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Color name
RGB 51 78 110

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 51 78 110 it is the complementary color RGB 204 177 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 51 78 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 51 78 110 shade: RGB 56 78 105, RGB 73 96 124, RGB 90 114 143, RGB 107 132 162 and RGB 124 150 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 51 78 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 51 78 110 shade: RGB 51 78 110, RGB 34 60 91, RGB 17 42 72, RGB 0 24 53 and RGB 0 6 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 51 78 110 shade: RGB 51 79 111, RGB 51 62 111, RGB 56 51 111, RGB 72 51 111 and RGB 88 51 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 51 78 110 shade: RGB 51 79 111, RGB 51 62 111 and RGB 51 51 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 51 78 110 shade matches the following richer shades: RGB 51 79 111, RGB 38 77 124, RGB 25 76 138 and RGB 11 75 151

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 51 78 110 shade: RGB 51 79 111, RGB 64 80 98, RGB 77 81 85, RGB 91 82 72 and RGB 104 83 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 51 78 110 shade: RGB 51 111 111, RGB 51 95 111, RGB 51 79 111, RGB 51 63 111 and RGB 55 51 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 51 78 110 shade: RGB 25 39 55, RGB 38 59 83, RGB 51 79 111, RGB 64 99 140 and RGB 77 119 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 51 78 110 shade: RGB 51 78 110, RGB 95 51 111 and RGB 103 111 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 51 78 110 shade: RGB 51 78 110, RGB 111 51 79 and RGB 79 111 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 51 78 110 shade: RGB 51 78 110, RGB 95 51 111, RGB 111 83 51 and RGB 67 111 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 51 78 110 shade: RGB 51 78 110, RGB 111 51 109, RGB 111 83 51 and RGB 51 111 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 29 / 0 / 57

HEX #334E6E

RGB 51 78 110

HSL 212.54, 0.37%, 0.32%

LAB 32.43, -0.14, -21.58

 

Complementary color

CMYK 0 / 13 / 29 / 20

HEX #CCB191

RGB 204 177 145

HSL 32.54, 0.37%, 0.68%

LAB 73.76, 4.93, 19.98

 

CMYK 47 / 26 / 0 / 59

HEX #384E69

RGB 56 78 105

HSL 213.06, 0.3%, 0.32%

LAB 32.5, -0.43, -18.3

 

CMYK 41 / 23 / 0 / 51

HEX #49607C

RGB 73 96 124

HSL 212.94, 0.26%, 0.39%

LAB 39.98, -0.85, -18.45

 

CMYK 37 / 20 / 0 / 44

HEX #5A728F

RGB 90 114 143

HSL 212.83, 0.23%, 0.46%

LAB 47.22, -1.17, -18.64

 

CMYK 34 / 19 / 0 / 36

HEX #6B84A2

RGB 107 132 162

HSL 212.73, 0.23%, 0.53%

LAB 54.28, -1.44, -18.87

 

CMYK 31 / 17 / 0 / 29

HEX #7C96B5

RGB 124 150 181

HSL 212.63, 0.28%, 0.6%

LAB 61.16, -1.66, -19.12

 

CMYK 54 / 29 / 0 / 57

HEX #334E6E

RGB 51 78 110

HSL 212.54, 0.37%, 0.32%

LAB 32.43, -0.14, -21.58

 

CMYK 63 / 34 / 0 / 64

HEX #223C5B

RGB 34 60 91

HSL 212.63, 0.46%, 0.25%

LAB 24.72, 0.72, -21.54

 

CMYK 76 / 42 / 0 / 72

HEX #112A48

RGB 17 42 72

HSL 212.73, 0.62%, 0.17%

LAB 16.71, 2.11, -21.55

 

CMYK 100 / 55 / 0 / 79

HEX #001835

RGB 0 24 53

HSL 212.83, 1%, 0.1%

LAB 8.22, 4.03, -21.79

 

CMYK 100 / 82 / 0 / 87

HEX #000622

RGB 0 6 34

HSL 229.41, 1%, 0.07%

LAB 2.22, 4.93, -16.98

 

