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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 122 103 it is the complementary color RGB 204 133 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 122 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 122 103 shade: RGB 56 122 98, RGB 73 140 117, RGB 90 158 136, RGB 107 176 155 and RGB 124 194 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 122 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 34 104 84, RGB 17 86 65, RGB 0 68 46 and RGB 0 50 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 51 122 84, RGB 51 122 64, RGB 56 122 51 and RGB 75 122 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 51 122 122, RGB 51 102 122, RGB 51 83 122 and RGB 51 64 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 122 103 shade matches the following richer shades: RGB 51 122 103, RGB 37 136 109, RGB 23 150 116 and RGB 9 164 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 65 108 96, RGB 79 94 90, RGB 93 80 83 and RGB 107 66 77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 122 103 shade: RGB 51 122 64, RGB 51 122 83, RGB 51 122 102, RGB 51 122 121 and RGB 51 104 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 122 103 shade: RGB 26 64 54, RGB 38 93 78, RGB 51 122 103, RGB 63 151 127 and RGB 75 180 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 51 57 122 and RGB 122 73 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 102 51 122 and RGB 122 102 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 51 57 122, RGB 122 51 71 and RGB 122 116 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 122 103 shade: RGB 51 122 103, RGB 66 51 122, RGB 122 51 71 and RGB 106 122 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

Complementary color

CMYK 0 / 35 / 25 / 20

HEX #CC8598

RGB 204 133 152

HSL 343.94, 0.41%, 0.66%

LAB 63.24, 29.84, 1.2

 

CMYK 54 / 0 / 20 / 52

HEX #387A62

RGB 56 122 98

HSL 158.18, 0.37%, 0.35%

LAB 46.5, -27.26, 6.8

 

CMYK 48 / 0 / 16 / 45

HEX #498C75

RGB 73 140 117

HSL 159.4, 0.31%, 0.42%

LAB 53.45, -27.13, 5.74

 

CMYK 43 / 0 / 14 / 38

HEX #5A9E88

RGB 90 158 136

HSL 160.59, 0.27%, 0.49%

LAB 60.25, -26.95, 4.78

 

CMYK 39 / 0 / 12 / 31

HEX #6BB09B

RGB 107 176 155

HSL 161.74, 0.3%, 0.55%

LAB 66.93, -26.75, 3.91

 

CMYK 36 / 0 / 10 / 24

HEX #7CC2AE

RGB 124 194 174

HSL 162.86, 0.36%, 0.62%

LAB 73.5, -26.55, 3.1

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 67 / 0 / 19 / 59

HEX #226854

RGB 34 104 84

HSL 162.86, 0.51%, 0.27%

LAB 39.38, -27.04, 4.92

 

CMYK 80 / 0 / 24 / 66

HEX #115641

RGB 17 86 65

HSL 161.74, 0.67%, 0.2%

LAB 32.16, -26.53, 6.32

 

CMYK 100 / 0 / 32 / 73

HEX #00442E

RGB 0 68 46

HSL 160.59, 1%, 0.13%

LAB 24.74, -25.71, 7.97

 

CMYK 100 / 0 / 46 / 80

HEX #00321B

RGB 0 50 27

HSL 152.4, 1%, 0.1%

LAB 17.27, -22.68, 10.27

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 58 / 0 / 31 / 52

HEX #337A54

RGB 51 122 84

HSL 147.89, 0.41%, 0.34%

LAB 45.99, -31.76, 14.27

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 54 / 0 / 58 / 52

HEX #387A33

RGB 56 122 51

HSL 115.77, 0.41%, 0.34%

LAB 45.63, -36.19, 32.14

 

CMYK 39 / 0 / 58 / 52

HEX #4B7A33

RGB 75 122 51

HSL 99.72, 0.41%, 0.34%

LAB 46.52, -29.87, 33.4

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 58 / 0 / 0 / 52

HEX #337A7A

RGB 51 122 122

HSL 180, 0.41%, 0.34%

LAB 47.01, -21.9, -6.7

 

CMYK 58 / 16 / 0 / 52

HEX #33667A

RGB 51 102 122

HSL 196.9, 0.41%, 0.34%

LAB 40.59, -10.84, -16.39

 

CMYK 58 / 32 / 0 / 52

HEX #33537A

RGB 51 83 122

HSL 212.96, 0.41%, 0.34%

LAB 34.59, 0.8, -25.69

 

CMYK 58 / 48 / 0 / 52

HEX #33407A

RGB 51 64 122

HSL 229.01, 0.41%, 0.34%

LAB 28.84, 13.39, -34.79

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 73 / 0 / 20 / 47

HEX #25886D

RGB 37 136 109

HSL 163.64, 0.57%, 0.34%

LAB 50.81, -34.88, 6.44

 

CMYK 85 / 0 / 23 / 41

HEX #179674

RGB 23 150 116

HSL 163.94, 0.73%, 0.34%

LAB 55.33, -40.85, 8.83

 

