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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 109 236 it is the complementary color RGB 204 146 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 109 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 109 236 shade: RGB 56 109 231, RGB 73 127 250, RGB 90 145 255, RGB 107 163 255 and RGB 124 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 109 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 109 236 shade: RGB 51 109 236, RGB 34 91 217, RGB 17 73 198, RGB 0 55 179 and RGB 0 37 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 109 236 shade: RGB 49 108 235, RGB 49 57 235, RGB 91 49 235, RGB 141 49 235 and RGB 192 49 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 109 236 shade: RGB 49 108 235, RGB 49 57 235 and RGB 49 49 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 109 236 shade matches the following richer shades: RGB 49 108 235 and RGB 31 101 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 109 236 shade: RGB 49 108 235, RGB 67 114 217, RGB 85 121 199, RGB 104 128 181 and RGB 122 135 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 109 236 shade: RGB 49 207 235, RGB 49 158 235, RGB 49 108 235, RGB 49 58 235 and RGB 90 49 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 109 236 shade: RGB 17 70 185, RGB 20 84 223, RGB 49 108 235, RGB 87 135 239 and RGB 125 162 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 109 236 shade: RGB 51 109 236, RGB 214 49 235 and RGB 183 235 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 109 236 shade: RGB 51 109 236, RGB 235 49 108 and RGB 108 235 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 109 236 shade: RGB 51 109 236, RGB 214 49 235, RGB 235 176 49 and RGB 71 235 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 109 236 shade: RGB 51 109 236, RGB 235 49 201, RGB 235 176 49 and RGB 49 235 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 54 / 0 / 7

HEX #336DEC

RGB 51 109 236

HSL 221.19, 0.83%, 0.56%

LAB 49.13, 26.16, -69.39

 

Complementary color

CMYK 0 / 28 / 91 / 20

HEX #CC9213

RGB 204 146 19

HSL 41.19, 0.83%, 0.44%

LAB 64.52, 12.34, 66.21

 

CMYK 76 / 53 / 0 / 9

HEX #386DE7

RGB 56 109 231

HSL 221.83, 0.78%, 0.56%

LAB 48.94, 24.84, -66.87

 

CMYK 71 / 49 / 0 / 2

HEX #497FFA

RGB 73 127 250

HSL 221.69, 0.95%, 0.63%

LAB 55.58, 22.53, -66.7

 

CMYK 65 / 43 / 0 / 0

HEX #5A91FF

RGB 90 145 255

HSL 220, 1%, 0.68%

LAB 61.35, 15.86, -60.15

 

CMYK 58 / 36 / 0 / 0

HEX #6BA3FF

RGB 107 163 255

HSL 217.3, 1%, 0.71%

LAB 66.93, 8.31, -51.23

 

CMYK 51 / 29 / 0 / 0

HEX #7CB5FF

RGB 124 181 255

HSL 213.89, 1%, 0.74%

LAB 72.6, 1.62, -42.27

 

CMYK 78 / 54 / 0 / 7

HEX #336DEC

RGB 51 109 236

HSL 221.19, 0.83%, 0.56%

LAB 49.13, 26.16, -69.39

 

CMYK 84 / 58 / 0 / 15

HEX #225BD9

RGB 34 91 217

HSL 221.31, 0.73%, 0.49%

LAB 42.51, 29.1, -69.43

 

CMYK 91 / 63 / 0 / 22

HEX #1149C6

RGB 17 73 198

HSL 221.44, 0.84%, 0.42%

LAB 35.91, 32.58, -69.28

 

CMYK 100 / 69 / 0 / 30

HEX #0037B3

RGB 0 55 179

HSL 221.56, 1%, 0.35%

LAB 29.38, 36.46, -68.84

 

CMYK 100 / 77 / 0 / 37

HEX #0025A0

RGB 0 37 160

HSL 226.13, 1%, 0.31%

LAB 23.21, 40.65, -67.6

 

