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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 124 18 it is the complementary color RGB 204 131 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 124 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 124 18 shade: RGB 56 124 13, RGB 73 142 32, RGB 90 160 51, RGB 107 178 70 and RGB 124 196 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 124 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 124 18 shade: RGB 51 124 18, RGB 34 106 0, RGB 17 88 0, RGB 0 70 0 and RGB 0 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 124 18 shade: RGB 51 124 17, RGB 80 124 17, RGB 108 124 17, RGB 124 112 17 and RGB 124 83 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 124 18 shade: RGB 51 124 17, RGB 22 124 17, RGB 17 124 42, RGB 17 124 71 and RGB 17 124 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 124 18 shade matches the following richer shades: RGB 51 124 17 and RGB 46 136 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 124 18 shade: RGB 51 124 17, RGB 55 113 29, RGB 59 101 40, RGB 64 90 52 and RGB 68 78 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 124 18 shade: RGB 108 124 17, RGB 80 124 17, RGB 51 124 17, RGB 23 124 17 and RGB 17 124 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 124 18 shade: RGB 21 52 7, RGB 36 88 12, RGB 51 124 17, RGB 65 161 23 and RGB 80 197 28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 124 18 shade: RGB 51 124 18, RGB 17 124 112 and RGB 124 17 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 124 18 shade: RGB 51 124 18, RGB 17 51 124 and RGB 124 17 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 124 18 shade: RGB 51 124 18, RGB 17 124 112, RGB 91 17 124 and RGB 124 17 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 124 18 shade: RGB 51 124 18, RGB 17 105 124, RGB 91 17 124 and RGB 124 37 17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 85 / 51

HEX #337C12

RGB 51 124 18

HSL 101.32, 0.75%, 0.28%

LAB 45.86, -41.44, 45.97

 

Complementary color

CMYK 14 / 45 / 0 / 7

HEX #CC83ED

RGB 204 131 237

HSL 281.32, 0.75%, 0.72%

LAB 65.89, 46.03, -42.5

 

CMYK 55 / 0 / 90 / 51

HEX #387C0D

RGB 56 124 13

HSL 96.76, 0.81%, 0.27%

LAB 46.02, -40.19, 47.47

 

CMYK 49 / 0 / 77 / 44

HEX #498E20

RGB 73 142 32

HSL 97.64, 0.63%, 0.34%

LAB 52.8, -41.07, 48.34

 

CMYK 44 / 0 / 68 / 37

HEX #5AA033

RGB 90 160 51

HSL 98.53, 0.52%, 0.41%

LAB 59.48, -41.54, 48.04

 

CMYK 40 / 0 / 61 / 30

HEX #6BB246

RGB 107 178 70

HSL 99.44, 0.44%, 0.49%

LAB 66.07, -41.75, 47.2

 

CMYK 37 / 0 / 55 / 23

HEX #7CC459

RGB 124 196 89

HSL 100.37, 0.48%, 0.56%

LAB 72.55, -41.81, 46.13

 

CMYK 59 / 0 / 85 / 51

HEX #337C12

RGB 51 124 18

HSL 101.32, 0.75%, 0.28%

LAB 45.86, -41.44, 45.97

 

CMYK 68 / 0 / 100 / 58

HEX #226A00

RGB 34 106 0

HSL 100.75, 1%, 0.21%

LAB 38.98, -39.98, 44.33

 

CMYK 81 / 0 / 100 / 65

HEX #115800

RGB 17 88 0

HSL 108.41, 1%, 0.17%

LAB 32.03, -37.25, 38.63

 

CMYK 100 / 0 / 100 / 73

HEX #004600

RGB 0 70 0

HSL 120, 1%, 0.14%

LAB 24.89, -33.97, 32.47

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 59 / 0 / 86 / 51

HEX #337C11

RGB 51 124 17

HSL 100.93, 0.76%, 0.28%

LAB 45.85, -41.49, 46.24

 

