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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 213 184 it is the complementary color RGB 204 42 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 213 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 213 184 shade: RGB 56 213 179, RGB 73 231 198, RGB 90 249 217, RGB 107 255 236 and RGB 124 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 213 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 34 195 165, RGB 17 177 146, RGB 0 159 127 and RGB 0 141 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 51 213 140, RGB 51 213 97, RGB 51 213 53 and RGB 93 213 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 51 198 213, RGB 51 155 213, RGB 51 111 213 and RGB 51 68 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 213 184 shade matches the following richer shades: RGB 51 213 184, RGB 32 233 197 and RGB 12 252 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 71 193 171, RGB 91 173 159, RGB 111 153 146 and RGB 131 134 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 213 184 shade: RGB 51 213 97, RGB 51 213 140, RGB 51 213 183, RGB 51 199 213 and RGB 51 156 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 213 184 shade: RGB 31 151 130, RGB 38 185 159, RGB 51 213 184, RGB 86 220 196 and RGB 120 227 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 54 51 213 and RGB 213 119 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 183 51 213 and RGB 213 183 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 54 51 213, RGB 213 51 81 and RGB 210 213 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 213 184 shade: RGB 51 213 184, RGB 102 51 213, RGB 213 51 81 and RGB 162 213 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

Complementary color

CMYK 0 / 79 / 65 / 20

HEX #CC2A47

RGB 204 42 71

HSL 349.26, 0.66%, 0.48%

LAB 45.56, 62.79, 24.41

 

CMYK 74 / 0 / 16 / 16

HEX #38D5B3

RGB 56 213 179

HSL 167.01, 0.65%, 0.53%

LAB 77.09, -47.85, 5.33

 

CMYK 68 / 0 / 14 / 9

HEX #49E7C6

RGB 73 231 198

HSL 167.47, 0.77%, 0.6%

LAB 83.26, -48.45, 4.18

 

CMYK 64 / 0 / 13 / 2

HEX #5AF9D9

RGB 90 249 217

HSL 167.92, 0.93%, 0.66%

LAB 89.36, -48.87, 3.13

 

CMYK 58 / 0 / 7 / 0

HEX #6BFFEC

RGB 107 255 236

HSL 172.3, 1%, 0.71%

LAB 92, -43.96, -2.83

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 83 / 0 / 15 / 24

HEX #22C3A5

RGB 34 195 165

HSL 168.82, 0.7%, 0.45%

LAB 70.93, -46.15, 3.95

 

CMYK 90 / 0 / 18 / 31

HEX #11B192

RGB 17 177 146

HSL 168.38, 0.82%, 0.38%

LAB 64.67, -44.79, 5.33

 

CMYK 100 / 0 / 20 / 38

HEX #009F7F

RGB 0 159 127

HSL 167.92, 1%, 0.31%

LAB 58.35, -43.08, 6.86

 

CMYK 100 / 0 / 23 / 45

HEX #008D6C

RGB 0 141 108

HSL 165.96, 1%, 0.28%

LAB 51.99, -40.61, 8.63

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 76 / 0 / 34 / 16

HEX #33D58C

RGB 51 213 140

HSL 152.96, 0.66%, 0.52%

LAB 76.18, -57.31, 24.7

 

CMYK 76 / 0 / 54 / 16

HEX #33D561

RGB 51 213 97

HSL 137.04, 0.66%, 0.52%

LAB 75.55, -64.64, 45.38

 

CMYK 76 / 0 / 75 / 16

HEX #33D535

RGB 51 213 53

HSL 120.74, 0.66%, 0.52%

LAB 75.17, -69.23, 62.98

 

CMYK 56 / 0 / 76 / 16

HEX #5DD533

RGB 93 213 51

HSL 104.44, 0.66%, 0.52%

LAB 76.16, -61.02, 64.95

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 76 / 7 / 0 / 16

HEX #33C6D5

RGB 51 198 213

HSL 185.56, 0.66%, 0.52%

LAB 73.48, -32.25, -18.37

 

CMYK 76 / 27 / 0 / 16

HEX #339BD5

RGB 51 155 213

HSL 201.48, 0.66%, 0.52%

LAB 60.74, -9.99, -37.99

 

CMYK 76 / 48 / 0 / 16

HEX #336FD5

RGB 51 111 213

HSL 217.78, 0.66%, 0.52%

LAB 48.1, 16.35, -58.05

 

CMYK 76 / 68 / 0 / 16

HEX #3344D5

RGB 51 68 213

HSL 233.7, 0.66%, 0.52%

LAB 37.19, 43.56, -75.82

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 86 / 0 / 15 / 9

HEX #20E9C5

RGB 32 233 197

HSL 169.25, 0.82%, 0.52%

LAB 83.24, -53.65, 4.61

 