CMYK 95 / 0 / 26 / 36

HEX #09A47A

RGB 9 164 122

HSL 163.74, 0.9%, 0.34%

LAB 59.9, -46, 11.88

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 40 / 0 / 11 / 58

HEX #416C60

RGB 65 108 96

HSL 163.26, 0.25%, 0.34%

LAB 42.3, -18, 2.01

 

CMYK 16 / 0 / 4 / 63

HEX #4F5E5A

RGB 79 94 90

HSL 164, 0.09%, 0.34%

LAB 38.56, -6.67, 0.35

 

CMYK 0 / 14 / 11 / 64

HEX #5D5053

RGB 93 80 83

HSL 346.15, 0.08%, 0.34%

LAB 35.38, 5.97, 0.22

 

CMYK 0 / 38 / 28 / 58

HEX #6B424D

RGB 107 66 77

HSL 343.9, 0.24%, 0.34%

LAB 33.04, 19.42, 0.84

 

CMYK 58 / 0 / 48 / 52

HEX #337A40

RGB 51 122 64

HSL 130.99, 0.41%, 0.34%

LAB 45.62, -35.63, 25.16

 

CMYK 58 / 0 / 32 / 52

HEX #337A53

RGB 51 122 83

HSL 147.04, 0.41%, 0.34%

LAB 45.97, -31.97, 14.83

 

CMYK 58 / 0 / 16 / 52

HEX #337A66

RGB 51 122 102

HSL 163.1, 0.41%, 0.34%

LAB 46.42, -27.46, 4.3

 

CMYK 58 / 0 / 1 / 52

HEX #337A79

RGB 51 122 121

HSL 179.15, 0.41%, 0.34%

LAB 46.98, -22.2, -6.15

 

CMYK 58 / 15 / 0 / 52

HEX #33687A

RGB 51 104 122

HSL 195.21, 0.41%, 0.34%

LAB 41.23, -12, -15.42

 

CMYK 59 / 0 / 16 / 75

HEX #1A4036

RGB 26 64 54

HSL 164.21, 0.42%, 0.18%

LAB 24.17, -16.46, 2.02

 

CMYK 59 / 0 / 16 / 64

HEX #265D4E

RGB 38 93 78

HSL 163.64, 0.42%, 0.26%

LAB 35.58, -22.26, 3.17

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 58 / 0 / 16 / 41

HEX #3F977F

RGB 63 151 127

HSL 163.64, 0.41%, 0.42%

LAB 56.8, -32.39, 4.78

 

CMYK 58 / 0 / 16 / 29

HEX #4BB498

RGB 75 180 152

HSL 164, 0.41%, 0.5%

LAB 66.83, -37.13, 5.26

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 58 / 53 / 0 / 52

HEX #33397A

RGB 51 57 122

HSL 234.93, 0.41%, 0.34%

LAB 26.83, 18.16, -38.01

 

CMYK 0 / 40 / 58 / 52

HEX #7A4933

RGB 122 73 51

HSL 18.59, 0.41%, 0.34%

LAB 36.26, 18.47, 21.9

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 16 / 58 / 0 / 52

HEX #66337A

RGB 102 51 122

HSL 283.1, 0.41%, 0.34%

LAB 30.87, 35.38, -31.24

 

CMYK 0 / 16 / 58 / 52

HEX #7A6633

RGB 122 102 51

HSL 43.1, 0.41%, 0.34%

LAB 44.06, 1.19, 31.43

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 58 / 53 / 0 / 52

HEX #33397A

RGB 51 57 122

HSL 234.93, 0.41%, 0.34%

LAB 26.83, 18.16, -38.01

 

CMYK 0 / 58 / 42 / 52

HEX #7A3347

RGB 122 51 71

HSL 343.1, 0.41%, 0.34%

LAB 31.72, 33.07, 3.08

 

CMYK 0 / 5 / 58 / 52

HEX #7A7433

RGB 122 116 51

HSL 54.93, 0.41%, 0.34%

LAB 48.09, -6.85, 36.11

 

CMYK 58 / 0 / 16 / 52

HEX #337A67

RGB 51 122 103

HSL 163.94, 0.41%, 0.34%

LAB 46.45, -27.2, 3.75

 

CMYK 46 / 58 / 0 / 52

HEX #42337A

RGB 66 51 122

HSL 252.68, 0.41%, 0.34%

LAB 26.54, 25.67, -38.42

 

CMYK 0 / 58 / 42 / 52

HEX #7A3347

RGB 122 51 71

HSL 343.1, 0.41%, 0.34%

LAB 31.72, 33.07, 3.08

 

CMYK 13 / 0 / 58 / 52

HEX #6A7A33

RGB 106 122 51

HSL 73.52, 0.41%, 0.34%

LAB 48.54, -17.3, 36.26

 

Description

Color code: RGB 51 122 103 | qconv.com Color code: RGB 51 122 103 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 122 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 122 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 16 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 16% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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