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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 167 15 it is the complementary color RGB 204 88 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 167 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 167 15 shade: RGB 56 167 10, RGB 73 185 29, RGB 90 203 48, RGB 107 221 67 and RGB 124 239 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 167 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 167 15 shade: RGB 51 167 15, RGB 34 149 0, RGB 17 131 0, RGB 0 113 0 and RGB 0 95 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 167 15 shade: RGB 51 168 14, RGB 92 168 14, RGB 134 168 14, RGB 168 161 14 and RGB 168 120 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 167 15 shade: RGB 51 168 14, RGB 14 168 19, RGB 14 168 61, RGB 14 168 102 and RGB 14 168 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 167 15 shade matches the following richer shades: RGB 51 168 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 167 15 shade: RGB 51 168 14, RGB 59 154 29, RGB 66 139 44, RGB 74 124 59 and RGB 82 109 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 167 15 shade: RGB 135 168 14, RGB 94 168 14, RGB 53 168 14, RGB 14 168 17 and RGB 14 168 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 167 15 shade: RGB 28 92 8, RGB 39 130 11, RGB 51 168 14, RGB 62 206 17 and RGB 79 235 30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 167 15 shade: RGB 51 167 15, RGB 14 168 161 and RGB 168 14 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 167 15 shade: RGB 51 167 15, RGB 14 53 168 and RGB 168 14 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 167 15 shade: RGB 51 167 15, RGB 14 168 161, RGB 130 14 168 and RGB 168 14 22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 167 15 shade: RGB 51 167 15, RGB 14 130 168, RGB 130 14 168 and RGB 168 53 14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 91 / 35

HEX #33A70F

RGB 51 167 15

HSL 105.79, 0.84%, 0.36%

LAB 60.23, -56.75, 59.22

 

Complementary color

CMYK 15 / 63 / 0 / 6

HEX #CC58F0

RGB 204 88 240

HSL 285.79, 0.84%, 0.64%

LAB 58.14, 67.57, -56.44

 

CMYK 66 / 0 / 94 / 35

HEX #38A70A

RGB 56 167 10

HSL 102.42, 0.89%, 0.35%

LAB 60.34, -55.85, 60.14

 

CMYK 61 / 0 / 84 / 27

HEX #49B91D

RGB 73 185 29

HSL 103.08, 0.73%, 0.42%

LAB 66.67, -57.39, 62.12

 

CMYK 56 / 0 / 76 / 20

HEX #5ACB30

RGB 90 203 48

HSL 103.74, 0.62%, 0.49%

LAB 72.96, -58.42, 62.76

 

CMYK 52 / 0 / 70 / 13

HEX #6BDD43

RGB 107 221 67

HSL 104.42, 0.69%, 0.56%

LAB 79.18, -59.08, 62.59

 

CMYK 48 / 0 / 64 / 6

HEX #7CEF56

RGB 124 239 86

HSL 105.1, 0.83%, 0.64%

LAB 85.35, -59.49, 61.96

 

CMYK 69 / 0 / 91 / 35

HEX #33A70F

RGB 51 167 15

HSL 105.79, 0.84%, 0.36%

LAB 60.23, -56.75, 59.22

 

CMYK 77 / 0 / 100 / 42

HEX #229500

RGB 34 149 0

HSL 106.31, 1%, 0.29%

LAB 53.85, -54.45, 56.16

 

CMYK 87 / 0 / 100 / 49

HEX #118300

RGB 17 131 0

HSL 112.21, 1%, 0.26%

LAB 47.43, -51.17, 50.93

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 70 / 0 / 92 / 34

HEX #33A80E

RGB 51 168 14

HSL 105.58, 0.85%, 0.36%

LAB 60.55, -57.11, 59.66

 

CMYK 45 / 0 / 92 / 34

HEX #5CA80E

RGB 92 168 14

HSL 89.61, 0.85%, 0.36%

LAB 61.92, -46.13, 61.36

 

CMYK 20 / 0 / 92 / 34

HEX #86A80E

RGB 134 168 14

HSL 73.25, 0.85%, 0.36%

LAB 64.25, -30.24, 64.22

 

CMYK 0 / 4 / 92 / 34

HEX #A8A10E

RGB 168 161 14

HSL 57.27, 0.85%, 0.36%

LAB 64.84, -11.95, 65.8

 

CMYK 0 / 29 / 92 / 34

HEX #A8780E

RGB 168 120 14

HSL 41.3, 0.85%, 0.36%

LAB 53.8, 10.45, 57.3

 

CMYK 70 / 0 / 92 / 34

HEX #33A80E

RGB 51 168 14

HSL 105.58, 0.85%, 0.36%

LAB 60.55, -57.11, 59.66

 

CMYK 92 / 0 / 89 / 34

HEX #0EA813

RGB 14 168 19

HSL 121.95, 0.85%, 0.36%

LAB 60.02, -61.73, 58.07

 

CMYK 92 / 0 / 64 / 34

HEX #0EA83D

RGB 14 168 61

HSL 138.31, 0.85%, 0.36%

LAB 60.28, -58.44, 44.04

 

CMYK 92 / 0 / 39 / 34

HEX #0EA866

RGB 14 168 102

HSL 154.29, 0.85%, 0.36%

LAB 60.83, -51.79, 24.14

 

CMYK 92 / 0 / 14 / 34

HEX #0EA890

RGB 14 168 144

HSL 170.65, 0.85%, 0.36%

LAB 61.75, -41.67, 2.22

 

CMYK 70 / 0 / 92 / 34

HEX #33A80E

RGB 51 168 14

HSL 105.58, 0.85%, 0.36%

LAB 60.55, -57.11, 59.66

 

