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Color name
RGB 52 42 29

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 42 29 it is the complementary color RGB 203 213 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 42 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 52 42 29 shade: RGB 57 42 24, RGB 74 60 43, RGB 91 78 62, RGB 108 96 81 and RGB 125 114 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 42 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 35 24 10, RGB 18 6 0 and RGB 1 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 52 36 29, RGB 52 29 29 and RGB 52 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 52 48 29, RGB 49 52 29, RGB 43 52 29 and RGB 37 52 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 52 42 29 shade matches the following richer shades: RGB 52 42 29, RGB 58 43 22, RGB 65 44 16, RGB 72 44 9 and RGB 78 45 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 45 41 35, RGB 39 40 42, RGB 32 39 49 and RGB 25 38 55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 52 42 29 shade: RGB 52 29 29, RGB 52 35 29, RGB 52 41 29, RGB 52 48 29 and RGB 50 52 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 35 52 29 and RGB 32 29 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 29 52 41 and RGB 41 29 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 35 52 29, RGB 29 39 52 and RGB 46 29 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 52 42 29 shade: RGB 52 42 29, RGB 29 52 30, RGB 29 39 52 and RGB 52 29 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

Complementary color

CMYK 10 / 6 / 0 / 11

HEX #CBD5E2

RGB 203 213 226

HSL 213.91, 0.28%, 0.84%

LAB 84.88, -0.85, -7.56

 

CMYK 0 / 26 / 58 / 78

HEX #392A18

RGB 57 42 24

HSL 32.73, 0.41%, 0.16%

LAB 18.33, 4.22, 14.39

 

CMYK 0 / 19 / 42 / 71

HEX #4A3C2B

RGB 74 60 43

HSL 32.9, 0.26%, 0.23%

LAB 26.34, 3.29, 12.81

 

CMYK 0 / 14 / 32 / 64

HEX #5B4E3E

RGB 91 78 62

HSL 33.1, 0.19%, 0.3%

LAB 34.03, 2.65, 11.48

 

CMYK 0 / 11 / 25 / 58

HEX #6C6051

RGB 108 96 81

HSL 33.33, 0.14%, 0.37%

LAB 41.45, 2.17, 10.33

 

CMYK 0 / 9 / 20 / 51

HEX #7D7264

RGB 125 114 100

HSL 33.6, 0.11%, 0.44%

LAB 48.65, 1.78, 9.31

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 31 / 71 / 86

HEX #23180A

RGB 35 24 10

HSL 33.6, 0.56%, 0.09%

LAB 9.26, 3.34, 9.82

 

CMYK 0 / 67 / 100 / 93

HEX #120600

RGB 18 6 0

HSL 20, 1%, 0.04%

LAB 2.34, 2.81, 3.55

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 31 / 44 / 80

HEX #34241D

RGB 52 36 29

HSL 18.26, 0.28%, 0.16%

LAB 15.9, 6.45, 7.66

 

CMYK 0 / 44 / 44 / 80

HEX #341D1D

RGB 52 29 29

HSL 0, 0.28%, 0.16%

LAB 13.81, 11.29, 4.76

 

CMYK 0 / 44 / 44 / 80

HEX #341D1D

RGB 52 29 29

HSL 0, 0.28%, 0.16%

LAB 13.81, 11.29, 4.76

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 8 / 44 / 80

HEX #34301D

RGB 52 48 29

HSL 49.57, 0.28%, 0.16%

LAB 19.77, -1.73, 12.83

 

CMYK 6 / 0 / 44 / 80

HEX #31341D

RGB 49 52 29

HSL 67.83, 0.28%, 0.16%

LAB 20.82, -5.83, 14.12

 

CMYK 17 / 0 / 44 / 80

HEX #2B341D

RGB 43 52 29

HSL 83.48, 0.28%, 0.16%

LAB 20.28, -8.74, 13.32

 

CMYK 29 / 0 / 44 / 80

HEX #25341D

RGB 37 52 29

HSL 99.13, 0.28%, 0.16%

LAB 19.79, -11.52, 12.6

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 26 / 62 / 77

HEX #3A2B16

RGB 58 43 22

HSL 35, 0.45%, 0.16%

LAB 18.74, 3.84, 16.24

 

CMYK 0 / 32 / 75 / 75

HEX #412C10

RGB 65 44 16

HSL 34.29, 0.6%, 0.16%

LAB 19.89, 6.3, 21.5

 

