 0.17%

LAB 15.16, 9.52, 2.36

 

CMYK 0 / 29 / 37 / 80

HEX #342521

RGB 52 37 33

HSL 12.63, 0.22%, 0.17%

LAB 16.32, 6.4, 5.42

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 0 / 10 / 37 / 80

HEX #342F21

RGB 52 47 33

HSL 44.21, 0.22%, 0.17%

LAB 19.53, -0.44, 9.83

 

CMYK 0 / 0 / 37 / 80

HEX #343421

RGB 52 52 33

HSL 60, 0.22%, 0.17%

LAB 21.19, -3.74, 12.06

 

CMYK 0 / 0 / 50 / 99

HEX #020201

RGB 2 2 1

HSL 60, 0.33%, 0.01%

LAB 0.53, -0.14, 0.38

 

CMYK 0 / 19 / 37 / 89

HEX #1B1611

RGB 27 22 17

HSL 30, 0.23%, 0.09%

LAB 7.65, 1.42, 3.9

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 0 / 19 / 37 / 69

HEX #4E3F31

RGB 78 63 49

HSL 28.97, 0.23%, 0.25%

LAB 27.84, 4.14, 11.04

 

CMYK 0 / 19 / 37 / 60

HEX #675341

RGB 103 83 65

HSL 28.42, 0.23%, 0.33%

LAB 36.84, 5.42, 13.68

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 23 / 0 / 37 / 80

HEX #283421

RGB 40 52 33

HSL 97.89, 0.22%, 0.17%

LAB 20.11, -9.42, 10.42

 

CMYK 33 / 37 / 0 / 80

HEX #232134

RGB 35 33 52

HSL 246.32, 0.22%, 0.17%

LAB 13.79, 6.28, -12.1

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 37 / 0 / 19 / 80

HEX #21342A

RGB 33 52 42

HSL 148.42, 0.22%, 0.17%

LAB 19.83, -10.38, 3.89

 

CMYK 19 / 37 / 0 / 80

HEX #2A2134

RGB 42 33 52

HSL 268.42, 0.22%, 0.17%

LAB 14.56, 9, -10.85

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 23 / 0 / 37 / 80

HEX #283421

RGB 40 52 33

HSL 97.89, 0.22%, 0.17%

LAB 20.11, -9.42, 10.42

 

CMYK 37 / 17 / 0 / 80

HEX #212B34

RGB 33 43 52

HSL 208.42, 0.22%, 0.17%

LAB 16.98, -1.63, -7.21

 

CMYK 12 / 37 / 0 / 80

HEX #2E2134

RGB 46 33 52

HSL 281.05, 0.22%, 0.17%

LAB 15.04, 10.62, -10.06

 

CMYK 0 / 19 / 37 / 80

HEX #342A21

RGB 52 42 33

HSL 28.42, 0.22%, 0.17%

LAB 17.9, 2.95, 7.61

 

CMYK 35 / 0 / 37 / 80

HEX #223421

RGB 34 52 33

HSL 116.84, 0.22%, 0.17%

LAB 19.66, -12.05, 9.74

 

CMYK 37 / 17 / 0 / 80

HEX #212B34

RGB 33 43 52

HSL 208.42, 0.22%, 0.17%

LAB 16.98, -1.63, -7.21

 

CMYK 0 / 37 / 0 / 80

HEX #342134

RGB 52 33 52

HSL 300, 0.22%, 0.17%

LAB 15.83, 13.07, -8.78

 

Description

Color code: RGB 52 42 33 | qconv.com Color code: RGB 52 42 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 42 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 42 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 37 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 37% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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