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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 128 250 it is the complementary color RGB 204 127 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 128 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 128 250 shade: RGB 56 128 245, RGB 73 146 255, RGB 90 164 255, RGB 107 182 255 and RGB 124 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 128 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 128 250 shade: RGB 51 128 250, RGB 34 110 231, RGB 17 92 212, RGB 0 74 193 and RGB 0 56 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 128 250 shade: RGB 51 128 249, RGB 51 74 249, RGB 81 51 249, RGB 134 51 249 and RGB 188 51 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 128 250 shade: RGB 51 128 249, RGB 51 74 249 and RGB 51 51 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 128 250 shade matches the following richer shades: RGB 51 128 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 128 250 shade: RGB 51 128 249, RGB 68 131 232, RGB 84 135 215, RGB 101 139 199 and RGB 118 143 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 128 250 shade: RGB 51 236 249, RGB 51 183 249, RGB 51 130 249, RGB 51 77 249 and RGB 77 51 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 128 250 shade: RGB 5 85 212, RGB 10 102 248, RGB 51 128 249, RGB 91 153 250 and RGB 131 178 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 128 250 shade: RGB 51 128 250, RGB 210 51 249 and RGB 210 249 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 128 250 shade: RGB 51 128 250, RGB 249 51 130 and RGB 130 249 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 128 250 shade: RGB 51 128 250, RGB 210 51 249, RGB 249 170 51 and RGB 90 249 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 128 250 shade: RGB 51 128 250, RGB 249 51 229, RGB 249 170 51 and RGB 51 249 70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 49 / 0 / 2

HEX #3380FA

RGB 51 128 250

HSL 216.78, 0.95%, 0.59%

LAB 55.12, 19.44, -67.48

 

Complementary color

CMYK 0 / 38 / 98 / 20

HEX #CC7F05

RGB 204 127 5

HSL 36.78, 0.95%, 0.41%

LAB 59.91, 22.49, 65.3

 

CMYK 77 / 48 / 0 / 4

HEX #3880F5

RGB 56 128 245

HSL 217.14, 0.9%, 0.59%

LAB 54.94, 18.1, -65

 

CMYK 71 / 43 / 0 / 0

HEX #4992FF

RGB 73 146 255

HSL 215.93, 1%, 0.64%

LAB 60.95, 12.76, -60.82

 

CMYK 65 / 36 / 0 / 0

HEX #5AA4FF

RGB 90 164 255

HSL 213.09, 1%, 0.68%

LAB 66.48, 4.72, -51.99

 

CMYK 58 / 29 / 0 / 0

HEX #6BB6FF

RGB 107 182 255

HSL 209.59, 1%, 0.71%

LAB 72.1, -2.42, -43.1

 

CMYK 51 / 22 / 0 / 0

HEX #7CC8FF

RGB 124 200 255

HSL 205.19, 1%, 0.74%

LAB 77.76, -8.72, -34.24

 

CMYK 80 / 49 / 0 / 2

HEX #3380FA

RGB 51 128 250

HSL 216.78, 0.95%, 0.59%

LAB 55.12, 19.44, -67.48

 

CMYK 85 / 52 / 0 / 9

HEX #226EE7

RGB 34 110 231

HSL 216.85, 0.8%, 0.52%

LAB 48.59, 22.23, -67.48

 

CMYK 92 / 57 / 0 / 17

HEX #115CD4

RGB 17 92 212

HSL 216.92, 0.85%, 0.45%

LAB 42.04, 25.56, -67.34

 

CMYK 100 / 62 / 0 / 24

HEX #004AC1

RGB 0 74 193

HSL 216.99, 1%, 0.38%

LAB 35.49, 29.39, -67.05

 

CMYK 100 / 68 / 0 / 32

HEX #0038AE

RGB 0 56 174

HSL 220.69, 1%, 0.34%

LAB 29.12, 33.88, -66.28

 

CMYK 80 / 49 / 0 / 2

HEX #3380F9

RGB 51 128 249

HSL 216.67, 0.94%, 0.59%

LAB 55.05, 19.07, -67.03

 

CMYK 80 / 70 / 0 / 2

HEX #334AF9

RGB 51 74 249

HSL 233.03, 0.94%, 0.59%

LAB 41.91, 52.25, -88.49

 

CMYK 67 / 80 / 0 / 2

HEX #5133F9

RGB 81 51 249

HSL 249.09, 0.94%, 0.59%

LAB 39.51, 66.23, -92.41

 

CMYK 46 / 80 / 0 / 2

HEX #8633F9

RGB 134 51 249

HSL 265.15, 0.94%, 0.59%

LAB 44.63, 71.83, -83.79

 

CMYK 24 / 80 / 0 / 2

HEX #BC33F9

RGB 188 51 249

HSL 281.52, 0.94%, 0.59%

LAB 51.72, 79.71, -71.91

 

CMYK 80 / 49 / 0 / 2

HEX #3380F9

RGB 51 128 249

HSL 216.67, 0.94%, 0.59%

LAB 55.05, 19.07, -67.03

 

CMYK 80 / 70 / 0 / 2

HEX #334AF9

RGB 51 74 249

HSL 233.03, 0.94%, 0.59%

LAB 41.91, 52.25, -88.49

 

CMYK 80 / 80 / 0 / 2

HEX #3333F9

RGB 51 51 249

HSL 240, 0.94%, 0.59%

LAB 37.68, 64.25, -95.49

 

CMYK 80 / 49 / 0 / 2

HEX #3380F9

RGB 51 128 249

HSL 216.67, 0.94%, 0.59%

LAB 55.05, 19.07, -67.03

 