CMYK 35 / 0 / 86 / 51

HEX #507C11

RGB 80 124 17

HSL 84.67, 0.76%, 0.28%

LAB 47.19, -31.55, 47.93

 

CMYK 13 / 0 / 86 / 51

HEX #6C7C11

RGB 108 124 17

HSL 68.97, 0.76%, 0.28%

LAB 49.06, -19.6, 50.3

 

CMYK 0 / 10 / 86 / 51

HEX #7C7011

RGB 124 112 17

HSL 53.27, 0.76%, 0.28%

LAB 46.86, -5.6, 48.98

 

CMYK 0 / 33 / 86 / 51

HEX #7C5311

RGB 124 83 17

HSL 37.01, 0.76%, 0.28%

LAB 38.75, 11.37, 42.04

 

CMYK 59 / 0 / 86 / 51

HEX #337C11

RGB 51 124 17

HSL 100.93, 0.76%, 0.28%

LAB 45.85, -41.49, 46.24

 

CMYK 82 / 0 / 86 / 51

HEX #167C11

RGB 22 124 17

HSL 117.2, 0.76%, 0.28%

LAB 45.12, -47.66, 45.3

 

CMYK 86 / 0 / 66 / 51

HEX #117C2A

RGB 17 124 42

HSL 134.02, 0.76%, 0.28%

LAB 45.22, -46.08, 35.83

 

CMYK 86 / 0 / 43 / 51

HEX #117C47

RGB 17 124 71

HSL 150.28, 0.76%, 0.28%

LAB 45.62, -41.34, 21.09

 

CMYK 86 / 0 / 19 / 51

HEX #117C64

RGB 17 124 100

HSL 166.54, 0.76%, 0.28%

LAB 46.25, -34.35, 5.13

 

CMYK 59 / 0 / 86 / 51

HEX #337C11

RGB 51 124 17

HSL 100.93, 0.76%, 0.28%

LAB 45.85, -41.49, 46.24

 

CMYK 66 / 0 / 96 / 47

HEX #2E8806

RGB 46 136 6

HSL 101.54, 0.92%, 0.28%

LAB 49.74, -47.61, 51.88

 

CMYK 59 / 0 / 86 / 51

HEX #337C11

RGB 51 124 17

HSL 100.93, 0.76%, 0.28%

LAB 45.85, -41.49, 46.24

 

CMYK 51 / 0 / 74 / 56

HEX #37711D

RGB 55 113 29

HSL 101.43, 0.59%, 0.28%

LAB 42.32, -35.03, 38.78

 

CMYK 42 / 0 / 60 / 60

HEX #3B6528

RGB 59 101 40

HSL 101.31, 0.43%, 0.28%

LAB 38.53, -27.08, 29.52

 

CMYK 29 / 0 / 42 / 65

HEX #405A34

RGB 64 90 52

HSL 101.05, 0.27%, 0.28%

LAB 35.3, -17.82, 18.89

 

CMYK 13 / 0 / 18 / 69

HEX #444E40

RGB 68 78 64

HSL 102.86, 0.1%, 0.28%

LAB 31.92, -7.07, 6.96

 

CMYK 13 / 0 / 86 / 51

HEX #6C7C11

RGB 108 124 17

HSL 68.97, 0.76%, 0.28%

LAB 49.06, -19.6, 50.3

 

CMYK 35 / 0 / 86 / 51

HEX #507C11

RGB 80 124 17

HSL 84.67, 0.76%, 0.28%

LAB 47.19, -31.55, 47.93

 

CMYK 59 / 0 / 86 / 51

HEX #337C11

RGB 51 124 17

HSL 100.93, 0.76%, 0.28%

LAB 45.85, -41.49, 46.24

 

CMYK 81 / 0 / 86 / 51

HEX #177C11

RGB 23 124 17

HSL 116.64, 0.76%, 0.28%

LAB 45.13, -47.52, 45.32

 

