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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 50 250 76 it is the complementary color RGB 205 5 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 50 250 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 50 250 76 shade: RGB 55 250 71, RGB 72 255 90, RGB 89 255 109, RGB 106 255 128 and RGB 123 255 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 50 250 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 50 250 76 shade: RGB 50 250 76, RGB 33 232 57, RGB 16 214 38, RGB 0 196 19 and RGB 0 178 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 50 250 76 shade: RGB 51 249 76, RGB 78 249 51, RGB 132 249 51, RGB 186 249 51 and RGB 239 249 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 50 250 76 shade: RGB 51 249 76, RGB 51 249 130, RGB 51 249 184, RGB 51 249 237 and RGB 51 208 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 50 250 76 shade matches the following richer shades: RGB 51 249 76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 50 250 76 shade: RGB 51 249 76, RGB 68 232 89, RGB 84 215 101, RGB 101 199 114 and RGB 118 182 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 50 250 76 shade: RGB 133 249 51, RGB 80 249 51, RGB 51 249 74, RGB 51 249 127 and RGB 51 249 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 50 250 76 shade: RGB 5 212 32, RGB 10 248 41, RGB 51 249 76, RGB 91 250 112 and RGB 131 251 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 50 250 76 shade: RGB 50 250 76, RGB 51 186 249 and RGB 249 51 107

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 50 250 76 shade: RGB 50 250 76, RGB 74 51 249 and RGB 249 74 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 50 250 76 shade: RGB 50 250 76, RGB 51 186 249, RGB 249 51 226 and RGB 249 114 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 50 250 76 shade: RGB 50 250 76, RGB 51 127 249, RGB 249 51 226 and RGB 249 173 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 70 / 2

HEX #32FA4C

RGB 50 250 76

HSL 127.8, 0.95%, 0.59%

LAB 86.79, -78.6, 66.79

 

Complementary color

CMYK 0 / 98 / 13 / 20

HEX #CD05B3

RGB 205 5 179

HSL 307.8, 0.95%, 0.41%

LAB 47.42, 79.36, -38.57

 

CMYK 78 / 0 / 72 / 2

HEX #37FA47

RGB 55 250 71

HSL 124.92, 0.95%, 0.6%

LAB 86.82, -78.44, 68.62

 

CMYK 72 / 0 / 65 / 0

HEX #48FF5A

RGB 72 255 90

HSL 125.9, 1%, 0.64%

LAB 88.75, -75.95, 63.67

 

CMYK 65 / 0 / 57 / 0

HEX #59FF6D

RGB 89 255 109

HSL 127.23, 1%, 0.67%

LAB 89.27, -71.01, 56.41

 

CMYK 58 / 0 / 50 / 0

HEX #6AFF80

RGB 106 255 128

HSL 128.86, 1%, 0.71%

LAB 89.93, -65.15, 48.67

 

CMYK 52 / 0 / 42 / 0

HEX #7BFF93

RGB 123 255 147

HSL 130.91, 1%, 0.74%

LAB 90.71, -58.49, 40.69

 

CMYK 80 / 0 / 70 / 2

HEX #32FA4C

RGB 50 250 76

HSL 127.8, 0.95%, 0.59%

LAB 86.79, -78.6, 66.79

 

CMYK 86 / 0 / 75 / 9

HEX #21E839

RGB 33 232 57

HSL 127.24, 0.81%, 0.52%

LAB 80.92, -76.5, 67.29

 

CMYK 93 / 0 / 82 / 16

HEX #10D626

RGB 16 214 38

HSL 126.67, 0.86%, 0.45%

LAB 75.04, -73.73, 67.13

 

CMYK 100 / 0 / 90 / 23

HEX #00C413

RGB 0 196 19

HSL 125.82, 1%, 0.38%

LAB 69.13, -70.26, 65.91

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 80 / 0 / 69 / 2

HEX #33F94C

RGB 51 249 76

HSL 127.58, 0.94%, 0.59%

LAB 86.49, -78.2, 66.49

 