CMYK 54 / 29 / 0 / 56

HEX #334F6F

RGB 51 79 111

HSL 212, 0.37%, 0.32%

LAB 32.8, -0.44, -21.64

 

CMYK 54 / 44 / 0 / 56

HEX #333E6F

RGB 51 62 111

HSL 229, 0.37%, 0.32%

LAB 27.56, 10.83, -29.87

 

CMYK 50 / 54 / 0 / 56

HEX #38336F

RGB 56 51 111

HSL 245, 0.37%, 0.32%

LAB 24.82, 19.6, -34.24

 

CMYK 35 / 54 / 0 / 56

HEX #48336F

RGB 72 51 111

HSL 261, 0.37%, 0.32%

LAB 26.43, 23.93, -31.57

 

CMYK 21 / 54 / 0 / 56

HEX #58336F

RGB 88 51 111

HSL 277, 0.37%, 0.32%

LAB 28.35, 28.65, -28.39

 

CMYK 54 / 29 / 0 / 56

HEX #334F6F

RGB 51 79 111

HSL 212, 0.37%, 0.32%

LAB 32.8, -0.44, -21.64

 

CMYK 54 / 44 / 0 / 56

HEX #333E6F

RGB 51 62 111

HSL 229, 0.37%, 0.32%

LAB 27.56, 10.83, -29.87

 

CMYK 54 / 54 / 0 / 56

HEX #33336F

RGB 51 51 111

HSL 240, 0.37%, 0.32%

LAB 24.38, 18.37, -34.95

 

CMYK 54 / 29 / 0 / 56

HEX #334F6F

RGB 51 79 111

HSL 212, 0.37%, 0.32%

LAB 32.8, -0.44, -21.64

 

CMYK 69 / 38 / 0 / 51

HEX #264D7C

RGB 38 77 124

HSL 212.79, 0.53%, 0.32%

LAB 32.2, 2.72, -30.73

 

CMYK 82 / 45 / 0 / 46

HEX #194C8A

RGB 25 76 138

HSL 212.92, 0.69%, 0.32%

LAB 32.28, 7.04, -39.29

 

CMYK 93 / 50 / 0 / 41

HEX #0B4B97

RGB 11 75 151

HSL 212.57, 0.86%, 0.32%

LAB 32.56, 11.97, -46.79

 

CMYK 54 / 29 / 0 / 56

HEX #334F6F

RGB 51 79 111

HSL 212, 0.37%, 0.32%

LAB 32.8, -0.44, -21.64

 

CMYK 35 / 18 / 0 / 62

HEX #405062

RGB 64 80 98

HSL 211.76, 0.21%, 0.32%

LAB 33.37, -1.36, -12.51

 

CMYK 9 / 5 / 0 / 67

HEX #4D5155

RGB 77 81 85

HSL 210, 0.05%, 0.32%

LAB 34.23, -0.69, -2.9

 

CMYK 0 / 10 / 21 / 64

HEX #5B5248

RGB 91 82 72

HSL 31.58, 0.12%, 0.32%

LAB 35.45, 1.83, 7.21

 

CMYK 0 / 20 / 44 / 59

HEX #68533A

RGB 104 83 58

HSL 32.61, 0.28%, 0.32%

LAB 36.81, 4.95, 17.93

 

CMYK 54 / 0 / 0 / 56

HEX #336F6F

RGB 51 111 111

HSL 180, 0.37%, 0.32%

LAB 43.09, -19.31, -5.95

 

CMYK 54 / 14 / 0 / 56

HEX #335F6F

RGB 51 95 111

HSL 196, 0.37%, 0.32%

LAB 37.91, -10.29, -13.77

 

CMYK 54 / 29 / 0 / 56

HEX #334F6F

RGB 51 79 111

HSL 212, 0.37%, 0.32%

LAB 32.8, -0.44, -21.64

 

CMYK 54 / 43 / 0 / 56

HEX #333F6F

RGB 51 63 111

HSL 228, 0.37%, 0.32%

LAB 27.86, 10.15, -29.4

 