CMYK 80 / 49 / 0 / 2

HEX #3380F9

RGB 51 128 249

HSL 216.67, 0.94%, 0.59%

LAB 55.05, 19.07, -67.03

 

CMYK 71 / 44 / 0 / 9

HEX #4483E8

RGB 68 131 232

HSL 216.95, 0.78%, 0.59%

LAB 55.37, 13.02, -57.06

 

CMYK 61 / 37 / 0 / 16

HEX #5487D7

RGB 84 135 215

HSL 216.64, 0.62%, 0.59%

LAB 56.21, 7.34, -46.17

 

CMYK 49 / 30 / 0 / 22

HEX #658BC7

RGB 101 139 199

HSL 216.73, 0.47%, 0.59%

LAB 57.42, 3.5, -35.18

 

CMYK 35 / 21 / 0 / 29

HEX #768FB6

RGB 118 143 182

HSL 216.56, 0.3%, 0.59%

LAB 58.86, 0.82, -23.24

 

CMYK 80 / 5 / 0 / 2

HEX #33ECF9

RGB 51 236 249

HSL 183.94, 0.94%, 0.59%

LAB 85.77, -39.24, -19

 

CMYK 80 / 27 / 0 / 2

HEX #33B7F9

RGB 51 183 249

HSL 200, 0.94%, 0.59%

LAB 70.46, -12.95, -42.54

 

CMYK 80 / 48 / 0 / 2

HEX #3382F9

RGB 51 130 249

HSL 216.06, 0.94%, 0.59%

LAB 55.59, 17.84, -66.17

 

CMYK 80 / 69 / 0 / 2

HEX #334DF9

RGB 51 77 249

HSL 232.12, 0.94%, 0.59%

LAB 42.54, 50.52, -87.46

 

CMYK 69 / 80 / 0 / 2

HEX #4D33F9

RGB 77 51 249

HSL 247.88, 0.94%, 0.59%

LAB 39.22, 65.91, -92.9

 

CMYK 98 / 60 / 0 / 17

HEX #0555D4

RGB 5 85 212

HSL 216.81, 0.95%, 0.43%

LAB 40.05, 29.76, -70.6

 

CMYK 96 / 59 / 0 / 3

HEX #0A66F8

RGB 10 102 248

HSL 216.81, 0.94%, 0.51%

LAB 47.42, 32.78, -78.91

 

CMYK 80 / 49 / 0 / 2

HEX #3380F9

RGB 51 128 249

HSL 216.67, 0.94%, 0.59%

LAB 55.05, 19.07, -67.03

 

CMYK 64 / 39 / 0 / 2

HEX #5B99FA

RGB 91 153 250

HSL 216.6, 0.94%, 0.67%

LAB 63.27, 9.61, -54.35

 

CMYK 48 / 29 / 0 / 2

HEX #83B2FB

RGB 131 178 251

HSL 216.5, 0.94%, 0.75%

LAB 71.98, 3.69, -41.04

 

CMYK 80 / 49 / 0 / 2

HEX #3380FA

RGB 51 128 250

HSL 216.78, 0.95%, 0.59%

LAB 55.12, 19.44, -67.48

 

CMYK 16 / 80 / 0 / 2

HEX #D233F9

RGB 210 51 249

HSL 288.18, 0.94%, 0.59%

LAB 54.98, 83.36, -66.48

 

CMYK 16 / 0 / 80 / 2

HEX #D2F933

RGB 210 249 51

HSL 71.82, 0.94%, 0.59%

LAB 92.44, -36, 82.13

 

CMYK 80 / 49 / 0 / 2

HEX #3380FA

RGB 51 128 250

HSL 216.78, 0.95%, 0.59%

LAB 55.12, 19.44, -67.48

 

CMYK 0 / 80 / 48 / 2

HEX #F93382

RGB 249 51 130

HSL 336.06, 0.94%, 0.59%

LAB 56.21, 76.37, 4.63

 

CMYK 48 / 0 / 80 / 2

HEX #82F933

RGB 130 249 51

HSL 96.06, 0.94%, 0.59%

LAB 88.32, -63.82, 76.87

 

CMYK 80 / 49 / 0 / 2

HEX #3380FA

RGB 51 128 250

HSL 216.78, 0.95%, 0.59%

LAB 55.12, 19.44, -67.48

 

CMYK 16 / 80 / 0 / 2

HEX #D233F9

RGB 210 51 249

HSL 288.18, 0.94%, 0.59%

LAB 54.98, 83.36, -66.48

 

CMYK 0 / 32 / 80 / 2

HEX #F9AA33

RGB 249 170 51

HSL 36.06, 0.94%, 0.59%

LAB 75.53, 19.69, 68.28

 

CMYK 64 / 0 / 80 / 2

HEX #5AF933

RGB 90 249 51

HSL 108.18, 0.94%, 0.59%

LAB 87.08, -73.74, 75.27

 

CMYK 80 / 49 / 0 / 2

HEX #3380FA

RGB 51 128 250

HSL 216.78, 0.95%, 0.59%

LAB 55.12, 19.44, -67.48

 

CMYK 0 / 80 / 8 / 2

HEX #F933E5

RGB 249 51 229

HSL 306.06, 0.94%, 0.59%

LAB 60.04, 87.37, -46.85

 

CMYK 0 / 32 / 80 / 2

HEX #F9AA33

RGB 249 170 51

HSL 36.06, 0.94%, 0.59%

LAB 75.53, 19.69, 68.28

 

CMYK 80 / 0 / 72 / 2

HEX #33F946

RGB 51 249 70

HSL 125.76, 0.94%, 0.59%

LAB 86.45, -78.69, 68.58

 

Description

Color code: RGB 51 128 250 | qconv.com Color code: RGB 51 128 250 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 128 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 128 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 49 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 49% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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