CMYK 69 / 0 / 80 / 2

HEX #4EF933

RGB 78 249 51

HSL 111.82, 0.94%, 0.59%

LAB 86.81, -76.03, 74.92

 

CMYK 47 / 0 / 80 / 2

HEX #84F933

RGB 132 249 51

HSL 95.45, 0.94%, 0.59%

LAB 88.4, -63.23, 76.97

 

CMYK 25 / 0 / 80 / 2

HEX #BAF933

RGB 186 249 51

HSL 79.09, 0.94%, 0.59%

LAB 90.98, -45.15, 80.27

 

CMYK 4 / 0 / 80 / 2

HEX #EFF933

RGB 239 249 51

HSL 63.03, 0.94%, 0.59%

LAB 94.46, -24.43, 84.68

 

CMYK 80 / 0 / 69 / 2

HEX #33F94C

RGB 51 249 76

HSL 127.58, 0.94%, 0.59%

LAB 86.49, -78.2, 66.49

 

CMYK 80 / 0 / 48 / 2

HEX #33F982

RGB 51 249 130

HSL 143.94, 0.94%, 0.59%

LAB 87.03, -71.69, 43.88

 

CMYK 80 / 0 / 26 / 2

HEX #33F9B8

RGB 51 249 184

HSL 160.3, 0.94%, 0.59%

LAB 87.93, -61.49, 18.08

 

CMYK 80 / 0 / 5 / 2

HEX #33F9ED

RGB 51 249 237

HSL 176.36, 0.94%, 0.59%

LAB 89.19, -48.37, -7.61

 

CMYK 80 / 16 / 0 / 2

HEX #33D0F9

RGB 51 208 249

HSL 192.42, 0.94%, 0.59%

LAB 77.67, -25.9, -31.35

 

CMYK 80 / 0 / 69 / 2

HEX #33F94C

RGB 51 249 76

HSL 127.58, 0.94%, 0.59%

LAB 86.49, -78.2, 66.49

 

CMYK 80 / 0 / 69 / 2

HEX #33F94C

RGB 51 249 76

HSL 127.58, 0.94%, 0.59%

LAB 86.49, -78.2, 66.49

 

CMYK 71 / 0 / 62 / 9

HEX #44E859

RGB 68 232 89

HSL 127.68, 0.78%, 0.59%

LAB 81.65, -69.35, 56.17

 

CMYK 61 / 0 / 53 / 16

HEX #54D765

RGB 84 215 101

HSL 127.79, 0.62%, 0.59%

LAB 76.94, -59, 45.34

 

CMYK 49 / 0 / 43 / 22

HEX #65C772

RGB 101 199 114

HSL 127.96, 0.47%, 0.59%

LAB 72.78, -46.73, 33.86

 

CMYK 35 / 0 / 30 / 29

HEX #76B67F

RGB 118 182 127

HSL 128.44, 0.3%, 0.59%

LAB 68.64, -32, 21.69

 

CMYK 47 / 0 / 80 / 2

HEX #85F933

RGB 133 249 51

HSL 95.15, 0.94%, 0.59%

LAB 88.44, -62.94, 77.02

 

CMYK 68 / 0 / 80 / 2

HEX #50F933

RGB 80 249 51

HSL 111.21, 0.94%, 0.59%

LAB 86.85, -75.67, 74.97

 

CMYK 80 / 0 / 70 / 2

HEX #33F94A

RGB 51 249 74

HSL 126.97, 0.94%, 0.59%

LAB 86.48, -78.37, 67.2

 

CMYK 80 / 0 / 49 / 2

HEX #33F97F

RGB 51 249 127

HSL 143.03, 0.94%, 0.59%

LAB 86.99, -72.15, 45.25

 

CMYK 80 / 0 / 28 / 2

HEX #33F9B4

RGB 51 249 180

HSL 159.09, 0.94%, 0.59%

LAB 87.85, -62.36, 20.02

 