CMYK 79 / 54 / 0 / 8

HEX #316CEB

RGB 49 108 235

HSL 220.97, 0.82%, 0.56%

LAB 48.73, 26.23, -69.47

 

CMYK 79 / 76 / 0 / 8

HEX #3139EB

RGB 49 57 235

HSL 237.42, 0.82%, 0.56%

LAB 37.07, 56.9, -88.6

 

CMYK 61 / 79 / 0 / 8

HEX #5B31EB

RGB 91 49 235

HSL 253.55, 0.82%, 0.56%

LAB 38.58, 64.13, -86.01

 

CMYK 40 / 79 / 0 / 8

HEX #8D31EB

RGB 141 49 235

HSL 269.68, 0.82%, 0.56%

LAB 44.03, 70.26, -76.86

 

CMYK 18 / 79 / 0 / 8

HEX #C031EB

RGB 192 49 235

HSL 286.13, 0.82%, 0.56%

LAB 51.15, 78.34, -64.95

 

CMYK 79 / 54 / 0 / 8

HEX #316CEB

RGB 49 108 235

HSL 220.97, 0.82%, 0.56%

LAB 48.73, 26.23, -69.47

 

CMYK 79 / 76 / 0 / 8

HEX #3139EB

RGB 49 57 235

HSL 237.42, 0.82%, 0.56%

LAB 37.07, 56.9, -88.6

 

CMYK 79 / 79 / 0 / 8

HEX #3131EB

RGB 49 49 235

HSL 240, 0.82%, 0.56%

LAB 35.69, 60.89, -90.89

 

CMYK 79 / 54 / 0 / 8

HEX #316CEB

RGB 49 108 235

HSL 220.97, 0.82%, 0.56%

LAB 48.73, 26.23, -69.47

 

CMYK 88 / 60 / 0 / 0

HEX #1F65FE

RGB 31 101 254

HSL 221.17, 0.99%, 0.56%

LAB 47.95, 36.42, -81.38

 

CMYK 79 / 54 / 0 / 8

HEX #316CEB

RGB 49 108 235

HSL 220.97, 0.82%, 0.56%

LAB 48.73, 26.23, -69.47

 

CMYK 69 / 47 / 0 / 15

HEX #4372D9

RGB 67 114 217

HSL 221.2, 0.66%, 0.56%

LAB 49.78, 18.03, -57.59

 

CMYK 57 / 39 / 0 / 22

HEX #5579C7

RGB 85 121 199

HSL 221.05, 0.5%, 0.56%

LAB 51.53, 10.68, -44.51

 

CMYK 43 / 29 / 0 / 29

HEX #6880B5

RGB 104 128 181

HSL 221.3, 0.34%, 0.56%

LAB 53.73, 5.37, -30.68

 

CMYK 25 / 17 / 0 / 36

HEX #7A87A3

RGB 122 135 163

HSL 220.98, 0.18%, 0.56%

LAB 56.2, 1.73, -16.43

 

CMYK 79 / 12 / 0 / 8

HEX #31CFEB

RGB 49 207 235

HSL 189.03, 0.82%, 0.56%

LAB 76.85, -30.01, -25.12

 

CMYK 79 / 33 / 0 / 8

HEX #319EEB

RGB 49 158 235

HSL 204.84, 0.82%, 0.56%

LAB 62.6, -4.16, -47.26

 

CMYK 79 / 54 / 0 / 8

HEX #316CEB

RGB 49 108 235

HSL 220.97, 0.82%, 0.56%

LAB 48.73, 26.23, -69.47

 

CMYK 79 / 75 / 0 / 8

HEX #313AEB

RGB 49 58 235

HSL 237.1, 0.82%, 0.56%

LAB 37.26, 56.38, -88.29

 

CMYK 62 / 79 / 0 / 8

HEX #5A31EB

RGB 90 49 235

HSL 253.23, 0.82%, 0.56%

LAB 38.5, 64.03, -86.16

 