CMYK 50 / 54 / 0 / 56

HEX #37336F

RGB 55 51 111

HSL 244, 0.37%, 0.32%

LAB 24.73, 19.35, -34.39

 

CMYK 55 / 29 / 0 / 78

HEX #192737

RGB 25 39 55

HSL 212, 0.38%, 0.16%

LAB 15.13, -0.53, -12.2

 

CMYK 54 / 29 / 0 / 67

HEX #263B53

RGB 38 59 83

HSL 212, 0.37%, 0.24%

LAB 24.21, -0.49, -17.08

 

CMYK 54 / 29 / 0 / 56

HEX #334F6F

RGB 51 79 111

HSL 212, 0.37%, 0.32%

LAB 32.8, -0.44, -21.64

 

CMYK 54 / 29 / 0 / 45

HEX #40638C

RGB 64 99 140

HSL 212.37, 0.37%, 0.4%

LAB 41.07, -0.05, -26.5

 

CMYK 54 / 29 / 0 / 34

HEX #4D77A8

RGB 77 119 168

HSL 212.31, 0.37%, 0.48%

LAB 49.01, -0.01, -30.64

 

CMYK 54 / 29 / 0 / 57

HEX #334E6E

RGB 51 78 110

HSL 212.54, 0.37%, 0.32%

LAB 32.43, -0.14, -21.58

 

CMYK 14 / 54 / 0 / 56

HEX #5F336F

RGB 95 51 111

HSL 284, 0.37%, 0.32%

LAB 29.28, 30.78, -26.86

 

CMYK 7 / 0 / 54 / 56

HEX #676F33

RGB 103 111 51

HSL 68, 0.37%, 0.32%

LAB 44.93, -12.67, 32.01

 

CMYK 54 / 29 / 0 / 57

HEX #334E6E

RGB 51 78 110

HSL 212.54, 0.37%, 0.32%

LAB 32.43, -0.14, -21.58

 

CMYK 0 / 54 / 29 / 56

HEX #6F334F

RGB 111 51 79

HSL 332, 0.37%, 0.32%

LAB 30.19, 30.09, -4.6

 

CMYK 29 / 0 / 54 / 56

HEX #4F6F33

RGB 79 111 51

HSL 92, 0.37%, 0.32%

LAB 43.17, -22.94, 29.49

 

CMYK 54 / 29 / 0 / 57

HEX #334E6E

RGB 51 78 110

HSL 212.54, 0.37%, 0.32%

LAB 32.43, -0.14, -21.58

 

CMYK 14 / 54 / 0 / 56

HEX #5F336F

RGB 95 51 111

HSL 284, 0.37%, 0.32%

LAB 29.28, 30.78, -26.86

 

CMYK 0 / 25 / 54 / 56

HEX #6F5333

RGB 111 83 51

HSL 32, 0.37%, 0.32%

LAB 37.49, 7.4, 23.16

 

CMYK 40 / 0 / 54 / 56

HEX #436F33

RGB 67 111 51

HSL 104, 0.37%, 0.32%

LAB 42.46, -27.55, 28.47

 

CMYK 54 / 29 / 0 / 57

HEX #334E6E

RGB 51 78 110

HSL 212.54, 0.37%, 0.32%

LAB 32.43, -0.14, -21.58

 

CMYK 0 / 54 / 2 / 56

HEX #6F336D

RGB 111 51 109

HSL 302, 0.37%, 0.32%

LAB 31.47, 35.32, -22

 

CMYK 0 / 25 / 54 / 56

HEX #6F5333

RGB 111 83 51

HSL 32, 0.37%, 0.32%

LAB 37.49, 7.4, 23.16

 

CMYK 54 / 0 / 52 / 56

HEX #336F35

RGB 51 111 53

HSL 122, 0.37%, 0.32%

LAB 41.74, -32.58, 26.32

 

Description

Color code: RGB 51 78 110 | qconv.com Color code: RGB 51 78 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 78 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 78 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 29 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 29% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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