CMYK 95 / 0 / 17 / 1

HEX #0CFCD1

RGB 12 252 209

HSL 169.25, 0.98%, 0.52%

LAB 89.07, -58.97, 6.73

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 63 / 0 / 11 / 24

HEX #47C1AB

RGB 71 193 171

HSL 169.18, 0.5%, 0.52%

LAB 71.16, -39.01, 1.09

 

CMYK 47 / 0 / 8 / 32

HEX #5BAD9F

RGB 91 173 159

HSL 169.76, 0.33%, 0.52%

LAB 65.45, -28.52, -0.55

 

CMYK 27 / 0 / 5 / 40

HEX #6F9992

RGB 111 153 146

HSL 170, 0.17%, 0.52%

LAB 60.1, -15.84, -0.96

 

CMYK 2 / 0 / 1 / 47

HEX #838685

RGB 131 134 133

HSL 160, 0.01%, 0.52%

LAB 55.65, -1.31, 0.14

 

CMYK 76 / 0 / 54 / 16

HEX #33D561

RGB 51 213 97

HSL 137.04, 0.66%, 0.52%

LAB 75.55, -64.64, 45.38

 

CMYK 76 / 0 / 34 / 16

HEX #33D58C

RGB 51 213 140

HSL 152.96, 0.66%, 0.52%

LAB 76.18, -57.31, 24.7

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B7

RGB 51 213 183

HSL 168.89, 0.66%, 0.52%

LAB 77.11, -47.41, 3.2

 

CMYK 76 / 7 / 0 / 16

HEX #33C7D5

RGB 51 199 213

HSL 185.19, 0.66%, 0.52%

LAB 73.78, -32.73, -17.93

 

CMYK 76 / 27 / 0 / 16

HEX #339CD5

RGB 51 156 213

HSL 201.11, 0.66%, 0.52%

LAB 61.03, -10.55, -37.53

 

CMYK 79 / 0 / 14 / 41

HEX #1F9782

RGB 31 151 130

HSL 169.5, 0.66%, 0.36%

LAB 56.12, -36.77, 1.99

 

CMYK 79 / 0 / 14 / 27

HEX #26B99F

RGB 38 185 159

HSL 169.39, 0.66%, 0.44%

LAB 67.73, -43.12, 2.61

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 61 / 0 / 11 / 14

HEX #56DCC4

RGB 86 220 196

HSL 169.25, 0.66%, 0.6%

LAB 80.26, -42.14, 0.94

 

CMYK 47 / 0 / 8 / 11

HEX #78E3D0

RGB 120 227 208

HSL 169.35, 0.66%, 0.68%

LAB 83.7, -35.47, -0.29

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 75 / 76 / 0 / 16

HEX #3633D5

RGB 54 51 213

HSL 241.11, 0.66%, 0.52%

LAB 33.89, 53.43, -81.26

 

CMYK 0 / 44 / 76 / 16

HEX #D57733

RGB 213 119 51

HSL 25.19, 0.66%, 0.52%

LAB 59.51, 31.67, 51.5

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 14 / 76 / 0 / 16

HEX #B733D5

RGB 183 51 213

HSL 288.89, 0.66%, 0.52%

LAB 48.56, 72.16, -56.71

 

CMYK 0 / 14 / 76 / 16

HEX #D5B733

RGB 213 183 51

HSL 48.89, 0.66%, 0.52%

LAB 74.98, -2.56, 66.41

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 75 / 76 / 0 / 16

HEX #3633D5

RGB 54 51 213

HSL 241.11, 0.66%, 0.52%

LAB 33.89, 53.43, -81.26

 

CMYK 0 / 76 / 62 / 16

HEX #D53351

RGB 213 51 81

HSL 348.89, 0.66%, 0.52%

LAB 48.4, 63.28, 22.32

 

CMYK 1 / 0 / 76 / 16

HEX #D2D533

RGB 210 213 51

HSL 61.11, 0.66%, 0.52%

LAB 82.66, -19.05, 73.37

 

CMYK 76 / 0 / 14 / 16

HEX #33D5B8

RGB 51 213 184

HSL 169.26, 0.66%, 0.52%

LAB 77.13, -47.16, 2.7

 

CMYK 52 / 76 / 0 / 16

HEX #6633D5

RGB 102 51 213

HSL 258.89, 0.66%, 0.52%

LAB 37.84, 58.62, -74.62

 

CMYK 0 / 76 / 62 / 16

HEX #D53351

RGB 213 51 81

HSL 348.89, 0.66%, 0.52%

LAB 48.4, 63.28, 22.32

 

CMYK 24 / 0 / 76 / 16

HEX #A2D533

RGB 162 213 51

HSL 78.89, 0.66%, 0.52%

LAB 79.33, -38.45, 69.08

 

Description

Color code: RGB 51 213 184 | qconv.com Color code: RGB 51 213 184 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 213 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 213 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 14 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 14% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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