CMYK 0 / 39 / 88 / 72

HEX #482C09

RGB 72 44 9

HSL 33.33, 0.78%, 0.16%

LAB 20.82, 9.54, 26.1

 

CMYK 0 / 42 / 97 / 69

HEX #4E2D02

RGB 78 45 2

HSL 33.95, 0.95%, 0.16%

LAB 21.95, 11.66, 30.44

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 0 / 9 / 22 / 82

HEX #2D2923

RGB 45 41 35

HSL 36, 0.13%, 0.16%

LAB 16.82, 0.56, 4.6

 

CMYK 7 / 5 / 0 / 84

HEX #27282A

RGB 39 40 42

HSL 220, 0.04%, 0.16%

LAB 16.09, 0.05, -1.47

 

CMYK 35 / 20 / 0 / 81

HEX #202731

RGB 32 39 49

HSL 215.29, 0.21%, 0.16%

LAB 15.38, -0.15, -7.54

 

CMYK 55 / 31 / 0 / 78

HEX #192637

RGB 25 38 55

HSL 214, 0.38%, 0.16%

LAB 14.78, 0.18, -12.75

 

CMYK 0 / 44 / 44 / 80

HEX #341D1D

RGB 52 29 29

HSL 0, 0.28%, 0.16%

LAB 13.81, 11.29, 4.76

 

CMYK 0 / 33 / 44 / 80

HEX #34231D

RGB 52 35 29

HSL 15.65, 0.28%, 0.16%

LAB 15.6, 7.14, 7.24

 

CMYK 0 / 21 / 44 / 80

HEX #34291D

RGB 52 41 29

HSL 31.3, 0.28%, 0.16%

LAB 17.48, 3, 9.8

 

CMYK 0 / 8 / 44 / 80

HEX #34301D

RGB 52 48 29

HSL 49.57, 0.28%, 0.16%

LAB 19.77, -1.73, 12.83

 

CMYK 4 / 0 / 44 / 80

HEX #32341D

RGB 50 52 29

HSL 65.22, 0.28%, 0.16%

LAB 20.91, -5.34, 14.27

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 33 / 0 / 44 / 80

HEX #23341D

RGB 35 52 29

HSL 104.35, 0.28%, 0.16%

LAB 19.65, -12.4, 12.38

 

CMYK 38 / 44 / 0 / 80

HEX #201D34

RGB 32 29 52

HSL 247.83, 0.28%, 0.16%

LAB 12.18, 8.12, -14.63

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 44 / 0 / 21 / 80

HEX #1D3429

RGB 29 52 41

HSL 151.3, 0.28%, 0.16%

LAB 19.55, -12.14, 4.13

 

CMYK 21 / 44 / 0 / 80

HEX #291D34

RGB 41 29 52

HSL 271.3, 0.28%, 0.16%

LAB 13.22, 11.49, -12.93

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 33 / 0 / 44 / 80

HEX #23341D

RGB 35 52 29

HSL 104.35, 0.28%, 0.16%

LAB 19.65, -12.4, 12.38

 

CMYK 44 / 25 / 0 / 80

HEX #1D2734

RGB 29 39 52

HSL 213.91, 0.28%, 0.16%

LAB 15.28, -0.27, -9.84

 

CMYK 12 / 44 / 0 / 80

HEX #2E1D34

RGB 46 29 52

HSL 284.35, 0.28%, 0.16%

LAB 13.87, 13.44, -11.87

 

CMYK 0 / 19 / 44 / 80

HEX #342A1D

RGB 52 42 29

HSL 33.91, 0.28%, 0.16%

LAB 17.8, 2.31, 10.23

 

CMYK 44 / 0 / 42 / 80

HEX #1D341E

RGB 29 52 30

HSL 122.61, 0.28%, 0.16%

LAB 19.27, -14.7, 11.15

 

CMYK 44 / 25 / 0 / 80

HEX #1D2734

RGB 29 39 52

HSL 213.91, 0.28%, 0.16%

LAB 15.28, -0.27, -9.84

 

CMYK 0 / 44 / 2 / 80

HEX #341D33

RGB 52 29 51

HSL 302.61, 0.28%, 0.16%

LAB 14.67, 15.57, -9.85

 

Description

Color code: RGB 52 42 29 | qconv.com Color code: RGB 52 42 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 42 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 42 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 44 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 44% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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