CMYK 91 / 62 / 0 / 27

HEX #1146B9

RGB 17 70 185

HSL 221.07, 0.83%, 0.4%

LAB 33.99, 29.51, -64.81

 

CMYK 91 / 62 / 0 / 13

HEX #1454DF

RGB 20 84 223

HSL 221.08, 0.84%, 0.48%

LAB 40.92, 35.12, -75.46

 

CMYK 79 / 54 / 0 / 8

HEX #316CEB

RGB 49 108 235

HSL 220.97, 0.82%, 0.56%

LAB 48.73, 26.23, -69.47

 

CMYK 64 / 44 / 0 / 6

HEX #5787EF

RGB 87 135 239

HSL 221.05, 0.83%, 0.64%

LAB 57.64, 15.96, -57.27

 

CMYK 48 / 33 / 0 / 5

HEX #7DA2F2

RGB 125 162 242

HSL 221.03, 0.82%, 0.72%

LAB 66.98, 8.72, -43.99

 

CMYK 78 / 54 / 0 / 7

HEX #336DEC

RGB 51 109 236

HSL 221.19, 0.83%, 0.56%

LAB 49.13, 26.16, -69.39

 

CMYK 9 / 79 / 0 / 8

HEX #D631EB

RGB 214 49 235

HSL 293.23, 0.82%, 0.56%

LAB 54.54, 82.21, -59.31

 

CMYK 22 / 0 / 79 / 8

HEX #B7EB31

RGB 183 235 49

HSL 76.77, 0.82%, 0.56%

LAB 86.85, -40.26, 77.02

 

CMYK 78 / 54 / 0 / 7

HEX #336DEC

RGB 51 109 236

HSL 221.19, 0.83%, 0.56%

LAB 49.13, 26.16, -69.39

 

CMYK 0 / 79 / 54 / 8

HEX #EB316C

RGB 235 49 108

HSL 340.97, 0.82%, 0.56%

LAB 52.89, 71.64, 12.74

 

CMYK 54 / 0 / 79 / 8

HEX #6CEB31

RGB 108 235 49

HSL 100.97, 0.82%, 0.56%

LAB 83.35, -64.98, 72.53

 

CMYK 78 / 54 / 0 / 7

HEX #336DEC

RGB 51 109 236

HSL 221.19, 0.83%, 0.56%

LAB 49.13, 26.16, -69.39

 

CMYK 9 / 79 / 0 / 8

HEX #D631EB

RGB 214 49 235

HSL 293.23, 0.82%, 0.56%

LAB 54.54, 82.21, -59.31

 

CMYK 0 / 25 / 79 / 8

HEX #EBB031

RGB 235 176 49

HSL 40.97, 0.82%, 0.56%

LAB 75.41, 10.53, 68.29

 

CMYK 70 / 0 / 79 / 8

HEX #47EB31

RGB 71 235 49

HSL 112.9, 0.82%, 0.56%

LAB 82.37, -73.07, 71.26

 

CMYK 78 / 54 / 0 / 7

HEX #336DEC

RGB 51 109 236

HSL 221.19, 0.83%, 0.56%

LAB 49.13, 26.16, -69.39

 

CMYK 0 / 79 / 14 / 8

HEX #EB31C9

RGB 235 49 201

HSL 310.97, 0.82%, 0.56%

LAB 56.16, 81.23, -37.23

 

CMYK 0 / 25 / 79 / 8

HEX #EBB031

RGB 235 176 49

HSL 40.97, 0.82%, 0.56%

LAB 75.41, 10.53, 68.29

 

CMYK 79 / 0 / 65 / 8

HEX #31EB53

RGB 49 235 83

HSL 130.97, 0.82%, 0.56%

LAB 82.21, -73.57, 59.2

 

Description

Color code: RGB 51 109 236 | qconv.com Color code: RGB 51 109 236 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 109 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 109 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 54 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 54% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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