CMYK 70 / 0 / 92 / 34

HEX #33A80E

RGB 51 168 14

HSL 105.58, 0.85%, 0.36%

LAB 60.55, -57.11, 59.66

 

CMYK 62 / 0 / 81 / 40

HEX #3B9A1D

RGB 59 154 29

HSL 105.6, 0.68%, 0.36%

LAB 56.22, -49.88, 52.4

 

CMYK 53 / 0 / 68 / 45

HEX #428B2C

RGB 66 139 44

HSL 106.11, 0.52%, 0.36%

LAB 51.62, -41.08, 42.31

 

CMYK 40 / 0 / 52 / 51

HEX #4A7C3B

RGB 74 124 59

HSL 106.15, 0.36%, 0.36%

LAB 47.22, -30.16, 30.07

 

CMYK 25 / 0 / 32 / 57

HEX #526D4A

RGB 82 109 74

HSL 106.29, 0.19%, 0.36%

LAB 43.1, -17.26, 16.44

 

CMYK 20 / 0 / 92 / 34

HEX #87A80E

RGB 135 168 14

HSL 72.86, 0.85%, 0.36%

LAB 64.31, -29.82, 64.3

 

CMYK 44 / 0 / 92 / 34

HEX #5EA80E

RGB 94 168 14

HSL 88.83, 0.85%, 0.36%

LAB 62.01, -45.46, 61.47

 

CMYK 68 / 0 / 92 / 34

HEX #35A80E

RGB 53 168 14

HSL 104.81, 0.85%, 0.36%

LAB 60.6, -56.7, 59.72

 

CMYK 92 / 0 / 90 / 34

HEX #0EA811

RGB 14 168 17

HSL 121.17, 0.85%, 0.36%

LAB 60.01, -61.81, 58.46

 

CMYK 92 / 0 / 65 / 34

HEX #0EA83A

RGB 14 168 58

HSL 137.14, 0.85%, 0.36%

LAB 60.25, -58.79, 45.33

 

CMYK 70 / 0 / 91 / 64

HEX #1C5C08

RGB 28 92 8

HSL 105.71, 0.84%, 0.2%

LAB 33.81, -35.86, 37.63

 

CMYK 70 / 0 / 92 / 49

HEX #27820B

RGB 39 130 11

HSL 105.88, 0.84%, 0.28%

LAB 47.52, -46.92, 48.99

 

CMYK 70 / 0 / 92 / 34

HEX #33A80E

RGB 51 168 14

HSL 105.58, 0.85%, 0.36%

LAB 60.55, -57.11, 59.66

 

CMYK 70 / 0 / 92 / 19

HEX #3ECE11

RGB 62 206 17

HSL 105.71, 0.85%, 0.44%

LAB 73.03, -67.02, 69.79

 

CMYK 66 / 0 / 87 / 8

HEX #4FEB1E

RGB 79 235 30

HSL 105.66, 0.84%, 0.52%

LAB 82.47, -72.43, 75.83

 

CMYK 69 / 0 / 91 / 35

HEX #33A70F

RGB 51 167 15

HSL 105.79, 0.84%, 0.36%

LAB 60.23, -56.75, 59.22

 

CMYK 92 / 0 / 4 / 34

HEX #0EA8A1

RGB 14 168 161

HSL 177.27, 0.85%, 0.36%

LAB 62.23, -36.78, -6.61

 

CMYK 0 / 92 / 32 / 34

HEX #A80E72

RGB 168 14 114

HSL 321.04, 0.85%, 0.36%

LAB 37.58, 63.16, -14.9

 

CMYK 69 / 0 / 91 / 35

HEX #33A70F

RGB 51 167 15

HSL 105.79, 0.84%, 0.36%

LAB 60.23, -56.75, 59.22

 

CMYK 92 / 68 / 0 / 34

HEX #0E35A8

RGB 14 53 168

HSL 224.81, 0.85%, 0.36%

LAB 28.03, 34.03, -64.47

 

CMYK 0 / 92 / 68 / 34

HEX #A80E35

RGB 168 14 53

HSL 344.81, 0.85%, 0.36%

LAB 35.78, 58.22, 21.75

 

CMYK 69 / 0 / 91 / 35

HEX #33A70F

RGB 51 167 15

HSL 105.79, 0.84%, 0.36%

LAB 60.23, -56.75, 59.22

 

CMYK 92 / 0 / 4 / 34

HEX #0EA8A1

RGB 14 168 161

HSL 177.27, 0.85%, 0.36%

LAB 62.23, -36.78, -6.61

 

CMYK 23 / 92 / 0 / 34

HEX #820EA8

RGB 130 14 168

HSL 285.19, 0.85%, 0.36%

LAB 33.75, 64.11, -54.67

 

CMYK 0 / 92 / 87 / 34

HEX #A80E16

RGB 168 14 22

HSL 356.88, 0.85%, 0.36%

LAB 35.39, 57.12, 39.92

 

CMYK 69 / 0 / 91 / 35

HEX #33A70F

RGB 51 167 15

HSL 105.79, 0.84%, 0.36%

LAB 60.23, -56.75, 59.22

 

CMYK 92 / 23 / 0 / 34

HEX #0E82A8

RGB 14 130 168

HSL 194.81, 0.85%, 0.36%

LAB 50.55, -15.28, -28.36

 

CMYK 23 / 92 / 0 / 34

HEX #820EA8

RGB 130 14 168

HSL 285.19, 0.85%, 0.36%

LAB 33.75, 64.11, -54.67

 

CMYK 0 / 68 / 92 / 34

HEX #A8350E

RGB 168 53 14

HSL 15.19, 0.85%, 0.36%

LAB 39.42, 45.59, 46.58

 

Description

Color code: RGB 51 167 15 | qconv.com Color code: RGB 51 167 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 167 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 167 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 91 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 91% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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