CMYK 98 / 0 / 85 / 17

HEX #05D420

RGB 5 212 32

HSL 127.83, 0.95%, 0.43%

LAB 74.33, -73.92, 67.91

 

CMYK 96 / 0 / 83 / 3

HEX #0AF829

RGB 10 248 41

HSL 127.82, 0.94%, 0.51%

LAB 85.69, -83.04, 76.08

 

CMYK 80 / 0 / 69 / 2

HEX #33F94C

RGB 51 249 76

HSL 127.58, 0.94%, 0.59%

LAB 86.49, -78.2, 66.49

 

CMYK 64 / 0 / 55 / 2

HEX #5BFA70

RGB 91 250 112

HSL 127.92, 0.94%, 0.67%

LAB 87.86, -68.56, 53.41

 

CMYK 48 / 0 / 41 / 2

HEX #83FB93

RGB 131 251 147

HSL 128, 0.94%, 0.75%

LAB 89.83, -54.89, 39.61

 

CMYK 80 / 0 / 70 / 2

HEX #32FA4C

RGB 50 250 76

HSL 127.8, 0.95%, 0.59%

LAB 86.79, -78.6, 66.79

 

CMYK 80 / 25 / 0 / 2

HEX #33BAF9

RGB 51 186 249

HSL 199.09, 0.94%, 0.59%

LAB 71.32, -14.56, -41.19

 

CMYK 0 / 80 / 57 / 2

HEX #F9336B

RGB 249 51 107

HSL 343.03, 0.94%, 0.59%

LAB 55.65, 74.7, 17.57

 

CMYK 80 / 0 / 70 / 2

HEX #32FA4C

RGB 50 250 76

HSL 127.8, 0.95%, 0.59%

LAB 86.79, -78.6, 66.79

 

CMYK 70 / 80 / 0 / 2

HEX #4A33F9

RGB 74 51 249

HSL 246.97, 0.94%, 0.59%

LAB 39.01, 65.68, -93.25

 

CMYK 0 / 70 / 80 / 2

HEX #F94A33

RGB 249 74 51

HSL 6.97, 0.94%, 0.59%

LAB 57.34, 65.04, 51.24

 

CMYK 80 / 0 / 70 / 2

HEX #32FA4C

RGB 50 250 76

HSL 127.8, 0.95%, 0.59%

LAB 86.79, -78.6, 66.79

 

CMYK 80 / 25 / 0 / 2

HEX #33BAF9

RGB 51 186 249

HSL 199.09, 0.94%, 0.59%

LAB 71.32, -14.56, -41.19

 

CMYK 0 / 80 / 9 / 2

HEX #F933E2

RGB 249 51 226

HSL 306.97, 0.94%, 0.59%

LAB 59.89, 86.96, -45.4

 

CMYK 0 / 54 / 80 / 2

HEX #F97233

RGB 249 114 51

HSL 19.09, 0.94%, 0.59%

LAB 63.68, 48.19, 57.34

 

CMYK 80 / 0 / 70 / 2

HEX #32FA4C

RGB 50 250 76

HSL 127.8, 0.95%, 0.59%

LAB 86.79, -78.6, 66.79

 

CMYK 80 / 49 / 0 / 2

HEX #337FF9

RGB 51 127 249

HSL 216.97, 0.94%, 0.59%

LAB 54.78, 19.69, -67.47

 

CMYK 0 / 80 / 9 / 2

HEX #F933E2

RGB 249 51 226

HSL 306.97, 0.94%, 0.59%

LAB 59.89, 86.96, -45.4

 

CMYK 0 / 31 / 80 / 2

HEX #F9AD33

RGB 249 173 51

HSL 36.97, 0.94%, 0.59%

LAB 76.23, 18.11, 68.92

 

Description

Color code: RGB 50 250 76 | qconv.com Color code: RGB 50 250 76 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 250 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 250 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 70 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 70% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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