CMYK 86 / 0 / 67 / 51

HEX #117C29

RGB 17 124 41

HSL 133.46, 0.76%, 0.28%

LAB 45.21, -46.21, 36.28

 

CMYK 60 / 0 / 87 / 80

HEX #153407

RGB 21 52 7

HSL 101.33, 0.76%, 0.12%

LAB 18.5, -21.22, 22.95

 

CMYK 59 / 0 / 86 / 65

HEX #24580C

RGB 36 88 12

HSL 101.05, 0.76%, 0.2%

LAB 32.66, -31.8, 35.46

 

CMYK 59 / 0 / 86 / 51

HEX #337C11

RGB 51 124 17

HSL 100.93, 0.76%, 0.28%

LAB 45.85, -41.49, 46.24

 

CMYK 60 / 0 / 86 / 37

HEX #41A117

RGB 65 161 23

HSL 101.74, 0.75%, 0.36%

LAB 58.67, -51.19, 56.35

 

CMYK 59 / 0 / 86 / 23

HEX #50C51C

RGB 80 197 28

HSL 101.54, 0.75%, 0.44%

LAB 70.68, -59.87, 65.98

 

CMYK 59 / 0 / 85 / 51

HEX #337C12

RGB 51 124 18

HSL 101.32, 0.75%, 0.28%

LAB 45.86, -41.44, 45.97

 

CMYK 86 / 0 / 10 / 51

HEX #117C70

RGB 17 124 112

HSL 173.27, 0.76%, 0.28%

LAB 46.58, -30.89, -1.48

 

CMYK 0 / 86 / 24 / 51

HEX #7C115E

RGB 124 17 94

HSL 316.82, 0.76%, 0.28%

LAB 28.1, 50.08, -17.38

 

CMYK 59 / 0 / 85 / 51

HEX #337C12

RGB 51 124 18

HSL 101.32, 0.75%, 0.28%

LAB 45.86, -41.44, 45.97

 

CMYK 86 / 59 / 0 / 51

HEX #11337C

RGB 17 51 124

HSL 220.93, 0.76%, 0.28%

LAB 23.48, 17.84, -44.79

 

CMYK 0 / 86 / 59 / 51

HEX #7C1133

RGB 124 17 51

HSL 340.93, 0.76%, 0.28%

LAB 26.52, 45.55, 9.1

 

CMYK 59 / 0 / 85 / 51

HEX #337C12

RGB 51 124 18

HSL 101.32, 0.75%, 0.28%

LAB 45.86, -41.44, 45.97

 

CMYK 86 / 0 / 10 / 51

HEX #117C70

RGB 17 124 112

HSL 173.27, 0.76%, 0.28%

LAB 46.58, -30.89, -1.48

 

CMYK 27 / 86 / 0 / 51

HEX #5B117C

RGB 91 17 124

HSL 281.5, 0.76%, 0.28%

LAB 23.94, 48.38, -43.74

 

CMYK 0 / 86 / 76 / 51

HEX #7C111E

RGB 124 17 30

HSL 352.71, 0.76%, 0.28%

LAB 26.1, 44.28, 22.69

 

CMYK 59 / 0 / 85 / 51

HEX #337C12

RGB 51 124 18

HSL 101.32, 0.75%, 0.28%

LAB 45.86, -41.44, 45.97

 

CMYK 86 / 15 / 0 / 51

HEX #11697C

RGB 17 105 124

HSL 190.65, 0.76%, 0.28%

LAB 40.7, -17.17, -17.53

 

CMYK 27 / 86 / 0 / 51

HEX #5B117C

RGB 91 17 124

HSL 281.5, 0.76%, 0.28%

LAB 23.94, 48.38, -43.74

 

CMYK 0 / 70 / 86 / 51

HEX #7C2511

RGB 124 37 17

HSL 11.21, 0.76%, 0.28%

LAB 28.51, 36.68, 32.96

 

Description

Color code: RGB 51 124 18 | qconv.com Color code: RGB 51 124 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 124 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 124 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 85 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 85% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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